Tibetan
བྱང་ཆུབ་སེམས་དཔའ་ཤིང་རྟར་ཞུགས་ནས་གྲོང་ཁྱེར་གྱི་ཕྱི་རོལ་ནས་
Chinese
僧人肤色黝黑，头发灰黄蓬乱，有黑色胡须，身披梵绳，手持禅杖，一副老者模样，正在观看菩萨，右手稍微抬起。在另一个方向，描绘僧人在国王面前吐痰的情景。在那座宫殿外面，僧人来的时候没有留下任何痕迹，离开的时候，门外却堆满了施舍的丝绸等物品。在附近的岩洞里，描绘他正在禅定的情景，前面画一个年轻的僧人。这些是关于入胎和诞生的描述。（ཁ） 然后，描绘被一百位母亲围绕的菩萨，以孩童的形象，面前是一个装满稻米的巨大金盘。一边画着许多被拴住的大象，菩萨孩童用一根手指从盘子里拉出稻米，大象们也因此被拖拽过来。还要描绘用大米进食的场景，左手从容器中取米，右手做出进食的姿势为佳。然后，描绘稍微长大一些的形象，在文字老师那里学习文字，在算术老师那里学习算术，向叔叔学习马和象的技艺，向弓箭等武器的老师学习这些技艺，稍微描绘一些。还有提婆达多（梵文：Devadatta，天城体：देवदत्त，罗马音：devadatta，天授）杀死大象，难陀（梵文：Nanda，天城体：नन्द，罗马音：nanda，欢喜）从窗户扔东西，菩萨用手扔出去的情景，这些都和通常的画法一样。这里用脚趾扔东西是大乘的说法。在《本生经》和《律藏》等经典中，明确地说明是用手扔东西。描绘用剑砍断许多树木，其他人砍树，砍断后立即倒下，菩萨砍断树木，但很久才倒下，然后画一阵风吹来才倒下的情景。然后，用箭射穿铁鼓的场景和通常的画法一样。一般来说，要进行五百种技艺的比赛，但由于《本生经》和《律藏》中没有记载更多的故事，所以这里就到此为止。这是展示精通技艺的部分。（ག） 菩萨乘坐马车从城市外面
English
A monk with dark skin, yellowish and tangled hair, and a black beard, wearing a Brahmanical thread and holding a staff, looking like an old man, is watching the Bodhisattva, with his right hand slightly raised. In another direction, depict the scene of the monk spitting in front of the king. Outside that palace, when the monk came, he left no trace, but when he left, the door was piled high with donated silks and other items. In a nearby cave, depict him meditating, with a young monk drawn in front of him. These are descriptions of conception and birth. (kha) Then, depict the Bodhisattva surrounded by a hundred mothers, in the form of a child, with a very large golden plate filled with rice in front of him. On one side, draw many elephants tied up, and the Bodhisattva child pulls rice from the plate with one finger, causing the elephants to be dragged along as well. Also depict the scene of eating rice, with the left hand taking rice from the container and the right hand making a gesture of eating. Then, depict the image of him growing up a little, learning to read from the writing teacher, learning arithmetic from the arithmetic teacher, learning the arts of horses and elephants from his uncle, and learning these skills from the teacher of bows and other weapons, depicting a little of each. Also, Devadatta killing the elephant, Nanda throwing things from the window, and the Bodhisattva throwing things with his hand are all the same as usual. Here, throwing things with the toe is the Mahayana tradition. In the Jataka tales and the Vinaya, it is clearly stated that things are thrown with the hand. Depict many trees being cut down with a sword, others cutting down trees that fall immediately after being cut, and the Bodhisattva cutting down trees that do not fall for a long time, and then depict a wind blowing and causing them to fall. Then, the scene of shooting an arrow through an iron drum is the same as usual. Generally speaking, there is a competition of five hundred skills, but since there are no more stories recorded in the Jataka tales and the Vinaya, we will stop here. This is the section showing mastery of the arts. (ga) The Bodhisattva riding in a chariot from outside the city
