Chinese
邬金（邬金莲花生大师）说：开始的线和颜色的涂抹。以及，《虚空光明》中说：用五种智慧缠绕丝线，在坛城上方的虚空中，也要画上大的界线。刹那间生起坛城本尊众，进行供养和赞颂。之后是坛城画线，与通常的坛城一样画。要了解坛城的布局。因此，五色丝线缠绕，粗细长短与其他相同。将五种丝线观想为五位佛母，心中融入智慧，进行供养赞颂，上师面向东方，弟子面向西方，拿着丝线，在坛城上方的虚空中，画上四条或十六条智慧界线，并祈祷说：唉玛，五部佛陀为主尊，为了利益众生，请普贤王如来画线。念诵根本咒三遍，以其声音催请，刹那间生起五部坛城及其本尊。之后，从那些本尊众中发出光芒，十方诸佛和菩萨、上师、本尊、空行母、护法等降临，观想他们安住在坛城上方的虚空中，对其进行供养和赞颂，祈请他们不离去而安住。实际画线时，用上好的白土和香水的混合物浸泡后画。口诀是，用红土的汁液浸泡后画。这也要与通常的画法相同，特别是要参照此坛城下方出现的，用智慧进行观察。丝线的环绕方式的优缺点与其他相同。这是画线的仪轨。之后是颜色的仪轨：收集五种颜色的颜料，最好是五种宝物，中等是五种尸陀林的土石，最次是颜色齐全。将它们分别装入容器中，在上面分别写上五部的种子字，并在其上生起誓言尊，融入智慧尊，心中稍作供养赞颂。之后，金刚上师从东方拿起颜料，说：五部佛陀智慧为主，为了明白一切的意义，涂抹五种智慧的颜色。这样画一条线。关于粗细和长度的标准，《虚空光明》中说：颜色一条是门宽的二十分之一，高度要画成箭杆那么高。关于优缺点：也是那样。
English
Urgyen said: The initial line and the application of colors. And, from "Vast Expanse of Luminosity": By entwining the five wisdoms with thread, in the sky above the mandala, also draw the great boundary lines. In an instant, generate the assembly of deities of the mandala, make offerings and praises. Then, draw the lines of the mandala, draw it as the usual mandala. Understand the layout of the mandala. Therefore, the five-colored threads are entwined, the thickness, length, and thinness are the same as others. Visualize the five types of threads as the five mothers, infuse wisdom into the mind, make offerings and praises, the master faces east, the disciple faces west, holding the thread, in the sky above the mandala, draw four or sixteen wisdom boundary lines, and pray: Emaho, the five Buddha families are the main deities, for the benefit of beings, please Samantabhadra draw the lines. Recite the root mantra three times, and with its sound, urge and in an instant, generate the five-part mandala and its deities. Then, from those deity assemblies, light radiates, the Buddhas and Bodhisattvas of the ten directions, the gurus, yidams, dakinis, dharma protectors, etc., descend, visualize them residing in the sky above the mandala, make offerings and praises to them, and request them to stay without departing. When actually drawing the lines, soak them in a mixture of good white clay and fragrant water before drawing. The oral instruction is to soak them in the juice of red clay before drawing. This should also be the same as the usual drawing method, especially referring to what appears below this mandala, and observe with wisdom. The advantages and disadvantages of the way the threads are wrapped are the same as others. This is the ritual of drawing lines. Then comes the ritual of colors: collect five kinds of colors, the best is five kinds of jewels, the medium is five kinds of soil and stones from the charnel ground, and the worst is complete colors. Put them into separate containers, write the seed syllables of the five families on them respectively, and generate the samaya being on them, merge with the wisdom being, and make offerings and praises in your mind. Then, the Vajra Master picks up the paint from the east and says: The five Buddha families are the main wisdom, in order to understand the meaning of everything, apply the colors of the five wisdoms. Draw a line like this. Regarding the standard of thickness and length, from "Vast Expanse of Luminosity": One color line is one-twentieth of the width of the door, and the height should be drawn as high as an arrow shaft. Regarding the advantages and disadvantages: It is also like that.