English
Also two. Thirty-three from two to two, Thirty-three from three to three, Twenty-nine also from three to three. Twenty-eight from five to five, Twenty-five from six to six, Twenty-four, twenty-one, the two, Hold in the middle of seven and eight. Twenty touches the eighth. After that, the outer lotus, (619) On the top of the two lotus covers, Draw the shape of lotus stamens. The inner line of the pillar base, From the meeting point of the second diameter, Surround the inner wall of six small parts. The inner line of the pillar cover, From the meeting point of the fourth outer diameter, Surround the outer wall of the previous size. Miscellaneous walls, etc., are not allowed here. The top of the central vajra wall, In the longitudinal direction, it is one large part, From the left and right small parts of the diameter, Half and two are the width of the root. The size of the top is not fixed, However, it is said that it should be made sharp. Outside the top of the central wall, Courtyard line, lotus line, charnel ground line, Vajra line and light line, These five ring lines are surrounded in order. Their sizes are the same as the common ones. Inside the root line, Each small part is made round, It becomes the inner line, From the circumference, the left and right small parts are five, The missing place is the line and the sixth is the line, After arranging them alternately, the inner, The place of the five mandalas appears. (620) The four mandalas of the four directions, Subtract half a small part from the left and right. The inner five mandalas, Each one also with a diameter angle, After setting up four lines, then, Cut three from the corner line, Divide into three parts each. After dividing them into two each, The fifth one abandons the center and sets up both sides. The sixth one sets up half and then sets up the outside. The first one sets up half and then sets up the outside. Inside the second one, set up one small part, Then the gatehouse will be completed. Pillars, pillar decorations, dark cloths, etc., Are not in the inner mandalas. Because they are not there, there is no horse landing. These are the common characteristics. The central and western ones, Do not set up god cloths, surround round lines. Set up ten lines of eight-petal lotus. The western one has rays of light, Inside the silk, there is a vajra garland. These two are each one small part. The lotus is also an equal three-part affair. The eight-petal lotus in the center, The center, left and right large parts are, (621) Half and two
Chinese
从……的交界处开始环绕。然后是一个小小的芥子。它的外侧左右，用八个小份环绕花瓣。外侧出现一个小份，那是金刚链的线。这是中心的大份三份，花瓣是第二种大份的样式。虽然在其他地方广为人知，但这是它自己的风格。坛城的东面和北面，墙内各有一大份。将诸神如仪地安放后，中央是九宫格的圆圈。与通常的做法一致进行绘制。并且接触到第四个，环绕金刚外线后，其中也环绕一个小份。从直径的左右两侧的第三个和第四个的栋梁线交叉绘制。由此形成九宫格。从东面发出光芒，为了光芒的链条的意义，金刚线分成两个相同的小份。在北面的四个方格中，金刚的角线与通常的相同。在南面内部应该绘制（622）的是，从中心到根线，将十六个小份仔细划分后，从第二个上面开始环绕，以及第五第六之间和第九个，以及第十二第十三个之间，以及从第十六个开始环绕五个。要知道这是主尊和四个轮的外线，应该在直径线上环绕。第一个的外侧和其他的内侧，各环绕半个小份。花蕊和链条的线，在五个环绕线的间隔中，首先用八十绘制线条。外侧有三个间隔，那是轮辐的位置，那也是轮辐和有轮辐的两种。三二三份，顶点是，从根部的宽度左右，各减去一个小份。中心的方向是有轮辐的，圆周方向是顶点的。在各个轮辐的间隔中，宽度上各一个小份的柱子的线应该绘制，从圆周到圆周。对于各个环绕线，按照顺序，中心、花瓣、花瓣皮，（623）圆周、轮辐、圆周，再次是轮辐和圆周，重复两次。这里就到此为止。内部部分的详细划分，很难在彩粉坛城上绘制，同样地，绘制线条也很困难。它的……
English
Starting from the junction of... then a small mustard seed. On its outer sides, left and right, eight small portions encircle the petals. A small portion appears on the outside, that is the line of the vajra chain. This is the center, three large portions, the petals are in the style of the second large portion. Although widely known elsewhere, this is its own style. On the east and north sides of the mandala, there is one large portion inside each wall. After placing the deities in order, the center is a circle of nine squares. Draw in accordance with the usual practice. And touching the fourth, after encircling the outer vajra line, also encircle a small portion within it. Draw the beam lines of the third and fourth from the left and right sides of the diameter in a crisscross manner. This creates nine squares. From the east, rays of light emanate, for the meaning of the chain of light, the vajra line is divided into two equal small portions. In the four squares on the north side, the vajra horn lines are the same as usual. What should be drawn inside the south side (622) is, from the center to the root line, after carefully dividing sixteen small portions, start encircling from the second one, and between the fifth and sixth and the ninth, and between the twelfth and thirteenth, and from the sixteenth, encircle five. Know that these are the outer lines of the main deity and the four wheels, and should be encircled on the diameter line. Encircle half a small portion each on the outside of the first and the inside of the others. The lines of the stamen and the chain, in the intervals of the five encircling lines, first draw lines with eighty. There are three intervals on the outside, that is the location of the wheel spokes, and that is also the two types of spokes and spoked. Three, two, three portions, the apex is, subtract one small portion each from the left and right of the width of the root. The direction of the center is spoked, the circumference direction is the apex. In the intervals of each spoke, the lines of the pillars, each with a small portion in width, should be drawn, from circumference to circumference. For each encircling line, in order, the center, petals, petal skin, (623) circumference, spokes, circumference, again spokes and circumference, are repeated twice. Let it suffice here. The detailed division of the inner parts is difficult to draw on a colored powder mandala, and similarly, drawing lines is also difficult. Its...
