Chinese
之后，恶人居住的巨人之国灭亡了，世尊与眷属一同前往道路的情景，以及住在名为扎鲁嘎的园林般的林园中。巨人和许多人前来，在世尊面前听法。在那一端，铁匠的儿子请求出家。之后，又在一处，在纯陀家的屋檐下，以铁钵盛着，供养世尊及其眷属上好的稻米饭。世尊与眷属又前往其他地方，渡过一条河。不久，呈现睡眠的姿态。阿难陀用钵从那条河里取水的情景。许多车辆驶向河的对岸，在那条河边洗脚。又在路上行走时，遇到一个带着许多巨人仆从的人。世尊向他显现，他献上金色的双层袈裟，并穿在世尊身上。之后，为了表示世尊的身体非常光亮，放射出无数的光芒，众比丘请示疑惑。之后，世尊进入一条河中，沐浴身体，在河边只穿着一件衣服。断除了纯陀的疑惑。在那条河的中间岸边的一侧，呈现睡眠的姿态，阿难陀在旁边站立。之后，又前往一个地方，下面有一个巨人的城市，上面有一个像园林一样，以各种树木装饰，两边都有非常高大的娑罗树的林园。在林园的中央，铺设了带有头枕的卧榻，前往那个林园，呈现躺在床上的姿态。在那座城市的一侧，许多巨人聚集，一位比丘在说话。带着眷属的巨人妇女们走上来，在那片林园的一侧，为她们说法。在林园的外面，阿难陀向巨人们讲述了修学的处所，那些人返回城市而去。又一次描绘了像之前的双娑罗树林园一样的情景。世尊以倚靠支撑的方式坐在地上，身前有一位比丘，身体发出强烈的光芒。他站起来向外走去，阿难陀抓住卧榻的脚。
English
After that, the land of the giants where evil people lived perished. The scene of the Blessed One and his retinue proceeding on the road, and residing in a garden-like grove called Jāluka. Giants and many people came and listened to the Dharma in the presence of the Blessed One. At one end of it, the son of a blacksmith requested to become a monk. Then, again in one direction, in the courtyard of Cunda's house, the Blessed One and his retinue were offered excellent rice with iron bowls. Again, the Blessed One and his retinue went to another place and crossed a river. Soon, they appeared to be sleeping. The scene of Ananda taking water from that river with a begging bowl. Many carts went to the other side of the river, and they washed their feet by that river. Again, while walking on the road, they met someone with many giant servants. The Blessed One appeared to him, and he offered a golden double-layered robe and put it on the Blessed One's body. After that, to signify that the Blessed One's body was very bright, countless rays of light radiated, and the monks asked about their doubts. After that, the Blessed One entered a river and bathed his body, staying by the river with only one garment. He dispelled Cunda's doubts. On one side of the middle bank of that river, he appeared to be sleeping, and Ananda stood beside him. After that, they went to another place, where there was a city of giants below, and above there was a grove like a garden, decorated with various trees, with very tall sal trees on both sides. In the center of the grove, a sleeping couch with a pillow was laid out, and they went to that grove, appearing to lie on the bed. On one side of that city, many giants gathered, and a monk was speaking. Giant women with retinues came up, and on one side of that grove, the Dharma was taught to them. Outside the grove, Ananda told the giants about the places of practice, and those people returned to the city and left. Once again, the scene was depicted like the previous twin sal tree grove. The Blessed One sat on the ground in a leaning posture, and in front of him was a monk whose body emitted intense light. He stood up and went outside, and Ananda grabbed the foot of the couch.
