Chinese
而且大小相等。身坛城的中心有环绕，其中空旷，语坛城的轮辐正对的下方是白色的轮。同样，语坛城的中心有心坛城的环绕，大小相等，因此在绘制时中心不明显。心坛城的轮辐下方要做红色的火坛城。轮辐之间的两种颜色和之前一样，但原因不同。身坛城的轮辐之间是之前所说的靛蓝色地基，但这里靛蓝色地基上被风坛城覆盖，因此风的颜色可以是黑色或绿色。这时，誓言坛城的下方也是土坛城，为了象征它，周围要用各种金刚杵装饰黄色的金刚墙。心坛城的中心像之前一样画大乐坛城的环绕，但大乐坛城的地基最好用象征天空的绿色。因此，从花瓣顶端的交界处只画象征性的绿色，不要画蓝色。因此，也要知道三个坛城中心宽度大小的区别。主尊处的各种莲花是，如果做成杂色莲花，则四方用方位颜色，四隅用装饰色。这种方式的方位颜色是东方蓝色，白色是掺杂色，但上师们做成蓝色。身语意和大乐这四者一定是颜色相同。如果誓言坛城和主尊处是各种颜色，那各种颜色也是在绿色和杂色中选择。因为誓言坛城是杂色的，所以主尊处做成绿色，为了不重复也很好，也有象征天空大乐等意义。用杂色做成绿色是否更好，这是我的分别念。莲花瓣外面的环绕像之前一样立柱架梁，从大乐坛城外侧的下梁开始，到心坛城环绕正对的上梁，搭在短柱上的梁上，这样心坛城本身就成了屋顶。
English
And the sizes are equal. The body mandala has a circle around its center, which is empty. Below, directly opposite the spokes of the speech mandala, is a white wheel. Similarly, the speech mandala has a circle of the mind mandala around its center, and the sizes are equal, so the center is not obvious when drawing. Below the spokes of the mind mandala, a red fire mandala should be made. The two colors between the spokes are the same as before, but the reasons are different. The space between the spokes of the body mandala is only the indigo blue base mentioned before, but here the indigo blue base is covered by the wind mandala, so the color of the wind can be black or green. At this time, the base of the commitment mandala is also the earth mandala, and to symbolize it, the surrounding area should be decorated with various vajras in a yellow vajra fence. In the center of the mind mandala, draw the circle of the great bliss mandala as before, but the base of the great bliss mandala is best made green to symbolize the sky. Therefore, only symbolic green should be drawn from the junctions of the petal tips, and blue should not be drawn. Therefore, it is also necessary to know the difference in the width and size of the centers of the three mandalas. The various lotuses at the main place are: if they are made into variegated lotuses, the four directions should be in the directional colors and the four corners should be in decorative colors. The directional color of this method is blue in the east, and white is a mixed color, but the upper lamas make it blue. The four, body, speech, mind and great bliss, must be the same color. If the commitment mandala and the main place are of various colors, then the various colors are also chosen from green and variegated. Because the commitment mandala is variegated, it is also good to make the main place green in order not to repeat, and it also has meanings such as symbolizing the great bliss of the sky. Whether it is better to make green with variegated colors is my discrimination. The circle outside the lotus petals is like before, with pillars erected and beams erected. Starting from the lower beam on the outside of the great bliss mandala, to the upper beam directly opposite the circle of the mind mandala, resting on the beam on the short pillar, so that the mind mandala itself becomes the roof.
