Chinese
是唯一的男神。像这样佛陀讲法，是象征色界普通的地方。又在其上方的天空中，在没有土地山等物的广阔白色无量宫中，佛陀的眷属是黄色神。除了没有法衣等物外，可以画得像出家人一样，被头饰和装饰品围绕着听法，这是象征净居天。画须弥山或其他的山，从其顶端向下做成阶梯的样子。或者如果画起来不方便，也可以从天空中的其他神居处设置阶梯。在森林景象中，需要布置竖立阶梯，在出家人和在家人的众多人群聚集的中央。阶梯中央是蓝色，右边是黄色，左边是白色。阶梯中央的中间位置是佛陀，阶梯右边是梵天拿着白色拂尘在导师的前面，阶梯左边是帝释天，有着千眼，拿着金色把手的白色伞盖在导师的背后。从左右上方无数的天神供养着。在阶梯的下半部分，也要画一个导师在空中显现。又在那个相似的森林景象中，佛陀为众多眷属说法，众多天神从空中供养，从一个方向转轮王带着眷属前来，另一个方向，在一棵树下，一个比丘在禅定，一个比丘不是肉色的，而是青色的，自己放任着，在世尊的身体前献上敬意，这些都要画出来，这是天降的章节。（吽） 又导师带着眷属走向道路，在身前的前方，画上许多新树，以及许多令人满意的池塘和水池，还有一些空旷的房屋。左右两边的一些地方，画上砍伐的树木，拆毁的房屋，以及一些在池塘里投毒的景象。在那边是一个巨大的城市，被铁墙环绕。在连接城市街道的类似石板路的地方，许多外道对很多人说话。那个城市的铁墙紧闭着，铁墙的一侧
English
He is the sole male god. The Buddha teaching the Dharma in this way symbolizes the ordinary places of the Form Realm. Also, in a vast white immeasurable palace above that, in the sky where there is no land, mountains, etc., the Buddha's retinue is yellow gods. Except for the absence of robes, etc., they can be drawn like renunciates, surrounded by hair ornaments and decorations, listening to the Dharma, which symbolizes the Pure Abodes. Draw Mount Meru or another mountain, and from its peak, make it look like a descending staircase. Or, if it is inconvenient to draw, a staircase can be set up from another divine abode in the sky. In a forest scene, it is necessary to arrange and erect a staircase in the center of a gathering of many renunciates and laypeople. The central staircase is blue, the right is yellow, and the left is white. In the middle of the central staircase is the Buddha, on the right staircase is Brahma holding a white yak tail whisk in front of the Teacher, and on the left staircase is Indra, with a thousand eyes, holding a white umbrella with a golden handle behind the Teacher. From the left, right, and above, countless gods are making offerings. In the lower half of the staircase, also draw one Teacher appearing in the sky. Also, in that similar forest scene, the Buddha is teaching the Dharma to many retinues, many gods are making offerings from the sky, from one direction a Chakravartin king is coming with his retinue, and in the other direction, under a tree, a monk is in meditation, and a monk who is not the color of flesh, but blue, is letting himself go, offering reverence before the body of the Bhagavan, all of these should be drawn, this is the chapter of the Descent from the Gods. (Hum) Also, the Teacher is going on the road with his retinue, and in front of him, draw many new trees, and many pleasing ponds and pools with flowers, and some empty houses. On some places on the left and right, draw felled trees, demolished houses, and some scenes of poisoning the ponds. On the other side is a huge city, surrounded by iron walls. In a place like a stone pavement connecting the streets of the city, many heretics are speaking to many people. The iron walls of that city are tightly closed, and one side of the iron wall
Chinese
從梯子上往下，一個女人拿著大燈籠下來，在城外的一個地方，佛陀和他的隨從們坐在那裡，那個女人在聽法。在那個城市裡的一座豪宅裡，一個房主和其他人聚集在一起，那個女人放棄了承諾。即使那是同一個城市，但佈局卻不同。在城市裡，一個房主在街上的十字路口堆放了許多金幣，並從鐵梯上下來，在外面，在導師面前聽法。在城市裡的一座豪宅的門口，堆放著金堆和珠寶堆，許多人聚集在一起，許多人從城市的大門出去。在鐵牆的一側，金剛手菩薩舉著金剛杵，在與之相對的倒塌的鐵牆那裡，許多人正在行走。在那邊，在寶座上，佛陀坐在那裡，佛像周圍環繞著各種各樣的人，他們在聽法，上面諸神在供養，佛陀和他的隨從們用光芒照亮了那個地方。在那邊的一座豪宅裡，一個名叫達瑪約瓦的房主從一個寶庫的格子裡往外看，那個寶庫裡裝滿了財物。一個女人在一個容器裡煮米飯，許多其他的容器裡也裝滿了米飯。一個年輕人從腰間的一個容器裡拿出許多金銀送給其他人。一個年輕女子在一個容器裡倒香水，許多其他的容器裡也裝滿了香水。在房子外面，一個僕人的形象正在耕田，結果許多田地都被耕好了。在房子的門內，一個女僕拿著木杵在舂米，左右兩邊的許多容器裡都裝滿了米飯。這些都要畫出來，這是前往善行城的章節。（ཨ） 在這裡，詢問了無依怙施主（Anāthapiṇḍada）的導師形象，在一個房主的房子裡，許多裸體外道正在準備食物，旁邊有一個人在嘲笑。在房子的外門內，
English
From a ladder descending, a woman holding a large lantern comes down. In a place outside the city, the Buddha and his retinue are seated, and the woman is listening to the Dharma. Inside a mansion in that city, a householder and others are gathered, and the woman is renouncing vows. Even though it is the same city, the layout is different. In the city, a householder piles up many gold coins at a crossroads in the street and descends from an iron ladder. Outside, they listen to the Dharma in the presence of the teacher. At the door of a mansion inside the city, piles of gold and piles of jewels are stacked, and many people are gathered. Many people are going out from the city gate. On one side of the iron