Chinese
装满后给予，选取食物的差别后给予，坐在地上自己也享用等等来画。然后又在一个空地上，在佛的面前，做一个有标志的比丘请求的姿态，那是提婆达多。标志是颜色形状与众不同，或是衣服等等的标志。这样做的必要是这些数量众多，为了不错乱地理解。又在许多其他比丘各自坐着的地方，也做提婆达多请求的姿态。在一个其他的城市里，也画提婆达多触碰一个阿罗汉的脚。在一个茅棚里，也画提婆达多入于禅定。在那片土地和中间被恒河隔开的另一片土地上，有一个国王的宫殿，有几个门，从一个门里白象进入，从一个门里出去，从一个门里装饰着华丽装饰的马匹进来，从另一个门里出去，还有穿着袈裟的比丘，男孩和女孩，孔雀等等其他各种形象。在那里面，从楼阁的里面，国王阿阇世，以一个成熟国王的姿态观看，又在一个楼阁里，一个七八岁的孩子，金色的，装饰着珠宝，在国王的膝盖上走来走去，又在一个方向，在茅棚的住所里，提婆达多有很多比丘眷属，国王坐在车上，被许多装满食物的仆人围绕着，向提婆达多的方向走去，提婆达多和他的眷属在一个宽敞的地方排队享用食物，在那些之外的另一个方向的某个山顶上，在一个阿罗汉的面前，一个穿着白色衣服的黄色天神在说话，在靠近之前的国王宫殿的地方，在一个寺庙外院的一个楼阁里，一个阿罗汉向佛陀请求，在另一个楼阁里，提婆达多在导师面前请求，从门口那里他生气了，做出低头行走的姿态。然后导师对一个比丘
English
Draw things like filling and giving, selecting the differences in food and giving, sitting on the ground and enjoying oneself. Then again in an empty space, in front of the Buddha, make a gesture of a monk with signs requesting, that is Devadatta. The signs are that the color and shape are different from others, or the signs of clothes and so on. The necessity of doing this is that these are numerous, in order to understand without confusion. Also in a place where many other monks are sitting separately, also make the gesture of Devadatta requesting. In another city, also draw Devadatta touching the feet of an Arhat. In a hut, also draw Devadatta in meditation. In another land separated from that land by the Ganges River, there is a king's palace with several gates, from one gate a white elephant enters, from one gate it exits, from one gate horses decorated with gorgeous ornaments come in, from another gate they exit, and also monks wearing robes, boys and girls, peacocks and other various images. Inside that, from inside the pavilion, King Ajatashatru, watches in the form of a mature king, and in another pavilion, a child of seven or eight years old, golden in color, adorned with jewels, walks back and forth on the king's lap, and in one direction, in the dwelling of a hut, Devadatta has many monk attendants, the king sits on a chariot, surrounded by many servants carrying food-filled vessels, going in the direction of Devadatta, Devadatta and his attendants line up in a spacious place and enjoy the food, and on a certain peak in another direction from those, in front of an Arhat, a yellow god wearing white clothes is speaking, near the previous king's palace, in a pavilion in the outer courtyard of a temple, an Arhat is requesting the Buddha, and in another pavilion, Devadatta is requesting in front of the teacher, from the doorway there he is angry, making a gesture of bowing his head and walking away. Then the teacher to a monk
Chinese
开示之仪轨，以及比丘侍者摇拂尘之仪轨，以及与之相邻，僧众们聚集于一方，以及于一方提婆达多对比丘说法，以及一位比丘对另一位比丘说法，之后又于另一方，一处宫殿中，一位年迈衰老的国王，乘坐马车，与眷属一起，拿着装满食物的众多器皿，从那座宫殿的另一侧，一位年轻力壮的国王，投掷出被称为金刚独股杵的半截长矛，器皿都被击碎，食物洒落。在另一处稍远的区域，一座特殊的房屋之上，一位以珠宝装饰的年轻人向天空合掌，从太阳的中心出现一位阿罗汉，降落于房屋之上，于一方对此宣说佛法的景象，以及那位阿罗汉以神通取走巨大的食物容器，于空中行走之仪轨。与之前景象的排列相同，寺庙之中，在安住于眷属围绕的佛陀身前，那位阿罗汉供养食物之仪轨。又于另一景象中，分为两处区域，中间以小溪隔开。在此侧的区域，寺庙中佛陀处于禅定之中，具有神通的比丘们取来水果、谷物和食物，给予其他比丘，与之前相同地描绘。在其附近的一侧，提婆达多与其四众眷属一起，向众多比丘布施食物和法衣，也应描绘。之后众多比丘被提婆达多带领着离去，在河流对岸区域尽头的森林深处，那些比丘们围绕着坐下。提婆达多坐在中央说法。一位比丘做分发木杖之状。之后他们一行离开，于一处安住，国王派来许多装满食物的车子。又于一处宽阔的地域，提婆达多做说法之状，左右安置两位比丘做支柱，从远处出现一对殊胜者之仪轨。又于提婆达多的左右两侧
English
