Back to the library

14.Title of the Treatise..g2.0f

Chinese

嘎铃悬挂着。第二对持有大怖畏者的兽皮,呈被风吹动之状。第三对持有弓和箭。第四对持有盛满鲜血的颅骨和盛满大心的颅骨。身上圆满了八种尸林装束。三眼睁开,红色眼睛中火星四射。头发、胡须、眉毛呈黄黑色向上竖立。金刚毛孔向右旋转。张着嘴,咬着牙。卷着舌头。发出喉音。右脚稍微弯曲,缠绕着佛母的大腿。左脚伸展,以半跏趺坐的舞姿安住。妩媚、勇猛、不悦意。粗犷、斥责、令人恐惧。具有慈悲、威严、寂静和九种舞蹈的滋味。将鸠兰、大自在天、月亮、太阳、阎魔、梵天等一切傲慢者踩在脚下。佛母克罗地施瓦里呈蓝绿色,以颅血和三尖天杖的印相紧紧拥抱。或者,黑汝嘎四臂,右边两臂持有金刚杵、海螺、血,左边两臂持有剥皮颅骨、绳索。将大自在天的皮作为上衣披在身上。如果归摄,黑汝嘎二臂,持有金刚杵和颅血,卡杖嘎做成黄色头发状。对于佛母,卡杖嘎也靠在背后的黄色头发上,其他特点与之前相同观修也可以。两个上衣和下衣,三个颅骨鬘和八个蛇饰,血、油、灰六种手印,这些是光荣的八种装束。于坛城西方的中央,从(ཧྲཱིཿ,梵文天城体:ह्रीः,梵文罗马转写:hrīḥ,汉语字面意思:诃利)中生出莲花舞自在,呈红色而具有白色的光泽。十五张脸,具有各种姿态和颜色。根本脸与身躯颜色相同。具有贪欲的姿态。五十只右手中持有金刚杵、法轮、如意宝、手杖、宝剑等各种兵器。五十只左手仅仅持有颜色不定的莲花茎。二十四只脚以右伸展的姿势安住。佛母身穿白色和红色衣服,持有莲花和颅血,与(其)平等结合。具足妙相和好,以绸缎和珍宝庄严。或者,一面四臂,最初两手以说法印持有莲花茎

English

With bells hanging. The second pair holds the skin of the great terrifying one, appearing as if moved by the wind. The third pair holds a bow and arrow. The fourth pair holds a skull filled with blood and a skull filled with a great heart. The eight charnel ground ornaments are complete on the body. Three eyes are opened, and sparks of fire radiate from the red eyes. The hair, beard, and eyebrows are yellowish-black and coiled upwards. The vajra body hair coils to the right. The mouth is open, the teeth are clenched. The tongue is curled. A guttural sound is made. The right foot is slightly bent, embracing the thigh of the consort. The left foot is extended, residing in a half-lotus posture with a dancing stance. Seductive, brave, and unpleasant. Fierce, scolding, and terrifying. Possessing compassion, majesty, tranquility, and the taste of the nine dances. Trampling all arrogant beings such as Gulang, Great自在天, the Moon, the Sun, Yama, Brahma, etc., underfoot. The consort Krodheshvari is bluish-green, embracing tightly with the mudra of a skull cup and a trident banner. Alternatively, Heruka with four arms, the two right arms holding a vajra, conch shell, and blood, the two left arms holding a flayed skull and a lasso. Wearing the skin of Great自在天 as an upper garment. If condensed, Heruka with two arms, holding a vajra and a skull cup, the khatvanga made into yellow hair. For the consort, the khatvanga also rests on the yellow hair on the back, other characteristics are the same as before, it is also fine to visualize. Two upper garments and a lower garment, three skull garlands and eight snake ornaments, blood, oil, ash, six hand seals, these are the eight glorious ornaments. In the center of the western mandala, from (ཧྲཱིཿ,梵文天城体:ह्रीः,梵文罗马转写:hrīḥ,汉语字面意思:诃利)arises Padma Dance自在, red with a white luster. Fifteen faces, with various postures and colors. The root face has the same color as the body. Possessing a passionate posture. The fifty right hands hold various weapons such as vajras, wheels, wish-fulfilling jewels, staffs, swords, etc. The fifty left hands hold only lotus stems of uncertain color. The twenty-four feet reside in a right-extended posture. The consort wears white and red clothes, holds lotuses and skull cups, and is equally united (with him). Complete with marks and signs, adorned with silk and jewels. Alternatively, one face and four arms, the first two hands holding lotus stems in a teaching gesture.