fence, Vajrapani is holding a vajra, and on the side of the collapsed iron fence opposite it, many people are walking. On the other side, on a throne, the Buddha is seated, and the Buddha's image is surrounded by all kinds of people listening to the Dharma, and above, the gods are making offerings. The Buddha and his retinue illuminate the place with light. In a mansion on the other side, a householder named Dharma Yowa is looking out from the lattice of a treasury, and that treasury is filled with wealth. A woman is cooking rice in one container, and many other containers are filled with rice. A young man is taking out a lot of gold and silver from a container at his waist and giving it to others. A young woman is pouring perfume into one container, and many other containers are filled with perfume. Outside the house, an image of a servant is plowing a field, and as a result, many fields are plowed. Inside the door of the house, a maid is holding a wooden pestle and pounding rice. Many containers filled with rice on the left and right are to be drawn. This is the chapter on going to the City of Good Deeds. (ཨ) Here, the image of the teacher of Anathapindada was requested. In the house of a householder, many naked heretics are preparing food, and next to them, a person is laughing. Inside the outer door of the house,
Chinese
在地的精华中，画着裸体外道行走，用脚的力量踢出尘土。在外面的一个空地上，画着那个裸体外道头上缠着绷带，与一个施主说话，又在一个房子里，许多人混合着各种食物，并在那些食物里下毒。在门口挖了一个坑，一边倒入火，一边用草盖上，在上面逐渐堆高泥土，并在其对面留出一点空隙。在一座有很多楼阁的寺庙里，一个施主向佛陀供养。从一个楼阁里，佛陀起身出来，一些神做出躲避的样子。在寺庙和之前的地方之间，在稍微做出城市样子的旁边，佛陀走来时，也有一个神做出躲避的样子。在有火和毒药混合等的那个房子附近，画一个与那个房子完全一样但更宽敞的房子，在还没到那个房子的门口时，画佛陀首先到来，比丘们从后面出来的样子。在佛陀面前，也有一个神做出躲避的样子。那个房子的门口也是一个充满清澈的水和各种鲜花的莲花池。画佛陀的双脚踩在那些莲花上走出来的样子，从楼阁的顶端，一个裸体外道和一个施主在观看，那个裸体外道从那个房子的另一个门逃跑。在那座楼阁的中央，画佛陀与眷属一起安住，一对施主夫妇带着仆人，供养食物，但之前器皿里的食物是黑色的，倒入钵里的时候，颜色变成了白色。在那座房子的外面，在一个宽敞的地方，向许多眷属说法，并画下鲜花如雨般降落等等。施主财护（梵文：Śrīgupta）等是邪见者的章节。（结尾） 另外，在一个有山、森林和灌木丛的地方，画一个像天女一样但颜色是红色的，既寂静又愤怒，稍微露出牙齿的形象，周围是各种年龄段的孩子。一些像罗刹的孩子一样，用许多装饰品装饰着，一些抓住人类的孩子吃掉的样子。从一个城市里，许多妇女怀着孩子。
English
In the essence of the earth, draw naked heretics walking, kicking up dust with the force of their feet. In an empty space outside, draw that naked heretic with bandages wrapped around his head, speaking with a patron, and also in a house, many people mixing various foods and poisoning those foods. At the doorway, a pit is dug, with fire poured in on one side and covered with grass on the other, gradually piling up earth on top, and leaving a small gap on the opposite side. In a temple with many pavilions, a patron makes offerings to the Buddha. From one pavilion, the Buddha rises and comes out, with some gods making a gesture of avoidance. Between the temple and the previous place, next to a slightly city-like appearance, when the Buddha arrives, there is also a god making a gesture of avoidance. Near that house with fire and poison mixtures, draw a house that is exactly like that house but more spacious, and just before reaching the door of that house, draw the Buddha arriving first, with the monks coming out from behind. In front of the Buddha, there is also a god making a gesture of avoidance. The doorway of that house is also a lotus pond filled with clear water and various flowers. Draw the Buddha placing his feet on those lotuses and walking out, and from the top of the pavilion, a naked heretic and a patron are watching, and that naked heretic is running away from another door of that house. In the center of that pavilion, draw the Buddha dwelling with his retinue, and a couple of patrons with servants, offering food, but the food in the previous vessel is black, and when poured into the bowl, the color turns white. Outside that house, in a spacious place, teaching the Dharma to many retinues, and draw flowers falling like rain, etc. The chapter on the heretics such as the patron Śrīgupta. (End) Also, in a place with mountains, forests, and thickets, draw a goddess-like figure but with a red color, both peaceful and wrathful, slightly baring her teeth, surrounded by children of various ages. Some are like Rakshasa children, adorned with many ornaments, some are grabbing human children and eating them. From a city, many women are pregnant with children.
