Chinese
应当知晓，其中一部分安住于空性之中。又在坛城的东、南等四个方位上，以右旋的方式，于不动等方位上，观想金刚嬉女、金刚鬘女、歌女和舞女等大天女，其身形、装束和饰品都如同天王之妃。她们也依次具有扬眉、珍宝鬘的香气、悦耳的歌声和舞蹈的特征。她们的心咒是：嗡 班匝 拉色（藏文：ཨོཾ་བཛྲ་ལཱ་སྱེ།，梵文天城体：，梵文罗马拟音：oṃ vajra lāsye，汉语字面意思：嗡，金刚，嬉女）。嗡 班匝 玛列（藏文：ཨོཾ་བཛྲ་མཱ་ལེ།，梵文天城体：，梵文罗马拟音：oṃ vajra māle，汉语字面意思：嗡，金刚，鬘女）。嗡 班匝 额谛（藏文：ཨོཾ་བཛྲ་གཱི་ཏི།，梵文天城体：，梵文罗马拟音：oṃ vajra gīti，汉语字面意思：嗡，金刚，歌女）。嗡 班匝 尼日德（藏文：ཨོཾ་བཛྲ་ནི་རྟི།，梵文天城体：，梵文罗马拟音：oṃ vajra nirti，汉语字面意思：嗡，金刚，舞女）。在外围的四道门上，同样安立金刚钩女、金刚索女、金刚锁女和金刚铃女等门卫。其中三位手持铁钩、绳索和铁锁，第四位则握着降伏的拳头。她们的心咒是：嗡 班匝 昂古夏（藏文：ཨོཾ་བཛྲ་ཨདྐུ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra aṅkuśa，汉语字面意思：嗡，金刚，钩）。嗡 班匝 巴夏（藏文：ཨོཾ་བཛྲ་པཱ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra pāśa，汉语字面意思：嗡，金刚，索）。嗡 班匝 斯坡达（藏文：ཨོཾ་བཛྲ་སྥོ་ཊ།，梵文天城体：，梵文罗马拟音：oṃ vajra sphoṭa，汉语字面意思：嗡，金刚，锁）。嗡 班匝 阿贝夏（藏文：ཨོཾ་བཛྲ་ཨཱ་བེ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra āveśa，汉语字面意思：嗡，金刚，入）。在坛城的各个方位，以化现为女身形象的焚香等供养，以及花鬘和涂香的供养等，即是金刚焚香女等，她们都具有极其光彩照人的身形。她们的心咒是：嗡 班匝 杜贝（藏文：ཨོཾ་བཛྲ་དྷཱུ་པེ།，梵文天城体：，梵文罗马拟音：oṃ vajra dhūpe，汉语字面意思：嗡，金刚，香）。嗡 班匝 布贝（藏文：ཨོཾ་བཛྲ་པུཥྤེ།，梵文天城体：，梵文罗马拟音：oṃ vajra puṣpe，汉语字面意思：嗡，金刚，花）。嗡 班匝 阿洛给（藏文：ཨོཾ་བཛྲ་ཨཱ་ལོ་ཀེ།，梵文天城体：，梵文罗马拟音：oṃ vajra āloke，汉语字面意思：嗡，金刚，光）。嗡 班匝 根德（藏文：ཨོཾ་བཛྲ་གནྡྷེ།，梵文天城体：，梵文罗马拟音：oṃ vajra gandhe，汉语字面意思：嗡，金刚，香）。在其余方位上，观想慈氏等大菩萨，他们持有其他经典中所述的各种标志和装束。根据其他瑜伽经典中所述，在不动等方位上，从方位的差别中，观想他们手持金刚、宝珠、莲花和金刚嬉戏，并安住在其他密续经典中所述的莲花座上。同样，对于如来等本尊的坛城，也应如此进行观察。对于如何区分所观想的如来等本尊坛城的颜色，也应如此观察：从与佛部、金刚部、莲花部和宝生部等相对应的上师和弟子的上衣和面罩的颜色中，可以得知。上衣和面罩也应在此处如此……
English
It should be known that a small part of it dwells in emptiness. Also, in the four directions of the mandala, such as east and south, in a clockwise manner, in the directions of Akshobhya and so on, the great goddesses Vajra Lasya, Vajra Mala, Giti, and Nirti should be visualized with bodies, attire, and ornaments resembling the queens of the gods. They are also described as having the characteristics of raising eyebrows, the fragrance of precious garlands, pleasing songs, and dancing, respectively. Their heart mantras are: Om Vajra Lasye (藏文：ཨོཾ་བཛྲ་ལཱ་སྱེ།，梵文天城体：，梵文罗马拟音：oṃ vajra lāsye，汉语字面意思：Om, Vajra, Playful Woman). Om Vajra Male (藏文：ཨོཾ་བཛྲ་མཱ་ལེ།，梵文天城体：，梵文罗马拟音：oṃ vajra māle，汉语字面意思：Om, Vajra, Garland Woman). Om Vajra Giti (藏文：ཨོཾ་བཛྲ་གཱི་ཏི།，梵文天城体：，梵文罗马拟音：oṃ vajra gīti，汉语字面意思：Om, Vajra, Song Woman). Om Vajra