Chinese
那两个，以及其他所有婆罗门都出家了，画出手持钵和水瓶的样子。从寺庙稍远的地方画一个城市的景象，在那城市的北边路上，画一个阿罗汉给一个婆罗门讲法，又在另一个方向，画一个婆罗门给一个婆罗门讲法，在城市中间，画两个婆罗门带着眷属行走，在一片森林里，画他们两个仰望天空，又画许多比丘和许多人说话，这是双胜出家的景象。（ད）又在一个方向， 画一个象征瓦拉纳西的稍微小一点的城市，一座有森林的小山，佛陀和眷属住在那里，一位苦行仙人从山脚下走来，在导师的身旁画一个变成比丘的人，在一个城市的中间，画一个婆罗门的孩子，右手拿着木头老鹰写字，左手稍微举起，周围许多人围着，画他和那位苦行仙人说话。又画那个城市和山，和之前一样，佛陀和眷属住在那里，从佛陀的右边，画一个转轮王要来的样子，画许多眷属观看的情景。在稍微远一点的另一个方向，从一个具有城市景象的地方，画一条蛇的尾巴伸出来，蛇头到达象征瓦拉纳西的佛陀居住的山脚下的那个城市。在那条蛇的头上长着七棵树，画鸟和蜜蜂等围绕的情景，在那条蛇的腰部的位置，画一个手持金刚的夜叉，虽然本体是薄伽梵秘密主，但是也不需要完全具备密宗仪轨里所说的所有特征，身色蓝黑色，具有忿怒相，具有蛇和蓝色绸缎以及老虎皮等的装饰和各种衣服，以站立的姿势站立，左手施予救护印，右手把金刚杵放在心口。在薄伽梵的面前，也画一条龙听法，这是迦旃延的品类。（ན）又一个景象，中间用山和森林隔开，做三个山谷，这边
English
Those two, and all the other Brahmins who had renounced, draw them holding alms bowls and water pots. Draw a city scene a little distance from the monastery, and on the north road of that city, draw an Arhat teaching the Dharma to a Brahmin, and in another direction, draw a Brahmin teaching the Dharma to a Brahmin, in the middle of the city, draw two Brahmins walking with their retinue, in a forest, draw the two of them looking at the sky, and also draw many monks and many people talking, this is the scene of the two supreme ones renouncing. (ད) Also in one direction, draw a slightly smaller city symbolizing Varanasi, a small mountain with forests, with the Buddha and retinue residing there, a hermit coming from the foot of the mountain, next to the teacher's body draw someone who has become a monk, in the middle of a city, draw a Brahmin boy writing letters with a wooden eagle in his right hand, and slightly raising his left hand, with many people surrounding him, draw him and that hermit talking. Also draw that city and mountain, the same as before, with the Buddha and retinue residing there, from the right side of the Buddha, draw the appearance of a Chakravartin king about to come, draw the scene of many retinues watching. In another slightly distant direction, from a place with a city scene, draw the tail of a snake emerging, with the snake's head reaching the city at the foot of the mountain where the Buddha resides, symbolizing Varanasi. Seven trees grow on the head of that snake, draw the scene of birds and bees etc. circling around, at the waist of that snake, draw a Vajra-holding Yaksha, although the essence is the Bhagavan Secret Lord, it is not necessary to have all the characteristics described in the secret mantra rituals, body color bluish-black, with an angry appearance, with decorations and various clothes of snakes and blue silk and tiger skin etc., standing in a standing posture, the left hand giving the protection mudra, the right hand holding the vajra at the heart. In front of the Bhagavan, also draw a Naga listening to the Dharma, this is the category of Katyayana. (ན) Also another scene, with mountains and forests in between, make three valleys, this side