Chinese
进入宫殿，许多婆罗门正在外出，他们正在做预言。在一个宽敞的庭院里，向各种释迦族的女儿们，分别布施不同的物品。名为“名闻”的女子恭敬地坐在佛陀的面前，佛陀赐予她戒指。在另一座宫殿里，名闻及其随从被迎娶，呈现出欢乐的景象。在另一个地方，一棵大树倒下，阻挡了河流，导致城市的一个方向面临洪水威胁。许多人试图拉起那棵树。从树的一侧出现了一条黑蛇。一个头戴发髻的英俊年轻人用剑从腰部砍断了它。提婆达多的鹅被箭射中，掉在地上。菩提萨埵救活了它。菩提萨埵用一只手将那棵树抛向天空。那棵树断成两截，掉落在河流的两岸。又从一座宫殿的上方，萨措玛看着菩提萨埵，一只脚的拇指的力量使脚底破裂。菩提萨埵也从马车上看着萨措玛，手中的铁箭断成了碎片。在最好的宫殿里，萨措玛及其随从被迎娶。在另一个适当的地方，菩提萨埵乘坐马车出来，靠近一座宫殿。一个女子从宫殿的窗户里看着鹿，菩提萨埵抛出了一串珍珠项链，缠绕在她的脖子上。在最好的宫殿里，鹿女及其随从被迎娶，呈现出欢乐的景象。这是关于展示妃嫔随从的部分。（第五章） 无论在哪个方向，从王宫的四个门出来，看到衰老、疾病、死亡和出家的景象，这些都是普遍的。前往农田，释放农民和牛等，让他们感到舒适。前往做各种内部工作的人们那里，也释放了他们。坐在阎浮树下入定，树荫没有离开身体，他的父亲为此行礼。然后，绕着迦毗罗卫城的外部，环绕着七重壕沟和七重铁墙。巨大的铁门
English
Entering the palace, many Brahmins were going out, making predictions. In a spacious courtyard, various Shakya daughters were being given different items. A woman named "Grakdzinma" was respectfully sitting in front of the Buddha, who gave her a ring. In another palace, Grakdzinma and her entourage were being married, presenting a joyful scene. In another place, a large tree had fallen, blocking the river, causing a flood threat to one side of the city. Many people were trying to pull up the tree. From one side of the tree, a black snake emerged. A handsome young man with a topknot cut it in half at the waist with a sword. Devadatta's goose was shot with an arrow and fell to the ground. The Bodhisattva revived it. The Bodhisattva threw the tree into the sky with one hand. The tree broke into two pieces and fell on both banks of the river. Also, from above a palace, Satsoma was looking at the Bodhisattva, the strength of one toe causing the sole of her foot to crack. The Bodhisattva also looked at Satsoma from the chariot, the iron arrow in his hand breaking into pieces. In the best palace, Satsoma and her entourage were being married. In another appropriate place, the Bodhisattva came out on a chariot, near a palace. A woman was looking at a deer from the palace window, and the Bodhisattva threw a string of pearl necklaces, which wrapped around her neck. In the best palace, the deer woman and her entourage were being married, presenting a joyful scene. This is the section about showing the entourage of the consorts. (Chapter 5) In whatever direction, coming out from the four gates of the palace, the sights of old age, sickness, death, and renunciation were common. Going to the fields, releasing the farmers and oxen, etc., letting them be comfortable. Going to the people doing various internal works, they were also released. Sitting in meditation under the Jambudvipa tree, the shade did not leave his body, and his father paid homage to him for this. Then, circling the outside of Kapilavastu, surrounded by seven moats and seven iron walls. The huge iron gate
Chinese
