English
Treat it as before, soak it in a warm solution, and then dry it in the shade. It is better to do this repeatedly. Then put it in warm water, and it will appear like golden honey paper. If you want reddish-yellow, pound turmeric and soak it in warm juice two or three times, and it will turn yellowish-brown. If you want to make blue, soak rusty iron filings in yogurt, add indigo juice, and ripe burdock fruit, pound and soak the juice until it is purple, then pound it carefully. You can also use purple bean flowers or small mountain beans, pound them together and soak them in water. Add good indigo powder and soak. Soak the silk in it, and it will look like a blue peel. If you want the color of the sky, add more rust and extract it more often. If you want a water color, dry it in the sun. If you want dark blue, add more indigo powder and soak it for a longer time. If the rust has patterns, like flowers or bird's feet, it is very good. If you want to make black, mix it with madder and dye it like black clothes. If you want to make bluish-black, in the pounded madder, soak the silk in black madder juice, and soak it in warm juice about three times. Alternatively, boil it in the juice of pounded apple bark and dry it three times. Then you can soak it in black madder water. You can also treat it with realgar as before. If you want green, first boil it yellow, and then soak it in blue juice. It is better to repeat these many times. If you want to make iron black, pound pea-sized Meconopsis horridula and soak it overnight. Then boil it, boil the silk in it and dry it. Mix Meconopsis horridula soaked in black madder water, boil it slightly, soak the silk in it and soak it overnight. Then take it out and dry it, and rinse it slightly with water, and the effect will be very good. These are the steps for dyeing silk. Cotton dyeing is similar to other methods. Soak the cotton in milk and dry it about three times. Then dye it as before. If you want to make red, boil it with madder instead of milk. Then proceed as described above. If you want to make blue, boil it with buckthorn berries in autumn, and then boil it in boiling water, and a bright blue color will appear. The above describes the dyeing methods for silk and cotton, which come from the terma of Ratna Lingpa. If you want to dye clothes, it is best to carefully pound indigo, put it in water, and let its juice be fully released. Clothing materials such as coarse cloth and pulu should be washed well.
Chinese
令其干燥。将上等染料制作者煮沸的汁液稍微煮沸后干燥。中等染色，则在姜黄水中如前法煮沸。下等则在沙棘或桦树汁液中煮沸。之后，将大量的茜草汁液盛在容器中，如调制清澈的汉地染料一般，从一个容器倒入另一个容器。之后，将一件衣服长时间浸泡等，制作上、中、下等染料，这是藏式方法。若要调整色泽，上等用硼砂，中等用大树烧成的灰烬，下等用石灰水等任何一种都可以。用这些澄清的汁液，根据需要依次调整色泽。另一种制作黄色染料的方法是：将没有泥土的红色赭石浓汁，或者用青稞酒糟、藏红花、姜黄、柳树花、苦荞花、黄栌树皮、黄色柳树皮等任何一种能找到的材料，以及夏季末尾叶子变黄时采摘的、阴干未腐烂的优质姜黄用水浸泡并捣碎，与酸模叶汁一起用火加热，到手指不会烫伤的程度时，将干净干燥的衣服浸泡并封口，放置一夜。用姜黄汁液，或木灰汁液，或者老房子、牛粪、盐或磨碎的荞麦糌粑用水浸泡，去除杂质，用这些来调整色泽，颜色会更加鲜艳。浸泡羊毛染料。在布和帐篷等上面绘制图案，使其不被水冲刷的方法：在茜草或墨汁等任何一种能找到的材料中，加入磨成细粉的青盐和盐碱，用一起煮沸的水绘制，直到布料没有孔洞，图案也不会褪色。或者，在羊胆、麝香、樟脑这三者中加入茜草或颜料，即使在白布等上面绘制图案，也能长时间保持。制作毛毡贴花的染色方法：将两块非常干净、厚薄均匀的薄毛毡准备好，分别浸湿。在接近熬制酥油的时间，用水清洗干净后晾干。在未完全干燥、稍微潮湿的时候，在温水中加入磨成细粉的白面，搅拌成稀粥状，厚薄均匀地涂抹。将两块毛毡面对面贴合，从边缘四周用双股线缝合，使其不会错位，卷在木头上浸湿。使其紧密贴合，晾干。完全干燥后，在上面绘制吉祥草、汉地回纹等任何想要的图案。将磨细的面粉用水稀释或用糌粑水调和，涂抹成浓稠的稀粥状进行绘制。完全干燥后，
English
Let it dry. Boil the juice of the best dye maker slightly and then dry it. For medium dyeing, boil it in turmeric water as before. For inferior dyeing, boil it in sea buckthorn or birch juice. Then, if you want to make it like a clear Chinese dye by arranging a lot of madder juice in a container and mixing the clear liquid, pour it from one container to another. After that, soak a piece of clothing for a long time, etc., to make superior, medium, and inferior dyes, which is the Tibetan method. To adjust the color, use borax for the superior, ashes from burning large trees for the medium, and lime water or the like for the inferior. Adjust the color as desired with these clear juices in sequence. Another method of making yellow dye is to use the thick juice of red ocher without soil, or any of the following: barley wine residue, saffron, turmeric, willow flowers, buckwheat flowers, buckthorn bark, yellow willow bark, etc., and good turmeric that has been picked when the leaves turn yellow in late summer, dried in the shade without rotting, soaked in water and crushed, and the juice of sorrel leaves, heat them together over a fire until your finger doesn't burn, soak a clean, dry piece of clothing, seal it, and leave it overnight. Use turmeric juice, or wood ash juice, or an old house, cow dung, salt, or ground buckwheat tsampa soaked in water, remove the impurities, and use these to adjust the color, which will become more vivid. Soak the