Chinese
礼！以戒律束腰的表征；将法衣分为两片的行为，是方便与智慧双运的表征；用海螺制成的鼗鼓坐垫，是阻断堕入恶趣之门的表征；佩戴念珠和数珠的行为，是转法轮的表征；在右侧佩戴虎皮，是摄伏勇士的表征；在左侧佩戴豹皮，是摄伏勇母的表征；在右侧佩戴死人头发，是在相续中生起无常的表征；在左侧佩戴活人头发，是将恶缘转化为道用的表征。或者说，用死人头发摄伏死人鬼，用活人头发摄伏活人鬼。也有这种说法。佩戴白银镜子，是显现法性光明清澈的表征；佩戴五彩丝带，是象征五身五智的表征；摇动铃铛发出悦耳的声音，是美名传遍十方的表征。这是玛吉（玛吉拉准）的教法。 宁玛派的教法，只是在佩戴铁钩、弓箭和绘制骷髅头方面有所不同。至于摇动的方式，玛吉的教法没有看到特别的规定，只有一般的说法。宁玛派的教法是：ra tsa hri ya（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）三字，以及玛和拉空行母三尊，玛和空行母三尊，玛和空行母在此聚集唯一，以及三位殊胜佛陀，向玛吉祈祷，祈请大佛母加持！这是宁玛派著名的利津策旺诺布所著。第二个共同要义是，在断除险地时展示苦行者的装束。分为外在和内在险地两种。第一种是：适合持用手鼓，玛吉的教法和其他教法没有太大差异，但最好是用檀香、沉香、清香等，以及有果实的树木，而不是带刺的树木。尺寸方面，按照当巴的教法，是一庹；按照玛吉的教法，是一脚。总之，不能小于一拃，无论是吉祥之人手中传来，还是新制作的都可以。对此解释其象征意义：用木头制成的手鼓，是持有教法命脉的表征；将鼓的内部做空，是具有空性意义的表征；在鼓面上刻有陀罗尼咒语，在四瓣莲花和莲心之中，绘制一百位勇士父母的种子字。
English
Homage! The symbol of binding the waist with the belt of discipline; the act of dividing the robe into two pieces is the symbol of the union of skillful means and wisdom; the ḍamaru seat made of conch shell is the symbol of blocking the door to the lower realms; the act of wearing a rosary and counting beads is the symbol of turning the wheel of Dharma; wearing a tiger skin on the right side is the symbol of subduing heroes; wearing a leopard skin on the left side is the symbol of subduing heroines; wearing dead people's hair on the right side is the symbol of generating impermanence in the continuum; wearing living people's hair on the left side is the symbol of transforming adverse conditions into the path. Alternatively, it is said that dead people's hair subdues dead ghosts, and living people's hair subdues living ghosts. There is also this saying. Wearing a white silver mirror is the symbol of revealing the clear light of Dharma nature; wearing five-colored silk ribbons is the symbol of representing the five bodies and five wisdoms; shaking the bell to produce a pleasant sound is the symbol of spreading fame in all ten directions. This is the teaching of Machig (Machig Labdrön). In the Nyingma school, the only differences are in wearing iron hooks, bows and arrows, and drawing skulls. As for the way of shaking, no special regulations are seen in Machig's teachings, only general statements. The teachings of the Nyingma school are: ra tsa hri ya (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) three syllables, as well as Ma and La, the three dakinis, Ma and the three dakinis, Ma and the dakinis gathered here as one, as well as the three supreme Buddhas, pray to Machig, and request the great Mother Buddha to bless! This was written by Rigzin Tshewang Norbu, famous in the Nyingma school. The second common meaning is to show the attire of an ascetic when cutting off dangerous places. It is divided into external and internal dangerous places. The first is: suitable for holding a hand drum, the teachings of Machig and other teachings are not very different, but it is best to use sandalwood, agarwood, frankincense, etc., and trees with fruits, not thorny trees. In terms of size, according to the teachings of Dampa, it is one fathom; according to the teachings of Machig, it is one foot. In short, it cannot be less than one span, whether it comes from the hands of an auspicious person or is newly made. Explain its symbolic meaning: the hand drum made of wood is the symbol of holding the life force of the teachings; making the inside of the drum empty is the symbol of having the meaning of emptiness; engraving Dharani mantras on the drum surface, in the four lotus petals and lotus heart, draw the seed syllables of a hundred heroes and heroines.
