English
Fifth, the base under the spokes of the speech wheel is a white wheel, and similarly, above the center of the speech wheel is the circumference of the mind wheel. Because the width and height are equal, the center is not obvious when drawing. The base under the spokes of the mind wheel should be made into a red fire wheel. The two colors between the spokes are the same as before, but the reasons are different. The space between the spokes of the body wheel is only the sapphire (Sanskrit: इन्द्रनील, Romanization: indranīla, Chinese: Indranila) ground mentioned earlier, but here the sapphire ground is covered by the wind wheel, so the color of the wind can be black or green. At that time, the base of the Samaya wheel is also the earth wheel. To represent this, the surrounding golden Vajra fence should be decorated with various Vajras. Above the center of the mind wheel, the circumference of the Great Bliss wheel should still be drawn as before, but the base of the Great Bliss wheel is best to use green to represent the sky element, so only the green symbol needs to be drawn at the junction of the petal tips, and blue should not be drawn. Therefore, it is also necessary to know the difference in the width and size of the centers of the three wheels. The various lotuses in the position of the main deity, if the lotus is made variegated, then the four directions should be decorated with the colors of the directions, and the four corners should be decorated with beautiful colors. According to this method, the color of the east is blue, and white is gray, but the previous lamas made it blue. The four, body, speech, mind, and great bliss, must be the same color. If the Samaya wheel and the position of the main deity are of various colors, then the various colors can also choose green and variegated. Because the Samaya wheel is variegated, it is also good to make the position of the main deity green so that it will not be repeated. Because there are key points such as symbolizing the sky element and great bliss, I wonder if it would be better to make the variegated color green, this is just my personal thought. In addition, on the circumference outside the lotus petals, erect pillars as before, and then erect beams, starting from the lower beam outside the Great Bliss wheel, to the upper beam directly above the circumference of the mind wheel, and then connect to the beam on the short pillars, so that the mind wheel itself is covered. At that time, the surroundings of the edge of the Great Bliss wheel are at the same height.
Chinese
因为出现圆柱形，所以也像以前一样立短柱和架横梁。如果要在其上做成汉式屋檐和琼鸟头的形状，就在此时做。如果只在主尊的屋顶上做，会显得不够庄严。在外面的宫殿上做琼鸟头也不好。然而，续部经典中没有提到汉式屋檐和琼鸟头。只是在这一带，中间时期以下才这样做。据说以前的人也不在实践中使用。有人说这是佛陀秘密所作，说“王国如同山上的帐篷”。即使说“王国”指的是汉式屋檐和琼鸟头，也不一定就是那样。而且那部经典也存在争议，所以就放在一边了。因此，在那圆柱形横梁上，以多眼图案放置四个金刚杵横梁。在八个方位之间的格子里盖上屋顶。对于中央的方形孔洞，要立比以前稍长的短柱，架设方形横梁。在那上面，除了屋顶流水之外，要均匀地覆盖。或者，另一种方式是，做四个柱子，与主尊的莲花边缘或花蕊齐平，然后在上面架设方形横梁。环绕四周的方位屋顶，是四位天女住所的屋顶，像以前一样做。还有一种方式是，在中央做一个圆柱形横梁，与主尊住所的边缘齐平。为了支撑它，需要竖立八根柱子。这样，就在主尊住所边缘的横梁和极乐轮住所边缘的横梁上架设横木，然后盖上极乐轮的屋顶。对于中央的圆形部分，像以前一样立短柱和架横梁，均匀地覆盖屋顶，或者盖上中央突起的屋顶，这样做内外形状都很好看。但是，在主尊周围做八根柱子，对于狭窄的区域来说，柱子稍微多了些，显得不太美观。或者，在极乐轮本身的屋顶上，在主尊住所的四个角上各立一根长柱，在上面架设横梁，然后从那里向外，向轮的住所倾斜地架设长横木，所有横木的上下端都用钉子和榫卯固定。中央主尊所居住的方形屋顶，用美丽的栏杆环绕，也是可以的。这
English
Because a round pillar appears, short pillars are erected and beams are laid as before. If you want to make a Chinese-style roof and a garuda head on top of it, do it at this time. If it is only made on the roof of the main deity, it will not appear majestic enough. It is also not good to make a garuda head on the outer palace. However, the tantric scriptures do not mention Chinese-style roofs and garuda heads. It is only in this area that it has been done from the middle period onwards. It is said that the former ones were not used in practice either. Some say that this was done secretly by the Buddha, saying, "The kingdom is like a tent on a mountain." Even if it is said that "kingdom" refers to the Chinese-style roof and garuda head, it is not necessarily so. Moreover, that scripture is also controversial, so it is set aside. Therefore, on that round beam, place four vajra beams in a multi-eyed pattern. Cover the eight directional grids with roofs. For the square hole in the center, erect short pillars that are slightly longer than before, and erect square beams. On top of that, cover evenly, except for the roof drainage. Or, another way