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DTG075 0001.The Ritual of Mandala Called Vajra Garland.《The Ritual of Mandala Called Vajra Garland.·The Ritual of Mandala Called Vajra Garland.》.g2.0f

English

The two points located at the center of the lines at the top of the mandala are in the west and east. By holding a thread on it and making two mandalas, it can be preserved. Then, make dots at the ends of its head and tail, which are south and north. By holding a thread on it, make two other mandalas. In the covering position, four dots should be made in each direction, and then four circles should be drawn on top of them. Then, holding a thread in the middle of the head and tail of the fish in each direction. Between the chains of rays, draw two diameter lines, with the left leg in a half-lotus position and the right leg planted on the ground. Sitting in reverse, according to the rules, together with a disciple walking backwards, hold the thread with the left vajra fist and draw with the intention of drawing a line in the sky. The other ways of drawing lines are also the same. When drawing lines, it will not succeed without signs. If the thread breaks, the lama will die. If it is less or more, there will be internal strife. If the direction is wrong, the disciple will be confused. Know these things, and also do the remedial ritual. If when drawing lines, no one is capable, or there is no attendant, tie yourself to the stake and draw. Being in the fire position is the line of the wind position. Being in the unreal position is the line of the powerful position. The size of each of these two doors is seventeen. Then draw five mandalas. For the purpose of drawing only diameter lines, it is said that the thread should be twice as long as the mandala. The mandala is also here, contained in the center of various vajras, the root mandala and its surroundings, extending outward from the root line to between eight small parts, which is forty-eight small parts. Outside of that, there are twelve small parts, and two, two, two, and four, which in order are the horse stable, the wheel of dharma, the ram, the lotus petals, the vajra chain, and the chain of light, with twenty-four small parts on one side. The other side is also the same. Therefore, there are forty-eight small parts. Therefore, the thread will become ninety-six small parts. That is, after knowing that the parts in each direction are equal, then from the mandala...

Chinese

是二倍。东西延伸,应正确设置直径线。如是说。其他地方也说:因此,此坛城,坛城地基取二倍。有权势者,在水之方向延伸,线应跟随小分。如是说。对于“ra”和光芒,是一个小分还是三个小分?如果是两个小分,则线绳变为九十二个小分。那时,线绳比坛城光芒的边缘多出四个小分。如果说是为了抓住意义,则不然。因为经中说:从一肘开始,直到一千肘。因此,根本坛城一千肘的八分之一门的四分之一,变为三十一小分。这四个小分,线绳多出一百二十五肘。那该怎么办?花瓣和金刚链等,即使是每个小分也不行。因此,还有其他类似的情况。在墙壁上,马降落门的三个方向,很多人说这与经文相悖。这里,在一肘等尺寸的轮的方向上,以该尺寸的根本线完全分割。因此,阿阇梨应位于火隅,面朝北方,设置东方根本线为轮的尺寸。位于风隅,面朝南方,则为西方。位于该处,面朝东方,则为北方。再次前往火隅,面朝西方,则为南方。如是,空行母金刚帐中说:第一是梵天线,第二是角落线,第三在四个面上,应善设四条线。如是说。该线的一个八分之一是门,门的四分之一是一个小分。然后,在梵天线的面上,左右各两个小分,与根本线一起,那是第四个小分。在那里,位于梵天线两个面上的根本线是:以嘿字忿怒的目光,然后也应打开门。如是说。因此,应以世尊左边和另一只眼睛的种子字(藏文:ཧཱུྃ,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽)化为月亮和太阳,并