Chinese
以及流泪的情景。在其左侧远处的天空中，从云的缝隙中，为了象征须弥山顶三十三天之城，在一个无量宫中，有一个乐神在弹奏琵琶，门口也画着一个弹奏琉璃琵琶的乐神。画乐神门卫在说话，也画着门卫对楼阁内的乐神说话。然后，画那两个乐神的形象在楼阁之外，一个弹奏着琴弦完整的琵琶，一个似乎弹奏着琴弦断了一半的琵琶，一个将所有琴弦都切断后放在旁边，一个切断琴弦后仍拿在手中唱歌。在那一边，画着导师向乐神讲法的形象。双娑罗树林和它们之间用细线连接。在上面的双娑罗树林的门口，有一个年老体衰的遍行者和一个比丘在交谈。在那片树林内的另一侧，画着导师向遍行者说法，他的身体发出光芒，然后他变成了比丘。在树林外，他进入禅定并涅槃。一个布局让外道们看到的是外道的形象，另一个布局让其他人看到的是比丘的形象。外道们抬着棺材也抬不起来，放在水池中央的石台上，准备火化，但棺材沉入池水中，水生动物叮咬他们，他们从水边出来逃跑。比丘们抬棺材也能抬起来，棺材沉入水中，没有受到水生动物的伤害。外道点火点不着，比丘们点火就着，许多人在观看。又画了第三个双娑罗树林，导师睡在卧榻上，比丘们围绕着他的身体，他在睡眠中说法，在天空中，他穿着上半身的僧衣，向比丘们展示着导师发出无量光芒。在那周围的左右前后上方，是拥挤不堪的天人集会，前面的树林外是人类。
English
And the scene of shedding tears. In the distant sky on its left side, from the gaps in the clouds, to symbolize the city of the Thirty-Three Heavens on the summit of Mount Sumeru, in an immeasurable palace, there is a Gandharva playing a lute, and at the gate is also depicted a Gandharva playing a lapis lazuli lute. Depict the Gandharva gatekeeper speaking, and also depict the gatekeeper speaking to the Gandharva inside the pavilion. Then, depict the two forms of the Gandharvas outside the pavilion, one playing a lute with all its strings intact, one seemingly playing a lute with half of its strings cut, one cutting all the strings and placing it aside, and one cutting the strings but still holding it in his hand and singing. On that side, depict the Teacher teaching the Dharma to the Gandharva. A pair of Sala trees and a thin line connecting them. At the gate of the upper Sala grove, there is an old and frail wandering ascetic and a Bhikshu conversing. On the other side of that grove, depict the Teacher teaching the Dharma to the wandering ascetic, his body emitting light, and then he becomes a Bhikshu. Outside the grove, he enters meditation and attains Nirvana. One arrangement shows the heretics seeing the form of a heretic, and another arrangement shows others seeing the form of a Bhikshu. The heretics cannot even lift the coffin, and it is placed on a stone platform in the center of the pond, ready for cremation, but the coffin sinks into the pond water, aquatic creatures bite them, and they come out of the water and flee. The Bhikshus can lift the coffin, and the coffin sinks into the water without being harmed by aquatic creatures. The heretics cannot light the fire, but the Bhikshus light the fire, and many people are watching. Also depict a third Sala grove, with the Teacher sleeping on a couch, surrounded by Bhikshus, he is teaching the Dharma in his sleep, in the sky, he is wearing the upper part of his monastic robe, showing the Teacher emitting immeasurable light to the Bhikshus. Around it on the left, right, back, top, and sides, is a crowded gathering of gods, and outside the grove in front are humans.
Chinese
眷属四众，士夫妇女等安住，以及鸟兽、猛兽、鹿，马牛等诸多生命亦描绘。手持各式各样的供品陈设，空中降下大量的花雨，以及衣物和珍宝，还有其他供养物品的雨也如倾盆般描绘。之后，从那外围的一侧，描绘长形的铁制箱子，带有关闭装置，关闭装置的上方带有精美雕饰的盖子，由巨人们抬起，供奉众多的供品，以及再次抬起时的情景。八个巨人力士抬着箱子，周围环绕着许多供养者。许多人扛着棉布的包袱，以及许多各种颜色的布匹，还有手持金瓶等，描绘他们环绕行进的情景，以及从一座城市的西门进入的情景，从中央穿行的情景，从东门出去的情景，以及渡过一条河流的情景，在河的对岸，安放在佛塔的旁边。所有这些道路上，都降下鲜花、香和衣物的雨，以及空中诸神演奏音乐的景象。在那里，将铁箱放在木柴堆上，人们做出点火的样子，但要描绘出火没有燃烧起来的景象。在那旁边，一位比丘正在对巨人们等人们说话，而那些人们正在做供养。又在那附近，大迦叶比丘被许多比丘眷属围绕着前来，打开铁箱观看遗骸，献上象征五百匹布的布匹，又盖上盖子，将那个箱子放在旃檀木的柴堆上，做出火自然燃烧起来的样子。然后，又在那附近，用金瓶倒入牛奶来熄灭火焰，从灰烬中长出一棵巨大的花树。再次打开骨灰盒，里面有四颗大牙齿，舍利的堆积，以及两件法衣颜色没有褪色也没有烧毁地存在着。将那些舍利装入金瓶中，放在大宝座上进行供养，以及那些人对入灭的景仰，打开骨灰盒。
English
Depict the fourfold assembly of attendants, with men and women residing, as well as birds, beasts, wild animals, and numerous creatures such as horses and cattle. Also, depict the holding of various offerings, and a heavy rain of flowers from the sky, as well as garments and jewels, and other offerings falling like torrents. Then, from one side of the outer area, depict a long iron chest with a closing device, the closing device topped with an exquisitely decorated lid, being lifted by giants, offering many offerings, and the scene of being lifted again. Eight giant strongmen carry the chest, surrounded by many