wool dye. A method to draw patterns on cloth and tents, etc., so that they are not washed away by water: add finely ground blue salt and alkali to madder or ink, etc., whichever you can find, and draw with the water boiled together until the cloth has no holes and the pattern does not fade. Alternatively, add madder or pigment to sheep's gall, musk, and camphor, and even if you draw patterns on white cloth, etc., they will last for a long time. The method of making felt appliqués is to prepare two pieces of very clean, thin felt of even thickness, and wet them separately. Near the time of boiling butter, wash them thoroughly with water and let them dry. When they are not completely dry and still slightly damp, add finely ground white flour to warm water, mix it into a thin porridge, and apply it evenly. Place the two pieces of felt face to face, sew them together from all edges with double strands of thread so that they do not shift, and roll them on wood to wet them. Make them adhere tightly and let them dry. After they are completely dry, draw any desired patterns such as auspicious grass, Chinese swastika, etc. Dilute the ground flour with water or mix it with tsampa water, and draw with a thick porridge-like consistency. After it is completely dry,
Chinese
那个宽大的青蓝色铜盆，确定西部，确定内部颜色后，不要擦拭，长久放置，让颜色渗入后取出，不要擦拭。 引到大水中稍微清洗干净。用钝刀刮擦，底部会变白。中间用糌粑水紧密粘合，凭借其力量，颜料不会从后面渗出来。外面的两个面都被颜料深深浸透。无论是牛皮还是山羊绵羊皮等，在春夏温暖时节，宽大的铜器中倒入温水，每块皮革中加入一碗硼砂，将湿皮革放入其中，观察三日左右，保持温暖。用钝刀背部将毛和黑色的污垢一起刮掉，如果所有方向都出现褶皱，不要损伤白色表皮，将其刮掉。在水中揉搓拍打，将血和淋巴液全部清除，放在木板上，用钝刀背部或马肋骨刮擦。将肉切割平整，厚薄均匀。不要沾油，进行揉搓，这是制作皮革颜色的基础。加入红色表皮、红色皮革等。制作蓝色表皮的方法：将山羊或绵羊的湿皮拉伸在木架上，像画布一样拉伸，将混合了青盐和酒的液体倒在皮革的肉面上，均匀涂抹。将液体均匀涂抹，不要有厚薄不均。如果出现凝结，用铜或红土的磨石磨成粉末，像粉状颜料一样涂抹，使皮革不可见。放在阴凉潮湿的地方，放置数日，在此期间要避免行人。如果表皮上的蓝色没有完全覆盖，出现空隙，说明有邪魔作祟，要驱除邪魔。如果没有酒，也可以用酸奶和牛奶混合。 也有人说，另一种方法是将牛奶或酸奶、酒三者等量混合，加入磨细的青盐和铜粉，放置数日，直到铜锈溶解。然后将其涂抹在皮革的表皮上即可。还有关于涂抹在铁等坚硬物品上的方法。制作绿松石釉料时，取优质的雄黄100份，雌黄950份，硼砂5份，分别研磨后混合。然后加入约一碗酸奶的蓝矾，像熔化雌黄一样观察合适的程度。充分熔化后倒入碗中。冷却后如果颜色发白，加入蓝矾再次熔化。如果效果好，将其研磨成细粉，用绸缎包裹，涂抹在陶器等上釉的物品上。
English
That wide turquoise copper basin, after determining the west and the internal colors, do not wipe it off, leave it for a long time, let the colors penetrate and then take it out, do not wipe it off. Draw it into the great water and wash it slightly clean. Scraping with a dull knife will make the bottom white. Tightly bond in the middle with barley flour water, and with its strength, the paint will not seep out from the back. Both sides of the outside are deeply soaked with paint. Whether it is cowhide or sheepskin, etc., in the warm spring and summer seasons, pour warm water into a wide copper vessel, add a bowl of borax to each piece of leather, put the wet leather in it, observe for about three days, and keep it warm. Use the back of a dull knife to scrape off the hair and black dirt together, and if wrinkles appear in all directions, do not damage the white epidermis, scrape it off. Rub and beat it in the water, remove all the blood and lymph, place it on a wooden board, and scrape it with the back of a dull knife or a horse rib. Cut the meat evenly, with uniform thickness. Do not touch oil, rub it, this is the basis for making leather colors. Add red epidermis, red leather, etc. Method of making blue epidermis: stretch the wet skin of a goat or sheep on a wooden frame, stretch it like a canvas, pour the liquid mixed with saltpeter and wine on the flesh side of the leather, and spread it evenly. Apply the liquid evenly, without uneven thickness. If coagulation occurs, grind it into powder with a copper or red clay whetstone, apply it like powdered paint, making the leather invisible. Place it in a cool and humid place, and leave it for several days. During this period, avoid pedestrians. If the blue color on the epidermis does not completely cover and gaps appear, it means that there is demonic harm, and the demons must be expelled. If there is no wine, yogurt and milk can also be mixed. Some say that another method is to mix equal parts of milk or yogurt and wine, add finely ground saltpeter and copper powder, and let it stand for several days until the copper rust dissolves. Then apply it to the epidermis of the leather. There are also methods for applying to hard objects such as iron. When making turquoise glaze, take 100 parts of high-quality realgar, 950 parts of orpiment, and 5 parts of borax, grind them separately and mix them. Then add about a bowl of yogurt of blue vitriol, and observe the appropriate degree like melting orpiment. After fully melting, pour it into a bowl. If the color turns white after cooling, add blue vitriol and melt it again. If the effect is good, grind it into a fine powder, wrap it in silk, and apply it to glazed items such as pottery.