Chinese
并加以命名。右耳与火方之间的角落里，是脉名虚空母，阎魔法稳母；左耳与罗刹方之间的角落里，是脉名降雨母，阎魔使女；右眼与风方之间的角落里，是脉名腐烂母，阎魔咬牙切齿母；左眼与自在天方之间的角落里，是脉名所属母，完全清净阎魔摧毁母。这些角落的女神也和之前的四位门守护一样，乘坐尸体为座等，形态和特征与其他相同，颜色则按照宫殿的方位颜色顺序，做成半身像。而且，这些也应具有困难的光彩。这十二位瑜伽母中没有真正的白色女神，为了使白色融入遍入一切的毗卢遮那佛部，以及为了使上述的两个理由也在这十二位瑜伽母中得以具备。悦意是指 具有女神面容之意。一般来说，美丽和悦意是指坛城的所有神灵，而寂静和微笑的悦意则不是指这些，因为她们具有非常愤怒的姿态。因此，门母们因为是面容像，所以被称为形象不悦，而角落母们因为是神的面容，所以被说是令人心醉的形象。一般来说，做成头像是智慧神的情况也很多，但这些做成头像并不好，做成面容像才合适。对此，也有从发际线开始做成面容像，以及从鼻根开始做成下巴面容像的两种方式，我认为从发际线开始做成面容像比较好。因此，狗面和猪面，耳朵就是它们本身的耳朵，并且要从耳朵根部穿孔来佩戴耳饰。乌鸦和猫头鹰没有耳朵的突起，所以要做成像人耳一样的短小耳垂。半身像的名字也可以叫做半身自在母，或非半身自在母，或半身女自在母。以吉祥黑鲁嘎等词语概括的二十四位勇士，都是一面二臂，右手持金刚杵，左手持铃，以拥抱明妃的姿势结印。左手拥抱各自的明妃。
English
and named them. In the corner between the right ear and the fire direction, is the channel named Sky Mother, Yama Stable Mother; in the corner between the left ear and the Rakshasa direction, is the channel named Rain-Giving Mother, Yama Messenger Woman; in the corner between the right eye and the wind direction, is the channel named Rotting Mother, Yama Gritting Teeth Mother; in the corner between the left eye and the Lord of Power direction, is the channel named Belonging Mother, Completely Pure Yama Destroying Mother. These corner goddesses are also like the previous four gate guardians, riding on corpses as seats, etc., with forms and characteristics similar to the others, but their colors are made into half-figures according to the order of the directional colors of the palace. Moreover, they should also have the radiance of difficulty. Among these twelve yoginis, there is no actual white goddess, so that white can be incorporated into the all-pervading Vairocana family, and so that the two reasons mentioned above can also be fulfilled in these twelve yoginis. Pleasantness refers to meaning having the face of a goddess. Generally, beauty and pleasantness refer to all the deities of the mandala, but the pleasantness of peace and smiling does not refer to these, because they have very wrathful expressions. Therefore, the gate mothers are called unpleasant in appearance because they are face-like, while the corner mothers are said to be captivating images because they are the faces of deities. Generally, there are many cases where wisdom deities are made into head images, but it is not good to make these into head images, it is more appropriate to make them into face images. Regarding this, there are two ways: one is to make the face image from the hairline down, and the other is to make the chin face image from the root of the nose down. I think it is better to make the face image from the hairline down. Therefore, for dog-faced and pig-faced deities, the ears are their own ears, and they must be pierced from the root of the ear to wear earrings. Crows and owls do not have ear protrusions, so they should have short earlobes like human ears. The names of the half-figures can also be called Half-Body自在母, or Non-Half-Body自在母, or Half-Body Female自在母. The twenty-four heroes, summarized by the words Glorious Heruka, etc., are all one-faced and two-armed, with the right hand holding a vajra and the left hand holding a bell, making the mudra of embracing the consort. The left hand embraces their respective consorts.
