English
Then, emanate the Wrathful Nectar Swirl, holding a mallet. The wrathful ones, in the form of phurbas, are driven into the obstacles of the ten directions. Om Gha Gha Ghataya Ghataya Sarva Dushta Phat. Kilaya Kilaya Sarva Papam Phat. Hum Hum Hum Vajra Kila Vajra Dharo Ajnapayati. Sarva Vighnan Kaya Vaka Citta Vajra Kilaya Hum Phat. Recite three times. All obstacles are burned by the sharp and blazing rays of light. In the center of the vajra tent, a ten-spoked wheel is formed. The ten wrathful ones reside on it, and the emanations, with a multitude of emanations, perform the activity of guarding against obstacles. Om Dharma Dhatu Svabhava Atmako'ham. Om Shunyatajnana Vajra Svabhava Atmako'ham. These are the relative and ultimate protective circles, the preliminary stages. From the state of emptiness, one's own self abides on the top of the three thousand worlds. Om Namah Sarva Tathagata Anuragaya Mi Mandala Hum Bhrum. In an instant, from the letter E, the white Dharma Origin, the nature of space, is born, being Samantabhadri. Within it, from the letter Yam, a blue wind mandala, shaped like a bow, marked with crossed vajras and banners, is born, being Tara. Above it, from the letter Ram, a red fire mandala, a burning triangle, marked with many white points, is born, being White-clad Mother. Above it, from the letter Vam, a white water mandala, circular, marked with a vase, is born, being Mamaki. Above it, from the letter Lam, a yellow great empowerment mandala, square, marked with a vajra, is born, being Locana. There, arising from the letter Kham, in the center of the ocean of milk. Sum. From the letter arises Mount Meru, made of four kinds of precious jewels, adorned with playful lakes, mountains, and so on. These are the basic samadhi. Above it, from the letter Pam, a lotus with a golden wheel. In its center, from the letter Hum, a multicolored vajra. In its center, from the letter Hum, a great immeasurable palace, square, adorned with four staircases. Inside, in sequence, are walls of five layers, white, blue, red, yellow, and green, from which radiate twenty-five naturally arising rays of light. Complete with all characteristics such as father pillars, half-nets, crossbeams, arrow shafts, and wish-fulfilling cloths, adorned with all ornaments. On the outer layer of the ambulatory, there are worldly deities.
Chinese
