English
Depict the manner of adorning the head with a crown. On the ground, in the city of Rājagṛha, there is King Padma Chenpo (Great Lotus), in Śrāvastī, there is King Rib Long Flying, in Ayodhyā, there is King Boundless Circumference, in Kauśāmbī, there is King Hundred Battles, in Kapilavastu, there is King Śuddhodana with his two supreme consorts, and in the city of Lhas Ten (City Shown by the Gods), there is King Lekpar Rapse (Well Awakened). Arrange for them to be residing there. The six beautiful palace buildings, those five, should be drawn with large intervals. Between Kapilavastu and Lhas Ten (City Shown by the Gods), there should be a slightly closer place with water. Generally, draw those wherever it is convenient, but Kapilavastu should be drawn in a prominent place. In the sky, depict many minor deities going back and forth and conversing. In a forest near King Padma Chenpo's palace, draw many Pratyekabuddhas gathered, and one ascending into the sky, emitting various lights from his body, one emanating clouds from his body and causing lightning and rain to fall, and one emitting fire. In the vicinity of each of those cities, generally draw whatever good arrangement there is, and in root huts, leaf huts, caves, etc., draw the six heretical teachers, the three six eight heretics. Among those, for the Pratyekabuddhas, there is now a custom of drawing a crest jewel, but it is not necessary to draw it. Draw a full ūrṇā between the eyebrows, this is so as not to mistake them. It is impossible to describe everything. The attire is generally similar to that of renunciants, but the Dharma robes do not need stripes, and instead of a black bowl, they hold a gourd or a begging bowl. Some may carry a water-wood staff, etc. The reason for not using a staff with bells and Dharma robes with six stripes, as well as a bowl and scriptures, etc., is because they arise from self-realization at a time when the Buddha's teachings do not exist. For the six heretical teachers, the three six eight heretics, in the order of the six logicians such as Pūraṇa Kāśyapa, the first is shaved and wears a small lower garment dyed with coarse cloth, the second ties up yellowish hair, has a triangular loincloth like that of Indians, the rest are naked, have small earrings, and smear their bodies with ashes, the third is shaved, holds a single-headed staff, and the general
Chinese
已灌输。第四位是剃了头发，穿着像轮子一样的黑色尸衣。第五位也与此相似，但有黑色的头发，穿着白色的衣服。第六位是赤身裸体，甚至没有缠腰布，头发都被拔光了，变得光秃秃的，结跏趺坐，入于禅定。婆罗门种姓等六者都同样是婆罗门的装束，因此，露出右肩，佩戴着有三个结的白色梵线。用兽皮或白色或红色的布，长约一庹，作为腰布。与印度人的穿着方式一致。拿着三尖杖、钵盂和经书等。额头上画着三道向上延伸的檀香点，或者在一列上排列三个，或者腰间佩戴着形状相似的金银腰带，等等，各自按照适当的方式绘制。所有人都留着长胡须，其他的头发都剃光了，头顶上扎着发髻，或者说是没有发辫。头顶上要做一个发髻。除非有老年或年轻等特殊差异，否则大多数需要绘制的婆罗门都应采用这种装束。不要只是画成自称是婆罗门的藏族瑜伽士老人的样子。长爪等六位外道本师是，头发缠绕成扁平的发髻，留着长胡须和指甲，穿着三角形的腰布、兽皮和各种树叶衣服，旁边放着净水瓶，结跏趺坐，做出禅定的手印。对于六师外道十八人，每个人画一两个眷属或稍微多一点。这些人会转生到兜率天。7. 在净饭王的王宫里，在靠近王后摩耶夫人寝宫的一座楼阁里，画出摩耶夫人入睡的姿态，以及从楼阁上方的天空中，一头六牙白象降落的姿态。此外，在那座楼阁的天空中，在四个像彩虹光环一样的圆圈里，要用淡彩画出四个王后的梦境，要画得精细：一个画着大象进入自己的身体，一个画着王后自己在天空中飞行，一个画着王后自己攀登岩石山，到达顶峰。
English
Having been instilled. The fourth is shaven-headed, wearing a black corpse-cloth like a wheel. The fifth is similar to that, but with black hair, wearing white clothes. The sixth is naked, without even a loincloth, the hair all plucked out, becoming bald, sitting in full lotus posture, in meditative equipoise. The six, such as the Brahmin lineage, are all equally in Brahmin attire, therefore, showing the right shoulder, wearing a white Brahmin thread with three knots. With an animal skin or white or red cloth, about a fathom long, made into a loincloth. Conforming to the Indian style of dress. Holding a three-pronged staff, a begging bowl, and scriptures, etc. On the forehead, draw three sandalwood dots extending upwards, or arrange three in a row, or a gold or silver belt of similar shape around the waist, etc., each drawn in an appropriate manner. All have long beards, and the other hair is shaved, with a topknot tied on the crown of the head, or it is said not to be dreadlocks. Make a topknot on the crown of the head. Unless there are specific differences such as old or young, most Brahmins who need to be drawn should adopt this attire. Do not just draw them as Tibetan yogi old men who claim to be Brahmins. The six teachers of the Tirthikas, such as Dirghanakha, are: hair tied and matted into flat knots, with long beards and nails, wearing triangular loincloths, animal skins, and various tree-leaf garments, with a water pot placed nearby, sitting in full lotus posture, making the mudra of meditative equipoise. For the eighteen teachers of the six heretics, draw one or two attendants or a little more for each. These will be manifestly born in Tushita. 7. In the palace of King Suddhodana, in a pavilion near the queen's, draw the manner of Queen Maya sleeping, and the manner of a white elephant with six tusks descending from the sky above the pavilion. Furthermore, in the sky above that pavilion, within four circles like rainbow halos, the four dreams of the queen should be drawn in faint colors, each finely drawn: one showing the elephant entering her own body, one showing the queen herself flying in the sky, one showing the queen herself climbing a rocky mountain, reaching the summit.
