Chinese
在每一个单独的（佛）像前，画上大约五个示现燃烧火焰、放出光芒、降下雨水等神变的人。1、然后画在一处类似花园的地方，六位导师聚集在一起。2、在一座王宫里，画六位导师聚集在国王面前，然后离开。3、在一座寺庙里，佛陀安住，国王也骑着大象，在去拜见佛陀的路上，六位导师与国王交谈。4、然后，在另一个方向，画佛陀及其眷属离开后，六位导师及其众多眷属。5、然后，再画另一座王宫，以及佛陀安住的寺庙里，佛陀安住，另一位国王在去拜见佛陀的路上，六位导师站立着，那位国王向佛陀禀告，然后那位国王出来后，与坐在地上的六位导师交谈，六位导师和许多外道分散到各种小城市里去，从一个湖里出来一位苦行者，他与六位导师交谈，六位导师不高兴且愤怒地离开，在有山和森林的地方，在许多苦行者所在的地方，六位导师高兴的样子都画在边缘。7、在中心区域，画一些零星的城市，从一座高楼的顶端，一位女子抛下花环，击中了一位像王子一样，肤色青绿的人的身体，在那个村庄里，他的手脚被国王的刽子手砍断，亲属们围着他抓住他，六位导师从他旁边脸朝下地走过，在他旁边，一位比丘对他说真实语，被砍断的肢体又重新连接上。8、在那些的周围，尽可能地画示现导师神变的房屋建造者，以及其他一些人也在建造外道六师示现神变的房屋，也在另一边。9、在佛陀安住的寺庙里，在佛像前，一位婆罗门拿着香炉，请求迎请（佛陀）的样子，以及在另一边，导师示现神变。
English
In front of each individual (Buddha) image, draw about five people displaying miracles such as burning flames, emitting light, and raining. 1. Then draw six teachers gathered together in a place like a garden. 2. In a palace, draw six teachers gathered in front of the king, and then leaving. 3. In a temple, the Buddha resides, and the king also rides an elephant. On the way to see the Buddha, the six teachers talk to the king. 4. Then, in another direction, draw the six teachers and their many attendants after the Buddha and his retinue have left. 5. Then, draw another palace, and in the temple where the Buddha resides, the Buddha resides, and another king is on the way to see the Buddha, the six teachers are standing, and that king reports to the Buddha, and then that king comes out and talks to the six teachers sitting on the ground, the six teachers and many heretics are scattered to various small cities, a hermit comes out of a lake, he talks to the six teachers, the six teachers leave unhappily and angrily, and in a place with mountains and forests, in a place where there are many hermits, the happy appearance of the six teachers is drawn on the edge. 7. In the central area, draw some scattered cities, from the top of a tall building, a woman throws a garland, hitting the body of a person who looks like a prince and has a greenish complexion, in that village, his hands and feet are cut off by the king's executioner, and relatives surround him and grab him, the six teachers walk past him face down, next to him, a monk speaks the truth to him, and the severed limbs are reconnected. 8. Around those, draw as much as possible the house builders who show the teacher's miracles, and some other people are also building houses where the six heretical teachers show their miracles, also on the other side. 9. In the temple where the Buddha resides, in front of the Buddha statue, a Brahmin holds an incense burner and requests an invitation (to the Buddha), and on the other side, the teacher shows miracles.
Chinese
在一个宽广宏伟的宫殿门口，聚集了国王等众多人群；佛陀在天空中飞翔而来；国王在门口顶礼膜拜；佛陀安住在神变殿的中央；从一个门里燃起火焰；许多仙人在天空中飞翔而来，在佛陀面前听法；一位居士模样的树木，枝繁叶茂，果实累累，栖息着各种鸟类，种植在宫殿的左侧；一位家主的珍宝果树，从不凋谢的华丽衣饰中生长出来，种植在右侧；从神变殿内外所有的角落里，出现各种颜色不定的人，白色、黄色、红色、蓝色等，与彩虹光芒相连的各种景象，都应描绘。还要画一幅佛陀站立，脚踩在门槛上的图。在这佛陀的神变殿附近：10，在六个小的外道神变殿中，分别有六位外道导师，以及内外他们的眷属和各种施主，都应描绘。11，又一个与之前的神变殿相似，但在宫殿外，在一个宽阔的、类似石砌的场所，莲花树非常茂盛，导师佛陀本人安住在莲花树顶端，手结触地印和禅定印。另外，在从树枝分出的红色莲花上，描绘各种姿态的佛陀。在上面的天空中，示现站立、安坐、睡眠、行走的姿态，以及阅读、流动、云彩飘动、光芒四射、火焰燃烧和水流涌动的神变景象。佛陀身边的所有周围，无数的国王等民众环绕着。在他们的最外围，有马、象、骆驼、孔雀等，以及在天空中飞行的众多动物。天空中，许多天神降下鲜花、珍宝和衣物的雨。此外，还有许多夜叉、非人、罗刹和龙等聚集在一起，观看神变。莲花树的左右两侧，阿罗汉们也在观看。在佛陀面前，国王光明王站立着，合掌
English
At the gate of a vast and magnificent palace, crowds of people, including kings, gather; the Buddha flies in the sky; the king prostrates at the gate; the Buddha resides in the center of the miraculous palace; fire blazes from one gate; many sages fly in the sky and come, listening to the Dharma in front of the Buddha; a tree in the form of a householder, with lush foliage and abundant fruits, filled with various birds, is planted on the left side of the palace; a householder's jewel-bearing tree, growing from ever-unfading splendid garments, is planted on the right side; from all corners inside and outside the miraculous palace, people of uncertain colors, white, yellow, red, blue, etc., connected with rainbow lights of various kinds, should be depicted. Also, draw a picture of the Buddha standing, with his feet pressing on the threshold of the door. Near this miraculous palace of the Buddha: 10, in the six small heretical miraculous palaces, there are six heretical teachers each, and inside and outside are their retinues and various patrons, all of which should be depicted. 