English
Now the way of holding, scattering, steps, the method of turning with a hook, the method of the sword, the lasso, the method of shooting arrows, the teacher of throwing, pushing forward, pushing back, cutting, splitting, stabbing, hitting from afar, sound (Tibetan: སྒྲ་བེ་དྷཿ, Sanskrit Devanagari: śabda vedha, Sanskrit Roman transliteration: shabda vedha, literal Chinese meaning: sound penetration), pulse (Tibetan: མརྨ་བེ་དྷཿ, Sanskrit Devanagari: marma vedha, Sanskrit Roman transliteration: marma vedha, literal Chinese meaning: pulse penetration), arrow (Tibetan: ཨཀྵུ་ཎ་བེ་དྷཿ, Sanskrit Devanagari: akṣuṇa vedha, Sanskrit Roman transliteration: akshuna vedha, literal Chinese meaning: arrow penetration), firm strike, becoming proficient in five positions, jumping, the giant's way of holding, trotting, swimming, crossing, riding the elephant's neck, riding a horse, chariot, bow and arrow, arm movement, hitting the point, hitting the point, hitting without losing, severe, becoming proficient in five positions. Jumping, the giant's way of holding, trotting, swimming, crossing, riding the elephant's neck, riding a horse, the method of the chariot, bow and arrow, throwing. The names of musical instruments are, dancer (Tibetan: ནརྟྟ་ཀཿ, Sanskrit Devanagari: nartakaḥ, Sanskrit Roman transliteration: nartakah, literal Chinese meaning: dancer), dance (Tibetan: ན་ཊཿ, Sanskrit Devanagari: naṭaḥ, Sanskrit Roman transliteration: natah, literal Chinese meaning: dance), big drum (Tibetan: བྷེ་རཱི, Sanskrit Devanagari: bherī, Sanskrit Roman transliteration: bheri, literal Chinese meaning: big drum), clay drum (Tibetan: མྲྀ་དདྒཱ, Sanskrit Devanagari: mṛdaṅga, Sanskrit Roman transliteration: mridamga, literal Chinese meaning: clay drum), dumdum drum (Tibetan: དུཾ་དུ་བྷིཿ, Sanskrit Devanagari: duṃdubhiḥ, Sanskrit Roman transliteration: dumdubhih, literal Chinese meaning: dumdum drum), muraja drum (Tibetan: མུ་ར་ཛཱ, Sanskrit Devanagari: murajā, Sanskrit Roman transliteration: muraja, literal Chinese meaning: muraja drum), panava drum (Tibetan: པ་ཎ་བཿ, Sanskrit Devanagari: paṇavaḥ, Sanskrit Roman transliteration: panavah, literal Chinese meaning: panava drum), tunava drum (Tibetan: ཏུ་ན་བཿ, Sanskrit Devanagari: tunavaḥ, Sanskrit Roman transliteration: tunavah, literal Chinese meaning: tunava drum), one-stringed lute (Tibetan: ཛྷརྫྷ་རཱི, Sanskrit Devanagari: ghūrṇārī, Sanskrit Roman transliteration: ghurnari, literal Chinese meaning: one-stringed lute), one-stringed lute (Tibetan: ཛྷལླ་རཱི, Sanskrit Devanagari: ghallārī, Sanskrit Roman transliteration: ghallari, literal Chinese meaning: one-stringed lute), shamya (Tibetan: ཤ་མྱཱ, Sanskrit Devanagari: śamyā, Sanskrit Roman transliteration: shamya, literal Chinese meaning: shamya), vallari (Tibetan: བལླ་རཱི, Sanskrit Devanagari: vallārī, Sanskrit Roman transliteration: vallari, literal Chinese meaning: vallari), mukunda drum (Tibetan: མུ་ཀུནྡཿ, Sanskrit Devanagari: mukundaḥ, Sanskrit Roman transliteration: mukundah, literal Chinese meaning: mukunda drum), turyama (Tibetan: ཏུརྻམ, Sanskrit Devanagari: turyama, Sanskrit Roman transliteration: turyama, literal Chinese meaning: turyama), samgiti (Tibetan: སཾ་གཱི་ཏིཿ, Sanskrit Devanagari: saṃgītiḥ, Sanskrit Roman transliteration: samgiti, literal Chinese meaning: samgiti), tadavacara (Tibetan: ཏཱ་ཌཱ་བ་ཙ་རཿ, Sanskrit Devanagari: tāḍāvacaraḥ, Sanskrit Roman transliteration: tadavacarah, literal Chinese meaning: tadavacara), vastobas, dancer or dancer, dance or dance, big drum, clay drum, drum, big clay drum, hand drum, one-stringed lute, one-sided clay drum, iron cymbals, karkrol, three-stringed lute, mukunda drum, cymbals, song, begdop, music Dhyam, veena (Tibetan: བཱི་ཎཱ, Sanskrit Devanagari: vīṇā, Sanskrit Roman transliteration: vina, literal Chinese meaning: veena), bamsa (Tibetan: བཾ་སཿ, Sanskrit Devanagari: vaṃsaḥ, Sanskrit Roman transliteration: vamsah, literal Chinese meaning: bamsa), the names of the songs are, madhyama (Tibetan: མ་དྷྱཱ་མཿ, Sanskrit Devanagari: madhyāmaḥ, Sanskrit Roman transliteration: madhyamah, literal Chinese meaning: middle), rishabha (Tibetan: རྀ་ཥ་བྷཿ, Sanskrit Devanagari: ṛṣabhaḥ, Sanskrit Roman transliteration: rishabhah, literal Chinese meaning: bull), gandhara (Tibetan: གཱནྡྷཱ་རཿ, Sanskrit Devanagari: gāndhāraḥ, Sanskrit Roman transliteration: gandharah, literal Chinese meaning: gandhara), shazha (Tibetan: ཥཛྫཿ, Sanskrit Devanagari: ṣaḍjaḥ, Sanskrit Roman transliteration: shadja, literal Chinese meaning: shazha), panchama (Tibetan: པཉྩ་མཿ, Sanskrit Devanagari: pañcamaḥ, Sanskrit Roman transliteration: pancamah, literal Chinese meaning: fifth), daivata (Tibetan: དྷཻ་བ་ཏཿ, Sanskrit Devanagari: dhaivataḥ, Sanskrit Roman transliteration: dhaivatah, literal Chinese meaning: daivata), nishada (Tibetan: ནི་ཥཱ་དཿ, Sanskrit Devanagari: niṣādaḥ, Sanskrit Roman transliteration: nishadah, literal Chinese meaning: nishada), the names of the dance styles are, singara (Tibetan: ཤྲྀཾ་གཱ་རཿ, Sanskrit Devanagari: śṛṃgāraḥ, Sanskrit Roman transliteration: shringarah, literal Chinese meaning: love), vira (Tibetan: བཱི་རཿ, Sanskrit Devanagari: vīraḥ, Sanskrit Roman transliteration: virah, literal Chinese meaning: hero), vibhatsa (Tibetan: བཱི་བྷཏྶཿ, Sanskrit Devanagari: bībhatsaḥ, Sanskrit Roman transliteration: bibhatsah, literal Chinese meaning: disgust), raudra (Tibetan: རཽ་དྲཾ, Sanskrit Devanagari: raudraṃ, Sanskrit Roman transliteration: raudram, literal Chinese meaning: anger), hasyam (Tibetan: ཧཱ་སྱམ྄, Sanskrit Devanagari: hāsyam, Sanskrit Roman transliteration: hasyam, literal Chinese meaning: humor), bayanakah (Tibetan: བྷ་ཡཱ་ན་ཀཿ, Sanskrit Devanagari: bhayānakaḥ, Sanskrit Roman transliteration: bhayanakah, literal Chinese meaning: fear), karuna (Tibetan: ཀ་རུ་ཎཱ, Sanskrit Devanagari: karuṇā, Sanskrit Roman transliteration: karuna, literal Chinese meaning: sorrow), abdam (Tibetan: ཨདྦྷུ་ཏཾ, Sanskrit Devanagari: adbhutaṃ, Sanskrit Roman transliteration: adbhutam, literal Chinese meaning: wonder), female voice, lute, flute, middle, ascetic, land holder, six, fifth, smart, listener, standing or elegant or holding, hero, ugly, powerful, laughter, terrible, pitiful, oppressed, shanta (Tibetan: ཤཱནྟཿ, Sanskrit Devanagari: śāntaḥ, Sanskrit Roman transliteration: shantah, literal Chinese meaning: peaceful), tandava (Tibetan: ཏཱཎྜ་བཿ, Sanskrit Devanagari: tāṇḍavaḥ, Sanskrit Roman transliteration: tandavah, literal Chinese meaning: tandava). The names of the Brahmin's scriptures and professions are, Rigveda (Tibetan: རྀགྦེ་དཿ, Sanskrit Devanagari: ṛgvedaḥ, Sanskrit Roman transliteration: rigvedah, literal Chinese meaning: Rigveda), Yajurveda (Tibetan: ཡ་ཛུརྦེ་དཿ, Sanskrit Devanagari: yajurvedaḥ, Sanskrit Roman transliteration: yajurvedah, literal Chinese meaning: Yajurveda), Samaveda (Tibetan: སཱ་མ་བེ་དཿ, Sanskrit Devanagari: sāmavedaḥ, Sanskrit Roman transliteration: samavedah, literal Chinese meaning: Samaveda), Atharvaveda (Tibetan: ཨ་ཐརྦ་བཻ་དཿ, Sanskrit Devanagari: atharvavedaḥ, Sanskrit Roman transliteration: atharvavedah, literal Chinese meaning: Atharvaveda), Nighantu (Tibetan: ནི་གྷཎྚུཿ, Sanskrit Devanagari: nighaṇṭuḥ, Sanskrit Roman transliteration: nighantuh, literal Chinese meaning: Nighantu), Kaitabha (Tibetan: ཀཻ་ཊ་བྷཿ, Sanskrit Devanagari: kaiṭabhaḥ, Sanskrit Roman transliteration: kaitabhah, literal Chinese meaning: Kaitabha), Ayurveda (Tibetan: ཨཱ་ཡུརྦདཿ, Sanskrit Devanagari: āyurvedaḥ, Sanskrit Roman transliteration: ayurvedah, literal Chinese meaning: Ayurveda), Vastuvidya (Tibetan: བཱསྟུ་བི་དྱཱ, Sanskrit Devanagari: vāstu vidyā, Sanskrit Roman transliteration: vastu vidya, literal Chinese meaning: architecture), Angamanividya (Tibetan: ཨངྒ་མ་ཎི་བི་དྱཱ, Sanskrit Devanagari: aṅga maṇi vidyā, Sanskrit Roman transliteration: anga mani vidya, literal Chinese meaning: body gemology), Pilyadhyaya (Tibetan: པི་ལྱཱ་དྷྱཱ་ཡཿ, Sanskrit Devanagari: pilyādhyāyaḥ, Sanskrit Roman transliteration: pilyadhyayah, literal Chinese meaning: Pilyadhyaya), Bayasavidya (Tibetan: བཱ་ཡ་ས་བི་དྱཱ, Sanskrit Devanagari: vāyasa vidyā, Sanskrit Roman transliteration: vayasa vidya, literal Chinese meaning: crow knowledge), peace, dance, knowledge of definite expression, knowledge of sacrifice, knowledge of poetry, knowledge of political protection, definite expression of sound, clear knowledge, knowledge of life, analysis of house inspection, analysis of body characteristics, analysis of moles, knowing the language of crows, knowledge of birds, Ja
Chinese
星算学。海相学。马祭。人祭。祭祀已作。婆罗门的六种职业的名称是：祭祀，使祭祀，诵读，使诵读，布施，接受。语言相近或占相之学。星算之学。海的相状之物。马的洁净之祭。人的不净之祭。已作祭祀。祭祀。使作祭祀。念诵。使念诵。布施。接受。 的名称是：众多。军队。积聚。军队或军队。轭。群。僧伽。众。极多。数量也。部分也。计算也。譬喻也。众多。部或组或集合。众多或大多数或堆积。部或军队。众多。集合。僧团或众多或集合。集合或群或聚集。多数或大多数。数量上也是。部分也是。计算上也是。比喻上也是。 ഉപനിഷത്ത് उपनिषद्（梵文天城体，upanisad，奥义书）。不能忍受或不能接近或不允许。不能忍受。目标。军队的故事。箭射向天空远处或箭尖向上指着射出。往生天界。去。来。来和去。返回。显现或来。返回到。不能越过的。靠近的。远离的。行走。接近。跟随者。返回。到达彼岸。游荡。成为非有。不返回。停止。不太远。不太 近。到处游荡。返回。围绕着或散布着。去或进入。跟随。收缩。混合。成为不混合。混合。不混合。举起。完全举起。分开。
English
Jyotirvidya. Samudralakshanam. Ashvamedha Yajna. Purushamedha Yajna. Yajna Ishtah. The names of the six occupations of Brahmins are: Yajna, Yajanam, Adhyayanam, Adhyayanam, Danam, Pratigrahah. The science of similar languages or omens. The science of stars. The characteristics of the sea. The pure sacrifice of horses. The impure sacrifice of humans. Sacrifice has been made. Sacrifice. Causing sacrifice to be made. Recitation. Causing recitation to be made. Giving. Receiving. The names are: Many. Army. Accumulation. Army or army. Yoke. Group. Sangha. Crowd. Most. Number also. Part also. Calculation also. Metaphor also. Many. Section or group or collection. Many or most or heap. Section or army. Many. Collection. Sangha or many or collection. Collection or flock or gathering. Mostly or mostly. In number also. In part also. In counting also. In metaphor also. Upanishad. Cannot bear or cannot approach or is not allowed. Cannot bear. Target. The story of the army. An arrow shot far into the sky or an arrow pointing upwards and shot. Going to heaven. Go. Come. Coming and going. Return. Manifest or come. Return to. Cannot be crossed. Close. Far away. Walk. Approach. Follower. Return. Going to the other shore. Wander. Become non-existent. Do not return. Stop. Not too far. Not too Near. Wander everywhere. Return. Surrounded or scattered. Go or enter. Follow. Shrink.