Chinese
寂静的蓝色上有夏布的凸起花纹，红色宝石，那两个绿色的马蹄上有精美的彩绘。两个黑暗是为了表示空间，所以在绘画时用黑色来描绘，但空间没有颜色。下方的黑暗中的环境和上方墙上的围栏也做成蓝色或黑色。瓦楞达精美彩绘白色箭杆，红色莲花，黄色法轮。下方的黑暗帷幔以下，全部在门前的一侧，厚薄大小一致，内外皆空，如同排列的草垫。上方的黑暗帷幔以上是单层，没有内外两层。上方黑暗帷幔的墙上的柱子之间，用宝石间隔，砌筑灰色草垫排列的围栏或薄墙，梁也都在灰色之上。这种十一层马落脚处的布置方式，是按照从导师普尔纳瓦吉拉等印度圣地智者的口头传承指导中亲自听闻的那样安排的，因此可以相信并实际应用。翻译者译师等最早的藏族人和许多圣者虽然非常了解，但没有见到明确的文字记载。中间到后来出现了各种各样的文献，但如果要在高大的房屋上建造马落脚处，就完全无法实际应用，变成了只是在鳄鱼的尾巴上画一些莲花叶的装饰而已。在容易理解的地方进行了很多研究，虽然有很多偏袒爱憎的倾向和自大的夸口，但通过实践来检验是否合理。因此，除了大小的顺序之外，这可以作为同类参考。三扇门、两类门和一扇门等，也可以应用这些。如果要在高大的房屋上实际建造马落脚处，最好是用非常坚硬的石头做成柱梁。否则，需要在牛背的下方两个眼睛的对应位置，额外建造柱子。关于马落脚处的这些，藏族人似乎很难理解，所以稍微解释了一下。第十六，关于屋顶高度的考量：屋顶高度也没有绝对的规定，但是为了防止建造错误，智者们对尺寸
English
On the serene blue, there are raised Shar-bu patterns, red jewels, and exquisite colorful paintings on the two green horse hooves. The two darknesses are to represent space, so they are painted black in the drawing, but space has no color. The surroundings in the lower darkness and the fences on the wall above are also made blue or black. Varanda exquisitely painted white arrow shafts, red lotuses, yellow Dharma wheels. Everything below the lower dark curtain is uniform in thickness and size on the front side of the door, with empty interiors and both inside and outside arranged like stacked grass mats. Above the upper dark curtain is a single layer, without two layers inside and out. Between the pillars on the wall of the upper dark curtain, gems are spaced, and a fence or thin wall of stacked gray grass mats is built, with the beams also above the gray. This arrangement of the eleven-tiered horse landing is arranged according to what was personally heard from the oral transmission guidance of scholars from the holy land of India, such as the teacher Purnavajra, so it can be believed and put into practice. Translators and early Tibetans and many saints knew it very well, but no clear written records were seen. In the meantime, various documents appeared later, but if a horse landing needs to be built on a tall house, it is completely impractical, becoming just drawing some lotus leaf decorations on the tail of a crocodile. Many studies have been done in easy-to-understand places, and although there are many tendencies to favor love and hate and boastful claims of arrogance, it is revealed by putting it into practice to test whether it is reasonable or not. Therefore, apart from the order of size, this can be used as a reference for the same kind. These can also be applied to three-door, two-type, and one-door types. If a horse landing is actually built on a tall house, it is best to make the pillars and beams out of very hard stone. Otherwise, extra pillars need to be built at the corresponding positions of the two lower eyes on the back of the ox. It seems that Tibetans find it difficult to understand these horse landings, so I have explained them a little. Sixteenth, regarding the consideration of the height of the roof: there is no absolute rule for the height of the roof, but in order to prevent construction errors, scholars have measured
Chinese
的规范作了规定。如果门楣以上的墙壁高度最低为十分之一小份，那么宫殿墙壁的高度比这更低在任何情况下都是不允许的，而且一层的高度也不允许比宽度高。然而，对于一层的高度，做十七份和十九份等规范，在那些方面是没有矛盾的，但那样也不是一定的。这里墙壁的最低高度是：应做十一份小份的高度。中等是十三份小份，这样加上女儿墙和半网格的基础三份小份，就是四大份，即一半宽度的高度。最高的高度是墙壁本身算一半宽度的份数，即十六份小份，在其上加上三份小份，一层的高度就是十九份小份。然而，《诺布坚巴》（珍宝庄严）的无量宫中所说的房屋，并不是宫殿的尺寸的指示，而且只说了四根柱子等，如果以此为依据，那是可笑的。因此，三等马落脚的门应与较高的一层高度相结合，两等的与小或中等相结合，一等的只能与小的相结合。因此，在这种情况下，与中等的相结合，我认为是好的。第十七，五轮的特征，关于誓言轮，墙壁内部从地基线到顶部的神布是誓言轮的实体，其上的屋顶建造方式已在前面说过了。还有人认为从门房到誓言轮只有一条线的宽度，一般来说，身坛触及墙壁，除了誓言轮的角隅外，认为没有神布，还有的认为墙壁和轮之间有一份小份，有的放置两份小份的神布等，各种各样。但在这里，必须放置一份大神布，其方向颜色是：东黑、北绿、西红、南黄。《坛法金鬘》中说，胜乐金刚坛城的四方房屋没有柱子，这是指其中所说的胜乐金刚父母的六座坛城，而不是指其他的胜乐金刚坛城，上师也没有错谬。对于不放置神布的规
English
The norms were established. If the minimum height of the wall above the lintel is one-tenth of a small part, then the height of the palace wall lower than that is not allowed in any case, and the height of one floor is not allowed to be higher than the width. However, for the height of one floor, making norms such as seventeen parts and nineteen parts, there is no contradiction in those aspects, but that is not certain. Here, the minimum height of the wall is: it should be made to the height of eleven small parts. The medium is thirteen small parts, so adding the base of the parapet and half-grid, three small parts, is four large parts, which is half the width of the height. The maximum height is the wall itself counting half the width of the parts, which is sixteen small parts, and adding three small parts on top