English
Cleansing the stains, they reassemble and dissolve into their respective bodies. Melting into the mind of enlightenment, through the vajra path, spreading into the lotuses of the wisdom mothers. All twelve fathers and mothers, each in their own place, dissolve into the essence of the mind of enlightenment. The goddesses, such as the Supreme Bliss Mother, each with their four goddesses, urge them separately, saying: Through the power of emptiness, the profound yoga of existence and non-existence, abide closely in the place of the vow, like the sky itself. We beseech the Sugata to arise in bliss. Vajrasattva, fortunate and glorious one, you are the master. Thus urged, the six bindus of the mind of enlightenment transform into Hūṃ (藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽), Oṃ (藏文：ༀ，梵文天城体：ॐ，梵文罗马拟音：oṃ，汉语字面意思：嗡), Hrīḥ (藏文：ཧཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：赫), Śrīḥ (藏文：ཧྲཱིཿ，梵文天城体：श्रीः，梵文罗马拟音：śrīḥ，汉语字面意思：舍), Hrāṃ (藏文：ཧྲཱཾ，梵文天城体：ह्रां，梵文罗马拟音：hrāṃ，汉语字面意思：创), and Haṃ (藏文：ཧཾ，梵文天城体：हं，梵文罗马拟音：haṃ，汉语字面意思：杭). From this, light radiates, urging all the Buddhas, gathering and dissolving back, resulting in the manifestation of Vajradhara, the holder of the vajra, transforming into the six lineages. That is, in the central position of the mandala, from Hūṃ (藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽) arises the glorious Vajrasattva, the Great Blissful Samantabhadra Vajradhara, white like the light of conch, jasmine, and the moon, with a slightly reddish hue. With a graceful and smiling countenance, eyes wide open. Four faces and four arms, the main face white, the right face blue, the left face red, and the back face yellow. The first of the right hands holds a blazing five-pronged vajra, and the first of the left hands holds a khatvanga with a dangling bell, embracing the wisdom mother with an attitude of great pride. The lower two hands hold a bow and arrow. Seated in the vajra posture. The upper body is adorned with a white silk garment with golden swan patterns, and the lower body is adorned with a saffron-colored skirt. Adorned with all kinds of precious jewels. United with the consort Samantabhadrī, who is like himself. In the center of the eastern mandala, from Khaṃ (藏文：ཁཾ，梵文天城体：खं，梵文罗马拟音：khaṃ，汉语字面意思：空) or Oṃ (藏文：ༀ，梵文天城体：ॐ，梵文罗马拟音：oṃ，汉语字面意思：嗡) arises the eternal Buddha Victorious One, Vairochana, white with a yellowish hue. The main face is white, the right face yellow, the left face red, and the back face green. The first two hands wear saffron-colored robes and hold a begging bowl filled with nectar. The lower two hands hold a vajra bell and a scripture. Adorned with the attire of a Chakravartin, with silk and all kinds of precious jewels. Seated in the vajra posture. The consort Buddha Eye Mother is white, holding a wheel and a skull cup, embracing tightly. The vajra of
Chinese
