English
Sip. Pāpadīṣi. Pāpatsi. Thas. Pāpatthaḥ. Mip la. Pāpadīmi. Pāpatmi. Pāpatvaḥ. And so on. Bāba dyāta and so on. Regarding the difference of having or not having ī in tu pa. Bābattu. Bāba dītu. Bābattāt, these are three. Hi dhi bābaddhi. Bābattāt. A nip. Bāba dāni and so on. If dip has dip, A bāba tat. If ī is given, A bāpa dīt. An us. Abāba duḥ. After hi, A bāba tat. Sip. A bāba dīḥ. A mip. A bāba dam. A bāba dva and so on. Ghaṭ is for playing. Here, saṃ must be placed first. Ghaṭ yang ti. Two and so on, like before, jha pa and so on, gha jha. That is a long dza. Saṃ before. Ya after. Ī. Saṃ jā. Ghaṭī. Ti. No ī. Saṃ jā ghaṭṭi. Saṃ jā ghaṭṭaḥ Saṃ jā gha ṭa ti. Sip, choose ī. Like before, for thas. Saṃ jā gha ṭa ṭhaḥ mip. Saṃ jā gha nāī mi. Saṃ jā ghaṭmi. Saṃ jā gha ṭva. And so on. For tu pa. Saṃ jā gha ṭī tu. Saṃ jā ghaṭṭu. Saṃ jā ghaṭṭāt. Hi dhi dhi ḍhi. Saṃ jā gha ṭi ḍha. Also. Saṃ jā ghaṭṭāt and so on. Place saṃ before aṭ. Ī sa ma jā gha ṭīt. No ī. Sa ma jā ghaṭ. Saṃ jā ghaṭṭaṃ. An us. Samajā ghaṭuḥ. If si is removed. Sa ma jā ghaṭ. If ma is not removed. Sa ma jā gha ṭīḥ. And so on. Also for bhū. Saṃ bo bha bī ti. Saṃ bo bho ti. Like this. Saṃ bo bha taḥ. Saṃ bo bhabati. Saṃ bo bha bi ṣi. Saṃ bo bho ṣi and so on. Mip. Saṃ bo bha bī mi. Saṃ bo bhu ba and so on. Saṃ bo bhū yāt and so on. For tu pa. Saṃ bo bha bī tu. Saṃ bo bhū tā tra. For hi. Saṃ bo bhū hi. Also. Saṃ bi bhū tāt. Ī nip. Saṃ bo bha bā ni and so on. Aṭ is needed for dip and so on. Place the multiplier saṃ before. Because of the combination, sa ma did not appear. Ī sa ma bo bha bīt. If not. Sa ma bo bhoṭ. Remember an us. For the latter si pa, with or without ī. Sa ma bo bha bīḥ Sa ma bo bho. A mip. Sa ma bo bha bam. Ba. Sa ma bo bhū ba and so on. Ḍu kṛ ñ byings. Also with ṛt at the end. Even if it is upa dhā and even if the condition is not apparent. Between the expression of two bases, one of the three, ruk ā ga ma, rik ā ga ma, and rīk ā ga ma, will be applied. As it is said. For those with the letter ṛ at the end, the first of the ṛt upa dhā.
English
Ruk, Rik, Rik are Agamas, that is, becoming new. So it is said. Kṛ Yaṅ Tip Kṛ Kṛ. Ṛi A. Ka Kṛ. Kui Tsuo. Tsa Kṛ. Ya 'Jig Tsa Kṛ Ti, these six are arranged as one group. For the first three, Ruk and Rik are written sequentially between Tsa and Kṛ. The three K's are post-joined to Ka. Ru's U is the meaning expressed. R is a single body. The latter three are also done in the same way, so Tsa Krī Tsa Ri Kṛ Tsa Rī Kṛ appear twice. For the first three, Ā is added after Ya. The latter three do not have Ā. All six Kṛ's have qualities, that is, Ka R, these six. The first three R's point to Ā, the latter three R's point to the top of Ta, Tsarka Rī Ti Tsa Ri Ka Rī Te Tsa Rī Ka Rī Te Tsarkarti Tsa Ri Karti Tsa Rī Karti. These six variations appear. Thus, Pit has the choice of whether or not to add Ā. The following ones will also definitely appear six by six. Tip is Pit, so it is six. ༈ Sip and Mi P are also the same. ༈ For Tup, there are the six of Pit, and the three that are not Pit, for a total of nine. ༈ Ā is definitely not added. For others that begin with a consonant, Kṛ remains unchanged, and there are three variations of Agama. For those that begin with a vowel, the life of Kṛ, Ṛ, becomes R Te Ra, and through the distinction of Agama, there are three variations. Tas Tsarkṛ Taḥ. Tsa Ri Kṛ Taḥ. Tsa Rī Kṛ Taḥ. These three do not have Ā. For those that begin with a consonant, explain with this. ༈ Anti. Tsarkra Ti. Tsa Ri Kra Ti. Tsarīkra Ti, these are used to explain all those that begin with a vowel. ༈ Ṛ R K R lifelessly point to the vowels of the case endings. ༈ Sip Tsarka Rī Ṣi etc., and Tsarkarṣi etc., are six. ༈ Thas Tsarkṛ Thaḥ etc. ༈ For Mip, there are Tsarka Rī Mi and Tsarkarmi etc. ༈ Tsarkṛ Baḥ. Tsarkṛ Maḥ etc. ༈ For Yāt etc., there are Tsarkṛ Yāt etc., three by three. ༈ For Tup, there are Tsarka Rī Tu etc. three, Tsarkartu etc. three, Tā Tad is converted to Tsarkṛ Tāt etc. three, for a total of nine. ༈ For Dip, if there is Ā, then there are A Tsarkarīt etc. three, and if not, then there are A Tsarkṛt etc. three. ༈ It is when adding Bṛ. U is the meaning expressed. Bṛt Tip, for the excellent, is the Ya of the first Hasa. The second is also. Yaṅ is repeated twice. The initial Hasa etc. are Ṛ A O. Bṛ initially becomes Ba. Ruk Āī Bṛbṛ
English
Dhi ti. Rik bari brīti ti. Rīk. Barī brīti ti. Ī med na. Ṛ ogma yontan ar. Barba rti. Bari brti. Barī brti. Therefore, the type is changed, such as brīttaḥ, etc. Brīta ti, etc. Ī. Brītīṣi, etc., pit yontan. Barba rti sa, etc., and brīthaḥ, etc. Brīta tha, etc. Ī. Brī tī mi, etc. Yontan barbartmi, etc. Brīta baḥ, etc. Brīdmaḥ, etc., and pari brītmaḥ. Parī brītmaḥ, it is said. Brītyāt pari brīdyāt, etc. Parī brīdyāma'i bar du gsum gsum nyer bdun no. Ī brītī tu, etc., and if ī is not there, brīttu. Pari brīttu, etc. Yang na tā tad. Brīttāt, etc., which are nine. Brīttāṃ, etc. Brīta tu, etc. Hi dhi. Brīddhi, etc., and tā ta ng drn. Brīttāt, etc., which are six. Brītaṃ, etc. Brītā ni, etc., and brītā ba, etc., and brīt mat, etc. Ī. A brītī. A bari brītīt, etc. If ī is not there, a brītra dip is removed. A brīttāṃ, etc. Aṇ us. A brītuḥ, etc. Ī rnam bcad a brītīḥ, etc. A brīttaṃ, etc. A brītta, etc. A brītaṃ, etc. A brītva, etc. A brītma. A bari brītma. A barī brītma, until that point. These are yang lu ganta te. Yang is the action of the end of destruction. Kartu yang. Yang is for the doer. For the meaning of the doer of considering bad as good, near pride, constantly practicing, etc., the suffix yang is applied. Ya lao means the end of the base is long. Since śyen, like that, is a name, the base and the name are the same, so it is called the base of the name. Śyen (梵文天城体：श्येन，梵文罗马拟音：śyena，汉语字面意思：Hawk) yang te ya lao. The end of the base is long. Śyenā yate. Śye nā yā te. Śye nā yate, and so on. Śye na iva ā cara tī kā kaḥ. Considering it similar to a Horpa, it is a crow. Paṇḍitā yate murkhaḥ. Considering himself wise, he is a fool. As it is said, yang la sa dyi'o. Since it appears, the letter sa of the one with the end sa is removed. Apsaras yad te, the end of the base of the name is long. Sa yal apsarā yate. That is what it is, and so on. Apsarā yate ku rūpā. Considering herself born from water, she is ugly. Ojas yang te ja ring. Sa dyi ojā yate. And so on. Ojā yataེ་ durbalaḥ. Claiming to be strong, but plagued by poverty. ༈ khañjāyate paṅguḥ. Claiming to be lame, but plagued by hunchback. ༈ In the words pāyas etc., the omission or non-omission of s is optional. If omitted, it becomes pāyāyate etc. If not omitted, there is no long ya. For example, pāyasya te. Pāyasya te ta kram. Nourishing like milk. Therefore, the usage of postpositions has also been explained. ༈. Ācāre upamānāt yaḥ. For arrogance in the near, sa is commonly used. Commonly used refers to the mind of arrogance. For this meaning, add the ya letter as a suffix, and the a letter at the end of the stem changes to the ī letter. Here it is said that the mind of arrogance is a verb. This is a transitive verb. Patyati. The a at the end of the stem changes to ī. Putrīyati. Like this. Putrīyati śiṣya mi pa dhyāya. The teacher treats the student like a son. Like this. The word putrīya applies to all situations. Other situations are