The ritual of bestowing teachings, and the ritual of a monastic attendant waving a fly whisk for the teacher, and adjacent to that, the Sangha gathering in one direction, and in one direction Devadatta speaking to a monk, and one monk speaking to another monk, and then again in another direction, in one palace, an old and frail king, riding in a chariot, together with his retinue, carrying many vessels filled with food, from the other side of that very palace, a young and strong king, throwing a half-spear known as the vajra single-pointed club, causing the vessels to be shattered and the food to spill. In another area some distance away, from atop a special house, a youth adorned with jewels joining his palms in the sky, and an Arhat appearing from the center of the sun, descending upon the house, and in one direction the arrangement of teaching the Dharma to him, and that Arhat magically taking a large container of food and walking in the sky. In the same arrangement as the previous scene, inside the temple, in front of the Buddha residing with his retinue, the ritual of that Arhat offering the food. Again in another scene, dividing the area into two parts, separated by a small stream in between. On this side of the area, the Buddha is in meditation in the temple, and the miraculous monks take fruits, grains, and food and give them to other monks, depicting it in the same way as before. On one side near it, Devadatta together with his fourfold retinue giving food and Dharma robes to many monks, should also be depicted. Then many monks being led away by Devadatta, and in a forest grove at the end of the area on the other side of the river, those monks sit surrounded. Devadatta sits in the center and speaks. One monk acts as if distributing wooden sticks. Then they leave as a group and stay in one place, and the king sends many carts filled with food. And again in a wide area, Devadatta acts as if teaching the Dharma, with two monks placed on the left and right acting as pillars, and the ritual of a supreme pair appearing from afar. And again on the left and right sides of Devadatta
Chinese
有两个比丘逃走了，一对殊胜者一左一右站立着安坐的景象。还有提婆达多把法衣当枕头，张着嘴睡觉，目犍连之子在空中示现各种神变，舍利子给眷属们讲法，一个比丘用手指着正在睡觉的提婆达多，然后一对殊胜者带领着比丘们离开。提婆达多被睡眠压住，一个比丘做了叫醒睡眠的样子也没有醒来，在他的旁边是后来睡醒了往回追赶的样子，前面一个大峡谷挡住了去路，最后，往回走用拳头打他自己的朋友比丘的样子，然后越过河流的那个方向，殊胜者和比丘们在路上的样子，在导师面前，他们全部都在听法，在集会的周围画着光芒环绕。这些是僧团发生分裂，一对殊胜者进行调解的情景。（底） 然后，在一间房子里，有一位略显老态的国王，身体瘦弱，呈现出被囚禁的样子。在他的面前，有一位比丘正在讲法，在那边的山坡上，画着佛陀行走的姿态，身上散发着光芒。监狱里有一个小小的窗户，从墙壁裂开的缝隙中射入，光芒照亮了整个监狱。还有，从监狱的一侧画着很多人正在建造，在那间房子的另一侧，那位国王也去世了，在他正上方的天空中，在一个无量宫殿里，国王多闻天子的怀里抱着一个金色的天子，那座宫殿和监狱之间用金线连接。还有，在一侧，在世尊的面前，那个金色的天子正在做着许多供养。这是具身心多闻天子转生之处的景象，与（其他）无关，（阿阇世）因恶友的怂恿而被捕的故事有很多，因为景象不美观，所以暂时搁置了。然后，在导师的面前，一些舞者正在跳舞，从佛陀的脸上散发着
English
There are two monks who have escaped, and a scene of a pair of supreme ones standing on the left and right, seated. Also, Devadatta is using his Dharma robes as a pillow, sleeping with his mouth open, and Maudgalyayana's son is showing various magical transformations in the sky, and Shariputra is teaching the Dharma to the retinue, and one monk is pointing with his finger at the sleeping Devadatta, and then a pair of supreme ones are leading the monks away. Devadatta is overwhelmed by sleep, and one monk is trying to wake him up, but he doesn't wake up, and next to him is the appearance of waking up later and chasing back. In front, a large canyon blocks the road, and finally, turning back and punching his own friend, the monk, and then in the direction across the river, the supreme ones and the monks are on the road, and in front of the teacher, they are all listening to the Dharma, and around the gathering, light is drawn. These are the circumstances of the Sangha being divided and a pair of supreme ones reconciling. (Ti) Then, inside a house, there is a king who looks a bit old, with a thin and emaciated body, appearing to be imprisoned. In front of him, there is a monk teaching the Dharma, and on the hillside on the other side, the Buddha is depicted walking, with light radiating from his body. There is a small window in the prison, and light enters through the cracks in the wall, illuminating the entire prison. Also, on one side of the