English
The reason why each needs to rotate counterclockwise. The two wheels are the essence of mantra. In visualization, one must also believe in the same deity. The mantras in each grid must be aligned above and below. Otherwise, if the mantras are confused, it will not be accomplished as desired. For example, if the bones of the left arm are inserted into the flesh of the right arm, the joints will not fit. The combined wheel of mantra practice is different, because the two mantras are completely different, and there is no way to arrange them to be the same. Just like the protector wheel has father and mother deities that can be arranged, this wheel does not have them. In visualization, one must also visualize the father and mother deities separately, and the wheels are also independent, so they cannot be combined. For a single male, the lower wheel rotates counterclockwise with the opening facing up, and the upper wheel rotates clockwise with the opening facing down, so that when combined, it becomes clockwise. It represents single skillful means. For a single female, the lower wheel is written counterclockwise with the opening facing up, and the upper wheel is written clockwise with the opening facing down, so that when combined, it becomes counterclockwise, representing single wisdom. When practicing in union, both are written clockwise. If the wheel is not folded, then in general it is very clear. The female wheel rotates clockwise from below with the opening facing up, indicating that there is an element of skillful means in wisdom. The changing wheel rotates clockwise, with the opening facing down, becoming counterclockwise, indicating that there is an element of wisdom in skillful means. The combination of clockwise and counterclockwise is because two things of different nature are for the same purpose. When practicing alone, it is said to be written on the skull, which is a saying of the lineage. At other times, the way of writing the wheel is the same as in combined practice, and it can also accomplish the activity, so there is no contradiction. If these can be found and accomplished, then there is a complete skull bowl, and there is an image of Yamaraja naturally manifested, it is said that this auspicious connection can greatly open the blessing. Here it represents the practice of a single father deity, a single mother deity, a father and mother deity, or brothers and sisters together. Except for the special additional qualities of generating the wheel in visualization, the thirteen deities or seventeen deities, etc., can also use this ritual sequence. Similarly, if Black Hala is practiced as a single male or as brothers and sisters, near
