English
That is, all have three eyes and clenched teeth, adorned with sixteen grand ornaments. In the left hand, they hold a skull cup filled with blood. This is the visualization of the condensed mandala. Or, according to the medium mandala, the samadhi of suchness, as well as Samantabhadra, and the samadhi of cause, as well as the perfect samadhi, as the support, the palace, the white lotus pond garden, etc., are the same as before. The center of the central wheel inside that palace is round and dark blue, the four spokes are yellow, and the spaces between the spokes are blue. Its outer perimeter is adorned with a vajra fence, and outside of that are four corners and projections with staffs. Outside of that are the deities, with four doors. Then, the laying of the seat is adorned with forty-two mandalas. Lions, elephants, horses, and garudas, on a great throne soaring in the sky, sun, moon, lotus, and jewels. Therefore, in the center, a throne of eight lions arises in the center with four fearlessnesses, in the east, a throne of eight elephants arises as a symbol of having ten powers, in the south, a throne of eight horses arises as a symbol of having four miraculous legs, in the west, a throne of eight peacocks arises as a symbol of having ten freedoms, and in the north, a throne of eight kalaviṅka birds arises as a symbol of having four activities. The gaps between these are adorned with jeweled pillars, and on top of the jeweled throne is covered with a net of pearls, and on top of that is a lotus with a thousand petals, and on top of that is the moon, and on top of that is the sun. Between the four spokes are four corners and eight, each with a triple layer of jeweled throne, lotus, moon, and sun. The deities have eight-petaled lotuses, and on the four doors are suns above the four maras. Having laid the seat in this way, the second is the support, the ritual of generating the deity's mandala has three: the ritual of speech syllables, the ritual of mind hand symbols, and the ritual of body mudras. First, the speech syllables are: from the white A (ཨ，a，a，阿) arises the blue Ksha (ཀྵ，kṣa，ksha，恰), from the difference between A and Ksha arise forty letters, in the center are the two blue Tha (ཋ，ṭha，tha，塔) and Tha (ཐ，tha，tha，塔), in the east are the two white Ta (ཊ，ṭa，ta，扎) and Ta (ཏ，ta，ta，塔), in the south are the two yellow Da (ཌ，ḍa，da，达) and Da (ད，da，da，达), in the west are the two red Na (ཌྷ，ṇa，na，纳) and Dha (དྷ，dha，dha，达), and in the north are the Na (ཎ，ṇa，na，纳) and Na
English
Two greens. In the southeast, ka and tsa. In the southwest, kha and tsha. In the northwest, ga and dza. In the northeast, gha and dznya. Again, at the southeast corner, sa and ya. In the southwest, pha and vam. In the northwest, ba and ra. In the northeast, bha and la. At the east gate, nga and sha. At the south gate, nya and sha. At the west gate, ma and sa. At the north gate, Om and Ham. At the east gate, Ah. In the south, U. In the northwest, U. In the southwest, E. In the northeast, Ai. In the east, Ksha. In the west, A. Second, the symbols of the mind-hand gestures: Light radiates, offering to the speech of the Sugatas, purifying the obscurations of sentient beings' speech. From this gathering and complete transformation, they become forty-two hand gestures. In the center are the vajra and bell. In the east are the wheel and bell. In the west are the lotus and bell. In the north are the sword and bell. On the southeast spokes are precious sprouts and a mirror. In the southwest are a sword and a precious rosary. In the northwest are a white lotus and a lute. In the northeast are a vajra and a dancing hand. At the southeast corner are dragon wood and incense. In the southwest are the Dharma wheel and a flower. In the northwest are a precious sheaf of grain and a lamp. In the northeast are an utpala flower and perfume. In the east is a five-pronged vajra. In the west is a white Dharma origin. In the southeast is a lute. In the north is armor. In the south are burning incense and a begging bowl. In the northwest is a scripture. In the southwest is a jewel. At the east gate are a skull staff and an iron hook. At the south gate are a vajra staff and a rope. At the west gate are a lotus staff and an iron chain. At the north gate are a crossed vajra and a staff bell. Third, the miraculous transformations of the body-hand gestures: Light radiates, offering to the mind of the Sugatas, purifying the obscurations of sentient beings' minds. From this