Chinese
在那处森林的中央有一座小山，佛陀安住，左右两侧有许多野兽，前面有一位比丘，佛陀正在向他开示。在一个方向，许多比丘向佛陀顶礼。比丘师徒一行正朝另一个方向走去。在那片过渡地带，一间房子里住着一位婆罗门、一位妇女和一位妙龄少女，门外艺人们正在表演。一位艺人手里拿着一个包裹，正在对婆罗门说话。同样结构的另一间房子里，楼上的妇女手托着脸颊在观看，前面一位妇女正在说话。在一个方向，一位理发师正在给人理发。从这边，阿罗汉师徒一行正从路上走来。那位妇女将一束头发交给艺人，艺人将一个装满许多报酬的容器交给她。房子后面，在墓地里正在焚烧尸体。在一片宽阔的地方，描绘那位妇女向比丘僧团供养食物的情景。在那片远处的区域，有一座带有宫殿的城市，阿罗汉正站在城市大门的门槛上，比丘们也随后而来。天空中诸神降下花雨，许多鬼神远远地逃离。一个人正在城市大门上观看，那人正在向国王禀报。在外面的院子里，正在向比丘们供奉斋饭。另外建造了两座楼房，一座是为比丘，一座是为外道，分别供奉教法。他们从各自的门出来，各自离去，人们互相询问。在一个方向，每个象圈里，都为比丘和外道准备了粗劣的食物。他们又各自离去，有人询问他们。在与那座城市宫殿相似的中央楼房里，正在向比丘及其眷属供养食物，国王也合掌而坐。从城市大门，妙龄少女身穿丝绸衣服，带着眷属进入，许多鬼神远远地逃离。
English
In that place, in the middle of the forest, there is a small mountain. The Buddha abides there, with many wild animals on both the left and right sides. In front, there is a single bhikshu, to whom the Buddha is bestowing teachings. In one direction, many bhikshus are prostrating to the Buddha. The group of bhikshus, led by their teacher, are depicted as going towards another direction. In that intermediate area, in one house, there are a Brahmin, a woman, and a beautiful young girl. Outside the door, performers are dancing. One performer, holding a bundle in his hand, is speaking to the Brahmin. In another house of similar structure, the woman upstairs is watching with her hand on her cheek, and a woman in front is speaking. In one direction, a barber woman is cutting hair. From this side, the Arhat and his disciples are coming along the road. The woman gives a bunch of hair to the performer, and the performer gives her a container filled with many rewards. Behind the house, in the cemetery, a corpse is being cremated. In a wide open space, depict the scene of the woman offering food to the bhikshu sangha. In that distant area, there is a city with a palace. The Arhat is placing his foot on the threshold of the city gate, and the bhikshus are following behind. From the sky, the gods are showering flowers, and many spirits are fleeing far away. A person is watching from above the city gate, and that person is reporting to the king. In the outer courtyard, a feast is being offered to the bhikshus. Two more mansions are built, one for the bhikshus and one for the non-Buddhists, where teachings are offered separately. They come out from their respective doors and depart separately, with people asking each other questions. In one direction, in each elephant enclosure, coarse food is being brought to the bhikshus and the non-Buddhists. They depart separately again, and there are people asking them questions. In the central mansion, similar to that city palace, food is being offered to the bhikshus and their retinue, and the king is also sitting with his palms joined. From the city gate, the beautiful young girl, dressed in silk clothes, enters with her retinue, and many spirits flee far away.
