English
For all items such as bowls and plates, apply paint and varnish as before. In short, apply the best lacquer seven times, the medium lacquer five times, and the inferior lacquer three times, according to the special Chinese lacquerware making method from the "Rad Treasure." The wood glue mud is made by grinding the rotten white parts of willow, cypress, birch, etc., into a fine powder, mixing it with cypress incense paste ground with water, taking about five equal parts, adding one part of clay glue filtered with silk, adding four parts of water equal to the paper, and five spoons of glue, one part of fine lime powder, one part of wheat flour, and a little honey, etc., mixing it with the previous materials and kneading it like mud for about half a day. Then, shape the mixture into the desired shape such as bowls and plates, and dry it in the shade. When the inside is slightly soft, polish it appropriately from the outside and then apply paint. The clay glue mud is made by filtering finely ground long clay glue with silk, mixing it with iron paper, pounding and kneading it to make the desired shape. The silk glue mud is made by cutting high-quality silk, damask, cedar, satin, etc., into powder, adding lime powder, wheat flour, amla, haritaki, or vibhitaka (not sure which one), grinding them finely, soaking them in water, and then pouring the juice into any kind of glue mud, which will become hard and of high quality. Glue mud made with cotton silk is very good. The medicine glue mud is made by mixing various medicines with the above materials to make the desired glue mud. The cotton cloth glue mud is made by covering the back of the inner core with a layer of soaked thin paper, boiling it with wheat flour and glue, then cutting the inner cotton cloth into pieces as needed, pulling it tight from the outside of the paper, and drying it sequentially. After the first layer is dry, repeat this process from the outside to make masks, etc. Stack as many layers as needed. After it is completely dry, remove the inner core. If it is a fierce mask, separate about four layers of flat cloth glued together with cotton cloth and glue, dry it, and then draw patterns such as beards, eyebrows, flames, and leaves on it, cut it from the gaps with a beveled knife, and then glue it with cotton cloth glue that is as strong as possible. Use sand and mud, etc., to make the desired shape of the face and protrusions. After polishing it smoothly, apply paint. The inner core made in this way can be used to make masks of peaceful and wrathful deities made of clay, which are of high quality. In addition, various suitable utensil shapes can also be made. The paper glue mud is similar to the previous cotton cloth glue mud, except that the paper needs to be layered, and both the inside and outside need to be made of cotton cloth. Perform polishing and painting, etc. The so-called glue mud is the process of mixing hard materials with adhesives to make clay, etc.
Chinese
抄写完成。是名字，因材料的差异而称为柯子树、香柏、红柏等。柏树是指材料相似，木片是指相似的延伸之意，或意思相同，有待考证。涂抹是制作的意思。从外面涂抹的树脂的名字来确定是否是“埃尔”，需要考证，哈哈。关于制药方面，制作木香时，大蒜一升，大蒜根一升，大蒜一百克，黑葱根各一升，清洗干净。在彩色的陶罐里放入一块碱，加入水，将上述材料放入其中，搅拌熬煮，不要烧焦。煮到没有味道，用干净的细布 挤压，取出。熬煮到没有水分，像绵羊奶一样时，加入适量的木香。将野生动物的脑髓连同新鲜的血液一起搅拌熬煮。然后倒入鹿或耳朵的脑孔中，用阿嘎土封住。另外，一定要确定没有缝隙。在太阳下晒或在火边烤。或者放在牦牛角里，按照上述方法做。干燥后取出，就成了好的木香。制作汉盐时，纯净的泽盐和一块刻有佛塔图案的盐砖，以及适量的纯净汉盐，在铜碗里融化成水状，倒在石头上，虽然外表看起来不像汉盐，但功效和汉盐一样。制作卡若盐时，一鸡蛋量的盐砖，以及一鸡蛋量的纯净黄丹和碱，研磨成粉末，放在煤炉上。先将铜碗烧红，放入其中融化，然后倒在石头上即可。或者，一鸡蛋量的盐砖，以及一鸡蛋量的黑云母和碱，以及牦牛、绵羊、山羊三种动物的浓稠的角，以及四鸡蛋量的旱獭的角，像涂抹一样混合，按照上述方法融化。这些来自盐矿。以此类推，制造各种盐和水银等制药和药物的使用方法，在德乌玛尔格西的实用手册等中有详细说明。这些也是医学的组成部分。将牦牛粪便干燥后捣成粉末，像制作奶渣一样，像提取朱砂灰一样燃烧，就能得到水银。它可以杀死虱子等，可以进行水银的 所有工作。水银有从岩石等处滴落的天然形成的，也有用鸽子肉和破布等制作的很多。
English
Copied. It is a name, and it is called Kose tree, cedar, red cedar, etc. depending on the difference of materials. "Bse" means similar material, and "bhag" means similar extension, or the meaning is the same, which needs to be verified. "Dbug" means making. It is necessary to verify whether it is "Er" from the name of the resin to be applied from the outside, haha. Regarding medicine making, when making Aucklandia, one liter of garlic, one liter of garlic root, one hundred grams of garlic, and one liter each of black onion root should be washed clean. Put a piece of alkali in the colored pottery pot, add water, put the above-mentioned materials in it, stir and cook without burning. Cook until it has no taste, and use a clean fine cloth to squeeze and take out. When it is cooked until there is no moisture, like sheep's milk, add an appropriate amount of Aucklandia. Stir and cook the brain marrow of wild animals together with fresh blood. Then pour it into the brain hole of a deer or ear, and seal it with Aga soil. In addition, be sure to make sure there are no gaps. Dry in the sun or bake by the fire. Or put it in a yak horn and do as above. After drying and taking it out, it becomes good Aucklandia. When making Han salt, pure Ze salt and a piece of salt brick engraved with a stupa pattern, and an appropriate amount of pure Han salt, melt in a copper bowl into a water-like shape, and pour it on a stone. Although it does not look like Han salt in appearance, its effect is the same as Han salt. When making Karo salt, one egg-sized salt brick, and one egg-sized pure yellow ocher and alkali, grind into powder and put on a coal stove. First burn the copper bowl red, put it in it and melt it, then pour it on the stone to complete it. Or, one egg-sized salt brick, and one egg-sized black mica and alkali, and the thick horns of three animals, yak, sheep, and goat, and four egg-sized marmot horns, mix like coating, and melt according to the above method. These are from the salt mine. By analogy, the methods of making various salts and mercury, etc., and the use of medicines are detailed in Deumar Geshe's practical manual, etc. These are also components of medicine. Dry the yak dung and pound it into powder, make milk dregs like making milk dregs, and burn it like extracting cinnabar ash to get mercury. It can kill lice, etc., and can carry out all the work of mercury. Mercury has naturally formed mercury that drips from rocks, etc., and there are many made from pigeon meat and rags, etc.
