English
Va dana vajra svabhava atmako 'ham. Om vajra kamini sarva bhaksha shvadhaya. Guhya vajrini svaha. Inner offering. Om sarva tathagata anuragaṇa vajra svabhava atmako 'ham. Secret offering. Then praise with the eight-line mantra: Om namo bhagavati vireshaya hum hum phat. Om maha kalpagni sannibhaya hum hum phat. Om jaṭa mukuṭotkaṭaya hum hum phat. Om damstra karalo grabhiṣaṇa mukhaya hum hum phat. Om sahasra bhuja bhasuraya hum hum phat. Om parashu pashodyata shula khaṭvaṁgi dharini hum hum phat. Om vyaghrajini varadharaya hum hum phat. Om maha dhumrandhakara vapushaya hum hum phat. These are the eight lines of the Father. Om namo bhagavati vajra parahi va hum hum phat. Om namo arya aparajite trailokya mate maha vidya shvare hum hum phat. Om namah sarva bhuta bhayavahe maha vajre hum hum phat. Om namo vajra asani ajite aparajite vasham karini netra bhramaṇe hum hum phat. Om namah shoshaṇi roshaṇi krodha karalini hum hum phat. Om namah trasani maraṇi prabhedani aparajaye hum hum phat. Om namo vijaye jambhani stambhani mohani hum hum phat. Om namo vajra varahi maha yogini kameshvari khage hum hum phat. These are the eight lines of the Mother. Or, do the seventh offering yoga and the eighth samadhi. At this time, there is also the practice of meditating on the yoga of samadhi, which is similar to the stages of other generation stage practices. If done in this way, the offering is then incorporated into the limbs of yoga. Then, for the recitation, the mantra to be recited is: the hum hum phat, etc., of each of the eight lines of the Father mentioned above, and also removing the om, etc., except for the first om, and adding kara kara, etc., i.e., Om namo bhagavate, etc. Va pushaya. Kara kara. Kuru kuru. Bandha bandha. Trasaya trasaya. Kshobhaya kshobhaya. Hrom hrom. Hrah hrah. Phem phem. Phat phat. Daha daha. Paca paca. Bhaksha bhaksha vasu rudhira andra mala valambini grihna grihna sapta patala gata bhujamga sarvam pata tarjaya tarjaya akadhya akadhya. Hrim hrim.