is to make four pillars, flush with the edge or pistil of the main deity's lotus, and then erect square beams on top of them. The surrounding directional roofs are the roofs of the abodes of the four goddesses, and are made as before. Another way is to make a round beam in the center, flush with the edge of the main deity's abode. To support it, eight pillars need to be erected. In this way, long beams are placed on the beam at the edge of the main deity's abode and the beam at the edge of the Bliss Wheel abode, and then the roof of the Bliss Wheel is covered. For the round part in the center, erect short pillars and lay beams as before, covering the roof evenly, or covering the central protruding roof, which looks good both inside and out. However, making eight pillars around the main deity, for a narrow area, the pillars are slightly too many and do not look beautiful. Or, on the roof of the Bliss Wheel itself, erect a long pillar at each of the four corners of the main deity's abode, and erect a beam on top of it, and then from there outwards, long beams are placed sloping towards the abode of the wheel, and all the upper and lower ends of the beams are fixed with nails and tenons. The square roof where the central main deity resides, surrounded by beautiful railings, is also possible. This is
Chinese
似乎显现为房屋的形状，这也很好，一切都相同，主要位置的顶棚的顶端，希望安立金刚宝顶。像这种类型，没有续部经典的特别规定，所以无论怎么做都可以，但要画四根栋梁和多眼图案。对此，观修的要点是，那些栋梁具有极其坚硬的宝珠的自性，并且在交叉处也紧密相连，没有缝隙。因为它们像一个整体一样存在，所以不需要支撑的柱子。对于坛城殿的微型结构，也不需要制作泥塑或木雕等，也不要说其他地方的规制，因为在这个地方，如果建造像那样的房屋，就必须在那四个交叉处建造坚固的柱子。当把天女的莲瓣做成莲花形状的轮时，在莲瓣的根部连接处的圆周上建造柱子，也没有不合适的。如果直接做成莲瓣，在其上建造柱子，虽然对于观修要点来说不合适，但如果想要建造结构，因为是为了稳固，所以没有矛盾。不仅如此，如果在藏地这个地方想要建造这种坛城殿，诸佛不会遮蔽身语意和极乐世界的环境，在柱子不重复的地方，以及台阶和誓言轮的交界处等等，也必须建造墙根或者其他的柱子，虽然观修要点不需要，但因为是为了稳固。主要位置的四方形顶棚，其他与之前相同，只是在左右的栋梁上，根据情况安立一个或半个小柱子。在其上放置栋梁，用榫卯连接。将该栋梁和前后四方形的栋梁上放置横木，使其形成马背状。因为要在这个周围设置鸟翅，所以从左右的栋梁末端到鸟翅顶端之间，会形成比之前更倾斜的马背，中间上方较细，边缘下方较宽。其外部覆盖着像金顶一样美观的装饰。如果在马背顶端的正中央安立顶饰，那就被称为金刚宝顶。
English
It seems to appear as the shape of a house, and this is also good. Everything is the same. At the top of the main position's roof, it is desired to erect a vajra jewel crest. For this kind of thing, there is no special provision in the tantric scriptures, so it can be done in any way, but draw four beams and many-eyed patterns. Regarding this, the key point of meditation is that those beams have the nature of extremely hard jewels, and they are also tightly connected at the intersections, without any gaps. Because they exist as one whole, there is no need for supporting pillars. For the miniature structure of the mandala palace, there is also no need to make clay sculptures or wood carvings, etc., and do not mention the regulations of other places, because in this place, if you build a house like that, you must build strong pillars at those four intersections. When the lotus petals of the goddesses are made into lotus-shaped wheels, there is nothing inappropriate in building pillars on the circumference of the connection point at the base of the lotus petals. If you directly make lotus petals, building pillars on them, although it is not suitable for the key points of meditation, if you want to build a structure, because it is for stability, there is no contradiction. Moreover, if you want to build this kind of mandala palace in this part of Tibet, the Buddhas will not obscure the environment of body, speech, mind, and great bliss, and in places where the pillars do not repeat, and at the junctions of the steps and the wheel of vows, etc., you must also build wall bases or other pillars, although the key points of meditation do not require it, but because it is for stability. The square roof of the main position, others are the same as before, except that on the left and right beams, erect one or half a small pillar as appropriate. Place a beam on it and connect it with mortise and tenon joints. Place crossbeams on the beam and the front and back square beams to form a horse's back shape. Because bird wings are to be set around this, a horse's back that is more inclined than before will be formed from the ends of the left and right beams to the top of the bird wings, with the center above being thinner and the edges below being wider. The outer covering is decorated with beautiful decorations like a golden roof. If a crest is erected directly in the center of the top of the horse's back, it is called the Vajra Jewel Crest.