11, another miraculous palace similar to the previous one, but outside the palace, in a wide, stone-like place, a lotus tree is very lush, and the teacher Buddha himself resides on the top of the lotus tree, with his hands in the earth-touching mudra and the meditation mudra. In addition, on the red lotuses branching out from the branches, depict various postures of the Buddha. In the sky above, showing the postures of standing, sitting, sleeping, and walking, as well as reading, flowing, clouds moving, radiating light, flames burning, and water surging, showing miraculous displays. All around the Buddha's body, countless kings and other people surround him. On their outermost edge, there are horses, elephants, camels, peacocks, etc., and many animals flying in the sky. In the sky, many gods shower rain of flowers, jewels, and clothes. In addition, many yakshas, non-humans, rakshasas, and nagas gather and watch the miracles. On the left and right sides of the lotus tree, the arhats are also watching. In front of the Buddha, King Clear Victory stands with his palms together.
Chinese
又加上。莲花树由珍宝的自性所成，主要莲花说是黄金的自性。在那座楼阁的一侧，描绘了佛陀身旁的右边有一位阿罗汉，左边有一位近事女请求说法的场景。另外，在与之相连的一座楼阁里，在世尊的面前，画了许多手持净水瓶的比丘堆叠在一起的景象。１２ 在那外面，画了国王与六师外道辩论的情景，以及六师外道互相用手指示对方的情景。又在六师外道所在之处的上方，虚空中，画了手持金刚杵、金刚杵燃烧着的金刚手菩萨的旁边，降下无尽的猛烈风雨，那些外道四处逃窜的情景。在远离那些外道的地方的边缘处，画了一个住在岩洞里，一个在茂密的草丛中，一个在森林里，一个在旅馆里，一个躲在寺庙里。画了一个走向解脱道的人，被一个恶人威胁和辱骂的情景。又在那一侧，画了一个脖子上挂着装满沙子的瓶子，漂浮在池塘里死去的景象。在降下风雨的地方附近，画了一些外道聚集在一起商议，走在路上，向一位妇女询问，观看解脱者死去，以及在靠近那里的水中，画了一些脖子上挂着瓶子漂浮而死的人。将那些画在边缘处，在中央宽敞的地方，画了佛陀坐在高高的宝座上，周围有比丘等四众眷属，以及男人、女人、天、龙、八部等众多眷属，还有许多外道聚集在一起，正在说法的场景。那些是显示大神变的章节。（萨）这一个显示大神变的日子，是从律藏等处所说的共同乘的规矩，而显示大神变的十五天，是大乘的规矩。这两种规矩也不应该混淆。因此，《贤愚经》也是大乘，而不是声闻乘的经典。同样，《念住经》也只是大乘，所以请那些被称为大善知识的人不要随意杜撰。又，寺
English
Also add. The lotus tree is made of the nature of jewels, and the main lotus is said to be of the nature of gold. On one side of that mansion, depict a scene where an arhat is on the right side of the Buddha's body and a female devotee is on the left, requesting teachings. Also, in a mansion connected to it, in front of the Blessed One, depict many monks holding water pots piled up. 12 Outside of that, depict the scene of the king debating with the six heretical teachers, and the scene of the six heretical teachers pointing fingers at each other. Also, above the place where the six heretical teachers are, in the expanse of the sky, next to Vajrapani holding a vajra and a burning vajra, depict the scene of endless fierce rain and wind descending, causing those heretics to flee in all directions. At the edges far away from those heretics, depict one staying in a cave, one in thick grass, one in a forest, one in an inn, and one hiding in a temple. Depict the scene of a person going towards the path of liberation being threatened and cursed by an evil person. Also, on that side, depict the scene of a person with a pot filled with sand hanging around their neck, floating and dying in a pond. Near the place where the rain and wind are descending, depict some heretics gathering and discussing, walking on the road, asking a woman a question, watching the liberated one die, and in the water near there, depict some people with pots hanging around their necks floating and dying. Draw those on the edges, and in a wide open space in the center, draw the Buddha sitting on a high