Chinese
如果这样就能够成就。又从实践仪轨等处宣说，从口诀中出现的手持人皮弯刀和颅骨为主，将热玛热和姐妹作为近修，并念诵 嗡 希利 玛哈嘎拉 茹巴 夏 吽 啪 (藏文：ཨོཾ་ཤྲཱི་མཧཱ་ཀཱ་ལ་རུ་པ་ཤ་ཧཱུཾ་ཕཊ།，梵文天城体：，梵文罗马拟音：oṃ śrī mahākāla rūpa śa hūṃ phaṭ，汉语字面意思：嗡，吉祥，大黑天，形象，夏，吽，啪) 。其他通过此仪轨成办事业。绿色的主尊如阎魔敌般成就，也是因为对此做了许多供养。要知道这些等等会变化成多种形态。 又，这里实际上并没有依赖这个分别念，而是宣说了其他的口传诀窍：外围环绕三圈，绘制金刚链和火焰山。其中，兵器轮八辐轮，不需要绘制中心。辐条的顶端不要锐利，而是像字母“ཆ”的下半部分一样，绘制两个部分中的一个。也讲述了一个理由，但在古老的口诀文字中没有明确说明。对于八个辐条，写上“大恶魔（དམུ་བྱད་མ།）某某（ཆེ་གེ་）自己（རང་ཉིད་）返回（ལ་ལོག་ཤོག）！”。同样，对于国王（རྒྱལ་པོ།）、阎魔（གཤིན་རྗེ།）、格宁哲（གྱིང་འདྲིལ།）、哲宁哲（དྲི་འདྲིལ།）、魔（བདུད།）、母鬼（མ་མོ།）、赞（བཙན།）等，写上“加害者或恶魔（གནོད་བྱེད་དམ་བྱད་མ།）某某（ཆེ་གེ་མོ།）自己（རང་ཉིད་）返回（ལ་ལོག་ཤོག）！”。从东方开始，按照顺序逆时针书写，字头向外。同样，在东方和东南方之间的辐条之间，写上“热姆库 斯当 夏 扎吞 夏 扎吞 斯当 巴 亚 南 朗（རྨུ་འཁུ་སྟཾ་ཤ་ཏྲུན་ཤ་ཏྲུན་སྟཾ་བྷ་ཡ་ནན་ལཾ།）”。同样，在各个辐条之间，逆时针地，对于国王（རྒྱལ་པོ།）胜利（རྒྱལ་ཏེ།）财富（རྒྱུ་དང༌།），阎魔（གཤིན་རྗེ།）等，地方神（ཡུལ་ལྷ་དང༌།），格宁哲哲宁哲（གྱིང་འདྲིལ་དྲི་འདྲིལ་དང༌།），魔（བདུད།）等，母鬼（མ་མོ་དང༌།），赞（བཙན་དང༌།），江哲（ཅང་ཏེའུ་）等，加上“库 斯当 夏 扎吞 夏 扎吞 斯当 巴 亚 南 朗（འཁུ་སྟཾ་ཤ་ཏྲུན་ཤ་ཏྲུན། སྟཾ་བྷ་ཡ་ནན་ལཾ།）”，字头向内书写。在轮的中心，绘制被束缚者，弯曲双腿并用锁链捆绑。对于中间右侧和上方以及中间左侧，写上“衮哲 吞热 利利（ཀུན་དྲུག་ཐུམ་རི་ལི་ལི་）”两遍，在身体上，在那句咒语之后，写上“班达 巴夏亚 班达 巴夏亚（བནྡྷེ་པ་ཤ་ཡ་བནྡྷེ་པ་ཤ་ཡ་）”。在额头上，写下字头向下的“吞热 利利（ཐུམ་རིལ་ལི་ལི་）”。在那个形象的前面，写上“哈哈 夏 扎吞 夏 扎吞（ཧ་ཧ་ཤ་ཏྲུན་ཤ་ཏྲུན།） 某某 南 库 斯当（ཆེ་གེ་མོ་ནན་འཁུ་སྟམ་）”。左边写“夏 扎吞 夏 扎吞 斯当 巴 亚 玛热亚 匝（ཤ་ཏྲུན་ཤ་ཏྲུན་སྟཾ་བྷ་ཡ་མཱ་ར་ཡ་ཛ།）”。右边写道路指示，打开道路，投掷金刚橛等。如果特别认识目标，就写心脏、名字和姓氏。
English
If so, it can be accomplished by this alone. Also, it is explained in practice manuals and so on. From the oral instructions, the main thing is to hold a flaying knife and a skull cup. Remati and her sister should be done as close practice. And recite Oṃ Śrī Mahākāla Rūpa Śa Hūṃ Phaṭ (藏文：ཨོཾ་ཤྲཱི་མཧཱ་ཀཱ་ལ་རུ་པ་ཤ་ཧཱུཾ་ཕཊ།，梵文天城体：，梵文罗马拟音：oṃ śrī mahākāla rūpa śa hūṃ phaṭ，汉语字面意思：Om, glorious, Mahakala, form, Sha, Hum, Phat). Otherwise, the work is accomplished by this very ritual. The green lord being accomplished like Yamāntaka is also because many offerings have been made to this. It should be known that these and so on will change into many forms. Also, here, although not actually relying