Chinese
། རྔ་ཆེན་པོ་དང་། ཨཱ་ན་ཀ་དང་། དུནྡུ་བྷི་རྔ་བོ་ཆེ་དང་། ཌ་མ་རུ་དང་། ཅང་ཏེའུ་དང་། ཌིཎྜི་མ་འདོར་འཕེན་དང་། མཌྜུ་ཅང་ཏེའུ་ཆེན་པོ་དང་། ཛྷརྫྷ་ར་ནི་རྫ་རྔ་ཁ་གཅིག་པ་དང་། མརད་ལ་གླུ་རྔ་དང་། པ་ཎ་བ་འཁར་རྔ་དང་། སཱ་མྱ་ནི་འཁར་ཁྲོལ་ལོ། །དེ་ལ་མྲྀཏྟི་ཀཱངྒ་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）དང་། མྲྀ་དངྒཱ་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）དང་། མུ་ར་ཛ་རྣམ་གྲངས་སོ། །མུར་ལས་སྐྱེས་པས་མུར་ཛའོ། །ཨངྒི་དང་། ཨཱལྒྱིང་དང་། ཨཱུརྡྷ་ཀ་གསུམ་ནི་མུ་ར་ཛའི་དབྱེ་བ་སྟེ། དེ་ཡང་ཨངྐཱི་ནི་ཧ་རཱི་ཏ་ཀི་ཨ་རུ་རའི་དབྱིབས་ལྟ་བུའོ། །ཨཱ་ལངྒྱི་ནི། གོ་པུཙྪ་སྟེ་བ་ལང་གི་མཇུག་མའི་དབྱིབས་ལྟ་བུའོ། །ཨཱརྡྷི་ཀཱ་དང་། ཨུརྡྷིཿསྠི་ཏ་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）དང་། ཨུརྡྷནྡ་མ་ཞེས་པ་རྣམ་གྲངས་ཏེ། སྟེང་གི་ཁས་སྒྲོགས་པ་གྱེན་དུ་འགྲོ་བས་ན་ཨཱུརྡྷ་སྟེ་རླུང་གྱེན་དུ་བསྐྱོད་པས་སྒྲ་འབྱུང་བའོ། །ཡོ་གི་ཀཱ་པཱ་ལི་ཀཱ་དི་བཱ་དྱ་ཌ་མ་རུཿ（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）ཞེས་པ་ནི་རྣལ་འབྱོར་མ་སྐྱོང་བར་བྱེད་པ་ལ་སོགས་པའི་རོལ་མོ་ཌ་མ་རུ་ཞེས་བྱ་སྟེ། ཌ་མ་རཽ་ཏི་ཉིད་ཤཾ་ཀུ་ལ་སོགས་པའི་ངེས་པའི་ཚིག་གིས་ཌ་མ་རུ་སྟེ་ཅང་ཏེའུའོ། །པ་ཨེ་བ་བི་བུ་ལ་མཌྜུ། ཞེས་པ་ནི་དེ་ཉིད་རྒྱ་ཆེན་པོ་ལ་མཌྜུ་ཞེས་བྱའོ། །མཌྜུ་ཀ་དང་མརྡྷ་ལ་མཚུངས་སོ་ཞེས་སློབ་དཔོན་ར་བྷ་སའོ། །ཌིཎྞི་མ་ནི་འདོར་ཞིང་འཕེན་པ་ཞེས་ཏེ། ཌཎྜི་མ་དང་ཌེངྒུ་རི་ཞེས་བྱའོ། ཛྷརྫྷ་ར་ཎི་སྒྲའི་ཁྱད་པར་ཡོངས་སུ་འགྱུར་བར་བྱེད་པ་རྫ་རྔ་ཁ་གཅིག་པ་སྟེ། ཀ་ར་ཌ་ཀ་ཞེས་ཀྱང་བྱའོ། །གཞན་ཡང་ཏྲིཎ་དང་། ཙ་པེ་ཊ་དང་། གོ་མུ་ཁ་དང་། ཧུ་ཌུཀྐཱ་ལ་སོགས་པ་རོལ་མོའི་དབྱེ་བའོ། །དེ་ནས་གར་གྱི་ཉམས་ཀྱི་མིང་སྟེ། སྒེག་པ་ལ་སོགས་པ་གར་གྱི་ཉམས་བརྒྱད་ནི་གར་གྱི་རོ་སྟེ་མྱང་བར་བྱ་བ་ཡིན་པས་སོ། །དཔེར་ན་ བྱ་ན་སྣ་ཚོགས་དང་ལེགས་པར་སྦྱར་བའི་ཁ་ཟས་སྐྱེས་བུས་ཟོས་ཤིང་རོ་མྱང་ན་ལྷག་པར་དགའ་བར་འགྱུར་བ་བཞིན་ནོ། །དེ་བཞིན་དུ་ཚུལ་སྣ་ཚོགས་པས་གསལ་བར་བྱས་པ་དང་ལྡན་པ་མཐོང་ཞིང་མྱོང་བ་ལས་ཡིད་དགའ་བ་སྐྱེ་བའོ། །དེ་ལ་དགའ་བ་ཞེས་བྱ་བ་ནི་རབ་ཏུ་དགའ་བའི་བདག་ཉིད་ཀྱི་དངོས་པོ་སྟེ། གང་ཉེ་བར་བསགས་པ་ལས་བདག་ཉིད་ཀྱི་ཡིད་ལ་རྣམ་པར་འགྱུར་བའི་ཁྱད་པར་མཆོག་གི་རང་བཞིན་ནི་ཤྲྀཾ་གཱ་ར་སྒེག་པ་ཞེས་པའི་རོ་སྟེ། དེ་ལྟར་ཡང་། སྐྱེས་པ་བུད་མེད་ཕྲད་པ་ལས། །སོ་སོར་དགའ་བ་འབྱུང་འགྱུར་བ། །དེ་ནི་སྒེག་པ་ཞེས་བྱར་བཤད། །དགའ་བའི་རྩེད་མོ་སོགས་ཀྱི་རྒྱུ། །ཞེས་སོ། །དེ་ཡང་རྣམ་པ་གཉིས་ཏེ། མཆོག་གི་རང་བཞིན་མང་པོ་ཅན། །དེ་ནི་ས
English
। Great drum and Ānaka and Dundubhi great drum and Ḍamaru and Changte'u and Ḍiṇḍima throwing and Mḍḍu great Changte'u and ཛྷrtha raṇi one-sided clay drum and Maradla song drum and Pāṇava cane drum and Sāmya is a cane rattle. There are also Mṛttikāṅga and Mṛdaṅgā and Muraja. Muraja was born from Mur. Angi and Āljing and Ūrdhaka three are divisions of Muraja. Also, Aṅkī is like the shape of Harītakī Aruura. Ālaṅgyī is like the shape of Gopuccha, the tail of a cow. Ārdhikā