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jl04 0001.1.catalog of the complete works of omniscient dharma king vidyadhara jigme lingpa.entitled distinguishing the excellence of dharma.g2.0f

Chinese

名为《不死树,遍喜之苑》之仪轨。 顶礼吉祥无量光! 诸佛各别智, 莲茎光芒耀千重, 青春莲花蔓摇曳, 祈愿成就长寿甘露者护佑。 闻汝之名亦生大乐, 新生妙龄之娇美容颜, 犹如魔众胆战心惊之语, 在三有之中摇曳震动。 将班智达和成就者的宗义, 作为颈间之饰, 骄傲地高举胜利的旗帜, 众多格萨尔的传统, 是香达布日(梵文:Śāntapuri)城市的庄严。 在此,我等自始成就之种姓怙主, 莲花生金刚之宗风, 从断证功德无尽之角度而言, 普遍被称为全知香达布日者, 乃是升往高地之成就大障碍, 掌握教法宝藏者, 莲师口诀解脱法, 意自解脱之部类中, 入于无量寿佛不死三身合一之大坛城, 自身进入并受灌顶之仪轨, 分为三:前行,正行(265),后行。 第一,与彩粉坛城相联,从升起开始所作之次第,从我所作之持明根本大灌顶之文字中可知晓。于日间仪轨入坛时,于法座之上,安置彩绘坛城,中心为红色圆形,八瓣莲花以美妙色彩点缀,作为八会众之所依。四门四隅,与通常一样,铺设具有方位颜色和门幡之帷幔,外围则铺设具有特殊功德之物。中央的曼扎上,放置装满甘露、具有颈饰之宝瓶。前方放置长寿食子或长寿宝瓶。右方放置长寿丸。后方放置长寿箭。左方放置具足勇猛和阿弥利达甘露之护法母,其上覆盖具有八瓣红色莲花之中心覆盖物,其上放置作为第三灌顶之所依之明妃。根据情况,放置所有事业之宝瓶。前方陈设以妙欲供品装饰之药酒食子三供。 第二,正行分二:坛城修法及供养,自身入坛及受灌顶。

English

The ritual called "The Garden of Delight, the Immortal Tree." I prostrate to glorious Amitabha! The wisdom that discerns all the Buddhas individually, The lotus stem with a thousand blazing marks of light, The youthful lotus vine that sways, May the accomplished elixir of immortality protect us. Hearing your name brings great bliss, The charming face of youthful beauty, Like words that terrify the hearts of demons, Shakes and trembles within the three realms. Taking the tenets of the Panditas and Siddhas, As an ornament around the neck, Proudly raising the victory banner, The tradition of a hundred Gesars, Is the adornment of the city of Shāntapuri. Here, the lineage lord of our primordially accomplished family, The tradition of Padmasambhava, From the perspective of inexhaustible qualities of abandonment and realization, Universally known as the omniscient Shāntapuri, Is the great obstacle to accomplishment in ascending to the high ground, The one who holds dominion over the treasure of the Dharma, From the category of Padmasambhava's oral instructions, the Liberated Thugs, the Mind Itself Liberated, The ritual of entering oneself into and receiving empowerment in the great mandala of Amitayus, the immortal three bodies united, is divided into three parts: preliminaries, main part (265), and conclusion. The first is: In connection with the sand mandala, the procedure from the beginning of its construction is to be known from the text of the great empowerment of the vidyadhara root that I have composed. When entering the mandala for the daily ritual, on the seat, place a painted mandala with a red circle in the center. Eight lotus petals adorned with beautiful colors, as the abode of the eight assemblies. The four gates and four corners, as usual, are covered with curtains with directional colors and banners, and the outer surroundings are covered with objects with special qualities. On the central mandala, place a vase filled with nectar and adorned with a neck cord. In front, place a longevity torma or a longevity vase. On the right, place longevity pills. Behind, place a longevity arrow. On the left, place the protector mother endowed with courage and amrita nectar, covered with a central covering with eight red lotus petals, on which is placed the consort as the basis of the third empowerment. As appropriate, place vases for all activities. In front, arrange the three offerings of medicine, alcohol, and torma, decorated with pleasing objects. Second, the main part is divided into two: the accomplishment and offering of the mandala, and entering oneself into the mandala and receiving empowerment.