on this concept, another oral instruction is taught: On the outside, draw three surrounding circles, a vajra chain and a mountain of fire. Inside that, for the weapon wheel with eight spokes, it is not necessary to draw the center. The tips of the spokes should not be sharp. Instead, there is a tradition of drawing one of the two parts like the lower part of the letter "cha". One reason is also explained, but it is not clear in the old oral instruction texts. For the eight spokes, write "Great demon (དམུ་བྱད་མ།), so-and-so (ཆེ་གེ་), return (ལ་ལོག་ཤོག) to yourself (རང་ཉིད་)!". Similarly, for the king (རྒྱལ་པོ།), Yama (གཤིན་རྗེ།), Gyingdril (གྱིང་འདྲིལ།), Dridril (དྲི་འདྲིལ།), demon (བདུད།), Māmo (མ་མོ།), Tsen (བཙན།), etc., write "Harmer or demon (གནོད་བྱེད་དམ་བྱད་མ།), so-and-so (ཆེ་གེ་མོ།), return (ལ་ལོག་ཤོག) to yourself (རང་ཉིད་)!". Starting from the east, write counterclockwise in order, with the head of the letters facing outwards. Similarly, between the spokes of the east and southeast, write "Remu Khu Stam Sha Tratun Sha Tratun Stam Bha Ya Nan Lam (རྨུ་འཁུ་སྟཾ་ཤ་ཏྲུན་ཤ་ཏྲུན་སྟཾ་བྷ་ཡ་ནན་ལཾ།)". Similarly, between the spokes, counterclockwise, for the king (རྒྱལ་པོ།), victory (རྒྱལ་ཏེ།), wealth (རྒྱུ་དང༌།), Yama (གཤིན་རྗེ།), etc., local deity (ཡུལ་ལྷ་དང༌།), Gyingdril Dridril (གྱིང་འདྲིལ་དྲི་འདྲིལ་དང༌།), demon (བདུད།), etc., Māmo (མ་མོ་དང༌།), Tsen (བཙན།), Jangteu (ཅང་ཏེའུ་), etc., add "Khu Stam Sha Tratun Sha Tratun Stam Bha Ya Nan Lam (འཁུ་སྟཾ་ཤ་ཏྲུན་ཤ་ཏྲུན། སྟཾ་བྷ་ཡ་ནན་ལཾ།)", with the head of the letters facing inwards. In the center of the wheel, draw the one to be subdued, bending the legs and binding them with chains. For the middle right and upper parts, and the middle left parts, write "Kün Drug Tumri Lili (ཀུན་དྲུག་ཐུམ་རི་ལི་ལི་)" twice. On the body, after that mantra, write "Bandhe Pāśaya Bandhe Pāśaya (བནྡྷེ་པ་ཤ་ཡ་བནྡྷེ་པ་ཤ་ཡ་)". On the forehead, write "Tumril Lili (ཐུམ་རིལ་ལི་ལི་)" with the head of the letters facing downwards. In front of that image, write "Haha Sha Tratun Sha Tratun (ཧ་ཧ་ཤ་ཏྲུན་ཤ་ཏྲུན།) So-and-so Nan Khu Stam (ཆེ་གེ་མོ་ནན་འཁུ་སྟམ་)". On the left, write "Sha Tratun Sha Tratun Stam Bha Ya Māraya Ja (ཤ་ཏྲུན་ཤ་ཏྲུན་སྟཾ་བྷ་ཡ་མཱ་ར་ཡ་ཛ།)". On the right, write road instructions, opening the road, throwing the phurba, etc. If the target is specifically recognized, write the heart, name, and clan.