Chinese

二取者,下面两手持弓箭,观想成双足如国王般嬉戏的姿态也好。坛城北方的中央,从藏文种子字ཏྲཾ་(藏文,梵文天城体,tram,救度)中生出金刚日,金色,四面皆黄色,有时红色略带忿怒,大多时候特别微笑而喜笑颜开,前两手持弓箭,下面两手挥舞宝剑,并持以太阳轮和金刚为标志的莲花,以七宝严饰,以菩萨跏趺坐姿安住。明妃玛玛吉,蓝色,持宝珠和颅碗,非常紧密地拥抱。边角的坛城中央,从藏文种子字ཧཱུཾ་(藏文,梵文天城体,hūṃ,吽)或者ཧཾ་(藏文,梵文天城体,haṃ,恒)中生出金刚马王嬉戏的佛,身色绿色,根本面红色,右边蓝色左边白色,上方马头面绿色,喉咙发出声音。八手中,右边分别持三尖旗手印、十字杵、宝剑和箭,左边四手持各种莲花、夏克提、短棒和弓。四足中,右边伸出的第一足踩着时母和吉祥天女,第二足踩着寂静母和欢喜母,左边弯曲的第一足踩着大自在天和遍入天,第二足踩着欲天和梵天,从足底发出金刚蹄,以此压迫他们。三眼,露出獠牙,头发黄色向上竖立,大威猛,具有舞蹈的九种姿态。手肘以上的手臂是红色的,膝盖以下的腿是黑色的。自身光芒的明妃誓言度母,蓝绿色,持各种金刚和颅碗,必定拥抱,安住在各种金刚的中央。或者,马头金刚绿色,四手,前两手持各种金刚和各种莲花,下面两手持三尖箭和宝剑也可以。这样的话,果位金刚持六尊全部的额头上是藏文种子字ཨོཾ(藏文,梵文天城体,oṃ,嗡),颈部是藏文种子字ཨཱཿ(藏文,梵文天城体,āḥ,啊),心间是藏文种子字ཧཱུཾ(藏文,梵文天城体,hūṃ,吽)。心间有和自己一样的智慧尊,那些智慧尊的心间有三摩地尊,变成藏文种子字ཧཱུཾ་ཨོཾ་ཧིཿཧྲཱིཿཏྲཱཾ་ཧཾ་(藏文,梵文天城体,hūṃ oṃ hiḥ hrīḥ trāṃ haṃ,吽 嗡 唏 赫利 创 恒)。智慧尊的本尊众,藏文种子字ཕཻཾ(藏文,梵文天城体,pheṃ,呸),旋转燃烧的手印。从心间发出化身四天女,以甘露宝瓶沐浴灌顶,藏文种子字ཛཿཧཱུཾ་བཾ་ཧོཿ(藏文,梵文天城体,jaḥ hūṃ vaṃ hoḥ,乍 吽 旺 霍)从顶门进入而融合。