Chinese
應當畫許多人向佛母致敬。這是從兜率天降生的部分。（甲） 此外，在靠近那些地方的一座宮殿裡，菩薩進入佛母的腹中，如同天神一般，以光芒四射的裝飾莊嚴。佛母的左右各有四位天神護衛，手持刀、矛、短矛和大箭。畫出許多侍從供奉各種供品的景象。然後，國王釋放囚犯，一位名叫「紅眼遍行者」，其裝束類似於現在的薩迦派人士，畫出他將四大海之水引入佛母的景象。國王淨飯王也應當畫在靠近他們兩人的地方。在與該宮殿不相連，有一定間隔的另一個地方，應當畫出藍毗尼園，那是一個有各種樹木的花園。在那裡，許多人圍繞著，畫出佛母自己坐在轎子上，與一些侍女一同前往藍毗尼園的情景，以及在該園中誕生佛陀的景象，與通常所見相似，但要加上從天空降下兩股水流到頭頂，諸神獻上傘和拂塵等各種供品，為了表示該園內外都被光明照耀，從外面畫一個圓形的光環環繞。在靠近那些地方的各個方向，畫出許多母馬和小馬駒，以及帶著幼崽的母象，抱著男孩和女孩的婦女，以及從地下湧出的五百個寶藏，每個寶藏畫五個左右。在另一座宮殿裡，畫出許多小國王向淨飯王致敬並獻上供品。又在一座宮殿裡，畫出許多侍從圍繞著，菩薩以嬰兒的形象坐在父親的膝上，前面畫許多婆羅門。然後，在路上，畫出國王坐在馬車上，被許多人圍繞，以及菩薩與母親們一同坐在由許多人抬著的轎子中央，在一個神殿裡，一個身穿虎皮的夜叉前來向菩薩致敬。然後，在另一個釋迦城景象的宮殿裡，畫出菩薩坐在父親的膝上，前面是正直的
English
It should be depicted that many people are paying homage to the Buddha's mother. This is the section on descending from Tushita. (Ka) Furthermore, in a palace near those places, the Bodhisattva enters the womb of the Buddha's mother, adorned with radiant decorations like a deity. On the left and right of the Buddha's mother are four divine guardians, holding swords, spears, short spears, and large arrows. Depict the scene of many attendants offering various offerings. Then, the king releases the prisoners, and a "Red-Eyed Wanderer," whose attire resembles that of the present-day Sakya order, depicts him drawing the water of the four great oceans into the Buddha's mother. King Śuddhodana should also be depicted near them both. In another place, not connected to that palace, with some space in between, the Lumbini Garden should be depicted, which is a garden with various trees. There, surrounded by many people, depict the scene of the Buddha's mother herself sitting on a palanquin, going to the Lumbini Garden with some maids, and the scene of the Buddha's birth in that garden, similar to what is usually seen, but with the addition of two streams of water descending from the sky onto the head, and the gods offering various offerings such as umbrellas and yak-tail fans. To represent that the inside and outside of the garden are illuminated by light, draw a circular halo surrounding it from the outside. In various directions near those places, depict many mares and foals, as well as mother elephants with their young, women holding boys and girls, and five hundred treasures emerging from underground, depicting about five of each treasure. In another palace, depict many small kings paying homage to King Śuddhodana and offering gifts. Also, in a palace, depict the Bodhisattva in the form of an infant sitting on his father's lap, surrounded by many attendants, with many Brahmins depicted in front. Then, on the road, depict the king sitting on a chariot, surrounded by many people, and the Bodhisattva sitting in the center of a palanquin carried by many people, along with his mothers, and in a temple, a yaksha wearing a tiger skin comes and pays homage to the Bodhisattva. Then, in another palace in the scene of the city of Kapilavastu, depict the Bodhisattva sitting on his father's lap, with upright