Chinese
从海边的方向，画一棵非常大的树，树顶超过头顶的顶髻，树枝、树叶、果实非常茂盛。在与此树被许多山隔开的另一边的某个地方，画一座地基有很多村庄的山，山脚是森林，山顶像悬崖一样。在一侧，画一个声闻以缝制袈裟的方式，前面站立着一个声闻。在那旁边，画他们两个都用五指缝制。又在那旁边，在一座与那山相似的悬崖顶上，系着腰带的末端。腰带的一端系着袈裟，一个比丘在空中牵引，那座山也画成摇动的样子。在那旁边，画一座须弥山连同天界一起摇动，像前面一样系着腰带的末端，那些袈裟被比丘拿着在空中牵引。在那缝制袈裟的山上，住着一个比丘，另一个比丘住在空中拿着袈裟。那像绳子一样非常细的腰带，系在先前画的风景角落里的佛像左右两边的莲花上，系在没有声闻的莲花茎上，因此没有发生摇动。这是关于预言业之因果的部分。（页码：པི） 然后画两组风景。在靠近这边，画佛陀为许多眷属说法。在那边的一侧，画国王的宫殿，像城市的腰部一样。在那宫殿里，画王后坐在宝座上，另一张宝座上，画国王心中充满骄傲。在外面的城市里，在各自的房屋里，画一些人患病的样子，以及抬着尸体用担架送到墓地，城市的边缘被军队的旗帜包围，水都干涸了，湖泊里投毒的样子，云层中住着毒蛇等降下冰雹，以及舌头掉落，草木丛中充满蛇。在那宫殿的一侧，画国王派遣一个信使，在那边的风景中，在一座寺庙里，画那个信使在佛陀面前禀告的样子，又
English
From the direction of the seashore, draw a very large tree, the top of which exceeds even the crown of the head, with branches, leaves, and fruits that are very lush. In a place on the far side, separated from this tree by many mountains, draw a mountain with many villages at its base, the foot of which is a forest and the top of which is like a cliff. On one side, draw a Shravaka in the manner of sewing a patchwork robe, with another Shravaka standing in front. Next to that, draw both of them sewing with all five fingers. And next to that, on a cliff top resembling that mountain, tie the end of a belt. One end of the belt is tied to the patchwork robe, and a monk is pulling it into the sky, and the mountain is also drawn in a shaking manner. Next to that, draw Mount Meru together with the heavenly realms shaking, with the end of the belt tied as before, and those patchwork robes being held by a monk and pulled into the sky. On that mountain where the patchwork robe is being sewn, one monk resides, and another monk resides in the sky holding the patchwork robe. That belt, which is very thin like a rope, is tied to the lotus flowers on the left and right sides of the Buddha's image drawn in the corner of the previous landscape, tied to the lotus stem without a Shravaka, so there was no shaking. This is the section on prophesying the cause and effect of karma. (Page number: པི) Then draw two sets of landscapes. On the near side, draw the Buddha teaching the Dharma to many attendants. On one side of the far side, draw the king's palace, like the waist of a city. In that palace, draw the queen sitting on a throne, and on another throne, draw the king with pride in his heart. In the city outside, in each of the houses, draw some people in the appearance of being sick, and corpses being carried on stretchers to the cemetery, the edges of the city surrounded by the flags of armies, the waters dried up, and the appearance of poison being put into the lakes, with venomous snakes and the like residing in the clouds, causing hail to fall, and tongues falling, with the thickets of grass and trees filled with snakes. On one side of that palace, draw the king sending a messenger, and in the landscape on the near side, in a temple, draw that messenger making a report in the presence of the Buddha, and again
Chinese
在那一边，在一个宽敞的庭院里，国王和许多人向佛陀供养伞盖，佛陀从那两处地方之间走过，在那边的景色中，佛陀和他的随从从一座城市旁边走来，国王等人上前迎接，许多人供养，诸神从上方供养并降下花雨。此外，四面八方都在下雨，新的水流淌，池塘满了，四周的军队都向四面八方散去。然后，佛陀和他的随从来到一座寺庙，并描绘了他们坐在寺庙里的情景。此外，在一座宫殿的屋檐下，国王、王后、王子和六位大臣正在商议，旁边画着一位戴着珍宝头饰、身穿白色衣服的人站着。从那座宫殿的门口，画着那个人骑在一头大象的脖子上，身穿白色衣服，用铁钩调转方向。大象的背上，坐着国王和拿着伞和拂尘的人。左右两边有许多母象等，一些妇女拿着火把，还有一些拿着器具的人骑着象走动。在另一边，有一座寺庙，那些大象和母象被拴在寺庙外面的院子里。国王和穿着白色衣服的人从门口走进去，寺庙的房间里，僧侣们正在禅修，中央的殿堂里，在世尊的面前，国王合着手掌，导师正在说法，而那个穿着白色衣服的人则坐在门口。此外，在一侧，国王在宫殿的外院里，向世尊和他的随从供养伞盖，听法，看到佛陀走在路上，国王从殿堂的顶端跳下，一位化身佛从空中接住他并放在地上。此外，国王骑在大象上，远远地看到佛陀，便从大象上跳下来，化身佛从空中抓住他并放在地上，之后是天神。
English