English

The dualistic one, the lower two hands holding bow and arrow, it is also good to meditate in the posture of the feet playing like a king. In the center of the northern mandala, from the syllable ཏྲཾ་(Tibetan, Devanagari, tram, deliverance)arises Vajra Sun, golden in color, with four faces all yellow. Sometimes red and slightly wrathful, mostly smiling and laughing especially. The first two hands hold bow and arrow, the lower two hands brandish swords and hold a lotus marked with a sun disc and a vajra. Adorned with the seven precious jewels, residing in the posture of a bodhisattva. The consort Mamaki, blue, holding a jewel and a skull cup, embraces very tightly. In the center of the boundary mandala, from the syllable ཧཱུཾ་(Tibetan, Devanagari, hūṃ, Hum)or ཧཾ་(Tibetan, Devanagari, haṃ, Ham)arises the Vajra Supreme Horse playing Buddha, body green in color, the root face red, the right blue, the left white, the upper horse-headed face green, the throat emitting sound. Of the eight hands, the right ones hold the three-pointed banner mudra, the cross, the sword, and the arrow respectively. The four left hands hold various lotuses, Shakti, a short staff, and a bow. Of the four feet, the first of the right outstretched feet treads on Time Mother and Fortune Goddess, the second treads on Peaceful Mother and Joyful Mother. The first of the left bent feet treads on Maheshvara and Vishnu, the second treads on Kama and Brahma. From the soles of the feet, vajra hooves emerge, thus oppressing them. Three eyes, bared fangs, yellow hair standing upright, greatly wrathful, possessing the nine moods of dance. The arms above the elbows are red, and the legs below the knees are black. The self-luminous consort, Samaya Tara, blue-green, holding various vajras and skull cups, certainly embraces, residing in the center of various vajras. Alternatively, Hayagriva, green, with four hands, the first two holding various vajras and various lotuses, the lower two holding a trident arrow and a sword, is also acceptable. In that case, on the foreheads of all six of the resultant Vajradharas is the syllable ཨོཾ(Tibetan, Devanagari, oṃ, Om), on the throats is the syllable ཨཱཿ(Tibetan, Devanagari, āḥ, Ah), and in the hearts is the syllable ཧཱུཾ(Tibetan, Devanagari, hūṃ, Hum). In the hearts are the wisdom beings resembling oneself, and in the hearts of those are the samadhi beings, transformed into the syllables ཧཱུཾ་ཨོཾ་ཧིཿཧྲཱིཿཏྲཱཾ་ཧཾ་(Tibetan, Devanagari, hūṃ oṃ hiḥ hrīḥ trāṃ haṃ, Hum Om Hi Hri Tram Ham). The deity assembly of the wisdom beings, the syllable ཕཻཾ(Tibetan, Devanagari, pheṃ, Phem), revolves with the blazing mudra. From the heart emanate four emanation goddesses, who bathe and empower with nectar vases. The syllables ཛཿཧཱུཾ་བཾ་ཧོཿ(Tibetan, Devanagari, jaḥ hūṃ vaṃ hoḥ, Dza Hum Vam Hoh)enter from the crown of the head and merge.

Chinese

此后,一切的垢染都被清净了,之后是瑜伽。然后,十方诸佛都化为六种姓的语文字,从各自的毛孔进入,聚集于大乐之处,与菩提心成为一体。从四个脉轮传递,到达各自的标帜,即金刚宝顶。再次,以贪欲之光清净一切众生,安置于六种姓的坛城和金刚三处的果位。再次聚集而融入,六位明妃的权位之处,各自化为各自的宫殿,连同天神的坐垫。诸天各自的处所,化为与自身颜色相符的明点。那些全部转化后,化为法的精髓文字,即种子字。中央的那些化为六位主尊。外坛城的六位主母,从各自的虚空内向外散发。 散发出无数的化身,进行转法轮等一切殊胜的佛陀事业,将一切众生安置于六种姓的果位。各自一一聚集,融入六种姓的转轮王的意中。眷属的明妃们也广大显现,虽然用自己的咒语生起,但简略来说,用种子字生起就足够了。扎,白色至上乐空母,拉弓射箭。吽,哎玛霍,金色乐空母,手持林伽金刚和珍宝巴嘎。班,红色光明母,手持各种金刚和甘露颅器,卡杖嘎依靠在肘部。霍,绿色学母,右手以持箭的姿势拥抱,左手持以佛像为标志的甘露宝瓶。这些都位于金刚萨埵坛城中央莲花四瓣的东面等顺时针方向。阿,佛陀