and Ūrdhiḥsthita and Ūrdhandama are names. Since the upper mouth proclaims and goes upwards, it is Ūrdha, because the wind moves upwards, sound arises. Yogi Kāpālikādivādya Ḍamaruḥ is a musical instrument called Ḍamaru, which cultivates yogis. Ḍamaru is Changte'u with the definitive words of Śaṃkula and others. Pa eva bibula Mḍḍu. That is called Mḍḍu because it is very large. Mḍḍuka and Mardha are the same, according to the teacher Rābha. Ḍiṇṇima means throwing and throwing. It is called Ḍaṇḍima and Ḍenguri. ཛྷrtha raṇi is a one-sided clay drum that completely transforms the sound. It is also called Karāḍaka. Furthermore, Triṇa, Capeṭa, Gomukha, Huḍukkā, and others are divisions of music. Then, the names of the gestures of dance. The eight gestures of dance, such as elegance, are the taste of dance, because they are to be experienced. For example, Just as a man eats food made of various kinds of birds and well-prepared food and tastes it, he becomes especially happy. Similarly, joy arises from seeing and experiencing something that is clear and complete with various methods. That which is called joy is the object of the nature of great joy. The supreme nature of the transformation in one's mind from what has been closely accumulated is the taste of Śṛṅgāra elegance. Likewise, From the meeting of man and woman, Individual joys will arise. That is said to be elegance. The cause of joyful games and so on. It is said. It has two aspects. The supreme nature has many. That is S
Chinese
男女性行为。享受和观看，被认为是两种妩媚。也就是说，其中在水池、 श्रेष्ठ（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）上等宫殿、花园、花环、旃檀、妇女等其他事物上嬉戏玩乐的自性，是享受的财富。观看是，看到就欢喜的财富，是产生体验的财富。如是说：从此产生体验，那被极好地称为财富，从中体验到安乐，那是智者所证实的。如是。快乐的自性是वीर（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）英雄，那是财富、调伏、苦行的力量和完全的压制。那也有三种，布施的英雄、佛法的英雄和战场上的英雄。悲伤逼近的自性是करुणा（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）悲悯，由欲望和财富的衰败，罪恶和杀害、捆绑和殴打、折磨和烦恼等所产生的，是悲悯的体验。惊奇逼近的自性是अद्भुत（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）奇妙或威严，前往宫殿和花园、岩山等处见到美好，见到愿望和无量宫、幻术和魔术、工艺等，那是从心中获得想要的财富而产生的。欢笑逼近的自性是हास्य（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）欢笑，隐藏अ（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）阿字等，以及带有姿态和见到遮蔽和未遮蔽等。恐惧逼近的自性是 भयानक（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）可怕的，见到大恐怖和罗刹的叫喊声，饿鬼等，见到房屋和空荡荡的前院、寺庙和杀戮、捆绑，看到害怕和疲惫、厌倦，听到那吉舍绑和猫头鹰等的声音。厌恶的自性是बीभत्स（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）令人厌恶的，见到令人厌恶的和腐烂的肉等，听到和名声等。愤怒逼近的自性是रौद्र（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）猛烈，从身体和语言的行为，做猛烈行为的自性所生，是进入战场的因。那些是八种体验。出自《珍宝藏》。