以跏趺坐而坐。坛城南方的中央，从吽（藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）或者啥（藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：啥）中，生出吉祥黑汝嘎，身色蓝色，极其忿怒，根本面孔深蓝黑色，具有大火焰的光芒。右边白色，左边黄色，后面红色，共有四张面孔。八只手中的前两只手，拿着金刚杵和喀章嘎，并悬挂铃铛。第二两只手，拿着大怖畏的兽皮，呈现被风吹动的姿态。第三两只手，拿着箭和弓。第四两只手，拿着盛满血的颅碗和盛满大心的颅碗。尸陀林八饰圆满于身。三只眼睛睁大，红色眼睛中闪耀着火星。头发、胡须、眉毛呈黄黑色，向上竖立。金刚毛孔向右旋转。张开嘴，咬着牙齿。卷着舌头。发出喉音。右脚稍微弯曲，缠绕着明妃的腿，左脚伸展，以半跏趺坐的舞姿而坐。娇媚、勇猛、不悦。凶猛、斥责、令人恐惧。慈悲、威严、寂静。具有九种舞蹈的滋味。将俱郎、大自在天、月亮、太阳、阎罗王、梵天等所有傲慢者踩在脚下。明妃克罗地施瓦里呈蓝绿色，以颅碗和三尖天杖的手印，真实地拥抱。或者，黑汝嘎有四只手。右边两只手拿着金刚杵和海螺血。左边两只手拿着人头和绳索。将大自在天的皮作为上衣披在身上。如果归纳，黑汝嘎有两只手。拿着金刚杵和颅碗血。喀章嘎作为黄色的头发。对于明妃，喀章嘎也靠在背后的黄色头发上，其他特点与之前相同，这样观想也可以。两个上衣和下衣，三个头骨鬘和八个蛇饰，血油灰烬六手印，这些是吉祥的八饰。坛城西方的中央，从啥（藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：啥）中，生出莲花舞自在，红色带有白色的光泽。十五张面孔，具有妩媚和各种颜色。根本面孔与身体颜色相同。具有贪欲的姿态。五十只右手中拿着金刚杵、法轮、如意宝、手杖、宝剑等各种兵器。五十只左手
English
Sitting in the vajra posture. In the center of the southern mandala, from Hūṃ (藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：seed syllable Hūṃ) or Hrīḥ (藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：seed syllable Hrīḥ), arises glorious Heruka, body color blue, extremely wrathful, root face dark blue-black, with great blazing rays. Right side white, left side yellow, back side red, having four faces. The first two of the eight hands hold a vajra and a khaṭvāṅga with a bell hanging down. The second two hold the skin of the great terrifying one, in the manner of being moved by the wind. The third two hold a bow and arrow. The fourth two hold a skull cup filled with blood and a skull cup filled with great heart. The eight charnel ground adornments are complete on the body. The three eyes are wide open, sparks of fire flashing from the red eyes. The hair, beard, and eyebrows are yellowish-black, swirling upwards. The vajra body hair swirls to the right. The mouth is open, teeth gnashing. The tongue is curled. Making a guttural sound. The right foot is slightly bent, embracing the thigh of the consort, and the left is extended, sitting in a half-vajra posture of dance. Charming, brave, unpleasant. Fierce, scolding, terrifying. Compassionate, majestic, and peaceful. Possessing the flavor of the nine dances. Trampling all the arrogant ones such as Gulang, Great Powerful One, Moon, Sun, Yama, and Brahma underfoot. The consort Krodhīśvarī is bluish-green, embracing perfectly with the mudra of a skull cup and a three-pointed banner. Alternatively, Heruka has four hands. The two right hands hold a vajra and a conch shell filled with blood. The two left hands hold a severed head and a lasso. Wearing the skin of the great god as an upper garment. If condensed, Heruka has two hands. Holding a vajra and a skull cup filled with blood. The khaṭvāṅga is made into yellow hair. For the consort, the khaṭvāṅga also rests on the yellow hair on the back side, and other characteristics are the same as before, it is fine to meditate in this way. Two upper garments and a lower garment, three skull