of that, the height of one floor is nineteen small parts. However, the house mentioned in the Immeasurable Palace of Norbu Gyepa (Jewel Adorned) is not an indication of the size of the palace, and it only mentions four pillars, etc. It is ridiculous to use this as a basis. Therefore, the three-grade horse landing door should be combined with the higher floor height, the two-grade with the small or medium, and the one-grade can only be combined with the small. Therefore, in this case, combining with the medium, I think it is good. Seventeenth, the characteristics of the five wheels, regarding the Samaya wheel, the deity cloth from the foundation line to the top inside the wall is the entity of the Samaya wheel, and the construction method of the roof above it has been said before. Some people think that from the gatehouse to the Samaya wheel, there is only the width of one line. Generally, the body mandala touches the wall, and except for the corners of the Samaya wheel, it is thought that there is no deity cloth. Some think that there is one small part between the wall and the wheel, and some place two small parts of deity cloth, etc., in various ways. But here, one large deity cloth must be placed, and its directional colors are: east black, north green, west red, south yellow. In the Mandala Rite Vajra Garland, it is said that the square house of the Chakrasamvara mandala has no pillars, which refers to the six mandalas of Chakrasamvara and his consort mentioned therein, not other Chakrasamvara mandalas, and the master is not mistaken. Regarding the rule of not placing deity cloth,
Chinese
不需要寂静的八根柱子，因为只需将誓言轮安放在身坛的栋梁上即可。身坛的八根柱子本身就能支撑。安放一个大的天衣时，这个柱子是必不可少的，因为角落的横梁必须与身坛的栋梁相抵触，如果横梁太长就会不合适。誓言轮内的栋梁是否在角落的柱子上交叉处用尽呢？不是的，将其作为骨灰栋梁，在外面的宫殿的半网格处，必须用牢固的支撑物支撑在短柱或量具支撑上。还有，那些做八根柱子的人的规矩，似乎是不做角落柱子的规矩，但在内部的轮子上安放的层级很多，如果展示天衣时做角落柱子就好，否则在内部的角落缺口上安放的横梁等会变得非常不稳定。那十二根柱子和栋梁要用各种金刚杵或剑的链条来装饰。四面都是一样的大天衣，像是拉伸的四方形丝绸。其中，用一个小部分抬高，有一个四方形的因陀罗尼罗蓝色的地面。对于这个，想要九个小高度等，是像伪造自己的行部宝生佛的宫殿的意图一样。如果是坛城的宫殿，那么也成立了包括屋顶高度很高的说法。上师们认为宫殿内的柱子是小部分的四根或五根，如果按照降低屋顶高度的规矩，就必须以不一致的方式安排，看起来会陷入不知所措的境地。对于在胜乐金刚坛城的中央可以做一个小部分的二分之一和九份的因陀罗尼罗蓝色台阶的论证，从金刚手行部续部中说，在坛城的中央要做芥子堆积的台阶等，像疯子的教导一样地说话。誓言轮的栋梁，大的天衣的一个内边缘，重要的是不要超过因陀罗尼罗蓝色的台阶的边，在因陀罗尼罗蓝色的台阶上出现身之轮，身坛的辐条。
English
There is no need for eight pillars of tranquility, because it is enough to place the vow wheel on the beams of the body mandala. The eight pillars of the body mandala themselves can support it. When placing a large celestial cloth, this pillar is indispensable, because the corner beams must abut against the beams of the body mandala, and if the beams are too long, they will not be suitable. Do the beams inside the vow wheel run out at the intersections on the corner pillars? No, they are made into ash beams, and on the half-grid of the outer palace, they must be supported by sturdy supports on short pillars or measuring supports. Also, the custom of those who make eight pillars seems to be the custom of not making corner pillars, but there are many levels placed on the inner wheel. It is better to make corner pillars when displaying the celestial cloth, otherwise the beams etc. placed on the inner corner gaps will become very unstable. Those twelve pillars and beams should be adorned with various vajras or chains of swords. The large celestial cloth is the same on all sides, like a stretched square silk. Inside it, raised by a small portion, there is a square Indra-nila blue ground. For this, wanting nine small heights etc., is like forging one's own intention of the action tantra Ratnasambhava's palace. If it is the palace of the mandala, then the statement including the high roof height is also established. The upper lamas consider the pillars inside the palace to be four or five small parts, and if arranged according to the custom of lowering the roof height, it seems that they will fall into a state of confusion where they have to be arranged in an inconsistent way. For the argument that a small part of one-half and nine parts of the Indra-nila blue platform can be made in the center of the Chakrasamvara mandala, it is said in the Vajrapani action tantra that a mustard-stacked platform etc. should be made in the center of the mandala, speaking like the teachings of a madman. The beams of the vow wheel, the inner edge of a large celestial cloth, it is important not to exceed the edge of the Indra-nila blue platform, and on the Indra-nila blue platform the wheel of the body appears, the spokes of the body mandala.