English
Male and female sexual behavior. Enjoyment and watching are considered two kinds of charm. That is to say, the nature of playing and enjoying in ponds, श्रेष्ठ (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) superior palaces, gardens, garlands, sandalwood, women, and other things is the wealth of enjoyment. Watching is the wealth of being happy when seen, it is the wealth of generating experience. As it is said: From this, experience arises, that is excellently called wealth, from which happiness is experienced, that is confirmed by the wise. So it is. The nature of joy is वीर (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) hero, that is wealth, taming, the power of asceticism, and complete suppression. That also has three kinds, the hero of giving, the hero of Dharma, and the hero in the battlefield. The nature of sorrow approaching is करुणा (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) compassion, generated by the decline of desire and wealth, sin and killing, binding and beating, torment and afflictions, etc., is the experience of compassion. The nature of wonder approaching is अद्भुत (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) wonderful or majestic, going to palaces and gardens, rocky mountains, etc., seeing beauty, seeing wishes and immeasurable palaces, illusions and magic, crafts, etc., that is generated from obtaining the desired wealth in the heart. The nature of laughter approaching is हास्य (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) laughter, hiding अ (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) the letter A, etc., and with gestures and seeing covered and uncovered, etc. The nature of fear approaching is भयानक (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) terrible, seeing great terror and the shouts of Rakshasas, hungry ghosts, etc., seeing houses and empty front yards, temples and killing, binding, seeing fear and fatigue, weariness, hearing the sounds of Nakichebang and owls, etc. The nature of disgust is बीभत्स (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) disgusting, seeing disgusting and rotten meat, etc., hearing and fame, etc. The nature of anger approaching is रौद्र (Tibetan, Sanskrit Devanagari, Sanskrit Romanization, Chinese literal meaning) fierce, born from the behavior of body and speech, the nature of doing fierce actions, is the cause of entering the battlefield. Those are the eight experiences. From the "Treasure Trove".