由白色的光芒环绕。其外是莲花和法轮，以及燃烧的火焰金刚墙环绕。外围是与方位颜色相同的地面，由八大尸林完全环绕，其中有：方位守护神、田地守护神、树木、火、水、云、佛塔、空行母、空行母、僵尸、食肉者、鬼怪、勇士、瑜伽母、成就者等居住。尸体、碎片、散落物、骨架、鸟类和各种野兽遍布其间。其外是充满各种欲妙的幡幢等黄色丝绸。其外是由蓝色金刚墙环绕。大殿内部的上下分别是：东白、南蓝、西红、北黄、中央绿色。其中心是内部的殿堂。此时，中央做成四柱九宫格，四个方位布置四个马头明王的坛城，中央和四个方位布置剩余的五部。其中，东方做九坛城是广式，做一马头明王坛城，中央做真实是中式，九尊神中的六个坛城布置后，供养神和誓言神布置在大坛城上是简式。九坛城或六坛城，连同守护轮直到尸林全部做，以及有马头的殿堂和没有马头的殿堂，这三种也都是根据各自的广、中、简三种。关于胜乐轮尊众的布置方式，按照九坛城来说，东、南、与东相同等，四个方位的坛城与相同，有四种不同。还有按照六坛城来说，中央和四个方位是五个坛城，虽然在自在位是马头明王的坛城应有的位置，但是书写上不美观，所以上师们的口诀是东方的坛城在东方自在位，南方的坛城靠近南方火位，西方的坛城靠近西方无实位，北方的坛城也靠近风位的西方，东北方的坛城
English
Surrounded by white light. Outside of that are lotuses and wheels, and a vajra fence surrounded by blazing flames. Outside, the ground is the same color as the directions, completely surrounded by eight great charnel grounds, in which reside: directional guardians, field guardians, trees, fire, water, clouds, stupas, dakinis, dakinis, zombies, flesh-eaters, spirits, heroes, yoginis, and accomplished ones. Corpses, fragments, scattered remains, skeletons, birds, and various wild animals are everywhere. Outside of that are yellow silks filled with various desirable objects such as banners and flags. Outside of that is a blue vajra fence. Inside the great palace, the top and bottom are: white in the east, blue in the south, red in the west, yellow in the north, and green in the center. In the center of that are the inner palaces. At this time, the center is made into a nine-square grid with four pillars, and four Hayagriva mandalas are arranged in the four directions, and the remaining five families are arranged in the center and four directions. Among them, making nine mandalas in the east is the extensive style, making one Hayagriva mandala, and making the center the truth is the medium style, and after arranging six mandalas out of the nine deities, arranging the offering deities and oath deities on the great mandala is the concise style. Whether it is nine mandalas or six mandalas, making the entire protective wheel up to and including the charnel ground, and the palace with the horse's head and the palace without the horse's head, these three are also the three extensive, medium, and concise styles depending on each of them. Regarding the arrangement of the deities of the supreme wheel, according to the nine mandalas, the east, south, the same as the east, etc., the mandalas of the four directions are the same, there are four differences. Also, according to the six mandalas, the center and the four directions are five mandalas, and although the Hayagriva mandala is the proper position in the independent position, it is not beautiful in writing, so the oral instructions of the lamas are that the eastern mandala is in the eastern independent position, the southern mandala is close to the southern fire position, the western mandala is close to the western non-reality position, the northern mandala is also close to the western wind position, and the northeastern mandala is