Chinese
哦！各种临时需要的零星手工艺方面，由于各种各样的情况不确定，所以是无穷无尽的，要从各自的见闻和听闻等方面了解。一般来说，所有上下的工艺品没有不需要的，但大型工艺品的各个类别都已在那里列出。这里是写一些没有在那里提到的临时需要的手工艺品。如果缺少了维持生计的农业、畜牧业和烹饪等，就会立即陷入困境，这些通常都能见到。艺术和占卜等工艺品另有说明。这里列出了一些临时需要的手工艺品。大约一捧被雨淋湿而变灰的兔粪丸，混合大约四分之一的优质白檀香和硼砂。将这两者研磨成粉末，用融化的澄清的羊油制成浓稠度适中的糊状物，粗细如箭杆。点燃后，可以燃烧到一拃高，整夜不灭。另外，细布、白檀香、蜂蜡、黑芥子油、兔粪丸、干姜和甘草的干燥根部，混合人脂，制成一指长的棒状物，是明亮的材料灯。将麝香、蜂蜡、兔粪丸和羊油与优质布料混合，塞入树干的空心部分，用布条拉紧，即使风雨再大，灯也不会熄灭。另外，将四种盐——岩盐、钾盐、湖盐和土盐，放入布灯芯的布线中，或者放入酥油中，即使大风也不会吹灭灯。清洗金像和铜像等物品时，在混合了硼砂和豆蔻的温水中，用毛笔或猪鬃多次擦洗。晒干后，涂抹藏红花、芥子油、茜草等的汁液，可以恢复金色光泽。之后再进行镀金等处理。清洗没有镀金的铜像时，用墙土、嫩枝、烟灰、红花和硼砂的糊状物涂抹，放置一夜后用硼砂水清洗。在这里，通过口头表达来涵盖身体清洁、衣物清洗、去除口臭等身体所需之物。在夏季，为了防止肉类生虫，将肉切成块后放入陶罐中。将陶罐放在装有冷水的容器中。每天早晚，在冰雪融化之前更换水，这样肉就不会腐烂，也不会生虫。
English
Oh! Regarding the various minor crafts needed immediately, because various situations are uncertain, they are endless, and must be understood from one's own experiences and what one has heard. Generally speaking, all crafts, both high and low, are needed, but the various categories of large crafts have been listed there. Here, I am writing about some minor crafts that are needed immediately that have not been mentioned there. If livelihood activities such as agriculture, animal husbandry, and cooking are lacking, one will immediately fall into difficulty, and these are usually seen. Arts and divination crafts are explained separately. Here, I have listed some immediately needed handicrafts. Take about a handful of rabbit dung pellets that have turned gray from the rain, and mix in about a quarter of good white sandalwood and borax. Grind these two into a powder, and mix with melted clarified sheep butter to make a paste of moderate consistency, about the thickness of an arrow shaft. When lit, it can burn to a height of a hand span and last all night. Also, fine cloth, white sandalwood, beeswax, black mustard oil, rabbit dung pellets, dried ginger, and dried licorice root, mixed with human fat, made into a finger-length stick, is a bright material lamp. Mix musk, beeswax, rabbit dung pellets, and sheep butter with good quality cloth, stuff it into the hollow of a tree trunk, and stretch it with cloth strips, and even if the wind and rain are strong, the lamp will not go out. Also, put four kinds of salt—rock salt, potash salt, lake salt, and earth salt—into the cloth threads of a cloth wick, or into butter, and even a strong wind will not blow out the lamp. When washing gold statues and copper statues, etc., in warm water mixed with borax and cardamom, scrub and wipe repeatedly with a brush or pig bristles. After drying in the sun, apply the juice of saffron, mustard oil, madder, etc., to restore the golden luster. Then, perform gilding and other treatments. When washing copper statues without gilding, apply a paste of wall soil, tender branches, ashes, madder, and borax, leave it overnight, and then wash with borax water. Here, I will cover the necessities for the body, such as body washing, clothes washing, and removing bad breath, through verbal expression. In summer, to prevent meat from becoming infested with insects, cut the meat into pieces and put it in a pottery jar. Place the pottery jar in a container filled with cold water. Every morning and evening, before the snow melts, change the water, so that the meat will not rot or become infested with insects.