Chinese
乳房被咬噬。衣着、装饰和用具等与吉祥黑汝嘎相同，坐在尸体座上。舍弃各种金刚和半月。据说以五印装饰。看着明妃并咬住下唇，即以嘴唇相合，用牙齿咬噬佛母的下唇。所有二十四位明妃，装饰和形貌都与金刚亥母相同。右手拿着以金刚为标志的弯刀，左手拿着颅碗拥抱父尊。勇父们具有妩媚等姿态，具有红色而圆的三只眼睛，咬着四颗牙齿，以颅鬘，即人头的头饰和项链装饰。光芒四射，燃烧，即安住在火焰之中。具有愤怒而扭曲，即忿怒的姿态，以及贪恋的目光交织的眼神。在太阳座上压着尸体，从那样的身体中光芒燃烧。右腿伸展的舞姿，即以右腿伸展的姿势安住。三轮的诸神的身色，在坛城仪轨中说：“非白即白与红色，下者胜者与中者，全部依次安立，是上师次第的恩德。”如是所说，心轮者为黑色，语轮者为红色，身轮者为白色，是作为主要。修法中不明显的是，由于心完全清净，所以全部都做成蓝色等，身色不同的差别很多，有混合的选择，无论怎样做都不相违背。如是理解。鸦面母等所说的门隅等，具有虎皮的下裙松开。顶髻的宝珠，说的是，因为这里没有顶髻，所以稍微改变不太好，实际上是顶髻宝珠的意思。这样，顶髻宝珠，以及耳环，以及项链，以及手镯等，以及金刚腰带，以及颅鬘，即以项链装饰颈部。同样，两个脚的镯子上以铃铛装饰。以非常左展的姿势安住，在Rwa译本中说拿着卡杖嘎，但是在其他译本中没有出现，是清净的
English
The breasts are being bitten. The clothes, ornaments, and implements are the same as glorious Heruka, seated on a corpse seat. Abandoning various vajras and crescent moons. It is said to be adorned with the five seals. Looking at the consort and biting the lower lip, that is, with lips together, biting the mother's lower lip with teeth. All twenty-four goddesses, the ornaments and appearances are the same as Vajravarahi. The right hand holds a curved knife marked with a vajra, and the left hand holds a skull cup embracing the father. The heroes have charming postures, have three red and round eyes, biting four teeth, adorned with a garland of skulls, that is, headdresses and necklaces of human heads. Radiating light, blazing, that is, dwelling in the midst of flames. Having an angry and twisted, that is, wrathful posture, and a gaze mixed with lustful glances. Pressing a corpse on the sun seat, and from such a body, light blazes. A dance with the right leg extended, that is, abiding in a posture with the right leg extended. The body colors of the deities of the three wheels, in the mandala ritual it says: "Non-white, white, and red, the lower, the superior, and the middle, all are established in order, it is the kindness of the lineage of the gurus." As it is said, the heart wheel ones are black, the speech wheel ones are red, and the body wheel ones are white, which is taken as the main thing. What is not clear in the sadhana is that because the mind is completely pure, everything is made blue, etc. There are many differences in body color, and there are mixed choices, so it is not contradictory no matter how it is done. Understand it that way. The door guardians, such as the Crow-faced Mother, etc., have tiger skin lower garments loosened. The jewel of the topknot, it is said, because there is no topknot here, it is not good to change it slightly, but in reality it means the jewel of the topknot. In this way, the jewel of the topknot, as well as earrings, as well as necklaces, as well as bracelets, as well as a vajra belt, and a garland of skulls, that is, adorning the neck with a necklace. Similarly, the bracelets on both feet are adorned with tinkling bells. Abiding in a very left-extended posture, in the Rwa translation it says holding a khatvanga, but it does not appear in other translations, it is pure.