ིཾ། ཛྙཱཽཾ་ཛྙཱཽཾ། ཀྵྨཾ་ཀྵྨཾ། ཧཾ་ཧཾ་ཧིཾ་ཧིཾ་ཧཱུཾ་ཧཱུཾ། ཀི་ལི་ཀི་ལི། སི་ལི་སི་ལི། ཧི་ལི་ཧི་ལི། དྷི་ལི་དྷི་ལི་ཧཱུཾ་ཧཱུཾ་ཕཊ། The root mantra of the father. So! In the eight lines of the mother mentioned above, except for the initial ༀ, the letters ༀ and ཧཱུཾ་ཕཊ་ are omitted, and ཏདྱ་ཐཱ་པྲོ་ ཏཾ་གི་ etc. are added, which is the same as the father's (mantra), according to the views of the former Tibetan great masters. Here, according to the view of Lāva-pa, instead of reciting it together with the eight lines, it is recited separately: ༀ་བཛྲ་བཱ་རཱ་ཧཱི། པྲོ་ཏངྒེ་པྲོ་ཏངྒེ། ཧ་ན་ཧ་ན་པྲཱ་ཎཱཾ། ཀིཾ་ཀི་ཎི་། ཁིཾ་ཁི་ནི། དྷུ་ན་དྷུ་ ན་བཛྲ་ཧ་སྟེ། ཤོ་ཥ་ཡ་ཤོ་ཥ་ཡ་བཛྲ། ཥ་ཊྭཱཾ་ག་ཀ་པཱ་ལ་དྷ་ར་ཎི། མཧཱ་བི་ཤི་ཏེ། མཱཾ་ས་ཨ་ཤ་ནཾ། མ་ནུས་ཤྱནྟྲ། པྲཱ་བྲི་ཏེ་སཱནྣི་དྷྱཾ་ན་ར་ཤི་རོ་མཱ་ལཱ་གྲནྠི་ཏ་དྷ་རི་ཎི། སུམྦྷ་ནི་སུམྦྷ། ཧ་ན་ཧ་ན་པྲཱ་ ཎཱཾ། སརྦ་པཱ་པཾ་ས་ཏྭཱ་ནཾ། སརྦ་པཱ་ཤཱུ་ནཱཾ། མཧཱ་མཾ་ས་ཚེ་ད་ནཾ། ཀྲོ་དྷ་མཱུརྟེ་དཾཥྚ་ཀ་རཱ་ལི་ནི། མཧཱ་མུ་ 7-166 དྲེ། ཤྲཱིཿཧེ་རུ་ཀ་དེ་བ་སྱ་ཨ་གྲ་མ་ཧི་ཤིས་ཧ་སྲ་ཤི་རི། ས་ཧ་སྲ་ཝཱ་ཧ་ཝེ། ཤ་ཏ་ས་ཧ་སྲ་ཨཱ་ན་ ནེ། ཛྭ་ལི་ཏ་ཏེ་ཛ་སེ། ཛྭ་ལ་མུ་ཁེ། པིཾ་ག་ལ་ལོ་ཙ་ནེ། བཛྲ་ཤ་རཱི་རེ། བཛྲ་ཨཱ་ས་ནི། མི་ལི་ཏེ་ཙི་ ལི་ཏེ། ཧེ་ཧེ། ཧ་ཧ། ཧཱུྃ་ཧཱུཾ། ཁ་ཁ། དྷུ་དྷུ། རུ་རུ། དྷུ་རུ་དྷུ་རུ། མུ་རུ་མུ་རུ། མུཉྩ་མུཉྩ། ཨ་དྭེ་ཏེ། མཧཱ་ཡོ་གི་ནཱི། པ་ཋི་ཏ་སིདྡྷི། དྲཻཾ་དྷཾ་དྲཻ་དྷཾ། གྲཾ་གྲཾ། ཧེ་ཧེ། ཧ་ཧ་བྷཱི་མེ། ཧ་ས་ཧ་ས། བཱི་རེ། ཧཱ་ཧཱ་ཧོ་ ཧོཿ ཧཱུཾ་ཧཱུཾ། ཏྲཻ་ལོཀྱ་བི་ནཱ་ཤ་ནི། ཤ་ཏ། ས་ཧ་སྲ་ཀོ་ཊི། ཏ་ཐཱ་ག་ཏ་པ་རི་ཝ་རེ་ཧཱུཾ་ཧཱུཾ་ཕཊ། སིཾ་ཧ་ རཱུ་པེ་ཁཿ ག་ཛ་རཱུ་པེ་ཨཱཿ་ཏྲེ་ལོཀྱ་ཨུ་ད་རེ་ས་མུ་དྲ་མེ་ཁ་ལེ་གྲ་ས་གྲ་ས་ཧཱུཾ་ཧཱུཾ་ཕཊ། ཝཱི་རཱ་དྭཻ་ཏེ་ཧཱུཾ་ ཧཱུཾ། ཧ་ཧཿ མཧཱ་པ་ཤུ་མོ་ཧ་ནི་མཧཱ་ཡོ་གི་ཤྭ་རི་སྟྭཾ། ཊཱ་ཀ་ནཱི་སརྦྦ་ལོ་ཀཱ་ནཾ་བནྡྷ་ནི། ས་དྱཿཔྲ་ཏྱ་ ཡ་ཀཱ་རི་ཎི་ཧཱུཾ་ཧཱུཾ་ཕཊ། བྷཱུ་ཏ་ཏྲཱ་ས་ནི། མཧཱ་བཱི་རཱི། པ་ར་མ་སིདྡྷི། ཡོ་གཱི་ཤྭ་རི་ཕཊ། ཧཱུཾ་ཧཱུཾ་ཕཊ། ཧཱུཾ་ཧཱུཾ་ཕཊ་སྭཱཧཱ། The root mantra of the mother. The heart mantra of the father and mother has already been mentioned above. ༀ་ཧྲཱིཿཧ་ཧ་ཧཱུཾ་ཧཱུཾ་ཕཊ། The near heart mantra. ༀ་སརྦ་བུདྷ་ཌཱ་ཀི་ནཱི་ཡེ་བཛྲ་བརྞ་ནཱི་ཡེ་ཧཱུཾ་ཧཱུཾ་ཕཊ་སྭཱཧཱ། The near heart mantra of the mother. The mantra of the deities of the five wheels is as mentioned before. The armor mantra only has seed syllables, and the seed syllables are added with...