Chinese
所画之物，是具有慈悲之义的象征。 于彼系腰带，是系持戒律腰带的象征。 将鼗鼓分为两边，是方便智慧双运的象征。 鼗鼓座以海螺制成，是阻断恶趣之门的象征。 悬挂佩戴阿隆，是转妙法法轮的象征。 于右佩戴虎皮，是摄伏勇士的象征。 于左佩戴豹皮，是摄伏勇母的象征。 于右佩戴死人发，是于相续中生起无常的象征。 于左佩戴活人发，是将恶缘转为道用的象征。 又说，死人发摄伏死鬼，活人发摄伏活鬼。 佩戴白银镜子，是法性光明显现的象征。 悬挂五色丝带，是五身五智的象征。 摇动铃铛发出声音，是美名宣扬十方的象征。 如是为玛吉之规。 宁玛派的差别仅在于佩戴铁钩弓箭和绘制颅碗。 摇动的方式：玛吉派未见特殊之处，仅为普遍方式。 宁玛派有：ra tsa hri ya（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）三字，以及“玛”与“拉”空行母三者，以及“玛”与空行母三者，以及“玛”与空行母在此聚集唯一，以及三位圣者佛陀，以及祈请玛吉，大母垂赐加持！此为宁玛派著名的利津策旺诺布所著。 依随自宗上师之行，为“玛”与空行母三者，以及“玛”与“拉”空行母三者。吽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）！四者，初六代表六度波罗蜜，吽四字代表四无量心。如是为赞颂圣者之象征而摇动，然亦可于长乐歌中摇动。 此外，如任运生起之普遍方式，无有特殊之处。铃铛如续部所出，或如勇士铃铛，与以柔铃金刚鬘围绕者相同。未见玛吉所说。虽无铃铛亦可，然为方便智慧不分离之故，断法传承之上师们于双运中摇动，甚为贤妙。不缺人腿骨乃要点。
English
That which is drawn, is a symbol possessing the meaning of compassion. Tying a belt upon it, is a symbol of tying the belt of discipline. Dividing the ḍamaru into two sides, is a symbol of uniting skillful means and wisdom. The ḍamaru seat made of conch shell, is a symbol of blocking the gates of the lower realms. Hanging and wearing an alung, is a symbol of turning the wheel of the sacred Dharma. Hanging a tiger skin on the right, is a symbol of subduing heroes. Hanging a leopard skin on the left, is a symbol of subduing heroines. Hanging dead hair on the right, is a symbol of generating impermanence in the continuum. Hanging living hair on the left, is a symbol of transforming adverse conditions into the path. Alternatively, it is said that dead hair subdues dead spirits, and living hair subdues living spirits. Hanging a white silver mirror, is a symbol of the luminosity of the nature of reality appearing. Hanging five-colored silk ribbons, is a symbol of representing the five kayas and five wisdoms. Ringing the bell and making sound, is a symbol of proclaiming fame in the ten directions. Thus is the tradition of Machik. The difference in the Nyingma tradition lies only in wearing iron hooks, bows and arrows, and drawing a skull cup. The manner of shaking: In the Machik tradition, no special features are seen, only a general manner. In the Nyingma tradition, there are the three syllables ra tsa hri ya (藏文,梵文天城体,梵文罗马拟音,汉语字面意思), and the three dakinis "Ma" and "La", and the three dakinis "Ma" and dakini, and "Ma" and dakini gathered here as one, and the three holy Buddhas, and the supplication to Machik, may the Great Mother bestow blessings! This was composed by Rigdzin Tshewang Norbu, famous in the Nyingma tradition. According to the practice of our own lineage lamas, there are the three "Ma" and dakinis, and the three "Ma" and "La" dakinis. Hūṃ (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)! The four, the first six represent the six perfections, and the four Hūṃ represent the four immeasurables. Thus, it is shaken to praise the symbols of the holy ones, but it can also be shaken during the long song of bliss. Otherwise, there are no special features, only the general manner of spontaneous arising. The bell is like that which comes from the tantras, or like the hero's bell, similar to that surrounded by a rosary of soft bells and vajras. I have not seen what Machik said. Even without a bell, it is fine, but for the sake of the inseparability of skillful means and wisdom, the lamas of the Chöd lineage shake it in union, which is very excellent. Not lacking a human leg bone is essential.