Tibetan
ངོན་ལ། མན་ངག་འགའ་ལས་སྟག་ལྤགས་ཀྱི་ཤམ་ཐབས་སྒོ་མ་རྣམས་ཁོ་ནའི་ཁྱད་ཆོས་སུ་སྦྱོར་ཡང་རྒྱུ་མཚན་མེད་པར་མངོན་ནོ། །རོ་གདན་རྣམས་ཀྱི་དོན་རྭ་ལུགས་ཀྱི་མན་ངག་ནི། སྙིང་པོའི་རྣལ་འབྱོར་མ་རྣམས་ཀྱི་གདན་ནི་རིམ་པས། ཁྱབ་འཇུག་ཆེན་པོ་དང༌། གཞོན་ནུ་གདོང་དྲུག་དང༌། འདོད་པའི་ལྷ་དང་བརྒྱ་བྱིན་རྣམས་ཀྱི་རང་བཞིན་དུ་ཤེས་པར་བྱ་ཞིང༌། ཐོད་པ་རྣམས་ཀྱི་གདན་ཟླ་བར་བྱེད་པ་ནི། ཟླ་བ་བདུད་རྩིའི་རང་བཞིན་ཡིན་པས་བདུད་རྩི་སྐྱེད་པའི་ཕྱིར་ཡིན་ལ། ཐོད་པ་རྣམས་ནི་ལྷའི་བུ་ཉི་མ་དང་ཟླ་བ་དང་སྲིན་པོ་དང་ཐགས་བཟང་རིས་རྣམས་ཀྱི་ཐོད་པའོ། །ཐུགས་ཀྱི་དཔའ་བོའི་རོ་གདན་རྣམས་ནི་གཟའ་ཆེན་པོ་བརྒྱད་ཀྱི་ངོ་བོ་དང༌། གསུང་གི་ངོ་བོ་ནི་ཀླུ་ཆེན་པོ་བརྒྱད་དང༌། སྐུའི་བརྒྱད་ནི་དམྱལ་སྲུངས་ཏེ་གཤིན་རྗེ་བརྒྱད་དོ། །ཡང་ན་འཇིགས་བྱེད་ཆེན་པོ་ཉི་ཤུ་རྩ་བཞི་པོ་རྣམས་ཚར་བཅད་པའི་གདན་ཏེ། དོན་གྱི་གནད་གཅིག་པར་སྣང་བས་གཉིས་ཀ་མི་འགལ་ལ། མངོན་བརྗོད་བླ་མའི་འགྲེལ་པ་ཟངས་དཀར་ལོ་ཙཱ་བས་བྱས་པ་ན། འཇིགས་བྱེད་ ཉེར་བཞིར་པོ་འདི་ལྷ་བཞི་དང་དྲི་ཟ་བཞི། གནོད་སྦྱིན་བཞི་དང་སྲིན་པོ་བཞི། ཀླུ་བཞི་དང་ལྷ་མིན་བཞི་རྣམས་ཡིན་ཟེར་བ་སྣང་ངོ༌། །སྒོ་མཚམས་མ་བརྒྱད་ཀྱི་རོ་གདན་ནི། ཕྱོགས་སྐྱོང་བ་བརྒྱད་ཀྱི་ངོ་བོའོ། །སྒོ་མཚམས་མ་རྣམས་ནི་ཤིན་ཏུ་ཁྲོས་པ་ཡིན་པའི་ཕྱིར་ཅུང་ཟད་སྐུ་ལུས་སྦོམ་པར་བྱ་ཞིང༌། དཀྱུས་ལྟར་ན་དབུ་སྐྲ་ནག་པོ་ཡིན་ཡང༌། དམར་སེར་གྱེན་བརྫེས་སུ་གྲོལ་བར་འདོད་པའང་སྣང་སྟེ། དེ་ལྟར་ཡང་འགལ་བ་མེད་པ་འདྲའོ། །གོང་དུ་བཤད་པའི་དཔའ་བོ་ཉི་ཤུ་རྩ་བཞི་ནི། དཔལ་ཧེ་རུ་ཀའི་རིགས་ལས་བྱུང་བ། ཁམས་རྣམ་པར་དག་པ་དང༌། གསལ་བའི་ཡེ་ཤེས་དང་སྒྱུ་མ་ལྟ་བུའི་སྐུ་དང༌། བདེ་བ་ཆེན་པོ་ལས་བྱུང་བའོ། །མཁའ་འགྲོ་མ་ནི་ཉི་ཤུ་རྩ་བཞི་དང༌། མ་མོ་བཅུ་གཉིས་ཀྱང་སྟེ། རྡོ་རྗེ་ཕག་མོའོ་རིགས་ལས་བྱུང་བ། རྩ་རྣམ་པར་དག་པ་དང༌། སྟོང་པའི་ཡེ་ཤེས་དང༌། འོད་གསལ་བ་དང༌། རྣམ་པ་ཐམས་ཅད་པའོ། །རྣམ་གྲངས་སུ་ན། དེ་དང་དེའི་རིགས་ལས་བྱུང༌། ཞེས་པ་དེ་དག་སྐུའི་རྣམ་པ་འདྲ་བའི་དོན་ཡང་ཡིན་ནོ། །སྔར་མཁའ་དཀྱིལ་གྱི་སྐབས་སུ་གཞལ་མེད་ཁང་བསྐྱེད་པར་གསུངས་ན་ཡང༌། དཀྱིལ་འཁོར་སྤྲོ་བ་དང་མི་སྤྲོ་བ་གང་གི་ཡང་གསལ་ཁ་མ་བྱུང་མོད། སྔར་བསྐྱེད་ཕྱིན་སྤྲོ་དགོས་ལ། སྤྲོ་ཚུལ་གོང་དུ་བཤད་པ་བཞིན་ཡིན་མོད། སྤྲོས་པ་དེ་ཕྱིའི་གཞལ་མེད་ཁང་ལ་ཐིམ་པ་
Chinese
又，有些口诀中说虎皮裙只是门母的特点，但似乎没有理由。关于尸垫的意义，如鲁派口诀所说：核心瑜伽母的坐垫依次应知为遍入大天、童子六面、欲天和百神的自性。颅骨的坐垫是月亮，因为月亮是甘露的自性，为了产生甘露。颅骨是天子日月、罗刹和巧匠的颅骨。心之勇士的尸垫是八大行星的体性，语的体性是八大龙，身的八大是阎罗八狱卒。或者，是斩杀了二十四怖畏金刚的坐垫，意义的关键似乎一致，因此二者并不矛盾。显句上师的注释由藏嘎尔译师所作，其中说：这二十四怖畏金刚是四天神、四乐神、四大夜叉、四大罗刹、四大龙和四大非天。八门母的尸垫是八方守护神的体性。门母们因为非常愤怒，所以身体稍微粗壮一些。通常来说，头发应该是黑色的，但也有些人认为应该解开成红黄色的竖立状，这样似乎也没有矛盾。上面所说的二十四勇士，是从吉祥黑汝嘎族所生，是界完全清净、明智的智慧和如幻之身，以及从大乐中所生。空行母也是二十四位和十二母神，是从金刚亥母族所生，是脉完全清净、空性的智慧、光明和一切相。在名目上，所谓“从彼彼族所生”，也意味着身相相似。之前在虚空界中说要生起宫殿，但并未明确说明是否要扩展坛城，但之前生起后应该扩展，扩展的方式如上所述，扩展的部分融入外面的宫殿。