Tibetan
བང་ལྡན་ལ་ཉེ་བའི་བྱང་ཕྱོགས་སུ་འགོད་པ་སྟེ། བདེ་མཆོག་འཁོར་ལོ་བསྒྱུར་དྲུག་བཞིན་བྱེད་དོ། །ཕྱོགས་རྣམས་སུ་ཇི་ལྟར་འགོད་པ་ལ། ཁ་ཅིག ཤར་དུ་རྣམ་སྣང༌། ལྷོར་རྡོ་རྗེ་ཉི་མ། ནུབ་ཏུ་གར་དབང༌། བྱང་དུ་རྟ་མགྲིན་འགོད་པ་སོགས་འདུག་ཀྱང༌། ཡན་ལག་བཞི་པ་ལས། གཉིས་གོང་བཞིན། ལྷོར་ཧེ་རུ་ཀ བྱང་དུ་ཉི་མ། མཚམས་སུ་རྟ་རྒྱལ། དབུས་སུ་རྡོར་སེམས་འགོད་པ་ཉིད་ཤིན་ཏུ་ལེགས་པར་མཐོང་སྟེ། འོན་ཀྱང་རང་རང་གི་མོས་པའི་དབང་དང༌། གང་ཞིག་གཙོ་བོར་སྒྲུབ་པའི་དབང་ལས། དཀྱིལ་འཁོར་གཙོ་བོ་འཕོ་བའི་ཚུལ་གྱིས་འགོད་ན་ནི། རྣམ་པ་དྲུག་གར་ཡང་འབྱུང་སྟེ། རྡོ་རྗེ་གུར་རིགས་བསྡུས་བཞིན་ནོ། །སྤྱི་ལྡོག་ནས་རྒྱུད་འདི་རྡོ་རྗེ་སེམས་དཔའ་གཙོ་བོར་འགྱུར་པ་ཡིན་པས། ཧེ་རུ་ཀ་དཀྱིལ་དུ་བཞག རྡོར་སེམས་མཐར་བཏོན་ནས། རིགས་བསྡུས་ལ་མཉམ་སྦྱོར་ཁྲོ་བོ་དང༌། རྡོར་སེམས་རིགས་རྐྱང་ལ་མཉམ་སྦྱོར་ཞི་བའི་ཐ་སྙད་བྱེད་པ་ནི་མི་ལེགས་པར་མཐོང་ངོ༌། །དེས་ན་རེ་ཞིག་ལ་དཀྱིལ་འཁོར་དྲུག་པའི་དབང་དུ་བྱས་ཏེ་བརྗོད་ན། དབུས་ཀྱི་གཞི་ལྗང་ཁུ་ལ། གཞལ་མེད་ཁང་མཚན་ཉིད་ཐམས་ཅད་རྫོགས་པ་དྲུག་སྟེ། རྩིག་པ་དང་ལྷ་སྣམ་གྱི་ཕྱོགས་མདོག་ནི། དཀར་སེར་དམར་ལྗང་མཐིང་ག་ནི། རྡོར་སེམས་ཁྲག་འཐུང་དཀྱིལ་འཁོར་ལའོ། །སྔོ་སེར་དམར་ལྗང་དཀར་བ་ཤར། །དཀར་སེར་ནག་ལྗང་དམར་བ་ནུབ། །དཀར་ནག་དམར་ལྗང་སེར་བ་དབུས། །མཚམས་ཀྱི་དཀྱིལ་འཁོར་གཞི་དཀྱིལ་འདྲ། །ཡང་ལུགས་གཅིག་ལྟར་ན་དཀྱིལ་འཁོར་ཕྱི་ནང་ཐམས་ ཅད་མཚུངས་པར་རྩིག་པ་དང་ལྷ་སྣམ་ཀྱི་ཕྱོགས་མདོག་དཀར་སེར་དམར་ལྗང་སྔོ་བའི་རིམ་པར་བྱས་ཀྱང་རུང་ངོ༌། །ཕོ་བྲང་དབུས་མ་རྡོ་རྗེ་སེམས་དཔའི་དཀྱིལ་འཁོར་ལ་དབུས་སུ་ཟླུམ་པོ་རྡོ་རྗེའི་མུ་ཁྱུད་ཅན། ཕོ་བྲང་ཤར་མའི་དབུས་སུ་ཟླུམ་པོ་འཁོར་ལོའི་མུ་ཁྱུད་ཅན། ལྷོ་མའི་དབུས་སུ་ཟླ་གམ་ཆེན་པོ་ཁ་དོག་དམར་པོ་སྒོ་གཅིག་ཤར་དུ་བསྟན་པ། ཐོད་པའི་འཕྲེང་བས་བསྐོར་ཞིང༌། ཞིང་གི་འཕན་གདུགས་སོགས་འཇིགས་པའི་རྒྱན་གྱིས་བརྒྱན་པ། དེའི་དབུས་སུ་ཟླུམ་པོ་རེ་མིག་དགུ་པ་ལ་ཁྲོ་བོའི་རྡོ་རྗེ་འཕྲེང་བས་བསྐོར་བ། དབུས་སུ་པདྨ་དྲེགས་བྱེད་ཉི་ཟླ་བརྩིགས་པའི་གདན་རེ་མིག་བརྒྱད་ལ་བམ་ཆེན་རེ་རེའོ། །དཀྱིལ་འཁོར་ནུབ་མའི་དབུས་སུ་པདྨ་འདབ་མ་བརྒྱད་པའི་དབྱིབས་ཅན། ཀ་བ་དང་མུ་ཁྱུད་ལ་པདྨའི་འཕྲེང་བས་བསྐོར་བའོ། །བྱང་མའི་དབུས་སུ་རིན་པོ་ཆེ་ཟུར་བརྒྱད་པའི་དབྱིབས་ཅན་གྱི་དཀྱིལ་
Chinese
安置在靠近富饶之地的北方，如同胜乐轮六尊一样。至于如何在各方安置，有些人说：东方安置毗卢遮那佛，南方安置金刚日，西方安置歌舞自在，北方安置马头金刚等。但在《四支论》中，如同前面所说，南方安置黑汝迦，北方安置太阳，角落安置马王，中央安置金刚萨埵，这样安置被认为是最好的。然而，根据各自的意愿和主要修持的内容，如果以坛城主尊转移的方式来安置，那么任何六种形式都会出现，就像金刚帐续部所汇集的那样。总的来说，这部续部以金刚萨埵为主尊，因此将黑汝迦放在中央，金刚萨埵放在边缘，将汇集部称为共同修持忿怒尊，将金刚萨埵单独部称为共同修持寂静尊，这种说法被认为是不好的。因此，暂且以六坛城的方式来说，中央的基础是绿色的，具有所有特征的圆满宫殿共有六个，墙壁和天衣的颜色分别是：白色、黄色、红色、绿色、蓝色，这是金刚萨埵饮血坛城的颜色。蓝黄红绿白在东方，白黄黑绿红在西方，白黑红绿黄在中央，角落的坛城基础与中央相同。另一种方式是，所有内外坛城都相同，墙壁和天衣的颜色按照白黄红绿蓝的顺序排列也可以。中央宫殿是金刚萨埵的坛城，中央是圆形，有金刚杵环绕。东方宫殿的中央是圆形，有法轮环绕。南方宫殿的中央是巨大的半月形，颜色是红色，一扇门朝向东方，周围环绕着颅骨鬘，并以田地的幡伞等恐怖的装饰品装饰。其中央是圆形，有九个方格，周围环绕着忿怒金刚杵。中央是莲花、傲慢者、日月堆叠的坐垫，每个方格有八个方格，每个方格有一个大尸垫。西方坛城的中央是八瓣莲花的形状，柱子和环绕物都环绕着莲花鬘。北方坛城的中央是八角形的珍宝形状的中央
