English
Measurement of time. Hands, feet, etc., and eyes looking separately, and the measure of actions such as guiding the viewing. 3. Whatever other work is done during the year, mutually, Laya Laya (Tibetan, Sanskrit Devanagari: लय लय, Sanskrit Roman transliteration: laya laya, Chinese literal meaning: dissolution dissolution), and Sāmya (Tibetan, Sanskrit Devanagari: साम्य, Sanskrit Roman transliteration: sāmya, Chinese literal meaning: equality) is what is meant. Tāṇḍavaṃ (Tibetan, Sanskrit Devanagari: ताण्डवं, Sanskrit Roman transliteration: tāṇḍavaṃ, Chinese literal meaning: Tāṇḍava), Naṭani (Tibetan, Sanskrit Devanagari: नटनि, Sanskrit Roman transliteration: naṭani, Chinese literal meaning: dancer), Nāṭyaṃ (Tibetan, Sanskrit Devanagari: नाट्यं, Sanskrit Roman transliteration: nāṭyaṃ, Chinese literal meaning: drama), Lāsyaṃ (Tibetan, Sanskrit Devanagari: लास्यं, Sanskrit Roman transliteration: lāsyaṃ, Chinese literal meaning: Lāsya), Raṅga (Tibetan, Sanskrit Devanagari: रङ्ग, Sanskrit Roman transliteration: raṅga, Chinese literal meaning: stage). Nartana (Tibetan, Sanskrit Devanagari: नर्तन, Sanskrit Roman transliteration: nartana, Chinese literal meaning: dance) x Nivitraṃ (Tibetan, Sanskrit Devanagari: निविtrं, Sanskrit Roman transliteration: nivitraṃ, Chinese literal meaning: covering) etc. will change. The circular dance of women is called Hallīsakaṃ (Tibetan, Sanskrit Devanagari: हल्लीशकं, Sanskrit Roman transliteration: hallīśakaṃ, Chinese literal meaning: Hallīsaka). Drum three dances and songs, musical instrument dance these are three. Then Bhakumbā (Tibetan, Sanskrit Devanagari: भकुम्बा, Sanskrit Roman transliteration: bhakumbā, Chinese literal meaning: Bhakumbā) and, Bhrukumpā (Tibetan, Sanskrit Devanagari: भ्रुकुम्पा, Sanskrit Roman transliteration: bhrukumpā, Chinese literal meaning: Bhrukumpā) and, Ghukumbā (Tibetan, Sanskrit Devanagari: घुकुम्बा, Sanskrit Roman transliteration: ghukumbā, Chinese literal meaning: Ghukumbā). Bhrikusa (Tibetan, Sanskrit Devanagari: भ्रिकुस, Sanskrit Roman transliteration: bhrikusa, Chinese literal meaning: Bhrikusa) is similar, these are said when a man wears a woman's, clothing. The explanation of drama is, the prince's sign is, young man, the master's puppy. 2. The king is the supreme and the god, the daughter is the princess's puppy. The goddess who is empowered, the others are the supreme lady. The one who gives birth is, Ābuka (Tibetan, Sanskrit Devanagari: आबुक, Sanskrit Roman transliteration: ābuka, Chinese literal meaning: Ābuka), Bhāva (Tibetan, Sanskrit Devanagari: भाव, Sanskrit Roman transliteration: bhāva, Chinese literal meaning: emotion) is the wise one of Māriṣa (Tibetan, Sanskrit Devanagari: मारिष, Sanskrit Roman transliteration: māriṣa, Chinese literal meaning: Māriṣa). Noble Ambā (Tibetan, Sanskrit Devanagari: अम्बा, Sanskrit Roman transliteration: ambā, Chinese literal meaning: mother) is the one who gives birth. The elder sister is Antikā (Tibetan, Sanskrit Devanagari: अन्तिका, Sanskrit Roman transliteration: antikā, Chinese literal meaning: Antikā). The master of the sisters is Āvarti (Tibetan, Sanskrit Devanagari: आवर्ति, Sanskrit Roman transliteration: āvarti, Chinese literal meaning: Āvarti). Rājasvāla (Tibetan, Sanskrit Devanagari: राजस्वाल, Sanskrit Roman transliteration: rājasvāla, Chinese literal meaning: menstruation) is the territory. The organized mother is Ārjukā (Tibetan, Sanskrit Devanagari: आर्जुक, Sanskrit Roman transliteration: ārjukā, Chinese literal meaning: Ārjukā). The child is called Vāsu (Tibetan, Sanskrit Devanagari: वासु, Sanskrit Roman transliteration: vāsu, Chinese literal meaning: Vāsu). Haṇḍa (Tibetan, Sanskrit Devanagari: हण्ड, Sanskrit Roman transliteration: haṇḍa, Chinese literal meaning: Haṇḍa), Hañje (Tibetan, Sanskrit Devanagari: हञ्जे, Sanskrit Roman transliteration: hañje, Chinese literal meaning: Hañje), Ha (Tibetan, Sanskrit Devanagari: ह, Sanskrit Roman transliteration: ha, Chinese literal meaning: Ha) is calling. Inferior, maid, girlfriend. Called the noble son, is the master of the youth of the daughters. Elsewhere also the noble supreme, is the great king and the master of the people. Aprahmaṇya (Tibetan, Sanskrit Devanagari: अप्रह्मण्य, Sanskrit Roman transliteration: aprahmaṇya, Chinese literal meaning: non-Brahmin) is not a good word. Niṣṭha (Tibetan, Sanskrit Devanagari: निष्ठ, Sanskrit Roman transliteration: niṣṭha, Chinese literal meaning: completion) is completion, is the same. The five declines of the body are completed. Aṅgahāra (Tibetan, Sanskrit Devanagari: अङ्गहार, Sanskrit Roman transliteration: aṅgahāra, Chinese literal meaning: limb movement), limb movement. Clear and, the ways are the same. Clear etc. in dance, is the distinction of the state of the previous limbs. Dance postures and drama postures. 2. Coquetry and, bravery and, compassion and, wonderful roughness and terrible, ugly violence pleasant, very, silence are called the ten emotions. Coquetry, has emotion, pure and shining, is also called clear. 4. The classification of coquetry is enjoying fulfillment. Prālambha (Tibetan, Sanskrit Devanagari: प्रालम्भ, Sanskrit Roman transliteration: prālambha, Chinese literal meaning: beginning), Samādhi. Sprapa (Tibetan, Sanskrit Devanagari: स्प्रप, Sanskrit Roman transliteration: sprapa, Chinese literal meaning: contact), growth is bravery. Compassion, mercy, love and, Kṛpā (Tibetan, Sanskrit Devanagari: कृपा, Sanskrit Roman transliteration: kṛpā, Chinese literal meaning: compassion), Dayā (Tibetan, Sanskrit Devanagari: दया, Sanskrit Roman transliteration: dayā, Chinese literal meaning: mercy) is subsequently loving. Subsequently attachment and, Śuka (Tibetan, Sanskrit Devanagari: शुक, Sanskrit Roman transliteration: śuka, Chinese literal meaning: parrot). Wonder, noble and, wonderful, wonder. 4. Hāsyahasa (Tibetan, Sanskrit Devanagari: हास्यहस, Sanskrit Roman transliteration: hāsyahasa, Chinese literal meaning: laughter), Hāsa (Tibetan, Sanskrit Devanagari: हास, Sanskrit Roman transliteration: hāsa, Chinese literal meaning: laughter). 3. Camarkā (Tibetan, Sanskrit Devanagari: चमर्का, Sanskrit Roman transliteration: camarkā, Chinese literal meaning: Camarkā). Ra (Tibetan, Sanskrit Devanagari: र, Sanskrit Roman transliteration: ra, Chinese literal meaning: fire). Subduer and, causing to subdue is also called. 3. Unbearable, fear maker, fright maker, fear. Intense terrible, making fear, individually fear and, Bhāmura (Tibetan, Sanskrit Devanagari: भामुर, Sanskrit Roman transliteration: bhāmura, Chinese literal meaning: Bhāmura). Bhīla (Tibetan, Sanskrit Devanagari: भील, Sanskrit Roman transliteration: bhīla, Chinese literal meaning: Bhīla), Bhairava (Tibetan, Sanskrit Devanagari: भैरव, Sanskrit Roman transliteration: bhairava, Chinese literal meaning: Bhairava).