Chinese
是覆盖。那时，会出现与大乐轮的边缘周围相等的圆形空间，对于那个圆形空间，也像以前一样设置短柱和梁。如果在上面制作迦楼罗头形状的屋檐，那么此时可以做。如果只在主尊的顶上做屋顶，则会显得不庄严。在外面的宫殿上做迦楼罗头也不好。然而，续部经典中没有说到迦楼罗头的屋檐。只是在这一带，中间时期以下才做，据说以前的人也不在实践中使用。如果说是佛陀秘密所造，则认为王国是山上的帐篷。等等，即使说王国是指迦楼罗头的屋檐，也不一定就是那样。而且那个经典也显得有争议，所以就放在一边了。因此，在那个圆形梁上，以多眼图案设置四个金刚杵梁。对于各个方向的八个格子，设置屋顶。对于中央的方形孔洞空间，设置比以前稍长的短柱，并架设方形梁。在那上面，除了屋檐流水之外，均匀地覆盖，或者另一种方式，与主尊的莲花边缘或花蕊相等地设置四根柱子，并在其上架设方形梁。周围各个方向的屋顶是四位天女住所的屋顶，像以前一样做。又有一种方式，在中央，与主尊住所的边缘相等地制作圆形梁。为了支撑它，需要竖立八根柱子。这样，在主尊住所边缘的梁和大乐轮住所边缘的梁上铺设横梁，并覆盖大乐轮的屋顶。对于中央的圆形部分，像以前一样设置短柱和梁，均匀地覆盖屋顶，或者覆盖中央突出的屋顶，虽然内外看起来形状很好，但是在主尊周围设置八根柱子，对于狭窄的区域来说，柱子稍微多了些，显得不美观。或者，在大乐轮本身的顶上，在主尊住所的四个角上各竖立一根长柱，在其上架设梁，从那上面向坛城的住所铺设长横梁，横梁的所有上下端都用钉子和榫卯连接。中央的主尊所居住的
English
is covering. At that time, a circular space equal to the edge of the great bliss wheel will appear, and for that circular space, short pillars and beams are set up as before. If a garuda-headed roof is made on top of it, then it can be done at this time. If the roof is only made on top of the main deity, it will appear undignified. It is also not good to make a garuda head on the outer palace. However, the tantric texts do not mention the garuda-headed roof. It is only in this area that it has been done since the middle period, and it is said that people in the past did not use it in practice either. If it is said to have been made by Buddha Secret, then the kingdom is considered to be a tent on a mountain. And so on, even if it is said that the kingdom refers to the garuda-headed roof, it is not necessarily so. Moreover, that scripture also seems to be controversial, so it is put aside. Therefore, on that circular beam, set up four vajra beams in a multi-eyed pattern. For the eight grids in each direction, set up a roof. For the square hole space in the center, set up short pillars that are slightly longer than before, and erect square beams. On top of that, cover evenly except for the roof runoff, or in another way, set up four pillars equal to the edge of the main deity's lotus or pistil, and erect square beams on top of them. The roofs in all directions around are the roofs of the abodes of the four goddesses, and are made as before. In another way, in the center, make a circular beam equal to the edge of the main deity's abode. To support it, eight pillars need to be erected. In this way, lay crossbeams on the beams at the edge of the main deity's abode and the beams at the edge of the great bliss wheel's abode, and cover the roof of the great bliss wheel. For the circular part in the center, set up short pillars and beams as before, and cover the roof evenly, or cover the centrally protruding roof, although the shape looks good inside and out, setting up eight pillars around the main deity, the pillars are slightly too many for a narrow area, which seems unsightly. Alternatively, on top of the great bliss wheel itself, erect a long pillar at each of the four corners of the main deity's abode, and erect a beam on it, and from there, lay long crossbeams downwards to the abode of the mandala, and all the upper and lower ends of the crossbeams are fastened with nails and tenons. The central main deity resides in the
Chinese
