Chinese
应当按照五部如来的颜色次第来做。如果在方位和中央安置其他本尊，那么就按照广布的如来颜色次第来做。每面墙壁的颜色也必须与四个方位一致，例如东方白色、南方黄色等等，这与其他颜色的地方不同。关于观修时五面墙壁如何存在，有些论师认为内外有五重，另一些则认为一面墙壁本身从下往上依次叠加五种颜色，虽然列举了这两种观点，但并未明确说明自己的观点，不过显然是赞同前一种观点，因为在讲解线条时说过门框从外到外有十个小分，并且说墙壁有一个小分是指墙壁的宽度。如果按照后一种观点，墙壁的宽度就需要认为是小分的一个五分之一，这样墙壁就会非常窄。父柱或者珍宝布的底色是红色，以及网状或半网状的黑色底色。对于认为墙壁是重叠结构的观点，其他对此二者的解释在这里不需要。台座或供品的布料，无论是水晶、黄金、红宝石或其他珍宝都可以，经中说可以随意装饰，但上师们通常做成红宝石的颜色。门饰和箭杆是白色的，而它们的地则要做成蓝色，因为那是天空的体性。因此，中间的布料被称为黑暗的布料，因为它是虚空的体性。门框上方的横梁，要用珍宝尽可能精美地装饰，用各种珍宝的光芒等来庄严。在绘画时，如果门的正上方有墙壁，则不需要画横梁。柱子的柱础和弯曲部分内侧悬挂的帷幔下方，是其各自方位的如来颜色，而外侧则是用方位颜色装饰的天空自性。马蹄、阶沿和摩羯鱼的布料颜色，经中说可以随意装饰，而没有明确说明其他布料的颜色，是因为认为容易理解。容易理解的方式是：门饰和箭杆是白色的，它们的地是蓝色的，珍宝布和黑暗布料等也已经在前面说过了，所以它们和
English
It should be done according to the color sequence of the five Tathagatas. If other deities are arranged in the directions and center, then it should be done according to the color sequence of the expanded Tathagatas. The color of each of the five walls must also be consistent with the four directions, such as white in the east, yellow in the south, etc., which is different from other colored areas. Regarding how the five walls exist during meditation, some teachers believe that there are five layers inside and outside, while others believe that one wall itself is gradually stacked with five colors from bottom to top. Although these two views are listed, their own view is not clearly stated, but it is clear that they agree with the former view, because it is said in the explanation of lines that the door frame has ten small parts from the outside to the outside, and it is said that one small part of the wall refers to the width of the wall. According to the latter view, the width of the wall needs to be considered as one-fifth of a small part, so the wall would be very narrow. The base color of the father pillar or precious cloth is red, and the base color of the net or half-net is black. For the view that the wall is a stacked structure, other explanations for these two are not needed here. The pedestal or the cloth for offerings, whether it is crystal, gold, ruby, or other jewels, can be decorated as desired as stated in the scriptures, but the lamas usually make it the color of ruby. The door ornaments and arrow shafts are white, and their ground should be made blue, because that is the nature of the sky. Therefore, the middle cloth is called the dark cloth, because it is the nature of emptiness. The beam above the door frame should be decorated as beautifully as possible with jewels, adorned with the radiance of various jewels, etc. When painting, if there is a wall directly above the door, there is no need to paint the beam. The base of the pillars and the lower part of the curtain hanging inside the curved part are the colors of the Tathagatas of their respective directions, while the outside is the nature of the sky decorated with the colors of the directions. The color of the cloth for the horseshoe, the steps, and the makara fish is said in the scriptures to be decorated as desired, and the color of other cloths is not clearly stated, because it is considered easy to understand. The easy-to-understand way is: the door ornaments and arrow shafts are white, their ground is blue, and the jewel cloth and dark cloth have already been mentioned earlier, so they and