Chinese
娇媚、英勇、不悦意， 暴烈、欢笑与可怖， 慈悲、威猛与寂静， 这些是舞蹈的九种姿态。 如是说，此处为何未说第九种寂静的姿态呢？应如是说：寂静的姿态是跟随娇媚的姿态，对于佛法的渴求本身就有三种娇媚的姿态。其中第一种是通过苦行和誓愿等，作为对自己有益的因缘。 导师Ra Bha说： 娇媚、英勇、不悦意， 欢笑、暴烈与可怖， 慈悲、威猛与寂静， 以及濒死，共有十种姿态。 如是说。 其他人则将八种姿态归纳为四种，说是四种姿态。 讲述娇媚等词语的同义词。 秀姿（Śuci）是清净、唯一。 乌兹瓦拉（Ujjvala）是燃烧，是悦意的姿态。 这些是讲述娇媚的所作所为的自性。 如是导师比亚迪（Vyādi）说： 清净与燃烧是娇媚， 喜悦、欢快是增长。 如是，对于布施、佛法和战争的争斗感到欢快，是英勇的姿态。 噶汝尼亚（Kāruṇya）和噶汝拿（Karuṇa）是慈悲，前者是具有གྷྱཎའི་的因缘。 གྷྲྀ་ཎཱ་（ghṛṇā，梵文天城体：घृणा，梵文罗马拟音：ghṛṇā，汉语字面意思：慈爱）是慈爱，གྷྲྀ་（ghṛ，梵文天城体：घृ，梵文罗马拟音：ghṛ，汉语字面意思：倾泻）是洗涤。 喇斯那（Rasna）等词语，以“ནཀ་”作为词根。 克里帕（Kṛpā，梵文天城体：कृपा，梵文罗马拟音：kṛpā，汉语字面意思：怜悯）和达亚（Dayā，梵文天城体：दया，梵文罗马拟音：dayā，汉语字面意思：慈悲）和阿努坎巴（Anukampa，梵文天城体：अनुकम्पा，梵文罗马拟音：anukampā，汉语字面意思：怜悯）等也是慈爱。 乌努克若夏（Unukrośa，梵文天城体：अनुकृोश，梵文罗马拟音：anukrośa，汉语字面意思：随顺慈爱）是随顺慈爱。 之后，哈萨（Hasa，梵文天城体：हस，梵文罗马拟音：hasa，汉语字面意思：笑）、哈萨（Hāsa，梵文天城体：हास，梵文罗马拟音：hāsa，汉语字面意思：笑）和哈斯亚（Hāsya，梵文天城体：हास्य，梵文罗马拟音：hāsya，汉语字面意思：可笑的）这三个词是欢笑的名称，称为欢笑、大笑和笑声。 比哈察（Bibhatsa，梵文天城体：बीभत्स，梵文罗马拟音：bībhatsa，汉语字面意思：厌恶的）和比克里达（Vikṛta，梵文天城体：विकृत，梵文罗马拟音：vikṛta，汉语字面意思：变形的）是变异和不悦意。 比斯玛亚（Vismaya，梵文天城体：विस्मय，梵文罗马拟音：vismaya，汉语字面意思：惊奇）也是惊奇。 阿德布达（Adbhūta，梵文天城体：अद्भुत，梵文罗马拟音：adbhūta，汉语字面意思：奇妙的）是奇妙。 阿什察尔亚（Āścarya，梵文天城体：आश्चर्य，梵文罗马拟音：āścarya，汉语字面意思：惊奇）是非常惊奇。 奇特朗（Citraṃ，梵文天城体：चित्रं，梵文罗马拟音：citraṃ，汉语字面意思：惊奇）是卓越。 拜拉旺（Bhairavaṃ，梵文天城体：भैरवं，梵文罗马拟音：bhairavaṃ，汉语字面意思：可怕的）是恐怖，达汝南（Dāruṇaṃ，梵文天城体：दारुणं，梵文罗马拟音：dāruṇaṃ，汉语字面意思：可怕的）是难以忍受，比夏南（Bhīṣaṇaṃ，梵文天城体：भीषणं，梵文罗马拟音：bhīṣaṇaṃ，汉语字面意思：可怕的）是使人恐惧，比玛（Bhīma，梵文天城体：भीम，梵文罗马拟音：bhīma，汉语字面意思：可怕的）和比什玛（Bhiṣma，梵文天城体：भीष्म，梵文罗马拟音：bhiṣma，汉语字面意思：可怕的）是恐惧，郭让（Ghoraṃ，梵文天城体：घोरं，梵文罗马拟音：ghoraṃ，汉语字面意思：可怕的）是猛烈或使人害怕，巴亚纳康（Bhayanakaṃ，梵文天城体：भयानकं，梵文罗马拟音：bhayanakaṃ，汉语字面意思：可怕的）是令人恐惧，巴扬嘎拉（Bhayaṅkara，梵文天城体：भयङ्कर，梵文罗马拟音：bhayaṅkara，汉语字面意思：可怕的）和普拉底巴扬（Pratibhayaṃ，梵文天城体：प्रतिभयं，梵文罗马拟音：pratibhayaṃ，汉语字面意思：可怕的）是恐怖，各自是恐惧。 之后，关于想法的名称，伊恰（Icchā，梵文天城体：इच्छा，梵文罗马拟音：icchā，汉语字面意思：愿望）、康夏（Kaṃśāṃ，梵文天城体：कांक्षा，梵文罗马拟音：kāṃkṣāṃ，汉语字面意思：愿望）、斯普里哈（Spṛhā，梵文天城体：स्पृहा，梵文罗马拟音：spṛhā，汉语字面意思：渴望）、特里塔（Tṛṭa，梵文天城体：तृट，梵文罗马拟音：tṛṭa，汉语字面意思：渴望）、瓦恰（Vāñchā，梵文天城体：वांछा，梵文罗马拟音：vāṃchā，汉语字面意思：愿望）和里萨（Lissā，梵文天城体：लिस्सा，梵文罗马拟音：lissā，汉语字面意思：愿望）等是愿望或想法的名称的同义词，是希望、愿望和想法等各种情况。 玛诺拉塔（Manoratha，梵文天城体：मनोरथ，梵文罗马拟音：manoratha，汉语字面意思：心愿）是意愿的车乘，是想法。 嘎玛（Kāma，梵文天城体：काम，梵文罗马拟音：kāma，汉语字面意思：欲望）是欲望，阿比拉夏（Abhilāṣa，梵文天城体：अभिलाष，梵文罗马拟音：abhilāṣa，汉语字面意思：渴望）是显现的愿望，塔夏（Tarṣa，梵文天城体：तर्ष，梵文罗马拟音：tarṣa，汉语字面意思：渴望）是欲望。