Chinese
而且，认为其材质是珍宝和金刚石制成的顶饰，这也不矛盾。还有，认为其材质是珍宝制成的，形状是五股金刚杵，这也有。大多数时候，认为是珍宝和金刚杵两种形状。看起来，用黄金制成的五股金刚杵，在竖立的中央尖角上，做成珍宝顶饰的形状。然而，水瓶加上顶饰的形状，被称为嘎底拉。如果认为是金刚杵的形状，那么现在被称为“斯巴创”的，就是金刚杵的角的样子，只要有那个就行了。不需要特别明显地突出法器的金刚杵形状。即使做了，也没有什么矛盾，只要具备珍宝顶饰的含义，形状如何都可以。现在说这个，对于坛城的装饰特点来说，“月亮”指的是月亮的形状，所以是银或水晶等制成的镜子。半月也是一半的镜子，悬挂着细小的飘带等等。关于幢幡，现在西藏房屋上竖立的幢幡，据说这是汉地的风格。而这里指的是，珍宝制成的杖杆顶端，有一个圆形的顶饰底座，上下有各种线条的层级。在底座的中央，顶饰的形状要适当，可以是镜子的形状，也可以是圆形的珍宝，或者八角形，或者三眼等等。用动物的形象来装饰，就是在底座的中央，用黄金制成的顶饰，可以是天鹅，孔雀，鳄鱼，龙，狮子，或者鱼跃的形状。一旦做了动物的形象，就不需要其他的顶饰了。在顶饰底座和杖杆连接处的左右两侧，悬挂着绸带或者长幡。在绘画中，这些绸带因为风的吹动而呈现出三曲的飘动。坛城，马厩，以及外围走廊的装饰布置，没有一定的规定。但是，不能仅仅凭空想象，必须从坛城的仪轨，《金刚鬘》等大车派的论典中去理解。主尊的莲花花瓣的座垫，比大乐轮的花瓣略高。而且，花瓣的根部比花瓣的尖端略高。
English
Moreover, it is not contradictory to consider its material to be a jewel and a vajra-made crest. Also, it appears that the material is made of jewels, and the shape is a five-pronged vajra. Most of the time, it is considered to be both the shape of a jewel and a vajra. It seems that a five-pronged vajra made of gold is made into the shape of a jewel crest on the tip of the upright central horn. However, the shape of a vase with a crest is called Ghaṭira. If you think of the shape of a vajra, then what is now called "Sba 'phreng" is the shape of the horn of the vajra, so just having that is enough. It is not necessary to clearly highlight the shape of the vajra of the Dharma instrument. Even if you do, there is no contradiction, as long as it has the meaning of a jewel crest, any shape is fine. Now let's talk about this. Regarding the decorative features of the mandala, "moon" refers to the shape of the moon, so it is a mirror made of silver or crystal, etc. A half-moon is also half a mirror, with thin ribbons hanging from it, and so on. Regarding the victory banner, it is said that the victory banner erected on houses in Tibet today is in the Han Chinese style. Here, it refers to a round crest base at the top of a jewel-made staff, with various layers of lines above and below. In the center of the base, the shape of the crest should be appropriate, it can be the shape of a mirror, or a round jewel, or an octagon, or three eyes, and so on. To decorate with the image of an animal is to have a crest made of gold in the center of the base, which can be a swan, a peacock, a crocodile, a dragon, a lion, or a leaping fish. Once an animal image is made, no other crests are needed. On the left and right sides of the junction between the crest base and the staff, ribbons or long banners are hung. In paintings, these ribbons flutter in a three-curved manner due to the wind. There is no fixed rule for the decoration of the mandala, the stable, and the outer corridors. However, it cannot be based solely on imagination, it must be understood from the rituals of the mandala, the treatises of the Great Vehicle school such as the Vajra Garland. The lotus petal cushion of the main deity is slightly higher than the petals of the Great Bliss Wheel. Moreover, the base of the petals is slightly higher than the tip of the petals.