Chinese
关于逃跑的方式，要画出罗刹形状的阻碍，以及有些能够逃到远方的样子。一方面，要画出许多人向薄伽梵（世尊）祈求的样子。然后，在非人的房屋，即血肉、骨骼、头颅堆积如山的房屋门口，画出佛陀安住，佛陀身旁，画出一个金色的小孩，准备盖上钵的样子。先前像天女一样的红色夜叉母，因为那是她的儿子，急速奔跑的样子，头发蓬乱的样子，在城市的街道上寻找儿子的样子，以及在九座黑山和雪山等地，跪着行走的样子，以及蹲着坐着的样子，再次奔跑，也在热地狱的地方，那里有铁烧、火焰，以及地狱众生感受痛苦的样子的地方寻找，也在寒冷地狱的地方，那里有象征的雪山，以及白色地面上众生身体裂成碎片的地方，也在那里寻找奔跑。须弥山上下有阶梯，山顶完整，画出从海中升起，稍微倾斜，从旁边伸出的样子。在那阶梯和山顶各处，她奔跑着，须弥山顶的一侧，一些天神和忿怒夜叉抓住她并向后推，须弥山的阶梯的一侧，毗沙门天居住的地方，夜叉母在那里祈求，然后她高兴地回来的样子，以及再次在夜叉非人的房屋，即血肉堆积如山，和之前一样的门口，佛陀安住的地方，她在佛陀身旁合掌听法，佛陀的右侧，钵口朝下，左侧，画出那个金色的小孩。总之，这样就足够了，如果稍微详细一点，在最初的场景中，在城市上方，悬挂着伞、胜幢、许多旗帜，在地面上撒着鲜花，点燃许多香，在有许多神像的地方，陈设着食子和各种供品，许多人聚集的地方，一个天神从空中说话，最后，还要画出人们在巨大的城市里庆祝的样子。
English
Regarding the manner of fleeing, depict the obstacles in the form of rakshasas, and also the manner of some being able to flee far away. On one side, depict many people making requests to the Bhagavan (Blessed One). Then, at the entrance of the non-human house, a house piled high with flesh, blood, bones, and skulls, depict the Buddha residing, and beside the Buddha, depict a golden child about to have a begging bowl placed over him. The red yakshini mother, who was like a goddess before, because it is her son, the manner of her running swiftly, her hair disheveled, the manner of her searching for her son in the streets of the city, and kneeling and walking on nine black mountains and snow mountains, etc., and the manner of squatting and sitting, and running again, and also searching in the place of the hot hell, where there is burning iron, flames, and the suffering experienced by hell beings, and also in the place of the cold hell, where there is a symbolic snow mountain, and a white ground where the bodies of beings are split into pieces, also searching and running there. Mount Meru has steps above and below, with the summit complete, depict it rising from the sea, slightly tilted, extending from the side. On each of those steps and summits, she is running, on one side of the summit of Mount Meru, some gods and wrathful yakshas are grabbing her and pushing her back, on one side of the steps of Mount Meru, in the place where Vaishravana resides, the yakshini mother is making requests there, and then the manner of her returning happily, and again in the yaksha non-human house, a house piled high with flesh and blood, at the same entrance as before, the place where the Buddha resides, she is listening to the Dharma with her palms together beside the Buddha, on the right side of the Buddha, the begging bowl is face down, and on the left side, depict that same golden child. In short, that is enough, but if it is made a little more detailed, in the initial scene, above the city, hang umbrellas, victory banners, and many flags, scatter flowers on the ground, burn much incense, and in the place where there are many divine statues, arrange tormas and various offerings, and in the place where many people are gathered, a god speaks from the sky, and finally, also depict the manner of people celebrating in the great city.