Tibetan
བྷ་ཡཱ་བ་ཧ། ༡༢་།དྲག་པོ་དྲག་ཤུལ། ཞེས་པ་དང༌། །མི་སྡུག་པ་དང༌། བི་བརྶྷ། །དངངས་སྐྲག །ཉམ་པ། བག་ཚ་དང༌། །ཕམ་པར་བྱས་དང་འཇིགས་པའོ། །ཡིད་ཀྱི་རྣམ་འགྱུར་དགའ་བ་དང༌། །ཞུམ་དང་ཁྲོ་སོགས་ཀྱིས་བསྐྱེད་པ། །ཉམས་སུ་མྱོང་དང་རྣམ་འགྱུར་རྟོགས། །དེ་ཡང་ཉམས་མྱོང་ལོངས་སྤྱོད་རྫོགས། །ཐོབ་པའི་བདག་ཉིད་ཅན་དུ་འགྱུར། །དེར་ནི་མིག་བཞི་ལས་བྱུང་བ། །སྨིན་མ་འདེགས་དང་འཛུམ་རྣམས་འཁོར། །བཀྲ་བར་ཉམས་མྱོང་དག་ལ་སོགས། །ལོངས་སྤྱོད་རྫོགས་པའི་བདག་ཉིད་འདོད། །མངོན་འདོད་དེ་བཞིན་བསམ་པ་དང༌།། རྗེས་སུ་དྲན་པའི་ཚོགས་སུ་འདོད། །དེ་བཞིན་སྐྱོ་དང་རྣམ་པར་སྨྲ། །སྨྱོ་བ་དང་ནི་ནད་ཉིད་དང༌། །ཛ་བྷ་འདུལ་བྱེད་ཀྱང་ཞེས་པ། །ཐོབ་པའི་བདག་ཉིད་བཅུ་ཡིན་ནོ། །དགོད་པ་དགའ་བར་བྱེད་པ་སྟེ། །དེ་བཞིན་གཉི་ག་སྤྲོ་བའོ། །སྦེད་དང་ངོ་མཚར་ཞེས་བྱ་བ། །དངོས་པོ་བཞག་པར་རབ་ཏུ་བསྒྲགས། །དབང་དུ་བྱེད་པ་རྣམ་ཤེས་ཀྱིས། །དངོས་པོའི་ལམ་ལ་སྐྱེས་པའི་ལས། །ཡིད་ཀྱི་མདུད་པ་ངར་སེམས་ཏེ། །ང་རྒྱལ་སེམས་ནི་མཐོ་བའོ། །སྙེམས་དང་མངོན་པའི་ང་རྒྱལ་དང༌། །ངར་འཛིན། རྒྱགས་དང༌། དྲེགས། མངོན་ཞེན། བསྒྱིངས་པ་དང་ནི་ཡང་དག་ཤུགས། །ཀུན་རྩོམ། ཀུན་འབེབས། ཡང་དག་བསྐོར། །རང་དབང་འཇུག་དང༌། ཀུན་ནས་ལྡང༌། ༢་།མངོན་པར་ལྡང་དང༌། ཞེ་སར་བྱེད། །གུས་བྱེད། གུས་པར་ཉན་པ་དང༌། །ཡོངས་སུ་སྦྱོང་དང༌། མཆོག་ཏུ་བྱེད། །སྟེན་བྱེད། རབ་བསྟེན་དང་བ་དང༌། །ཉེ་བར་བྱེད་དང༌། ཉེ་བར་གནས། །ཀུན་ཏུ་བསྟེན་དང༌། མཉེན་བྱེད་དང༌། །ཉེ་བར་སྤྱོད་དང༌། ཨུ་པ་སཱ་ནཾ། ༡༣། མ་གུས། ཡོངས་སྨོད། ཟིལ་གནོན་དང༌། །རིང་བྱེད། མི་རྩི་ནཱི་ཀཱ་ར། །བརྙས་དང༌། །ཀུན་བརྙས། ཞུམ་བྱེད་ དང༌། གུས་མེད། བརྙས་བྱེད་སྨོས་པ་དང༌། །པ་བ་ནཾ་དང་ཨ་བ་ལི། །ཨ་བྷི་བྷ་བཱ་ཞེས་རྣམས་སོ། ༡༢་།ཞུམ་བྱེད། ངོ་ཚ་འཛེམ། མིག་དམའ། །ཧཱི། ན་ཏི་བི་ཤ་ཁྲེལ་ཡོད། ༢་།བཟོད་པ། ཀྵ་མ། ཏི་ཏིཀྵ། །ས་ཧིཥྵུ་ཏཱ་ཞེས་རྣམས་སོ།། གསོད་དང༌། རྣམ་པར་འཚེ་བའོ། ༢་།མི་བཟོད་པ་དང༌། ཕྲག་དོག་གོ །ཡོན་ཏན་ལ་ནི་སྐྱོན་སྒྲོ་འདོགས། །ཨ་སཱུ་ཡ་ཞེས་བྱ་བའོ། །རབ་སྐྱོན་འགེབས་དང༌། འཆབ་བའོ། ༢་།དོ་ཥ་དང་ནི་ཨཱ་དཱི་ན། ༢་།ལེ་ལོ། རྨུགས་པ། སྙོམ་ལས་སོ། ༣་།ཡིད་ལག་ཅགས་དང༌། རྗེས་སུ་གཅགས། །ཕྱི་ནས་གདུང་དང༌། རྗེས་སུ་གདུང༌། །བགོད་པའོ། །བརྣབ་སེམས་གཞན་ནོར་ཆགས། ༢་།ཉེ་བར་ལོངས་སྤྱོད། །ནི་རྦི་ཤ་༢་།ཨ་བྱཱ་དྷཱ་ན། ཉེ
Chinese
བྷ་ཡཱ་བ་ཧ། ༡༢。名为猛烈暴怒，以及不悦意，毗跋瑟，惊恐，衰弱，畏惧等，被打败和恐惧。心的各种变化，由喜悦，沮丧和愤怒等产生，体验和理解各种变化。那也是体验享受圆满，成为获得的主体。在那里，从四眼中产生的，眉毛抬起和微笑等转动。光彩夺目的体验等，想要享受圆满的主体。显现的欲望如同思考，也想要追忆的集合。同样地，悲伤和各种言说，疯狂和疾病本身，以及名为扎帕的调伏者，是获得的十种主体。欢笑是使人高兴，同样两者是快乐。隐藏和惊奇，极力宣扬事物被放置。支配是依靠意识，在事物的道路上产生的业。心的结是傲慢心，我慢心是高傲。骄傲和显现的我慢，我执，傲慢和骄傲，显现的执着，轻蔑以及真正的力量，全部造作，全部降伏，真正地围绕，自在进入，全部生起。２。显现生起，尊敬，敬重，恭敬地听闻，完全调伏，最胜，依靠，极度依靠和，亲近，亲近居住，全部依靠，柔和，亲近行，邬波萨那。１３。不恭敬，完全诽谤，压制，疏远，不尊重，鄙视，全部鄙视，使沮丧，不恭敬，鄙视言说，以及名为帕瓦南和阿瓦里，阿毗跋瓦等。１２。使沮丧。羞耻顾忌，眼低。诃利（藏文，梵文天城体，ह्री，梵文罗马拟音，hrī，惭），那底毗舍有惭。２。忍耐，叉摩（藏文，梵文天城体，क्षमा，梵文罗马拟音，kṣamā，宽恕），底底叉，萨希瑟努答等。杀害和各种损害。２。不忍和嫉妒。对于功德则捏造过失，名为阿苏亚。极力掩盖过失和隐藏。２。堕夏和阿底那。２。懒惰，昏沉，懈怠。３。心手执着和随之执着，从外面燃烧和随之燃烧，分担。贪婪心是贪着他人之财。２。亲近享受。尼毗舍２。阿毗雅达那，亲