throne, surrounded by the fourfold assembly of monks and others, as well as many attendants such as men, women, gods, nagas, and the eight classes, and many heretics gathered together, giving teachings. Those are the sections showing great miracles. (Sa) This one day of showing great miracles is the common vehicle's custom as explained in the Vinaya and other texts, while the fifteen days of showing great miracles is the custom of the Mahayana. These two customs should not be mixed. Therefore, the Sutra of the Wise and the Foolish is also Mahayana, not a sutra of the Hearers. Similarly, the Sutra of Mindfulness is only Mahayana, so please ask those who are known as great spiritual friends not to fabricate things arbitrarily. Also, the temple
Chinese
在一个主殿中央，画着佛陀处于禅定状态，其他各个殿堂里，画着向各位比丘供奉的各种供品和用具，内外都有很多人聚集。另外，在相似的一个地方，画着一位阿罗汉坐在宝座上，许多眷属听法的场景。这是因为佛陀示现神通，导致比丘们的用具增多，他认为这会妨碍修行，为了断绝利养，于是前往天界。画着目犍连尊者在亲属那里安居的情景。前者的旁边，画着一位阿罗汉坐在高高的台阶上，许多出家人和俗人向他请教。靠近那里，按照须弥山的结构进行布置，山的顶端做得宽大。其中一面画着天城的方向标志，另一面画着花园中央有一棵非常大的树。树的根部，在一块非常大的白色平坦岩石中央，画着佛陀和僧众，在导师面前，画着一位装饰华丽的天女，周围画着许多天人听法的场景。在那附近，又画着一个相似的场景，画着一位阿罗汉在世尊面前呈报事情。然后，在上面的天空中，画着其他的神居，如果空间宽敞，容易绘画，本来应该画出欲界天的其他四类和色界天的十七类，佛陀降临的场景，但上下似乎难以容纳那么多。所以在天空中，画着代表上方欲界天住所的地面、山林、鲜花、池塘、各种颜色的宫殿，以及许多天男天女，在云层中画出一个地方。在那个地方的上方，又画着五彩祥云，以及降下宝物和鲜花雨的情景，在许多天男天女之中，画着佛陀讲法的场景。又在那些的上方天空中，画着类似被边界环绕的地面，中央是宫殿，所有这些都是纯白色，没有树木、云彩、鸟类和海洋等。所有的天人都是黄色的，穿着纯白的衣服。
English
In the center of a main hall, a Buddha is depicted in meditative equipoise. In other separate halls, various offerings and implements are depicted being presented to individual monks, with many people gathering both inside and outside. Also, in a similar place, an Arhat is depicted sitting on a throne, with many attendants listening to the Dharma. This is because the Buddha displayed miracles, causing the monks' possessions to increase. He thought this would hinder their practice, and in order to cut off gain and honor, he went to the heavenly realm. The scene of Maudgalyayana observing the summer retreat at his relatives' place is depicted. Next to the former, an Arhat is depicted sitting on a high platform, with many monastics and laypeople making requests to him. Near that, the arrangement of Mount Meru is made in accordance, with the top of the mountain made wide. On one side of it, a direction marker of the heavenly city is depicted, and on the other side, in the middle of a pleasure garden, there is a very large tree. At the base of that tree, in the center of a very large white flat rock, the Buddha and the Sangha are depicted, and in front of the Teacher, a goddess adorned with ornaments is depicted, and around the perimeter, many gods are arranged listening to the Dharma. Near that, another similar arrangement is depicted, with an Arhat making a report in front of the Blessed One. Then, in the sky above, other divine abodes are depicted. If the space is wide and easy to draw, it would be necessary to depict the Buddha appearing in the other four classes of desire realm gods and the seventeen classes of form realm abodes, but it seems difficult to accommodate so much above and below. Therefore, in the sky, a representation of the upper desire realm abode is depicted: ground, mountains, forests, flowers, ponds, immeasurable palaces of various colors, and a region with many male and female deities in the midst of clouds. Above that place itself, clouds of five colors are depicted, as well as the scene of jewels and flowers raining down as offerings, and in the midst of many male and female deities, the scene of the Buddha teaching the Dharma. And again, in the sky above those, something resembling a ground surrounded by boundaries is depicted, with a palace in the center, all of which is purely white, without trees, clouds, birds, or oceans, etc. All the deities are yellow in color, wearing pure white clothes.