English
It is placed to the north near the land of abundance, like the six Chakrasamvara. As for how to place them in each direction, some say: Vairochana in the east, Vajra Sun in the south, Lord of Dance in the west, and Hayagriva in the north. However, in the "Four Limbs," it is considered best to place Heruka in the south, the Sun in the north, Hayagriva in the corners, and Vajrasattva in the center, as mentioned earlier. However, depending on one's own preference and the main practice, if the main mandala is placed in a shifting manner, then any of the six forms may occur, as in the Vajra Tent Condensed Lineage. In general, this tantra is mainly Vajrasattva, so placing Heruka in the center and Vajrasattva at the edge, and referring to the condensed lineage as the joint practice of wrathful deities and the single Vajrasattva lineage as the joint practice of peaceful deities is not considered good. Therefore, for the time being, speaking in terms of the six mandalas, the central base is green, and there are six complete palaces with all characteristics. The colors of the walls and celestial cloths are white, yellow, red, green, and blue, which are the colors of the Vajrasattva blood-drinking mandala. Blue, yellow, red, green, and white are in the east. White, yellow, black, green, and red are in the west. White, black, red, green, and yellow are in the center. The base of the corner mandala is the same as the center. According to another tradition, all inner and outer mandalas are the same, and the colors of the walls and celestial cloths can be arranged in the order of white, yellow, red, green, and blue. The central palace is the mandala of Vajrasattva, with a circular vajra enclosure in the center. The central part of the eastern palace is circular, with a wheel enclosure. The central part of the southern palace is a large crescent shape, red in color, with one door facing east, surrounded by a garland of skulls, and decorated with terrifying ornaments such as banners and parasols of the field. In the center of that is a circle with nine squares, surrounded by a garland of wrathful vajras. In the center is a lotus, an arrogant one, and a seat stacked with sun and moon, with eight squares each with a large corpse cushion. The center of the western mandala is in the shape of eight lotus petals, with pillars and enclosures surrounded by a garland of lotuses. The center of the northern mandala is the center of an octagonal jewel shape.