English
Charm, valor, unpleasantness, Violence, laughter, and terror, Compassion, ferocity, and tranquility, These are the nine sentiments of dance. It is said, why is the ninth, the tranquil sentiment, not explained here? It should be said: the tranquil sentiment follows the charming sentiment. The desire for Dharma itself has three aspects of charm. The first of these is through engaging in asceticism and vows, etc., as a cause that benefits oneself. The teacher Ra Bha said: Charm, valor, unpleasantness, Laughter, violence, and terror, Compassion, ferocity, and tranquility, And near death, there are ten sentiments. So it is said. Others condense the eight sentiments into four, saying there are four sentiments. Explaining the synonyms of charm, etc. Śuci is purity, uniqueness. Ujjvala is burning, it is a pleasing appearance. These are explaining the nature of the actions of charm. As the teacher Vyādi said: Purity and burning are charm, Joy and delight are increase. Thus, taking delight in giving, Dharma, and the battle of war is the sentiment of valor. Kāruṇya and Karuṇa are compassion, the former having the cause of ghyṇa. Ghṛṇā is love, ghṛ is pouring. Rasna and others, with "naka" as the root. Kṛpā, Dayā, and Anukampa are also love. Unukrośa is following love. Then, Hasa, Hāsa, and Hāsya are three names for laughter, called laughter, great laughter, and a laugh. Bibhatsa and Vikṛta are transformation and unpleasantness. Vismaya is also wonder. Adbhūta is marvelous. Āścarya is very wonderful. Citraṃ is excellent. Bhairavaṃ is terrifying, Dāruṇaṃ is unbearable, Bhīṣaṇaṃ is making fearful, Bhīma and Bhiṣma are fear, Ghoraṃ is violent or frightening, Bhayanakaṃ is terrifying, Bhayaṅkara and Pratibhayaṃ are terrifying, each is fear. Then, for the names of thought, Icchā, Kaṃśāṃ, Spṛhā, Tṛṭa, Vāñchā, and Lissā are synonyms for desire or thought, such as hope, desire, and thought, as appropriate. Manoratha is the chariot of the mind, it is thought. Kāma is desire, Abhilāṣa is manifest desire, Tarṣa is desire.