Chinese
因此，不为不必要者所书写。凡是书写工作极其精通，或者能准确绘制坛城，以及绘画等，必须了解内部极其细微的划分。然而，由于各自坛城的仪轨中出现的内容是为了进行类比，所以在此不赘述。令喜悦和摄伏的中央莲花完整是此派的独特之处，柱子、柱饰接触墙壁的线条，在印度、尼泊尔、西藏三地的许多其他旧派咒师中也存在。同样，具有马头装饰也是如此，这在后来的许多印度人中也常见。此外，对于有尺寸的马头装饰和（624）无尺寸的理解，在古代的金刚持者中也各有不同。在圣地（印度），过去认为无尺寸的多，后来认为有尺寸的多，其中也多认为门有三种尺寸。在此，当制作十一根马头装饰的布幔时，第七根小柱子，黑暗布幔的转角，以及半月金刚也位于黑暗布幔上，欲望布幔仅接触柱子等，应与前面相同。顺便提及，到此为止就足够了。第二，清扫净化彩粉。在“线绳”的位置，除了“彩粉”之外，供养赞颂，通过祈请五部转化为彩粉之间，与线绳时相同。多次念诵并揉捏三个字。从ཛཿ（藏文，梵文天城体，梵文罗马拟音，zaḥ，勾召）开始，到ཛཿཧཱུྃ་བཾ་ཧོཿ（藏文，梵文天城体，梵文罗马拟音，zaḥ hūṃ vaṃ hoḥ，勾召 吽 旺 吼）之间也如前一样，省略念诵。念诵多次：ཨོཾ་བཛྲ་ཙི་ཏྲ་ས་མ་ཡ་ཧཱུྃ།（藏文，梵文天城体，梵文罗马拟音，oṃ vajra citra samaya hūṃ，嗡 班杂 资扎 萨玛雅 吽）。填满橛孔。在（625）有权势者的墙壁上画一指宽，念诵： 此乃法界清净处， 众生界能善解脱， 具德饮血王之尊， 如来一切之所住， 从诸罪业得解脱， 彩之事业善开始。 用颅器等覆盖，用金刚杵按压。之后，当适合连接时，连接起来，彩粉布幔永远鲜艳。彩粉顺时针方向欢喜。关于颜色的特征：墙壁五种颜色内外一致，从内到外依次为蓝、绿、红、黄、白。坛城殿的诸神布幔全部一致，东方白色，南方黄色。
English
Therefore, it is not written by those who do not need it. Those who are extremely skilled in writing, or who can accurately draw mandalas, and paintings, etc., must understand the extremely subtle divisions within. However, since the contents appearing in the respective mandala rituals are for the purpose of analogy, they are not elaborated here. The completeness of the central lotus of delight and subjugation is unique to this tradition, and the lines where the pillars and pillar ornaments touch the walls also exist in many other old-school mantra practitioners in India, Nepal, and Tibet. Similarly, having a horse-headed ornament is also the case, which is also common among many later Indians. Furthermore, the understanding of horse-headed ornaments with dimensions and (624) without dimensions varies among the ancient Vajra holders. In the sacred land (India), in the past, it was more common to consider it without dimensions, and later it was more common to consider it with dimensions, among which it was also common to consider the door with three dimensions. Here, when making the eleven horse-headed ornament banners, the seventh small pillar, the corner of the dark banner, and the crescent vajra are also located on the dark banner, and the desire banner only touches the pillar, etc., should be done as before. By the way, that's enough. Second, sweep and purify the colored powders. In the place of "thread rope", except for "colored powder", offering praises, transforming into colored powder by invoking the five families, is the same as with the thread rope. Recite and knead the three syllables many times. Starting from ཛཿ (Tibetan, Devanagari, Romanized Sanskrit, zaḥ, summoning), up to ཛཿཧཱུྃ་བཾ་ཧོཿ (Tibetan, Devanagari, Romanized Sanskrit, zaḥ hūṃ vaṃ hoḥ, summoning hūṃ vaṃ hoḥ), omit the recitation as before. Recite many times: ཨོཾ་བཛྲ་ཙི་ཏྲ་ས་མ་ཡ་ཧཱུྃ། (Tibetan, Devanagari, Romanized Sanskrit, oṃ vajra citra samaya hūṃ, oṃ vajra citra samaya hūṃ). Fill the peg holes. Draw one finger's width on the wall of the (625) powerful ones, and recite: This is the pure realm of Dharma, The realm of beings can be well liberated, The glorious blood-drinking king, The abode of all Tathagatas, Liberated from all faults, The work of color is well begun. Cover with skull cups, etc., and press with a vajra. Later, when it is suitable to connect, connect it, and the colored powder banner will always be bright. The colored powders are joyfully arranged clockwise. Regarding the characteristics of the colors: the five colors of the wall are consistent inside and out, and from inside to outside they are blue, green, red, yellow, and white in order. All the deity banners of the mandala palace are consistent, white in the east, and yellow in the south.