English
Also, some instructions state that tiger skin skirts are only a characteristic of the gatekeepers, but this seems to be without reason. Regarding the meaning of the corpse seats, as the Ru tradition instructions say: The seats of the core yoginis should be known in order as the nature of the Great All-Pervading One, the Six-Faced Youth, the God of Desire, and the Hundred Gods. The seat of the skulls is the moon, because the moon is the nature of nectar, in order to generate nectar. The skulls are the skulls of the sons of gods, the sun and moon, rakshasas, and craftsmen. The corpse seats of the heart heroes are the nature of the eight great planets, the nature of speech is the eight great nagas, and the eight of the body are the eight hell guardians, namely the eight Yamarajas. Alternatively, it is the seat of having slain the twenty-four great terrifying ones, the key to the meaning seems consistent, so the two are not contradictory. The commentary of the Manifest Words Lama, made by the Zangkar translator, says: These twenty-four terrifying ones are four gods, four gandharvas, four yakshas, four rakshasas, four nagas, and four asuras. The corpse seats of the eight gate mothers are the nature of the eight directional guardians. The gate mothers, because they are very wrathful, should have slightly thicker bodies. Usually, the hair should be black, but some also think that it should be untied into a reddish-yellow upright state, and this seems to be without contradiction. The twenty-four heroes mentioned above are born from the glorious Heruka family, are the completely pure realm, the clear wisdom and illusory body, and born from great bliss. The dakinis are also twenty-four and twelve mothers, born from the Vajravarahi family, are the completely pure channels, the wisdom of emptiness, luminosity, and all aspects. In terms of nomenclature, the so-called "born from such and such a family" also means that the bodily forms are similar. Previously, in the context of the sky sphere, it was said that a palace should be generated, but it was not clearly stated whether the mandala should be expanded or not, but after the previous generation, it should be expanded, and the way of expanding is as described above, and the expanded part merges into the outer palace.