offering-makers. Many people carry cotton cloth bundles, and many cloths of various colors, as well as holding golden vases, etc., depicting the scene of them circling around, and the scene of entering from the west gate of a city, the scene of passing through the center, the scene of exiting from the east gate, and the scene of crossing a river, and on the other side of the river, being placed next to a stupa. On all those roads, depict rain falling of flowers, incense, and garments, and the scene of gods playing music in the sky. There, place the iron chest on a pile of wood, and people make the gesture of lighting a fire, but depict the appearance of the fire not igniting. Next to it, a monk is speaking to the giants and other people, and those people are making offerings. Also, nearby, the great monk Kashyapa comes surrounded by many monks, opens the iron chest and looks at the relics, offers cloths symbolizing five hundred pieces of cloth, and then covers it again, placing the chest on a pile of sandalwood, making it appear as if the fire ignites naturally. Then, again nearby, pouring milk from a golden vase to extinguish the fire, and a large flower tree grows from the ashes. Reopening the reliquary, there are four large teeth, a pile of relics, and two Dharma robes remaining without fading or burning. Placing those relics in a golden vase, placing it on a large throne, and making offerings, and those people's reverence for the passing into nirvana, opening the reliquary.
Chinese
并且，在将舍利装入金瓶的那些时候，要画出比丘、民众和众多天神围绕的情景。这些是涅槃临近的章节。（རི） 然后，再画一个有两个区域的布局：近处这一侧的中央是城市和河流，远处那一侧是佛塔和闪耀着光芒的金瓶，许多民众在做供养。在城市里，画出身材高大、手持武器的人，以及年老的和年轻的妇女，她们也拿着弓箭和刀剑等等。陈列着马、大象和车辆，在城市外围，有七个略微不同的区域，以及七个军队，其中两个的首领是婆罗门，其他的则画成军队首领国王的形象。在他们每一个的面前，画一个婆罗门带着随从依次前去，各自说话的情景，以及在之前供养金瓶的附近，画两个婆罗门、两个巨人、四个国王从四周环绕，中央打开金瓶，那个婆罗门将它分成八份，并将装满舍利的金瓶分别递到他们各自的手中，一个婆罗门拿着骨灰，那个年老的婆罗门拿着铁箱子，在城市的中央，那些巨人建造佛塔，那七个军队也用大象驮着舍利瓶，带着供养离开的情景，以及两个国王拿着一颗象牙行走，一颗象牙被天神帝释天拿着在空中行走。然后，在一个用篱笆等隔开的区域里，一支军队在一条河边挖坑居住，龙族拿走了舍利瓶和一颗象牙，画出龙族进入水中的布局，在有两个区域的远处那一侧，在靠近带有国王宫殿的城市旁边，有一个花园，在那个花园里画一个婆罗门的布局，以及画师绘画的情景，还有诞生和降魔。
English
And, in those instances of placing relics into a golden vase, depict the scene of monks, people, and many gods surrounding. These are sections showing the approach of Nirvana. (RI) Then, again create another arrangement with two regions: in the center of this side, there is a city and a river, and on the far side, there is a stupa and a golden vase radiating light, with many people making offerings. Inside the city, draw giants wielding weapons, and women, both old and young, also holding bows, arrows, and swords, etc. Display horses, elephants, and chariots, and outside the city, there are seven slightly different regions, and seven armies, with the heads of two being Brahmins, and the others depicted as military leaders of royal lineage. In front of each of them, depict a Brahmin with attendants going one by one, each speaking, and near the previous vase with offerings, depict two Brahmins, two giants, and four kings encircling from the edges, and in the center, opening the golden vase, with that Brahmin dividing it into eight parts, and handing each of them a golden vase filled with relics, one Brahmin carrying the ashes, and that old Brahmin carrying an iron box, and in the center of the city, those giants building a stupa, and those seven armies also loading the relic vase onto an elephant and departing with offerings, and two kings walking holding one tusk each, and one tusk being held by the god Indra, going into the sky. Then, in a region separated by fences, etc., one army digging pits and dwelling by the bank of a river, with the relic vase and one tusk being taken away by nagas, depicting the nagas going into the water, and on the far side of the two regions, near the city with the king's palace, there is a garden, and in that garden, create an arrangement of a Brahmin, and the scene of a painter drawing, also depicting the birth and subduing of Mara.