那波ཅན་五百人进行分割的象征，大梯子五百人架设和拆除的象征，铁栅栏的每个间隙都有士兵守护。王宫核心的四个方向，国王四兄弟举行宴会，菩萨自己，在王宫的一个楼阁里，众多女子演奏音乐并供奉各种供品。名为“不间断”的，一个和国王穿着相似的人进行巡逻和环绕。在一个楼阁里，菩萨呈现睡眠的姿态，所有的侍女都被睡意压倒，仪容姿态变得丑陋。楼阁内五个圆形图案中，绘制菩萨的五个梦兆：须弥山放在中央作为枕头，大地铺开作为垫子，左手放在西方的海里，右手放在东方的海里，双脚放在南方的海里。一个梦兆是，从肚脐里长出绿草，升到天空。一个梦兆是，许多白身黑头的鸟触碰他的脚。一个梦兆是，各种颜色的鸟毛从四面八方聚集，在他面前变成同一种颜色。一个梦兆是，在不洁的尸体上行走，却没有被不洁所沾染。还有，吉祥天女也绘制在菩萨旁边睡觉的姿态，虽然讲述了八个梦兆，但不必绘制。然后，在一个方向，铁栅栏间的士兵等全部都睡着了。铁栅栏内一块像石头的地面上，给坐骑“善哉”用手喂食，第七个马夫准备安装马鞍。楼阁顶端的一个方向，净饭王进入睡眠，菩萨绕着他行走并合掌致敬，不间断者拉扯国王的衣服，做出催促睡眠的样子。然后，骑上坐骑从天空飞升等等，和通常的画法一样。不同的是，马的四脚腾空，不是四大天王，而是四个天神巨灵。他的面前，梵天和帝释天走在前面，许多其他的神灵供奉祭品，必须绘制。给坐骑“善哉”装饰，以及第七个马夫等。
English
The symbol of five hundred people of Napo Can dividing, and the symbol of five hundred people erecting and dismantling the great ladder. All the gaps in the iron fence are guarded by soldiers. From the four directions of the core of the palace, the four royal brothers hold a banquet, and the Bodhisattva himself. In one of the palace pavilions, many women play music and offer various offerings. One named "Uninterrupted," a person dressed similarly to the king, patrols and circles around. In one pavilion, the Bodhisattva is in a sleeping posture, and all the attendant women are overwhelmed by sleep, their appearances becoming unsightly. Inside the pavilion, in five circular patterns, draw the Bodhisattva's five dream omens: Mount Sumeru is placed in the center as a pillow, the earth is spread out as a mat, the left hand is placed in the western sea, the right hand is placed in the eastern sea, and both feet are placed in the southern sea. One dream omen is that green grass grows from the navel and rises into the sky. One dream omen is that many birds with white bodies and black heads touch his feet. One dream omen is that bird feathers of various colors gather from all directions and become the same color in front of him. One dream omen is that he walks on an impure corpse without being defiled by impurity. Also, the goddess Shri is drawn sleeping next to the Bodhisattva, although eight dream omens are told, it is not necessary to draw them. Then, in one direction, all the soldiers and others between the iron fences are asleep. Inside the iron fence, on a stone-like ground, the steed "Blessed One" is fed by hand, and the seventh groom prepares to install the saddle. In one direction at the top of the pavilion, King Śuddhodana enters sleep, and the Bodhisattva walks around him and pays homage with folded hands, and the Uninterrupted one pulls the king's clothes, making a gesture of urging sleep. Then, riding the steed and ascending from the sky, etc., is the same as the usual painting method. The difference is that the horse's four feet are off the ground, and it is not the Four Great Kings, but four divine giants. In front of him, Brahma and Indra walk in front, and many other gods offer sacrifices, which must be drawn. Decorate the steed "Blessed One," as well as the seventh groom, etc.
