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d1484auspicious cakrasamvara practice jewel lamp mitripa bari.g2.0f

Chinese

嗡 লাম 吽。嗡 班杂 扎嘎拉 吽 班 吽。嗡 班杂 班杂拉 吽 班 吽。嗡 班杂 威达那 吽 康 吽。嗡 班杂 萨拉扎拉 扎 萨 扎。嗡 班杂 扎拉 阿那拉嘎 吽 吽 吽。以此等能幻化金刚地等六者。于其中,在各种莲花花蕊之上,观想从阿哩嘎哩完全转变而生的日月交合的中央,(吽,藏文:ཧཱུྃ,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽)金刚萨埵的自性,是放射和汇聚光芒的自性。从那些完全转变之后,观想自身真实地成为具有坛城的薄伽梵黑汝嘎。其中,薄伽梵位于日轮之上,以怖畏金刚和时轮的眉间和乳房左屈右伸的姿势安住。具有天空般颜色的蓝色、绿色、红色和黄色的四面,每一面都有三只眼睛,略带愤怒的神态。以五个头盖骨为装饰,身体以一百个湿人头的花鬘的一半为装饰,以各种金刚和半月为标志。具有蓬乱的发髻。身体以六种手印为装饰。面部露出獠牙,令人恐惧,穿着虎皮裙。具有妩媚等姿态。以金刚莲花下部紧紧拥抱,并以十二只手为装饰。根本的双手拥抱持金刚铃的胜乐母。另两只手拿着象皮。右手的第三、第四、第五、第六只手依次拿着长笛、钺斧、弯刀和三尖金刚矛。同样,左手的第三、第四、第五、第六只手依次拿着卡杖嘎、颅骨、金刚索和梵天头颅。持有缘起性空的清净自性。在其前方,应当观想薄伽梵母,身体颜色红色,三只眼睛,一面,以人头项链为装饰,左手拥抱装饰有卡杖嘎的颅骨,右手拿着燃烧的金刚梵天弯刀,高举恐吓印。双足缠绕薄伽梵的双腿,并排交错地拥抱而住。

English

Om Lam Hum. Om Vajra Prakara Hum Bam Hum. Om Vajra Panjara Hum Bam Hum. Om Vajra Vitana Hum Kham Hum. Om Vajra Sara Jala Tram Sam Tram. Om Vajra Jwala Anala Arka Hum Hum Hum. By these and others, one should emanate the six, such as the vajra ground. Within that, on top of various lotus stamens, one should contemplate in the center of the union of the moon and sun, which arise from the complete transformation of Ali Kali, Hum (ཧཱུྃ,हुं,hūṃ,seed syllable Hum) the nature of Vajrasattva, which is the nature of radiating and gathering light. From those completely transformed, one should contemplate oneself as truly becoming the Bhagavan Heruka with the mandala. Therein, the Bhagavan resides on top of the sun disc, in the posture of Yamantaka and Kalachakra, with the left bent and the right extended at the forehead and breasts. Having four faces of sky-like color, blue, green, red, and yellow, each face having three eyes, with a slightly wrathful demeanor. Adorned with five skulls, the body is adorned with half of a garland of a hundred wet human heads, marked with various vajras and half-moons. Having matted hair. The body is adorned with six mudras. The face bares fangs, making it fearsome, wearing a tiger skin loincloth. Possessing graceful postures and so on. Closely embraced by the lower vajra limb, and adorned with twelve hands. The root two embrace the bliss-great mother holding the vajra and bell. The other two hold elephant skin. The third, fourth, fifth, and sixth right hands, in order, hold a flute, axe, curved knife, and trident vajra spear. Likewise, the third, fourth, fifth, and sixth left hands, in order, hold a khatvanga, skull cup, vajra lasso, and Brahma's head. Holding the pure self-nature of dependent origination. In front of him, one should contemplate the Bhagavati, body color red, three eyes, one face, adorned with a necklace of severed heads, the left hand embracing a skull cup adorned with a khatvanga, the right hand holding a blazing vajra Brahma curved knife, raising the threatening mudra high. The two feet are wrapped around the Bhagavan's two thighs, placed side by side and intertwined, embracing and residing.