Chinese
应当将由嗡（藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡）字所生的八瓣莲花作为座垫。也就是，东和南的左右两侧，以及北和西的右侧，东和北的门，这八个方位是白色莲花。四个隅角，以及北和西的左侧，南和西的门，这八个方位是红色莲花。善逝增补心间坛城等座垫的十二瓣红色莲花的中心，有从玛字所生的十二个月轮；十二瓣白色莲花的中心，有从ra字所生的十二个日轮。 对于语之诸神，有由嗡（藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡）字所生的八瓣莲花。也就是，四个方位的莲花是红色的，四个隅角是白色的。对于身之诸神，有由嗡（藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡）字所生的莲花，第一层是四瓣，第二层是八瓣，第三层是分为十六瓣的二十八瓣莲花。也就是，四个方位的门的左右两侧是八瓣红色莲花，四个隅角是四个白色莲花，各自的中心有诸神的坐骑。身坛城的东门是由七只猪拉动的黑色车辆，南门是由七匹马拉动的红色车辆，北门是由七只狮子拉动的白色车辆，西门是由七只大象拉动的黄色车辆，上方是由七只三眼五色的迦楼罗拉动的绿色车辆，下方是由七只八足狮子拉动的蓝色车辆。在火风环绕的隅角，有具足特征的八大尸林，四个方位有八辐红色轮，四个隅角有四个白色轮，上方有绿色车辆，下方有蓝色车辆。如此清净无垢的大坛城，内外皆光明，一切特征圆满，以无数庄严之饰而极度辉煌，应知其为血肉骨骼等蕴界和器世间以及诸元素完全清净的自性，无漏法界的体性。第二，所依之本尊观修，主要以五现证的方式生起。中央的莲花、月轮、日轮、罗睺的座垫之上，是具足三十二相的自性。
English
The eight-petaled lotus flowers arising from the syllable OM (藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡) should be arranged as seats. Specifically, the right and left sides of the east and south, the right side of the north and west, and the gate of the east and north, these eight are white lotuses. The four corners, the left side of the north and west, and the gate of the south and west, these eight are red lotuses. In the center of the twelve red lotuses of the seat, including the heart mandala of the Sugata Apharma, are twelve moon discs arising from ma, and in the center of the twelve white lotuses are twelve sun discs arising from ra. For the deities of speech, there are eight-petaled lotuses arising from the syllable OM (藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡). Specifically, the lotuses of the four directions are red, and the four corners are white. For the deities of body, there are lotus petals arising from the syllable OM (藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：om，汉语字面意思：嗡), with four petals in the first layer, eight in the second, and twenty-eight petals divided into sixteen in the third. Specifically, the right and left sides of the gates of the four directions are eight red lotuses, and the four corners are four white lotuses, with the mounts of the deities in their respective centers. In the east gate of the body mandala is a black chariot drawn by seven pigs, in the south gate is a red chariot drawn by seven horses, in the north gate is a white chariot drawn by seven lions, in the west gate is a yellow chariot drawn by seven elephants, above is a green chariot drawn by seven three-eyed, five-colored, full-bodied garudas, and below is a blue chariot drawn by seven eight-legged lions. In the corners of the fire-wind environment are eight great charnel grounds with complete characteristics, with eight red-spoked wheels in the four directions and four white wheels in the four corners, with a green chariot above and a blue one below. Thus, the great mandala, clear and without obscurations, is radiant both inside and out, complete in all characteristics, and adorned with numerous ornaments, appearing supremely beautiful. It should be understood as the nature of completely purified aggregates, elements, and the world of vessels, such as flesh, blood, and bones, and as the essence of the uncontaminated dharma realm. Second, the visualization of the dependent deity should be generated primarily through the method of the five manifest enlightenments. On top of the lotus, moon, sun, and Rahu seat in the center is the essence of the thirty-two major marks.