Chinese
还要写僧人们返回诵读以及到达各自家乡的情景。有人说供养马鸣菩萨能得到黄金，因此赠送海螺，但这只是口头传说，没有依据。按照印度绘画的风格，将孔雀画成白色。之后，要画一个猎人形象的人献上袈裟，在佛塔前亲自剃度，以及天神取走发髻等，这些都和通常的描述一样。在一片长满金色树叶的森林里，住着许多苦行者。当他（指菩萨）来到树木茂盛的森林时，苦行者们很不高兴。要画出菩萨来到他们面前并安住的情景，这是关于出离的部分。（章节标识：ཅ） 之后，在王舍城（今比哈尔邦的拉杰吉尔）王宫的顶端，要画出国王净饭王观看的情景，以及菩萨手持树叶制成的钵，在街道上乞食的情景。还要画出国王带着眷属来到菩萨在树下安住的地方，向他请教的情景。在附近的森林里，要画出一些苦行者单脚站立，一些苦行者修五火行，一些苦行者进入水中，一些苦行者吸烟等情景。还要画出菩萨将这两种苦行加倍修持的情景。之后，在另一片森林里，在树叶搭成的茅屋里，要画出具有神通的苦行者带着眷属来到菩萨面前的情景，以及来到乐行者面前的情景，两者都一样。这里的具有神通者和乐行者，是前面所说的六位导师，也就是十八部派的六位随行者中的一部分。之后，在一片森林里，要画出五比丘在菩萨身边，以及许多其他人转身离去的情景。之后，在尼连禅河的岸边，在森林环绕的绿洲中央的一棵树下，要画出菩萨修苦行的情景，这和通常的描述一样。虽然有很多种修持六种苦行的方式，但画这些就足够了。还要画出牧童在耳边吹奏乐器，以及复述三位天神的故事等情景。之后，要画出在一个地方沐浴，并以尸体为枕而眠的情景，这是关于修苦行的部分。（章节标识：ཆ） 之后，在一个地方沐浴，五比丘穿着游方的服装
English
Also, write about the monks returning to recite and arriving at their respective hometowns. Some say that offering to Ashvaghosa (马鸣菩萨) will bring gold, so they offer conch shells, but this is just hearsay and has no basis. Follow the style of Indian paintings and make the peacock white. Then, depict a figure of a hunter offering a kasaya robe, the act of personally shaving his head in front of a stupa, and the gods taking away the topknot, etc., which are all similar to the usual descriptions. In a forest full of golden leaves, there are many hermits. When he (referring to the Bodhisattva) went to the forest with abundant trees, the hermits were unhappy. Depict the Bodhisattva coming before them and staying, which is about the section on renunciation. (Chapter marker: ཅ) Then, from the top of the palace in the city of Rajagriha (now Rajgir in Bihar), depict King Suddhodana watching, and the Bodhisattva carrying a bowl made of leaves from trees, begging for alms in the streets. Also, depict the king with his retinue coming to the place where the Bodhisattva is staying under the tree, asking him for teachings. In a nearby forest, depict some hermits standing on one leg, some performing the five-fire penance, some entering the water, some smoking, and so on. Also, depict the Bodhisattva practicing those two austerities twice as much. Then, in another forest, in a hut made of leaves, depict the hermit with magical powers coming with his retinue to the Bodhisattva, and also coming to the hedonist, both being the same. Here, the one with magical powers and the hedonist are the six teachers mentioned earlier, who are part of the six followers of the eighteen schools. Then, in a forest, depict the five bhikshus being near the Bodhisattva, and many other people turning away and leaving. Then, on the bank of the Nairanjana River, in the middle of an oasis surrounded by forest, under a tree, depict the Bodhisattva practicing austerities, which is similar to the usual descriptions. Although there are many ways to practice the six austerities, depicting these is enough. Also, depict the shepherd playing music in his ear, and repeating the stories of the three gods, etc. Then, depict bathing in one place and sleeping with a corpse as a pillow, which is the section on practicing austerities. (Chapter marker: ཆ) Then, bathing in one place, the five bhikshus wearing the attire of wandering ascetics