On that side, in a spacious courtyard, the king and many people offer umbrellas to the Buddha, and the Buddha passes between those two places. In that scenery on the other side, the Buddha and his entourage come from beside a city, and the king and others go forward to greet him, many people make offerings, and the gods above make offerings and rain down flowers. Furthermore, it is raining from all directions, new water flows and the ponds are filled, and the armies on the edges are dispersing in all directions. Then, the Buddha and his entourage come to a temple, and depict them sitting inside the temple. Also, under the eaves of a palace, the king, queen, prince, and six ministers are deliberating, and next to it, draw a person wearing a jeweled headdress and white clothes, standing. From the gate of that palace, draw that person riding on the neck of an elephant, wearing white clothes, and turning its head with a hook. On the back of the elephant, the king and those holding umbrellas and yak-tail fans are seated. On the left and right are many elephants and so on, some women holding torches, and others holding implements, riding and walking. On the other side, there is a temple, and those elephants and female elephants are tethered in the outer courtyards of the temple. The king and the person wearing white clothes are going in from the gate, and in the rooms of the temple, the monks are meditating, and in the central hall, in front of the Blessed One, the king is holding his palms together, and the teacher is teaching the Dharma, while the person wearing white clothes is sitting at the door. Also, on one side, the king in the outer courtyard of the palace, offers umbrellas to the Blessed One and his entourage, listens to the Dharma, and seeing the Buddha walking on the road, the king jumps from the top of the palace, and an emanation Buddha catches him from the sky and places him on the ground. Also, the king is on the elephant, and seeing the Buddha from afar, he jumps from the elephant, and the emanation Buddha grabs him from the sky and places him on the ground, and after that, the gods.
Chinese
因为提婆达多（ལྷས་སྦྱིན་）所为非善事，所以有很多悲惨的故事，但无法全部写下来。在提婆达多（ལྷས་སྦྱིན་）所处的一棵树旁，有光护（འོད་སྲུང་）圆满行（རྫོགས་བྱེད་）的土制丸药被全部打碎，在佛陀（སངས་རྒྱས་）所住的寺庙外，提婆达多（ལྷས་སྦྱིན་）吃着药用酥油，粥的容器放在旁边，进入寺庙后，在导师的身旁，也有装满药用酥油的容器，在外面的一个方向，提婆达多（ལྷས་སྦྱིན་）正在驱赶田地的邪魔，一些僧侣拿着，一些僧侣看着。在一个楼阁里，导师伸着手，从树等其他东西旁边走过，将手放在生病之人的头上，病人痊愈后站起来，做出欢笑说话的样子，又做出向导师的脚下磕头并请求宽恕的样子。导师的脚被加持成水晶，提婆达多（ལྷས་སྦྱིན་）的指甲断裂，指甲缝里夹着的接触毒药掉在地上。在世尊（བཅོམ་ལྡན་འདས་）面前，有一位僧侣，导师正在向他开示，他也做出拥护提婆达多（ལྷས་སྦྱིན་）的样子。从佛陀（སངས་རྒྱས་）所住的远处，提婆达多（ལྷས་སྦྱིན་）行走时，脚下的土地缝隙中冒出火星，柴木燃烧，在火焰中，提婆达多（ལྷས་སྦྱིན་）只剩下头颅大小，双手合十放在头顶。地上，阿难（ཀུན་དགའ་བོ）做出劝诫的样子。然后将画面分隔开，在下面的一个方向，地狱的场景，一个铁烧的地面环绕着，在燃烧着火焰的铁房子中央，一个人身体燃烧着火焰，仰面躺着，巨大的铁石从天空落下，发出恐怖的声音，燃烧着火焰的铁象正在践踏一个人，燃烧着的铁犁正在切割一个人，燃烧着的铁锤将一个人的头砸成粉末，从那个方向画出降下兵器的暴风雨等，这是提婆达多（ལྷས་སྦྱིན་）遭受痛苦的样子。又在一个方向，一个人的舌头非常大，向外伸展着，铁牛的蹄子带着火焰，用燃烧着的犁铧耕地的样子，画两组。一个方向
English
Because Devadatta (ལྷས་སྦྱིན་) did not do good deeds, there are many tragic stories, but it is impossible to write them all down. Next to a tree where Devadatta (ལྷས་སྦྱིན་) was, the earthen pills of Purna (འོད་སྲུང་) and the Completist (རྫོགས་བྱེད་) were all broken. Outside a temple where the Buddha (སངས་རྒྱས་) resided, Devadatta (ལྷས་སྦྱིན་) was eating medicinal ghee, with a container of porridge placed nearby. Upon entering the temple, next to the Teacher, there was also a container filled with medicinal ghee. In one direction outside, Devadatta (ལྷས་སྦྱིན་) was driving away field demons, with some monks holding on and some monks watching. In a pavilion, the Teacher was extending his hand, passing by trees and other things, placing his hand on the head of a sick person. After the patient recovered, he stood up, making a laughing and talking gesture, and also making a gesture of prostrating at the Teacher's feet and asking for forgiveness. The Teacher's feet were blessed into crystal. Devadatta's (ལྷས་སྦྱིན་) fingernail broke, and the contact poison lodged in the nail crevice fell to the ground. In front of the Bhagavan (བཅོམ་ལྡན་འདས་), there was a monk, and the Teacher was instructing him, and he also made a gesture of supporting Devadatta (ལྷས་སྦྱིན་). From a distance where the Buddha (སངས་རྒྱས་) resided, as Devadatta (ལྷས་སྦྱིན་) walked, sparks emerged from the cracks in the ground under his feet. Firewood burned, and in the flames, Devadatta (ལྷས་སྦྱིན་) was reduced to the size of a head, with his palms joined together on his head. On the ground, Ananda (ཀུན་དགའ་བོ) made a gesture of admonishing. Then, the scene was divided, and in one direction below, a scene of hell, a circle of iron-scorched ground. In the center of an iron house burning with flames, a person's body was burning with flames, lying on his back, and a huge iron rock fell from the sky, making a terrifying sound. An iron elephant burning with flames was trampling on a person, a burning iron plow was cutting a person, and a burning iron hammer was smashing a person's head into powder. From that direction, draw storms of weapons falling, etc. This is how Devadatta (ལྷས་སྦྱིན་) suffered. In another direction, a person's tongue was very large, stretched outwards, and the hooves of an iron bull were carrying flames, with the appearance of plowing with a burning plowshare, draw two sets. One direction
Chinese
如同天空降雨却被火的毒气蒸干的情景，一侧画有秃鹫，其旁画有两个比丘。这些是由于对导师和佛法造下罪业，以天授（提婆达多）为例，展示了遭受痛苦的方式。 另一种布局是，在两个地区之间，画一条象征恒河的大河隔开。在那条河的北岸一侧的一个城市里，画出许多人患病的情景，以及疾病之主、鬼神和魔母在空中行走的情景，一位婆罗门从空中得到天神的预言，婆罗门向许多人讲述此事，毗舍离（Vaisali）的离车（Licchavi）族贵族们聚集在一起商议，然后派遣一位婆罗门使者，那位婆罗门在那个遥远地区的寺庙里，抵达佛陀的住所。还有国王宫殿的两座楼阁，一座里有国王和那位婆罗门，另一座里国王与一些大臣商议，在宫殿的外院里，国王赐予婆罗门喜悦并下达命令，婆罗门从宫殿的一个门出去，在外面的一个房间里，婆罗门对大臣们说话，一侧画着婆罗门写信派遣使者，在一个宽敞的房子里，画着国王为佛陀及其眷属供养伞盖和食物。在那一侧，画着国王向导师请教的情景，门口导师向一位比丘下达命令，在那里面入于禅定。从那个方向到那条河的岸边，在路途上进行清扫，并画上鲜花和香等供品。从河的对岸，也画出直到河岸都这样做。然后，在城市那烂陀（Nalanda），一位年老的遍行者在世尊面前消除疑惑，并画出他成为比丘的情景。在一个名叫松玛的拐杖的小城市里，佛陀及其眷属居住，并向弟子们说法。然后，在河边的城市里，从一座内外都有佛塔的佛塔里，佛陀居住，各种各样的人前去拜见。
English
Like the scene of rain falling from the sky but being dried up by the poison of fire, on one side draw a vulture, and next to it draw two monks. These are because of accumulating sins against the teacher and the Dharma, using Devadatta as an example, showing the way of experiencing suffering. Another layout is, between two regions, draw a large river symbolizing the Ganges separating them. On one side of that northern bank, in a city, draw the scene of many people being sick, and the lords of disease, spirits, and demon mothers walking in the sky, a Brahmin receiving a prophecy from the gods in the sky, the Brahmin telling this to many people, the Licchavi nobles of Vaishali gathering together to deliberate, and then sending a Brahmin messenger, that Brahmin in a monastery in that distant region, arriving at the residence of the Buddha. Also, two pavilions of the royal palace, in one there is the king and that Brahmin, in the other the king consulting with some ministers, in the outer courtyard of the palace, the king bestowing joy upon the Brahmin and giving orders, the Brahmin going out from one door of the palace, in an outer room, the Brahmin speaking to the ministers, on one side draw the Brahmin writing a letter and sending a messenger, in a spacious house, draw the king offering umbrellas and food to the Buddha and his retinue. On that side, draw the scene of the king consulting the teacher, at the door the teacher giving orders to a monk, inside that, abiding in meditative absorption. From that direction to the bank of that river, sweeping the roads on the way, and draw offerings of flowers and incense, etc. From the opposite bank of the river, also draw doing it like that all the way to the riverbank. Then, in the city of Nalanda, an old wandering ascetic dispelling doubts in the presence of the Bhagavan, and draw the scene of him becoming a monk. In a small city called Somma's Staff, the Buddha and his retinue reside, and teach the Dharma to the disciples. Then, in the city by the river, from inside a stupa that has stupas both inside and outside, the Buddha resides, various kinds of people going to visit.