Tibetan
དེ་ལ་མི་རྣམས་ལྟ་བ་དང༌། ཁང་བཟང་གཅིག་ན། རྒྱལ་པོ་དང་བཙུན་མོ་གཉིས་དང༌། གཞོན་ནུ་གཅིག་དང༌། བྲམ་ཟེ་དང་བློན་པོ་གཅིག་རྣམས་ཡོད་ཅིང༌། ཕྱི་རོལ་གྱིས་ཁྱམས་ཞིག་ན། གླང་པོ་ཆེ་དང༌། གླང་མོ་དང༌། རྔ་མོང་དང། རྟ་མཆོག་དང༌། མི་བ་དན་རིང་པོ་ཐོགས་པ་གཅིག་རྣམས་འབྲི། ཕྱི་རོལ་ཀྱི་ས་ཕྱོགས་ཡངས་པ་ཞིག་ཏུ་དགྲ་བཅོམ་པ་དེས། སྐྱེ་བོ་མང་པོ་ལ་ཆོས་འཆད་པ་དང༌། ཡང་ཁང་བཟང་གཅིག་ཏུ་རྒྱལ་པོ་མནལ་ལོག་པ་དང༌། ནམ་མཁའ་ལ་འོད་ཁྱིམ་ཟླུམ་པོ་བརྒྱད་ཀྱི་ནང་ན། ཙནྡན་དཀར་པོས་ལུས་བྱུགས་པའི་མི་དང༌། དམར་པོས་ལུས་ལ་གཏོར་ བའི་མི་དང༌། རི་གཅིག་དང༌། ངང་པ་གཉིས་དང༌། མིའི་མཆན་ཁུང་གཉིས་ནས་སྦྲུལ་འཆང་བ་དང༌། མི་གཅིག་གི་མགོ་ལ་མེ་འབར་བ་དང༌། མིའི་རྐང་པ་ལ་ཉ་གཉིས་འཁྲིལ་བ་དང༌། བྱ་གོང་མ་བསྲེག་གཅིག་དང་བཅས་པ་བརྒྱད་པོ་དེ་རྣམས་ཧལ་ཚོན་ཏེ། རི་མོ་ཕྲ་མོས་འབྲིའོ། །ཡང་ཁང་བཟང་དེའི་ཕྱོགས་གཅིག་ན། དགྲ་བཅོམ་པ་ལ་རྒྱལ་པོས་ཞུ་བ་བྱེད་པ་དང༌། ཁྱམས་ཡངས་པ་གཅིག་ཏུ་རྒྱལ་བོ་ལ་བེའུ་རས་དང༌། ལ་དམར་རིན་པོ་ཆེ་དང༌། གླང་ཆེན་གཅིག རྟ་གཉིས། གསེར་དང་རིན་པོ་ཆེ་སྤེལ་བའི་འཕྲེང་བ། རལ་གྲི་གཉིས། ནོར་བུའི་ལྷམ་ཆ་རྣམས་འབུལ་མཁན་བྱུང་བའི་བཀོད་པ་འབྲི། ཡང་ཕྱོགས་ཡངས་པ་གཅིག་ཏུ། དགྲ་བཅོམ་པ་ལ་བེའུ་རས་དང༌། བུད་མེད་གཅིག་ལ་གསེར་འཕྲེང༌། གཅིག་ལ་ལ་དམར། བྲམ་ཟེ་ལ་རྟ། གཞོན་ནུ་ལ་ལྷམ། བློན་པོ་ལ་རལ་གྲི་རྣམས་བྱུང་བ་དང༌། ཕྱོགས་གཅིག་ཏུ་དགྲ་བཅོམ་པ་ལ་རྒྱལ་པོས་ཐལ་མོ་སྦྱར་ཞིང་ཞུ་བ་འབུལ་བ་དང༌། ཡང་གཙུག་ལག་ཁང་གཅིག་ན་དགྲ་བཅོམ་པ་དེ་ཡུལ་ལྗོངས་ཐོག་མའི་ཕྱོགས་ལ་གདོང་གཏད་ཅིང་ཐལ་མོ་སྦྱར་ནས་ཞུ་བ་འབུལ་ཚུལ་དང༌། དེ་ཡུལ་དེའི་ཕྱོགས་གཅིག་ཏུ། གཙུག་ལག་ཁང་གཅིག་ནས་སངས་རྒྱས་ཀྱི་དེ་ལ་བཀའ་སྩོལ་བའི་ཚུལ་འབྲི། སྔར་གྱི་རྒྱལ་བོའི་ཕོ་བྲང་གི་འཁྲིས་དེར། དགྲ་བཅོམ་པ་དགེ་འདུན་དང་བཅས་པ་ལ། འབྲུ་དང་ན་བཟའ་དང༌། སྣོད་སྤྱད་དང༌། ནོར་དང་ཡོ་བྱད་སྣ་ཚོགས་པ་དག་དང༌། རྟ་དང་བ་གླང་ལ་སོགས་པས་འབུལ་སྣོད་དཔག་ཏུ་མེད་པས་མཐའ་སྐོར་ཞིང་འབུལ་ བའི་ཚུལ་དང༌། རྒྱལ་པོ་ཡང་ཐལ་མོ་སྦྱར་ཞིང་སྨོན་ལམ་འདེབས་པ་འབྲི་སྟེ། འཕགས་པ་ཀ་ཏྱ་ཡ་ན་མངགས་ཏེ། གྲོང་ཁྱེར་འཕགས་རྒྱལ་དུ་རྒྱལ་པོ་རབ་སྣང་ལ་སོགས་པ་སྐྱེ་བོ་ཐམས་ཅད་དགེ་བ་ལ་འགོད་པར་མཛད་པའི་སྐབས་ཀྱི་ལེ་ཚན་ནོ། །༼པ༽ ཡང་ཁྱིམ་ཡངས་པ་གཅིག་ཏུ་སངས་རྒྱས་ལ་ཁྱིམ་བདག་མོ་གཉིས་ཀྱི
Chinese
在那儿，人们观看，在一座高楼里，有国王和两位王妃，一位年轻人，一位婆罗门和一位大臣。在外面的一个庭院里，画着大象、母象、骆驼、骏马，以及一位拿着长幡的人。在外面的一个宽阔地方，阿罗汉正在为许多人讲法。又在一座高楼里，国王正在睡觉，在天空中的八个圆形光环里，画着用白檀香涂身的人，用红色涂身的人，一座山，两只天鹅，从人的两个腋窝里抓着蛇的人，一个人的头上燃烧着火焰，人的脚上缠着两条鱼，以及一只被烧的乌鸦，这八个都用淡色颜料，用精细的线条画出来。又在那座高楼的一侧，画着国王向阿罗汉请求，在一个宽阔的庭院里，画着有人向国王供奉细布、红色宝石、一头大象、两匹马、用金和宝石交织的项链、两把剑、宝石鞋子等物品的场景。又在一个宽阔的地方，画着阿罗汉得到细布，一位妇女得到金项链，一位得到红色宝石，婆罗门得到马，年轻人得到鞋子，大臣得到剑。在一侧，画着国王向阿罗汉合掌请求。又在一座寺庙里，画着阿罗汉面向最初的国土方向合掌请求的情景。在那片土地的一侧，画着在一座寺庙里，佛陀向他颁布教令的情景。在以前的国王的宫殿旁边，画着阿罗汉和僧团，被谷物、衣服、器皿、各种各样的财富和用具，以及马和牛等无数的供品容器围绕着供养的情景。还画着国王合掌祈愿。这是派遣圣者迦旃延，在圣胜城使国王光显等一切众生安住于善的章节。（པ）又在一个宽敞的房子里，两位女施主向佛陀……