the same as in the case of hi-jig-gzhan-ap at the end. ༈ prāsādayati p is similar to this, prāsādīyati. Like this. Prāsādīyati kuṭyaṁ birkṣuḥ. The beggar boasts of being in a mansion in a small house. From śyena to prāsāda are noun stems. Through them, the usage of the ya suffix has been explained. ༈. Icchāyā mātmānaḥ saḥ. For wanting oneself, use sa. Now explain the usage of the sa suffix. Here, a disyllabic word will appear. Bhū sati p repeat twice. The first syllable is short. Change to bhava. Sa ṣa. Bu bhūṣati. Bu bhūṣataḥ. Bu bhūṣanti etc., up to a-bubhūṣmai. ༈ buḥ se. U ṛi sa lao. Buḥ refers to u ṛi ṅas. ṅas changes to us. Ub ṛi is ṭi, so separate, u and sbyar, s separate. If the u letter, ṛi letter, and graha, and guhai's are followed by the sa suffix, then iṭ will not appear. Nā ni ṭi se. It is not sa without iṭ. In the case of no iṭ, the sa suffix is not followed by the stem guṇa. Se dīrghaḥ. Sa is a long vowel. If the sa suffix appears after, the end of the stem becomes a long vowel. ༈ de yang ci ñs ti p place. Ca is ka. Perform ādeśa. Ki ki ki the first one changes back to the ca letter. The following ki is a long vowel. Sa ṣa ci kīṣati. And so on. If it does not change to ci ki, then it is the same as the others. Ci cīṣate etc.
English
sa pa'o. sa and pa ro.akSha are called zi gio. That is to say, zi means victory. zi sa ti, zi is transformed into gi, double expression, gi gi, and the first gi returns to za, the second sa becomes a long sound, ku i etc., s. SH, zi gI Sha ti, zi gI Sha taH, ji gI Shanti etc. zi gI She t. etc., * zi gI Sha tu etc., * a zi gI Shat. etc. * yu means mixing. yus. ti double expression. The latter sound is long. sa Sha. yu yU Sha ti etc., yu yU She t.. etc., * yu yU Sha tu etc., * a yu yU Shat. etc. * hu means giving offerings. ha jha jha ja ju hU Sha ti etc. * ru means sound. ru sa ti, double, the latter sound is long, sa Sha, ru rU Sha ti etc. * . ru rU She t. etc. * ru rU Sha tu etc. * a ru rU Sh.t. etc. * yaH se, sa becomes a i'o. When sa appears as a suffix at the end of a stem, the first a letter of the stem will become an i letter. In some examples here, guNaH also appears. (Sanskrit Devanagari: गुण, Sanskrit Roman transliteration: guṇaḥ, Chinese literal meaning: गुण) guNa is the meaning of merit. In fact, this is also needed, because merit is for things that exist naturally, and for things that do not exist naturally, when sa appears as a suffix, it does not produce merit. * bts. sa ti, double expression, ts. ya la, sa ya a i's meaning is, pa becomes pi. tsu ku sa Sha pi pakSha ti etc. * pi pakShe t. etc. * pi pakSha tu etc. * pi pakSha t. etc. * pA sa ti double expression. Short sound. sa becomes a i'o. pi pA sa ti. pi pA se t. * pi pA sa tu. pi pAs t. * tya ja is the meaning of abandoning youth. tya ja sa ti. tya ja tya ja, ja and ya are combined, the former does not appear. sa becomes a i, the latter ja becomes Sha, Sh. k. sa Sha, te tyakSha ti. * ti tyakShe t. * ti tyakShe tu. * a ti tya kSha t. etc. * pRi cI is the meaning of offering alms. pRi cI AI expresses meaning, pRi ts.s ti. Double expression. The first ha sa, the first Ri a. pa sa becomes a i, pi tsak. sa Sha, pi pRi kSha ti. * pi pRi kShe t. * pi pRi kSha tu. * a pi pRi kSha ta etc. * grah. sa ti means placing. grah.'s kit. ngit. is also the same, so it needs to be converted correctly again. gRiha. appeared. Double expression. The first ha sa etc. Ri a. ga sa becomes a i'o. gi and the first ja etc. The meaning is that ga becomes ja. hai Dhao, ha Dha. Dha ka .ga. ji ghRi kSha ti. * ji ghRi kShe t. * ji ghRi kSha tu. * a ji ghRi kSha t. hana means harm and argument.