English
Bhayaavaha. 12. Named fierce and violent, and unpleasant, Vibarsha, fear, weakness, apprehension, etc., defeated and fear. The various changes of mind, produced by joy, depression and anger, etc., experience and understand the various changes. That is also the experience of enjoying perfection, becoming the subject of attainment. There, arising from the four eyes, the raising of eyebrows and the turning of smiles, etc. Bright and radiant experiences, etc., wanting the subject of enjoying perfection. Manifest desire is like thinking, also wanting the collection of recollection. Similarly, sadness and various speeches, madness and disease itself, and the tamer named Zhapa, are the ten subjects of attainment. Laughter is to make people happy, similarly both are joy. Hiding and surprise, extremely proclaiming that things are placed. Domination is relying on consciousness, the karma arising on the path of things. The knot of the mind is arrogance, pride is arrogance. Pride and manifest pride, ego-grasping, arrogance and pride, manifest attachment, contempt and true strength, all creation, all subjugation, truly surrounding, freely entering, all arising. 2. Manifest arising, respect, reverence, respectfully listening, completely taming, supreme, relying, extremely relying and, approaching, approaching dwelling, all relying, gentle, approaching practice, Upasana. 13. Disrespectful, completely slandering, suppressing, alienating, disrespectful, contempt, all contempt, making depressed, disrespectful, contemptuous speech, and named Pavanana and Avali, Abhibhava, etc. 12. Making depressed. Shame and scruples, low eyes. Hri (Tibetan, Devanagari, ह्री, Romanized Sanskrit, hrī, shame), Nati Bisha has shame. 2. Patience, Kshama (Tibetan, Devanagari, क्षमा, Romanized Sanskrit, kṣamā, forgiveness), Titiksha, Sahishnuta, etc. Killing and various harms. 2. Intolerance and jealousy. For merits, false faults are fabricated, named Asuya. Extremely covering faults and hiding. 2. Dosha and Adina. 2. Laziness, drowsiness, idleness. 3. Mind and hand clinging and following clinging, burning from the outside and following burning, sharing. Greedy mind is clinging to other people's wealth. 2. Approaching enjoyment. Nirbisha 2. Abhyadhana, near