Chinese
内和外的圆周加起来的尺寸是一个大份的三分之二，它的圆周要用小份的一半来环绕。厚薄和高度上，圆周的高度是每个小份一份。辐条的中间部分是小份一份的三分之一厚，根部稍薄，从根部中心发出，尖端插入圆周的中心，但是，根部不会沉入中心内，圆周的中心有辐条的尖端沉入。这样加起来，胸部左右的角虽然在前后尺寸的中间，但是，由于尖端被圆周小份的一半遮盖，所以在书写上，那样的增量很大，尖端很短。一个大份的三分之二，变成了两个小份和小份的三分之二。这里小份的一半是圆周，所以两个小份和多出一点的线是轮子的辐条显现的地方，左右胸部的凸起程度也是那样。因此，根部看起来是一个小份和多出一点的线，但是，粗略计算时，根部和尖端都做成一个小份，尖端方向被圆周截断，所以每个都多出一个小份左右的差异。三个轮子的圆周的宽度、高度和辐条大小没有区别。辐条的厚薄是圆周高度的三分之一，边缘上下都有稍微的缝隙，为了让这两个缝隙稍微平均一点，身轮的圆周和中心粘在蓝宝石的地面上，辐条稍微不接触那个地面。那个圆周环绕成圆形，外边缘在四个方向的门的笔直的中间，和蓝宝石的台阶完全一样。因为环绕成圆形，所以四个角在书写上清晰地显现出来。从辐条到辐条的中间笔直地竖立柱子，轮子的圆周本身就充当了柱基的核心。在柱子的根部周围布置一些装饰性的工艺，从而竖立起身轮外围的八根柱子。柱子的长短根据楼层高度的高低中等三种情况而定，所以不一定相同，这里写
English
The combined size of the inner and outer circumferences is two-thirds of a large part, and its circumference should be surrounded by half of a small part. In terms of thickness and height, the height of the circumference is one small part each. The middle part of the spokes is one-third of a small part thick, the root is slightly thinner, emanating from the center of the root, and the tip is inserted into the center of the circumference, but the root does not sink into the center, and the tip of the spoke is sunk in the center of the circumference. Adding them together, although the left and right corners of the chest are in the middle of the front and back dimensions, the increment is large in writing and the tip is short because the tip is covered by half of a small part of the circumference. Two-thirds of a large part becomes two small parts and two-thirds of a small part. Here, half of a small part is the circumference, so two small parts and a little more line are where the spokes of the wheel appear, and the degree of bulge of the left and right chests is also the same. Therefore, the root appears to be one small part and a little more line, but in rough calculations, both the root and the tip are made into one small part, and the tip direction is cut off by the circumference, so there is a difference of about one small part each. There is no difference in the width, height, and spoke size of the circumferences of the three wheels. The thickness of the spokes is one-third of the height of the circumference, and there are slight gaps at the top and bottom of the edge. In order to make these two gaps slightly average, the circumference and center of the body wheel are attached to the sapphire ground, and the spokes slightly do not touch that ground. That circumference is rounded, and the outer edge is in the middle of the straight line of the doors in the four directions, exactly the same as the sapphire steps. Because it is rounded, the four corners are clearly visible in writing. Erect pillars straight in the middle between the spokes, and the circumference of the wheel itself serves as the core of the pillar base. Arrange some decorative crafts around the base of the pillars, thereby erecting the eight pillars on the outer periphery of the body wheel. The length of the pillars depends on the height of the floor, which varies in three levels: high, low, and medium, so it is not necessarily the same. Here write