Chinese
尾端（人腿骨）的两个关节都要保留。颜色以纯白色为最佳，紫红色为中等，杂色为下等，灰白色等普通颜色会有瑕疵，所以不好。形状要稍微弯曲，骨头要光滑，内部自然弯曲。左右弯曲、分段弯曲、有节、有裂缝等，太厚且纹路多、非常厚、不弯曲且笔直、非常粗大、声音尖细而没有力量且松垮、脚底的趾头小而光滑、脚的中间长很多茧、像猪蹄、粗糙、角多、扁平，总之，看起来不美观、不悦意的那些都不能用。按照自宗上师的传承，母续、空行母三尊，母续、拉（神）和空行母三尊，吽（藏文：ཧཱུྃ༔，梵文天城体：हुँ，梵文罗马拟音：hūṃ，汉语字面意思：吽）四尊。最初的六尊代表六度，吽（藏文：ཧཱུྃ༔，梵文天城体：हुँ，梵文罗马拟音：hūṃ，汉语字面意思：吽）四个代表四无量心。这样是为了赞颂圣者的象征意义而敲击的。但是，在演奏长调的欢乐歌时也会敲击。除此之外，没有像普遍的自然发生那样有特别的规定。像铃从续部中出现一样，或者像勇士的铃那样，用柔和的铃和金刚链缠绕，这似乎是一致的。没有见过玛吉拉准（Ma gcig Lab sgron）说过。即使没有铃也可以，但为了方便智慧双运，断法传承的上师们在双运时敲击非常好。人腿骨 不损坏的是指头尾的两个关节都要保留。颜色以白色为最好，紫色为中等，杂色为最差。灰白色等普通颜色会有瑕疵，所以不好。形状要稍微弯曲，骨头要光滑，内部自然弯曲。左右弯曲、分段弯曲、有节、有裂缝等，太厚且纹路多、非常厚、不弯曲且笔直、非常粗大、声音尖细而没有力量且松垮、脚底的趾头小而光滑、脚的中间长很多茧、像猪蹄、粗糙、角多、扁平，总之，看起来
English
The two joints at the beginning and end of the (human leg bone) should be kept. The color should be pure white as the best, purplish-red as medium, and variegated color as the worst. Ordinary colors such as grayish-white will have flaws, so they are not good. The shape should be slightly curved, the bone should be smooth, and the inside should be naturally curved. Bending left and right, bending in sections, having knots, having cracks, etc., being too thick and having many lines, being very thick, not bending and being straight, being very thick, having a thin voice and no strength and being loose, the toes on the soles of the feet being small and smooth, having many calluses in the middle of the foot, being like a pig's hoof, being rough, having many corners, being flat, in short, those that look unsightly and unpleasant cannot be used. According to the practice of the gurus of our own tradition, the three deities of the Mother Tantra and the Dakinis, the three deities of the Mother Tantra, the Lha (deity) and the Dakinis, and the four Hum (藏文：ཧཱུྃ༔，梵文天城体：हुँ，梵文罗马拟音：hūṃ，汉语字面意思：吽). The first six represent the six perfections, and the four Hum (藏文：ཧཱུྃ༔，梵文天城体：हुँ，梵文罗马拟音：hūṃ，汉语字面意思：吽) represent the four immeasurables. In this way, it is played to praise the symbolism of the saints. However, it is also played when playing long, joyful songs. Other than that, there are no special regulations like the common natural occurrence. It seems consistent that the bell appears from the tantras, or like the bell of the hero, wrapped in a soft bell and a vajra chain. I have not seen Machig Labdrön say it. Even if there is no bell, it is fine, but for the sake of the union of skillful means and wisdom, it is very good for the gurus of the Chöd lineage to play it during union. Human leg bone What is not damaged refers to keeping the two joints at the beginning and end. The color should be white as the best, purple as medium, and variegated as the worst. Ordinary colors such as grayish-white will have flaws, so they are not good. The shape should be slightly curved, the bone should be smooth, and the inside should be naturally curved. Bending left and right, bending in sections, having knots, having cracks, etc., being too thick and having many lines, being very thick, not bending and being straight, being very thick, having a thin voice and no strength and being loose, the toes on the soles of the feet being small and smooth, having many calluses in the middle of the foot, being like a pig's hoof, being rough, having many corners, being flat, in short, looking