English
There, people are watching, and in a tall building, there are the king and two queens, a young man, a Brahmin, and a minister. In a courtyard outside, there are paintings of an elephant, a female elephant, a camel, a fine horse, and a person holding a long banner. In a wide open space outside, that Arhat is teaching the Dharma to many people. Also, in a tall building, the king is sleeping, and within eight circular halos in the sky, there are paintings of a person with a body smeared with white sandalwood, a person with a body smeared with red, a mountain, two swans, a person holding snakes from two armpits, a person with fire burning on their head, two fish entwined around a person's feet, and a burnt crow, all eight of these are painted with light colors and fine lines. Also, on one side of that tall building, there is a painting of the king making a request to the Arhat, and in a wide courtyard, there is a scene of people offering fine cloth, red jewels, an elephant, two horses, a necklace interwoven with gold and jewels, two swords, jeweled shoes, and other items to the king. Also, in a wide open space, there are paintings of the Arhat receiving fine cloth, one woman receiving a gold necklace, one receiving red jewels, the Brahmin receiving a horse, the young man receiving shoes, and the minister receiving a sword. On one side, there is a painting of the king folding his palms and making a request to the Arhat. Also, in a temple, there is a painting of the Arhat facing the direction of the original homeland, folding his palms and making a request. On one side of that land, there is a painting of the Buddha issuing a decree to him from a temple. Next to the palace of the former king, there is a painting of the Arhat and the Sangha, surrounded by countless offering containers of grain, clothes, utensils, various kinds of wealth and implements, as well as horses and cattle, being offered. There is also a painting of the king folding his palms and making aspirations. This is the chapter on sending the venerable Katyayana to establish all beings, including King Prabhasa, in virtue in the city of Shravasti. (པ) Also, in a spacious house, two female patrons to the Buddha...