garlands and eight snake ornaments, blood grease ash six mudras, these are the eight glorious adornments. In the center of the western mandala, from Hrīḥ (藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：seed syllable Hrīḥ), arises Padma Dance Lord, red with a white luster. Fifteen faces, with charm and various colors. The root face is the same color as the body. Possessing a passionate demeanor. The fifty right hands hold various weapons such as a vajra, wheel, jewel, staff, sword, and so on. The fifty left hands
Tibetan
་ཁ་དོག་མ་ངེས་པའི་པདྨའི་སྡོང་བུ་འབའ་ཞིག་འཛིན་པ། ཞབས་ཉི་ཤུ་རྩ་བཞི་གཡས་ 7-552 བརྐྱང་བའི་སྟབས་ཀྱིས་བཞུགས་པ། ཡུམ་གོས་དཀར་མོ་དམར་མོ་པདྨ་དང་ཐོད་ཁྲག་འཛིན་ པ་དང་མཉམ་པར་སྦྱོར་བ། མཚན་དཔེ་རྫོགས་ཤིང་དར་དང་རིན་པོ་ཆེས་བརྒྱན་པའོ། །ཡང་ན་ ཞལ་གཅིག་ཕྱག་བཞི་པ་དང་པོ་གཉིས་ཆོས་འཆད་ཀྱིས་པད་སྡོང་གཉིས་འཛིན་པ། འོག་མ་གཉིས་ཀྱིས་མདའ་གཞུ། ཞབས་རྒྱལ་ པོ་རོལ་བའི་ཚུལ་དུ་བསྒོམས་ནའང་ལེགས་སོ། །དཀྱིལ་འཁོར་བྱང་མའི་དབུས་སུ་ཏྲཾ་ལས་རྡོ་རྗེ་ཉི་མ། གསེར་གྱི་མདོག་ཅན་ཞལ་བཞི་སེར་བ། རེས་འགའ་དམར་ཞིང་ཡིད་ཙམ་ཁྲོ་བ། ཕལ་ཆེར་ ལྷག་པར་འཛུམ་པས་བཞད་པ། ཕྱག་དང་པོ་གཉིས་མདའ་དང་གཞུ། འོག་མ་གཉིས་ཀྱིས་ རལ་གྲི་འཕྱར་ཞིང་ཉི་མའི་དཀྱིལ་འཁོར་དང་རྡོ་རྗེས་མཚན་པའི་པདྨ་བསྣམས་པ། རིན་པོ་ ཆེ་སྣ་བདུན་གྱིས་བརྒྱན་ཞིང་སེམས་དཔའི་སྐྱིལ་ཀྲུང་གིས་བཞུགས་པ། ཡུམ་མཱ་མ་ཀཱི་སྔོན་མོ་ རིན་པོ་ཆེ་དང་ཐོད་པ་འཛིན་པས་ཤིན་ཏུ་འཁྱུད་པའོ། །མཚམས་ཀྱི་དཀྱིལ་འཁོར་གྱི་དབུས་ སུ། ཧཱུཾ་ངམ་ཧཾ་ལས་རྡོ་རྗེ་རྟ་མཆོག་རོལ་བའི་སངས་རྒྱས་སྐུ་ལུས་ལྗང་ཁུ། རྩ་ཞལ་དམར་བ་ གཡས་སྔོ་གཡོན་དཀར། སྟེང་ཞལ་རྟ་གདོང་ལྗང་ཁུ་མགྲིན་པ་གཏོད་དེ་སྒྲ་འབྱིན་པ། ཕྱག་ བརྒྱད་ཀྱི་གཡས་རྣམས་བ་དན་གསུམ་པའི་ཕྱག་རྒྱ་དང་རྒྱ་གྲམ་དང་རལ་གྲི་དང་མདའ་ རྣམས་འཛིན་པ། གཡོན་བཞིས་སྣ་ཚོགས་པདྨ་དང་ཤཀ་ཏི་དང་བེ་ཅོན་དང་གཞུ་འཛིན་པ། ཞབས་བཞི་གཡས་བརྐྱང་བའི་དང་པོས་དུས་མཚན་མ་དང་དཔལ་མོ། གཉིས་པས་ཞི་བ་མ་ དང་དགའ་བ་མ། གཡོན་བསྐུམ་པའི་དང་པོས་དྲག་པོ་དང་ཁྱབ་འཇུག །གཉིས་པས་འདོད་ ལྷ་དང་ཚངས་པ་མནན་པ། ཞབས་ཀྱི་མཐིལ་ནས་རྡོ་རྗེའི་རྨིག་པ་འབྱིན་པས་དེ་རྣམས་འཚིར་ བར་མཛད་པ། སྤྱན་གསུམ་མཆེ་གཙིགས་སྐྲ་སེར་གྱེན་དུ་བརྫེས་པ། དྲག་པོ་ཆེན་པོ་གར་གྱི་ ཉམས་དགུ་དང་ལྡན་པ། གྲུ་མོ་ཕན་ཆད་ཀྱི་ཕྱག་རྣམས་དམར་ཞིང་། པུས་མོ་མན་ཆད་ཀྱི་ ཞབས་རྣམས་ནག་པོ། རང་འོད་ཀྱི་ཡུམ་དམ་ཚིག་སྒྲོལ་མ་ལྗང་སྐྱ། སྣ་ཚོགས་རྡོ་རྗེ་དང་ཐོད་ པ་འཛིན་པས་ངེས་པར་འཁྱུད་པ་སྣ་ཚོགས་རྡོ་རྗེའི་ལྟེ་བར་བཞུགས་པའོ། །ཡང་ན་རྟ་མཆོག་ལྗང་ཁུ་ 7-553 ཕྱག་བཞི་པ། དང་པོ་གཉིས་སྣ་ཚོགས་རྡོ་རྗེ་དང་། སྣ་ཚོགས་པདྨ། འོག་མ་གཉིས་མདའ་གསུམ་པ་དང་། རལ་གྲི་འཛིན་པར་བྱས་ ཀྱང་རུང་ངོ་། །དེ་ལྟར་ན་འབྲས་བུ་རྡོ་རྗེ་འཛིན་པ་དྲུག་པོ་ཐམས་ཅད་ཀྱི་དཔྲལ་པར་ༀ། མགྲིན་ པར་ཨཱཿ ཐུགས་ཀར་ཧཱུཾ།
Chinese
手持颜色不定的莲花茎。二十四足右 7-552 伸展之姿安住。明妃身着红白莲花衣，手持颅血，与之交合。具足相好，以绸缎和珍宝装饰。或者，一面四臂，前两臂以说法印持莲花茎。后两臂持弓箭。观想为国王游戏之姿亦可。于北方坛城中央，从怛朗（藏文：ཏྲཾ，梵文天城体：त्रं，梵文罗马拟音：traṃ，汉语字面意思：怛朗）中生出金刚日。身色金色，四面黄色。有时显现红色，略带忿怒。大多时候，特别以微笑示现。前两手持弓箭。后两手挥舞宝剑，并持以日轮和金刚为标志的莲花。以七宝装饰，以菩萨跏趺坐姿安住。明妃玛玛格（藏文：མཱ་མ་ཀཱི，梵文罗马拟音：Māmakī）蓝色，手持珍宝和颅器，紧密拥抱。于边角的坛城中央，从吽（藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）或杭（藏文：ཧཾ，梵文天城体：हं，梵文罗马拟音：haṃ，汉语字面意思：杭）中生出金刚马王嬉戏佛，身色绿色。根本面红色，右蓝左白。上方马面绿色，颈部伸展发出声音。八手中，右边四手持三瓣旗手印、十字杵、宝剑和箭。左边四手持各种莲花、夏克提（性力）、短棒和弓。四足中，右伸展的第一足踩着时母和吉祥天女。第二足踩着寂静母和欢喜母。左弯曲的第一足踩着大自在天和遍入天。第二足踩着爱神和梵天。从足底发出金刚蹄，践踏压迫他们。三眼怒睁，龇牙咧嘴，黄发竖立。具有九种舞蹈姿态的大力士。肘部以上的臂膀为红色。膝盖以下的足为黑色。自身光芒的明妃誓言度母为蓝绿色。手持各种金刚和颅器，必定拥抱，安住在各种金刚的中心。或者，绿色的马王 7-553 四臂。前两手持各种金刚和各种莲花。后两手持三箭和宝剑也可以。如此，那么所有六位果金刚持，都在额头有嗡（藏文：ༀ，梵文天城体：ॐ，梵文罗马拟音：oṃ，汉语字面意思：嗡），颈部有阿（藏文：ཨཱཿ，梵文天城体：आः，梵文罗马拟音：āḥ，汉语字面意思：阿），心间有吽（藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）。