prison, many people are depicted building, and on the other side of the house, that king has also passed away, and in the sky directly above him, in a boundless palace, King Vaishravana is holding a golden celestial son in his lap, and that palace and the prison are connected by gold lines. Also, on one side, in front of the Blessed One, that golden celestial son is making many offerings. This is the scene of the embodied essence being born in the realm of Vaishravana's son, unrelated to (others), and there are many stories of (Ajatashatru) being captured due to the instigation of evil friends, but because the scene is not beautiful, it is temporarily put aside. Then, in front of the teacher, some dancers are dancing, and from the face of the Buddha radiates
Chinese
放射光芒，上下两方变得无边无际，绘制一道光芒的末端融入佛身喉咙的景象。在那里，在外围一圈的三间不同的房屋里，分别绘制阿阇世王登基的场面，以及提婆达多商议事情的情景。又在类似村庄景象的一侧，绘制一人熔化黄金，一些人将黄金涂抹在提婆达多的身上，并在其旁边绘制一个提婆达多赤身裸体，身上只有淡淡一层金色的景象。又在一侧，绘制提婆达多在墙壁的这一侧，将双脚伸入墙壁的孔洞中，双脚从另一侧伸出的景象，一些铁匠用烧红的铁轮的图案，烙在提婆达多的脚底，同样也在手掌心烙印。又在一侧，在城市右侧的道路上，绘制许多人手持武器，左侧的十字路口也是如此，此外，道路的十字路口也有一些人手持武器，在土堆或小山顶上，提婆达多自己也手持刀剑和盾牌站立。在一座山顶上，绘制准备投掷石块的情景，在那座山的山脚下，一个巨人模样的人带着随从，提婆达多正在向他赠送珍珠项链等物。在那座山的另一侧，在悬崖峭壁上，绘制人们架着梯子向下攀爬，在准备投掷石块的山顶上，绘制那个巨人模样的人和另一个人交谈的情景。在那座山的另一侧，在一座森林茂盛的山上，绘制佛陀行走的景象。又在它的上下附近合适的地方，两座山都和之前一样，只是没有了悬崖上架设的梯子，提婆达多攀登到山上，在山顶上，提婆达多亲自拉动投石器的绳索，绘制投掷石块的情景，由于投掷的石块非常巨大，出现在空中，金刚手药叉用金刚杵将那块石块击成两半，一个药叉巨人般的形象，与那块石块的一大块碎片相撞，坠落在地上，在那座山另一侧的山腰上，导师正在调伏那个巨人模样的人等等。
English
Radiating light, the upper and lower directions become boundless, and draw a scene where one end of the light merges into the throat of the Buddha's body. There, in three different houses in the outer circle, draw the scene of King Ajatasatru's enthronement, and the scene of Devadatta discussing matters. Also, on one side of the village-like scene, draw a person melting gold, some people applying gold to Devadatta's body, and next to it, draw a scene of Devadatta naked, with only a faint layer of gold on his body. Also on one side, draw Devadatta on this side of the wall, with his feet inserted into the holes in the wall, and his feet extending from the other side, some blacksmiths using the pattern of a red-hot iron wheel to brand the soles of Devadatta's feet, and similarly branding the palms of his hands. Also on one side, on the road to the right of the city, draw many people holding weapons, and the same at the crossroads on the left, and also at the crossroads of the road, there are some people holding weapons, and on top of a mound or small hill, Devadatta himself is standing holding a sword and shield. On top of a mountain, draw the scene of preparing to throw stones, and at the foot of that mountain, a giant-like person with attendants, Devadatta is giving him pearl necklaces and other things. On the other side of that mountain, on a cliff, draw people climbing down with ladders, and on top of the mountain where stones are being prepared to be thrown, draw that giant-like person and another person talking. On the other side of that mountain, on a lush forest mountain, draw the scene of the Buddha walking. Also, in suitable places above and below it, both mountains are the same as before, except that there is no ladder set up on the cliff, Devadatta climbs the mountain, and on the top of the mountain, Devadatta himself pulls the rope of the catapult, drawing the scene of throwing stones, because the thrown stone is very large, appearing in the air, Vajrapani Yaksha uses a vajra to strike the stone in half, a Yaksha giant-like figure, colliding with a large fragment of that stone, falling to the ground, and on the hillside on the other side of that mountain, the Teacher is subduing that giant-like person, etc.