English

is doubled. Extending east and west, the diameter line should be set correctly. So it is said. Elsewhere it is also said: Therefore, this mandala, the mandala base is taken twice. The powerful one, extending in the direction of water, the line should follow the small divisions. So it is said. For "ra" and rays, is it one small division or three small divisions? If it is two small divisions, then the string becomes ninety-two small divisions. At that time, the string exceeds the edge of the mandala's light by four small divisions. If it is said that it is to grasp the meaning, then it is not so. Because the scripture says: Starting from one cubit, up to a thousand cubits. Therefore, one-eighth of the thousand-cubit fundamental mandala's gate, plus one-quarter, becomes thirty-one small divisions. These four small divisions, the string exceeds one hundred and twenty-five cubits. What should be done with that? Petals and vajra chains, even each small division is not suitable. Therefore, there are other similar situations. On the wall, in the three directions of the horse-landing gate, many say that this contradicts the scripture. Here, in the direction of the wheel of cubit and other sizes, it is completely divided by the four fundamental lines of that size. Therefore, the Acharya should be located in the fire corner, facing north, and set the eastern fundamental line as the size of the wheel. Located in the wind corner, facing south, it is the west. Located there, facing east, it is the north. Going to the fire corner again, facing west, it is the south. Thus, the Dakini Vajra Tent says: The first is the Brahma line, the second is the corner line, the third on the four faces, four lines should be well set. So it is said. One-eighth of that line is the gate, and one-quarter of the gate is one small division. Then, on the face of the Brahma line, two small divisions each on the left and right, together with the fundamental line, that is the fourth small division. There, the fundamental lines located on the two faces of the Brahma line are: With the wrathful gaze of the Hūṃ (藏文:ཧཱུྃ,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽) letter, then the door should also be opened. So it is said. Therefore, the seed letter (藏文:ཧཱུྃ,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽) of the left and other eyes of the Bhagavan should be transformed into the moon and the sun, and

Chinese

以愚者的眼光看待一切,发出“嘻嘻”的声音,以此消除成为解脱之门的障碍的遮蔽。通过特别的虔诚来消除它。然后,从根本的线之外,依次间隔一、二、一、二、一、一的小份,六条线要从角线之外单独画出。其中,最初的两条是颜色和台阶的位置。互相接触顶端,具有一个二小份的线,并完全舍弃三小份之间的半径,处于其中的三个是珍宝的瓦片、项链和珍宝的装饰物的位置,要舍弃八小份。第四个是在第二个角线之间。然后是从台阶的线产生的四条线,其中一条是绸缎的飘带,单独接触三条线的顶端。在其旁边,舍弃各一小份,有三条线,是马座的柱子、中间和颜色的位置。这四个之中,最初的三个长度是五小份。所说的是四小份。这里,坛城和马座之间的是黑暗的布、盲人的布、空虚的布和虚空状态的布。然后,在半径线的旁边,舍弃二小份,从根本线笔直地出现四小份的门框,旁边过去二小份的边缘,上面单独出现二小份的两条弯曲的线。从其顶端到半径线的旁边二小份的位置,像那样到达弯曲顶端之间的是八小份,是表示栋梁的线。同样,从其旁边的线的顶端到另一条旁边的线的顶端之间是十小份的线,是屋檐的位置,或是带有栋梁的屋檐的位置,或是栋梁之上的五种颜色的位置。其外面的 一小份是坛城和马座之间的布。这说的是:门是轮子的八分之一,想要与台阶分离。门的尺寸是门框,同样是天神的布。从所有台阶到门的一半,同样是边缘和旁边,网格网

English

Looking at everything with the eyes of a fool, uttering "hee hee," thereby eliminating the obscurations that become obstacles to the gate of liberation. Eliminate it through special devotion. Then, from outside the root line, sequentially spacing one, two, one, two, one, one small portions, the six lines should be drawn separately from the corner lines. Among them, the first two are the positions of color and the platform. Touching each other at the apex, possessing one line of two small portions, and completely abandoning the radius between three small portions, the three situated within are the positions of jewel tiles, necklaces, and jewel ornaments, eight small portions should be abandoned. The fourth is between the second corner lines. Then, four lines arise from the platform line, one of which is the silk streamer, separately touching the apex of the three lines. Beside it, abandoning one small portion each, there are three lines, which are the positions of the horse-throne pillar, the middle, and the color. Among these four, the first three have a length of five small portions. What is said is four small portions. Here, what is between the mandala and the horse-throne is called the cloth of darkness, the cloth of the blind, the cloth of emptiness, and the cloth of the state of void. Then, beside the radius line, abandoning two small portions, the four small portions of the door frame emerge straight from the root line, beside it passing two small portions of the edge, above separately emerging two small portions of two curved lines. From its apex to the position of two small portions beside the radius line, like that reaching between the curved apexes is eight small portions, which is the line representing the beam. Similarly, from the apex of the line beside it to the apex of the line beside the other is a line of ten small portions, which is the position of the eaves, or the position of the eaves with the beam, or the position of the five colors above the beam. The one small portion outside it is the cloth between the mandala and the horse-throne. This says: The door is one-eighth of the wheel, wanting to be separated from the platform. The size of the door is the door frame, likewise the cloth of the deity. From all platforms to half of the door, likewise the edge and the side, grid grid.