Chinese
将此轮置于阎罗男女之轮之间。阎罗之轮本身也写上变动词语。放入开口之中也可以。如果单独修此法，则用头盖骨合用，或单独用恶劣的头盖骨，或放入陶制乌龟壳中也可以。安放的基础之时，这些是差别。观想是轮的中心，自己是本尊的前面，或四方是阎罗父母，八辐条上由八个雅（藏文：ཡ་，梵文天城体：य，梵文罗马拟音：ya，字面意思：雅）八个吽（藏文：བྷྱོཿ，梵文天城体：भ्योः，梵文罗马拟音：bhyaḥ，字面意思：吽）生出八个阎罗男女。只观想手持弯刀和颅血。其中，如果主要做守护，则用绿黑色，用于遣除则用烟色，用于诛杀则用黑色。其他所有修法都与前面相同。守护、遣除、诛杀三种的观想是，与邬瑟腻沙（梵文：Uṣṇīṣa）的口诀种类混合。这样的林伽之轮是，如果世尊阎罗敌用轮来加持，也能圆满遣除诅咒。顶礼世尊雅曼达嘎！极其秘密的口诀，连风也不能听到。只有这个。仅仅是这个。应当保密，应当隐藏。怎么能让图样被眼睛看到呢？也不要说出声音。需要没有杂质的蓝色马头盖骨。勇士被刀杀死，取尸体焚烧地的土。做土台，在坑中做蓝黑色三角形。用刀血和猛毒混合涂抹。用红色荆棘围绕开口。在荆棘上，无论找到什么，都插入人、马、羊三种的心脏碎片。首先是本尊，然后是事先进行过阎罗念诵修持的瑜伽士，在轮的中心写上近心七字或八字变动词语。在中央的四个雅（藏文：ཡ་，梵文天城体：य，梵文罗马拟音：ya，字面意思：雅）之中，写上某某，在雅（藏文：ཡ་，梵文天城体：य，梵文罗马拟音：ya，字面意思：雅）的中心圆圈上写上具有念诵咒语名字的诅咒。在八个辐条上，如前一样写上法王的串咒。在圆圈上写上诛杀咒语。像那样写在合用之中，放入林伽。那个轮也放入混合了污秽物的渔夫腹中。然后放入马头盖骨中，放在坑里。也拉长那样的一个轮，带有其他词语。必须在那样的上面放一个林伽，或者在坑的口中或其他地方写上林伽。
English
Place this wheel between the wheels of Yama and his consort. On the actual wheel of Yama, also write the changed words. It is also acceptable to place it inside an opening. If this is practiced separately, then either use conjoined skulls, or a single bad skull, or it is also acceptable to place it inside a clay turtle shell. These are the differences at the time of establishing the base. The visualization is: in the center of the wheel, oneself is in front of the yidam, or in the four directions are Yama and his consort, and from the eight spokes, from eight Yas (Tibetan: ཡ་, Sanskrit Devanagari: य, Sanskrit Romanization: ya, literal meaning: Ya) and eight Bhyohs (Tibetan: བྷྱོཿ, Sanskrit Devanagari: भ्योः, Sanskrit Romanization: bhyaḥ, literal meaning: Bhyoh), generate eight Yamas and their consorts. Meditate only on them holding curved knives and skull cups filled with blood. Also, if protection is the main focus, then use green-black; for repulsion, use smoke color; and for killing, use black. All other methods of practice are the same as before. The visualization of protection, repulsion, and killing is mixed with the Uṣṇīṣa (Sanskrit: Uṣṇīṣa) type of mantra instructions. Such a lingam wheel is that if the Bhagavan Yama uses the wheel of the slayer to empower, then the repulsion of curses will be perfectly accomplished. Homage to the Bhagavan Yamantaka! The extremely secret mantra should not be heard even by the wind. Only this. Only this much. It should be kept secret, it should be hidden. How could the pattern be seen by the eyes? Also, do not speak out loud. A flawless blue horse skull is needed. Take the earth from where a hero was killed by a knife and where the corpse was burned. Make an earthen platform and prepare a dark blue triangle in the pit. Smear it with a mixture of knife blood and potent poison. Surround the opening with red thorns. On the thorns, insert whatever pieces of heart you can find from a human, a horse, and a goat. First, the yidam, and then the yogi who has previously performed the recitation and practice of Yama, writes the seven- or eight-letter near-heart mantra with changed words in the center of the wheel. In the center of the four Yas (Tibetan: ཡ་, Sanskrit Devanagari: य, Sanskrit Romanization: ya, literal meaning: Ya), write so-and-so, and on the central circle of the Ya (Tibetan: ཡ་, Sanskrit Devanagari: य, Sanskrit Romanization: ya, literal meaning: Ya), write the curse with the name of the recitation mantra. On the eight spokes, write the garland mantra of the Dharma King as before. On the circle, write the killing mantra. Write it like that in the conjoined part and insert the lingam. Also, put that wheel into the belly of a fisherman mixed with impure substances. Then put it in the horse skull and place it in the pit. Also stretch out such a wheel with other words. One lingam must be placed on top of that, or write the lingam in the mouth of the pit or elsewhere.