此外，用美丽的栏杆环绕四角形的屋顶，这似乎是大乐轮（藏文：བདེ་ཆེན་འཁོར་ལོ་）呈现哈尔米（har mi）的形态，这也很好。一切都相同，主要位置的屋顶顶端要安立金刚宝顶。像这样的类型，密续经典中没有特别规定，所以无论怎么做都可以，但要画四根栋梁和众多的眼睛图案。对此，观修的要点是，那些栋梁具有珍宝的自性，非常坚硬，而且在交叉连接的地方也没有缝隙。因为它像一个整体一样存在，所以不需要支撑的柱子。对于坛城的小型结构，如石雕和木雕等，也不需要，也不要说其他地方的规制，因为在这个地区，如果那样建造房屋，那么四个交叉连接的地方必须建立坚固的柱子。当将女神的莲花瓣做成莲花形状的轮时，在花瓣根部连接处的圆周上建立柱子也没有不合适的地方。如果直接做成莲花瓣，在其上建立柱子，对于观修的要点来说是不合适的，但如果想要美观，因为是为了稳固，所以没有矛盾。不仅如此，如果在西藏地区想要建造这种坛城形状的房屋，那么诸佛不应被身语意和大乐的范围所遮蔽，并且在柱子不重叠的地方，以及台阶和誓言轮的交界处等地方，也必须建立墙基或其他柱子。 虽然观修的要点不需要，但这是为了稳固。主要位置的四方形屋顶，其他与之前相同，只是在左右的栋梁上，根据情况建立一个或半个小柱子。在其上放置栋梁，并用榫卯连接。将该栋梁和前后四方形栋梁之上放置横梁，使其形成马背状。因为这个周围有鸟翼，所以从左右栋梁的末端到鸟翼的顶端之间，会出现比之前更倾斜的马背，中间上方较窄，边缘下方较宽。其外部覆盖着像金瓦一样美观的装饰，马背的顶端
English
Furthermore, surrounding the square roof with beautiful railings, this seems to be the Great Bliss Wheel (Tibetan: བདེ་ཆེན་འཁོར་ལོ་) appearing in the form of Harmi, which is also good. Everything is the same, and it is desired to place a vajra jewel top on the top of the roof of the main position. For types like this, there are no special regulations in the tantric scriptures, so it can be done in any way, but draw four beams and numerous eye patterns. Regarding this, the key point of meditation is that those beams have the nature of precious jewels, are very hard, and there are no gaps even at the intersections. Because it exists as a single whole, there is no need for supporting pillars. For small structures of the mandala, such as stone carvings and wood carvings, it is also not necessary, and do not mention the regulations of other places, because in this area, if houses are built in that way, then strong pillars must be built at the four intersections. When making the lotus petals of the goddess into lotus-shaped wheels, there is nothing inappropriate in building pillars on the circumference of the connection between the roots of the petals. If the lotus petals are made directly, it is inappropriate to build pillars on them for the key points of meditation, but if beauty is desired, there is no contradiction because it is for stability. Moreover, if you want to build a house in the shape of this mandala in the Tibetan region, then the deities should not be obscured by the body, speech, mind, and the scope of great bliss, and in places where the pillars do not overlap, and at the junctions of the steps and the wheel of vows, etc., wall foundations or other pillars must also be built. Although the key points of meditation do not require it, it is for stability. The square roof of the main position is the same as before, except that on the left and right beams, build one or half a small pillar as appropriate. Place a beam on it and connect it with mortise and tenon. Place beams on top of that beam and the front and back square beams to form a saddleback shape. Because there are bird wings around this, a more sloping saddleback will appear from the ends of the left and right beams to the top of the bird wings, narrower in the middle above and wider at the edge below. The exterior is covered with beautiful decorations like golden tiles, and the top of the saddleback
Chinese
如果直接在上方安放顶饰，那么所谓的金刚宝顶，意思是指用珍宝金刚制成的顶饰，这样理解也不矛盾。还有一种说法是，用珍宝制成的，形状是五股金刚杵的法器。大多数情况下，认为是珍宝和金刚杵两种形状的结合。看起来是用黄金制成的五股金刚杵，竖立着，在中间的尖端上做成珍宝顶饰的形状。然而，带有顶饰的宝瓶，其形状被称为嘎底拉。如果考虑到金刚杵的形状，那么现在被称为“斯巴串”的，就是金刚杵的角状，只要有那个就可以了。不需要法器的金刚杵形状特别明显。即使做成那样也没有什么矛盾，只要具备珍宝顶饰的含义，形状如何都可以。现在来说这个，坛城装饰的特点中，所谓的“月亮”，是指月亮的形状，所以是银或玻璃等制成的镜子。半月也是一半的镜子，悬挂着细长的飘带等。幢，现在西藏的房屋上安插的幢，据说这是汉地的风格。这里指的是珍宝杖的顶端，有一个圆形的顶饰底座，上下有各种线条的层级。底座的中央是适合的顶饰形状，比如镜子的形状，或者圆形珍宝，或者八角形，或者三眼等等。用动物的形象来装饰，指的是在底座的中央，用黄金制成顶饰，可以是天鹅，孔雀，鳄鱼，龙的形象，或者狮子，或者跃起的鱼的形状。一旦做成了动物的形象，就不需要其他的顶饰了。顶饰底座和杖的连接处，左右两侧悬挂着绸带或长幡。在绘画中，这些绸带因风的吹动而呈现出三曲的飘动。坛城、马厩以及外部走廊的装饰，没有一定的规定。但是，不能仅仅凭空想象，必须从坛城的仪轨，金刚鬘等大乘经论中去理解。主尊的莲花座的花瓣是，极乐世界……