Chinese
于尾部加上嗡（藏文：ༀ，梵文天城体：ओ，梵文罗马拟音：o，汉语字面意思：嗡）和吽吽啪（藏文：ཧཱུཾ་ཧཱུཾ་ཕཊ，梵文天城体：हुं हुं फट्，梵文罗马拟音：hūṃ hūṃ phaṭ，汉语字面意思：吽吽啪），以及名咒也已印出，共有三个次第，此处取第一个。念珠的种种分类、念珠的加持，以及念诵的种种分类，也都如前所说，并从上师的口诀中领悟。 念诵的专注点是：主要进行多列念诵和舒卷念诵。如果从语言行为的角度来说，则语念、意念和止念三种都要做。 第九，收摄瑜伽是：从自己的心间发出光芒，从“三有清净之轮”开始，到“大乐轮上，诸神以顺时针方向和逆时针方向从鼻孔融入。明妃也融入明王。身坛的六十尊神也融入各自的处所。主尊也融入心间的黑鲁嘎父母。那也融入等持大乐”开始，到“五那达融入光明”为止。对此稍作安住。之后再次将自己转化为吉祥黑鲁嘎的身相。 ༄། །起座。 第二，起座有十种，即守护瑜伽、田地守护、行住、饮食、供养、朵玛、后着、睡眠、起身和沐浴瑜伽。 第一，守护是：英雄根本咒等任何咒语，常在梵天丝线等处。二十四位英雄，常在身体的各部位。英雄的六种盔甲，以手印使身体庄严。金刚亥母的咒语是，用喉咙的甘露来庄严。诸佛心咒，以百半之鬘来庄严。七字真言，以环绕之环来庄严耳朵。一切佛的空行母，持有上妙的皮衣。六瑜伽母的密咒，以腰带装饰。一切轮的瑜伽母的咒语是堕罪颅器。遍照佛的咒语是，以颅器装饰头部。卡章嘎是天神的身体，智慧达玛茹的声音。白天是薄伽梵英雄，夜晚则说是瑜伽母。超越痛苦的英雄是，第六是心的化身，清净。
English
At the end, add Oṃ (藏文：ༀ，梵文天城体：ओ，梵文罗马拟音：o，汉语字面意思：嗡) and Hūṃ Hūṃ Phaṭ (藏文：ཧཱུཾ་ཧཱཱཾ་ཕཊ，梵文天城体：हुं हुं फट्，梵文罗马拟音：hūṃ hūṃ phaṭ，汉语字面意思：吽吽啪), and the name mantra is also printed, there are three stages, here the first is taken. The various classifications of the rosary, the blessing of the rosary, and the various classifications of recitation, are also as previously stated, and are understood from the oral instructions of the guru. The focus of the recitation is: mainly performing the Ḍole recitation and the expanding and contracting recitation. If considering it from the perspective of verbal action, then verbal recitation, mental recitation, and cessation recitation should all be done. Ninth, the Yoga of Gathering In is: light radiates from one's own heart, from "the wheel of the three existences is purified," to "on the great bliss wheel, the deities merge from the nostrils in clockwise and counterclockwise directions. The consort also merges into the consort. The sixty deities of the body mandala also merge into their respective places. The main deity also merges into the Heruka parents in the heart. That also merges into the great bliss of absorption," starting from that, to "the five nādas merge into clear light." Rest in that for a little while. Then again transform oneself into the form of the glorious Heruka's body. ༄། །Rising from meditation. Second, rising from meditation has ten aspects, namely the yoga of protection, field protection, conduct, food, offerings, torma, subsequent attachment, sleep, rising, and bathing yoga. First, protection is: whatever the hero's root mantra, etc., is always on the Brahma thread, etc. The twenty-four heroes are always in the elements of the body. The hero's six armors, with mudras, make the body beautiful. The mantra of Vajravarahi is, adorning the throat with nectar. The heart mantra of the deities, adorns with half of a hundred garlands. The secret mantra of the seven letters, adorns the ears with encircling rings. The ḍākinīs of all the Buddhas, hold the supreme skin garment. The secret mantra of the six yoginīs, adorns with a waistband. The mantra of the yoginīs of all the wheels is the skull cup of downfall. The mantra that is called Vairochana, adorns the head with a skull cup. The khaṭvāṅga is the body of the deity, the sound of the wisdom ḍamaru. The Bhagavan hero is in the daytime, and the yoginī is said to be at night. The hero who has transcended suffering is, the sixth is the emanation of the mind, pure.