English

Then, all defilements were purified, followed by yoga. Then, all the Buddhas of the ten directions transformed into the seed syllables of the speech of the six lineages, entered through each of their pores, gathered in the place of great bliss, and became one with the mind of enlightenment. Passing through the four chakras, they reached their respective marks, the vajra jewel peaks. Again, with the rays of attachment, all beings were purified and placed in the mandala of the six lineages and the state of the three vajras. Again, gathering and dissolving, the six wisdom consorts transformed into their respective palaces, each with a divine seat, in their respective places of power. In each of the deities' places, there was a drop of light corresponding to their own color. When these were completely transformed, they became the letters of the essence of Dharma, the seed syllables. Those in the center became the six main deities. The six main consorts of the outer mandala emanated outward from within their respective spaces. Emanating immeasurable emanations, performing all the extraordinary deeds of the Buddhas, such as turning the wheel of Dharma, placing all sentient beings in the state of the six lineages. Gathering one by one, they dissolved into the hearts of the Chakravartins of the six lineages. When the retinue goddesses also appear extensively, although they are generated by their own mantras, it is sufficient to generate them with seed syllables in brief. Jah, white Supreme Bliss Mother, drawing a bow and arrow. Hum, Emaho, golden Bliss Mother, holding a lingam marked with a vajra and a precious bhaga. Vam, red Illuminating Mother, holding various vajras and a skull cup of nectar, with a khatvanga resting on her elbow. Hoh, green Learning Mother, embracing with her right hand holding an arrow, and holding a vase of nectar marked with an image of the Buddha in her left hand. These are located on the four petals of the lotus in the center of the Vajrasattva mandala, starting from the east in a clockwise direction. Ah, Buddha.

Chinese

ས་བྱང་ཆུབ་མ་,白色和红色,手持以梵天头颅为标志的同时拉开四支箭的姿势和弓。 (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)བྷྲུཾ་,भ्रूं,bhrūṃ,种子字。 法轮母,白色和黄色,右边的中指上绕着红色和蓝色的法轮,左边靠着腰部。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧཿ,हः,haḥ,种子字。 三界胜母,红白色,右手举着三叉戟,左手把金刚杵放在心口。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཁཾ་,खं,khaṃ,种子字。 欲望自在母,绿色,拿着摇曳着风的如意树嫩枝,跳舞的姿势都位于八个方位的东面等四个方向,顺时针排列。 (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཨོཾ་,ओं,oṃ,种子字。 笛子女,蓝色。 (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧཾ,हं,haṃ,种子字。 琵琶女,黄色。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཝཾ,वं,vaṃ,种子字。 大鼓女,红色。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)སཾ,सं,saṃ,种子字。 陶土鼓女,绿色,从八个方位的东南开始顺时针排列。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཨོཾ་,ओं,oṃ,种子字。 花朵女,红黄色。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཨཱཿ,आः,āḥ,种子字。 香火女,白色。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཨཾ་,अं,aṃ,种子字。 灯火女,红色。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཨཿ,अः,aḥ,种子字。 香水女,绿色,位于外围的四个角落,从火开始顺时针排列。 笛子女等八位,拿着与各自名字相符的,以金刚杵为标志的法器。 胜乐金刚母等十六位女神,都以丝绸和珍宝的装饰品来庄严自己,具有娇媚美丽的姿态,燃烧着光芒的坛城,以优雅的姿态和菩萨的跏趺坐姿安住。 她们是金刚萨埵的不共本尊众。 (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཛཿ,जः,jaḥ,种子字。 马头明王高扬母,白色,马头,拿着铁钩和盛满甘露的颅碗。 (藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧཱུཾ་,हूं,hūṃ,种子字。 猪面母,蓝色,拿着獠牙和绳索。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)བཾ,वं,vaṃ,种子字。 显现母,红色,狗头,拿着以日月为标志的铁链。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧོཿ,होः,hoḥ,种子字。 灰烬怖畏尸林母,绿色,鹫的头,拿着铃铛和以无量光佛身标志的盛满甘露的颅碗,她们两个两个地分布。 位于坛城中央和外围基坛的东面等四个门,顺时针排列。 她们也都拿着以金刚杵为标志的各自的法器,凶猛而愤怒,具有尸陀林的装束,伸出右手,安住在燃烧的火焰中。 她们是金刚萨埵和基坛的门母们。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧཾ་,हं,haṃ,种子字。 诸佛总集母,白色,拿着以舌头为标志的莲花。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཧཱུཾ་,हूं,hūṃ,种子字。 极胜母,黄色,双手合掌。(藏文,梵文天城体,梵文罗马拟音,汉语字面意思)ཏྲཱཾ,त्रां,trāṃ,种子字。 普