Chinese
那位瑜伽士从双眼中流下眼泪，心想：唉，这些众生啊，不修习片刻这般能从轮回中解脱的殊胜之法，却在这充满难忍痛苦、无依无靠的轮回中，被生老病死等恐惧所扰，对于这动荡不安的景象，我生起强烈的悲悯之心。依靠明妃的莲花，升起并滴落安乐的甘露，因对俱生智的信任，他的身体汗毛竖立，心中想着要超越难以摧毁、如同金刚般的三界轮回，如同明妃所生一般。这是拉瓦巴的注释中所说。拉萨（Lhasa）的注释的译文看来很好，也同样这样说：要超越。就是这样。同样，让明妃赤裸，看着乳房、阴道、臀部和莲花，用手爱抚这些部位，用交合的方法来供养。这就是欲自在母，手印母，所有诸自在母的会众，要像那样次第体验所有快乐的滋味。呼气是拉瓦巴所说的，用智慧的风来流动的意思。女使者的脉，中脉的风，通过方便的脉进入中脉的门，以此为缘，降下菩提心的要诀非常深奥，需要依靠智慧广大而细致的解释续部《金刚鬘》来了解。摇动是菩提心降下而身体颤抖。狂笑是用欢笑的身体压住明妃。娇媚的舞姿是用舞蹈的步伐进入明妃。惊奇是让凡夫俗子感到惊叹。像这样行事，瑜伽母们在各种各样的，也就是所有人的面前，要像这样嬉戏。这是它的意思。也就是要忆念手印母和欢笑的咒语，然后嬉戏。八种欢笑的咒语是：哈、哈、嘿、嘿、霍、吼、杭、哈。这八种是用来狂笑的。 这些解释在拉瓦巴的注释中清楚地出现，所以补充完整。第二，对于有缘者等，花和水与之前相同。咒语是根本咒或七字咒，以及同样的结合。
English
That yogi shed tears from his eyes, thinking: Alas, these sentient beings, without meditating for even a moment on such a supreme method of liberation from samsara, are tormented by the fears of birth, old age, sickness, and death in this unbearable, helpless samsara. I feel intense compassion for this turbulent scene. Relying on the consort's lotus, the nectar of bliss rises and drips. Due to trust in innate wisdom, the hairs on his body stand on end, and he thinks of transcending the indestructible, vajra-like three realms of samsara, as if born from the consort. This is what is said in the commentary of Lawapa. The translation of the commentary of Lhasapa seems good, and it also says the same: to transcend. That's how it is. Similarly, make the consort naked, looking at the breasts, vagina, buttocks, and lotus, caressing these places with your hands, and offering through the method of union. This is the pleasure of the Desire Queen, the Mudra Queen, the assembly of all the Mistresses, to experience the taste of all pleasures in that order. Exhalation is what Lawapa said, meaning to flow with the wind of wisdom. The messenger woman's channel, the wind of the central channel, enters the door of the central channel through the channel of means, and this is the condition for the descent of bodhicitta, which is a very profound key point. It is necessary to rely on the extensive and detailed explanation of the tantra Vajramala to understand it. Shaking is the trembling of the body due to the descent of bodhicitta. Laughter is pressing the consort with a laughing body. The charming dance is entering the consort with the steps of the dance. Wonder is making ordinary people marvel. Acting in this way, the yoginis should frolic in front of all kinds of people, that is, everyone. That is its meaning. That is, one should remember the Mudra Queen and the mantra of laughter, and then frolic. The eight mantras of laughter are: Ha, Ha, He, Hei, Ho, Hau, Ham, Hah. These eight are used for laughter. These explanations appear clearly in Lawapa's commentary, so they are supplemented. Secondly, for the fortunate ones and so on, the flowers and water are the same as before. The mantra is the root mantra or the seven-syllable mantra, and the same union.
Chinese
说是安住于三轮而行布施等。所谓“主母大”，读作“黑母大”，意义是解释金刚亥母，并依此在印度修行。所谓“最初”等，是指最初、中间和最后，手印都由自己掌握。因为微笑本身就是手印，所以嬉戏玩乐成为主要就是令人喜悦。那个手印显示出观看的傲慢，拥有自己微笑的傲慢的女神，就会变得有名声。那个微笑仅仅是近似的表示，一切极度欢喜的快乐，无论白天或夜晚都要做。所谓“形与业”等，是指修行者所见，成就的女神们会显示出前所未有的形和行为。显示那些行为，以及行为的回答，就是“恒常”等。女神的差别就是“金刚”等。修行者的行为就是“呼气”等，呼气就是使气息不流动。所谓“娇媚”等，是舞蹈的差别。种种就是修行者的事业。这样解释道。从使者女处，对种种具有控制力的自在母们极度欢喜，即随之爱恋。所说的“哈哈”等行为，这些都是近似的，即修行者在特殊的使者女们面前做。恒常，即安住于修行者，直到那时，使之哭泣并流泪，那些应当赞颂。通过念诵哭泣、流泪和八种微笑的咒语，那些使者女们就会感到欢喜。禅定，即天神的瑜伽，以及用咒语念诵来良好地结合，即极度压迫，就是自己的明妃瑜伽母。主母，即极忿怒母等的勇母们，以及颅器等的勇父们一起，身体汗毛竖立，一同体验与生俱来的快乐。如“金刚上不应践踏”所说，不应践踏自己的金刚莲花。那是左道，即瑜伽母们完全观察，即必定要考虑的。第三，出自吉祥黑汝迦显现略续。
English
It is said that giving alms and so on is to abide in the three wheels. The so-called "Great Mother," read as "Black Great Mother," means to explain Vajravarahi, and to practice accordingly in India. The so-called "beginning," etc., means that in the beginning, middle, and end, the mudras are all under one's own control. Because the smile itself is a mudra, playing and frolicking becomes the main thing, which is to make people happy. That mudra shows the arrogance of viewing, and the goddess who possesses the arrogance of her own smile will become famous. That smile is only an approximate representation, and all the bliss of extreme joy should be done day or night. The so-called "form and action," etc., refers to what the practitioner sees, and the accomplished goddesses will show unprecedented forms and actions. Showing those actions, and the answer to the actions, is "constant," etc. The difference of the goddesses is "Vajra," etc. The actions of the practitioner are "exhalation," etc., and exhalation is to make the breath not flow. The so-called "coquetry," etc., is the difference of dance. Various are the actions of the practitioner. This is how it is explained. From the messenger woman, the independent mothers who have control over various things are extremely happy, that is, they fall in love with it. The actions mentioned such as "Haha," etc., are all approximate, that is, the practitioner does them in front of special messenger women. Constantly, that is, abiding in the practitioner, until then, making them cry and shed tears, those should be praised. By reciting the mantras of crying, shedding tears, and eight kinds of smiles, those messenger women will be delighted. Samadhi, that is, the yoga of the deity, and combining well by reciting with mantras, that is, extreme oppression, is one's own vidya yogini. The chief mother, that is, the wrathful mothers such as Rabgtumma, and together with the heroes such as Khandakapala, the body's hair stands on end, and together they experience the innate bliss. As it is said, "One should not trample on the vajra," one should not trample on one's own vajra lotus. That is the left path, that is, the yoginis fully observe, that is, it must be considered. The third is from the Condensed Tantra of the Manifestation of Glorious Heruka.