English
Holding a lotus stalk of uncertain color. Twenty-four feet, the right 7-552 extended in a standing posture. The consort, dressed in white and red lotus garments, holding a lotus and a skull cup filled with blood, in union. Complete with marks and signs, adorned with silks and jewels. Alternatively, one face, four arms, the first two explaining the Dharma, holding two lotus stalks. The lower two holding a bow and arrow. It is also good to meditate in the posture of a king at play. In the center of the northern mandala, from traṃ (藏文：ཏྲཾ，梵文天城体：त्रं，梵文罗马拟音：traṃ，汉语字面意思：怛朗) arises Vajra Sun. Golden in color, with four yellow faces. Sometimes red and slightly wrathful. Mostly smiling and laughing. The first two hands hold a bow and arrow. The lower two brandish a sword and hold a lotus marked with a sun disc and a vajra. Adorned with seven kinds of jewels, seated in the posture of a bodhisattva. The consort, Māmakī (藏文：མཱ་མ་ཀཱི，梵文罗马拟音：Māmakī), blue, holding jewels and a skull cup, embracing tightly. In the center of the boundary mandala, from hūṃ (藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽) or haṃ (藏文：ཧཾ，梵文天城体：हं，梵文罗马拟音：haṃ，汉语字面意思：杭) arises Vajra Supreme Horse, the Buddha of Play, body green. The root face red, the right blue, the left white. The upper face, a horse face, green, neck extended, emitting sound. Of the eight hands, the right ones hold the three-banner mudra, a cross, a sword, and an arrow. The four left ones hold various lotuses, Shakti, a staff, and a bow. Of the four feet, the first of the right extended feet treads on Time and Fortune. The second treads on the Peaceful Mother and the Joyful Mother. The first of the left bent feet treads on the Powerful One and Vishnu. The second treads on Kāmadeva and Brahma. From the soles of the feet, vajra hooves emerge, crushing them. Three eyes glaring, bared fangs, yellow hair raised upwards. The great powerful one, endowed with nine dance moods. The arms from the elbows upwards are red. The feet from the knees downwards are black. The self-illuminating consort, the samaya Tārā, is blue-green. Holding various vajras and skull cups, definitely embracing, residing in the center of various vajras. Or, the green Supreme Horse, 7-553 four-armed. The first two holding various vajras and various lotuses. The lower two holding a trident and a sword is also fine. Thus, all six fruit-bearing Vajra Holders have oṃ (藏文：ༀ，梵文天城体：ॐ，梵文罗马拟音：oṃ，汉语字面意思：嗡) on their foreheads, āḥ (藏文：ཨཱཿ，梵文天城体：आः，梵文罗马拟音：āḥ，汉语字面意思：阿) on their necks, and hūṃ (藏文：ཧཱུཾ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽) in their hearts.