Nirti (藏文：ཨོཾ་བཛྲ་ནི་རྟི།，梵文天城体：，梵文罗马拟音：oṃ vajra nirti，汉语字面意思：Om, Vajra, Dance Woman). In the four gates of the outer layer, the gatekeepers Vajra Ankusha, Vajra Pasha, Vajra Sphota, and Vajra Avesha are similarly placed. Among them, three hold iron hooks, ropes, and iron chains, while the fourth clenches a fist of subjugation. Their heart mantras are: Om Vajra Ankusha (藏文：ཨོཾ་བཛྲ་ཨདྐུ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra aṅkuśa，汉语字面意思：Om, Vajra, Hook). Om Vajra Pasha (藏文：ཨོཾ་བཛྲ་པཱ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra pāśa，汉语字面意思：Om, Vajra, Snare). Om Vajra Sphota (藏文：ཨོཾ་བཛྲ་སྥོ་ཊ།，梵文天城体：，梵文罗马拟音：oṃ vajra sphoṭa，汉语字面意思：Om, Vajra, Chain). Om Vajra Avesha (藏文：ཨོཾ་བཛྲ་ཨཱ་བེ་ཤ་།，梵文天城体：，梵文罗马拟音：oṃ vajra āveśa，汉语字面意思：Om, Vajra, Entering). In the various parts of the mandala, offerings such as incense in the form of women, as well as garlands of flowers and scented ointments, are made. These are the Vajra Dhupa and so on, all of whom have extremely radiant forms. Their heart mantras are: Om Vajra Dhupe (藏文：ཨོཾ་བཛྲ་དྷཱུ་པེ།，梵文天城体：，梵文罗马拟音：oṃ vajra dhūpe，汉语字面意思：Om, Vajra, Incense). Om Vajra Pushpe (藏文：ཨོཾ་བཛྲ་པུཥྤེ།，梵文天城体：，梵文罗马拟音：oṃ vajra puṣpe，汉语字面意思：Om, Vajra, Flower). Om Vajra Aloke (藏文：ཨོཾ་བཛྲ་ཨཱ་ལོ་ཀེ།，梵文天城体：，梵文罗马拟音：oṃ vajra āloke，汉语字面意思：Om, Vajra, Light). Om Vajra Gandhe (藏文：ཨོཾ་བཛྲ་གནྡྷེ།，梵文天城体：，梵文罗马拟音：oṃ vajra gandhe，汉语字面意思：Om, Vajra, Scent). In the remaining places, visualize the great Bodhisattvas such as Maitreya, who hold various signs and attire as described in other texts. According to other yoga texts, in the directions of Akshobhya and so on, from the differences in the directions, visualize them holding vajras, jewels, lotuses, and vajra playfulness, and seated on lotus seats as described in other tantric texts. Similarly, the mandalas of the Tathagatas and other deities should be observed in the same way. As for how to distinguish the colors of the visualized mandalas of the Tathagatas and other deities, it should be observed as follows: from the colors of the upper garments and face coverings of the teacher and disciples corresponding to the Buddha family, Vajra family, Lotus family, and Ratna family, one can know. The upper garments and face coverings should also be here...