gathering and complete transformation, they become forty-two subtle ones. Light radiates, offering to the body of the Sugatas, purifying the obscurations of sentient beings' bodies. From this gathering and complete transformation, they become forty-two complete ones. Om Vajra Dhrik (藏文：ༀ་བཛྲ་དྷྲིག，梵文天城体：，梵文罗马拟音：oṃ vajra dhṛk，汉语字面意思：嗡，金刚，持). Mum Da Du Shvari (藏文：མུཾ་ད་དུ་ཤྭ་རི，梵文天城体：，梵文罗马拟音：muṃ da du śvari，汉语字面意思：姆，达，杜，自在). This is Akshobhya, as a symbol arising from the wisdom of the Dharmadhatu, his body color is dark blue-black. Three faces and six arms. The right face is white, the left is red. The hair is tied in a topknot, the black hair standing erect. The first two of the six hands hold a vajra and a bell, embracing the consort. The middle right hand holds a wheel, below is a jewel. The middle left hand holds a lotus, and the last is a sword. Regarding these hand gestures
Chinese
是智慧的火焰。双足并拢以金刚跏趺坐姿安住。具有三十二种妙相，八十种随好。佛母金刚界自在母与佛父相应。一面二臂，右手拥抱佛父，左手持铃。嗡 扎尼 智嘎 朗 德夏 惹德。东方为毗卢遮那佛，从如镜智慧所生的象征，身色白色。三面六臂，右面蓝色，左面红色。前两手以法轮和铃拥抱佛母，右边中间一手持金刚杵，最后一手持如意宝，左边中间一手持莲花，最后一手持宝剑。 梭 惹德那 德热嘎 芒 摩诃惹德。如是南方宝生佛，从平等性智所生的象征。身色金色，三面六臂，右面蓝色，左面红色。前两手以如意宝和铃拥抱佛母，右边中间一手持金刚杵，最后一手持宝剑。 阿 阿若 勒嘎 榜 惹嘎德。如是西方阿弥陀佛，从妙观察智所生的象征。身色红色，三面六臂，右面白色，左面蓝色。六手中的前两手以莲花和铃拥抱佛母，右边中间一手持金刚杵，下面一手持法轮，左边中间一手持如意宝，最后一手持宝剑。 吽 扎嘉 德热嘎 吽 班匝惹德。如是北方不空成就佛，从成所作智所生的象征。身色绿色，三面六臂，右面白色，左面红色。前两手以宝剑和铃拥抱佛母，右边中间一手持金刚杵，最后一手持法轮，左边中间一手持如意宝，最后一手持莲花。如来彼等发髻高耸，呈黑色。具有三十二种妙相，八十种随好。双足并拢以金刚跏趺坐姿安住于自己的座垫上。所有佛母身色与佛父相同。一面二臂，右手拥抱佛父，左手持铃。此十尊佛父佛母是圆满报身，作为法界与智慧无二无别的象征。佛父佛母互相拥抱，以一目相视。生起菩萨佛父佛母是：舍 哈惹匝雅 吽 啦萨 萨玛雅 斯当。如是东南西北
English
Is the blazing fire of wisdom. Abides in vajra posture with feet together. Possesses the thirty-two major marks and eighty minor marks. The consort Vajradhatvishvari is united with the father. One face and two arms. The right embraces the father, and the left holds a bell. Om Jani Jiga Lam Te Shara Te. In the east, Vairochana, as a symbol arising from mirror-like wisdom, has a white body. Three faces and six arms. The right face is blue, the left is red. The first two hands embrace the consort with a wheel and a bell. The middle right hand holds a vajra, and the last holds a jewel. The middle left hand holds a lotus, and the last holds a sword. Sva Ratna Dhrig Mam Moha Rati. Thus, in the south, Ratnasambhava, as a symbol arising from the wisdom of equality. Golden in color, three faces and six arms. The right face is blue, the left is red. The first two hands embrace the consort with a jewel and a bell. The middle right hand holds a vajra, and the last holds a sword. A Aro Lik Pyam Raga Ti. Thus, in the west, Amitabha, as a symbol arising from discriminating wisdom. Red in color, three faces and six arms. The right face is white, the left is blue. The first two of the six hands embrace the consort with a lotus and a bell. The middle right hand holds a vajra, and the lower one holds a wheel. The middle left hand holds a jewel, and the last holds a sword. Hum Prajna Dhrig Hum Vajra Rati. Thus, in the north, Amoghasiddhi, as a symbol arising from accomplishing activity. Green in color, three faces and six arms. The right face is white, the left is red. The first two hands embrace the consort with a sword and a bell. The middle right hand holds a vajra, and the last holds a wheel. The middle left hand holds a jewel, and the last holds a lotus. Those Tathagatas have black matted hair piled high. Possess the thirty-two major marks and eighty minor marks. Abide in vajra posture with feet together on their own seats. All consorts have the same body color as the father. One face and two arms, the right embraces the father, and the left holds a bell. These ten father-mother deities are the Sambhogakaya, as a symbol of the inseparability of space and wisdom. The father and mother are in union, gazing at each other with one eye. Generating the father-mother Bodhisattvas is: Shi Hara Tsaya Hum La Sya Samaya Stam. Thus, southeast, northwest
Chinese
拉卡拉。地的精华，身色白色，一面二臂。父亲的右手里是珍宝的嫩芽，左手拿着施救印或者铃。母亲的双手拿着镜子，双腿半跏趺坐。父母双运而坐。那对父母是如来佛毗卢遮那佛的心和身所生。怛朗 阿嘎尔巴亚，怛朗 玛雷萨玛亚 霍。在西南方的肋间，是虚空藏和珍宝鬘母，身色金黄。父亲的右手拿着宝剑，母亲的右手拿着珍宝鬘，系在父亲的头上。赫利 哈 霍 贝玛 巴达玛，赫利 格热德热 嘎亚 霍。在西北方的肋间。观世音自在和天女妙音母，身色红色。父亲的右手拿着莲花，母亲的双手弹奏着法琵琶。赞 古汝 巴那赫利，阿尼热德热 嘎亚 米。在东北方的肋间，是金刚手和天女舞母，身色绿色。父亲的右手拿着九股金刚杵，母亲的双手舞动着舞蹈的手势，将具有各种美味佳肴的食物献给父亲。是从不空成就佛的心和身所生。梅达热 尼 梭哈。扎度 贝 扎 贝夏，在东南方的角落里。慈氏和焚香母，身色白黄色。父亲的手里拿着龙树和犍稚（藏文，梵文天城体，梵文罗马拟音，汉语字面意思），母亲的手里拿着焚香。婷拉 尼 梭达 巴亚 梭哈。吽 布施贝 阿贝夏。在西南方的角落里，是除盖障和南方花母，身色黄色。父亲的手里拿着法轮，母亲的手里拿着花鬘。吽 梭热 匝亚 梭哈。班 德巴 布给尼。在西北方的角落里，是普贤和天女灯母，身色红色。父亲的手里拿着珍宝的稻穗，母亲的手里拿着灯。穆 希 昂热嘎耶 梭哈。霍 犍稚 泽达。在东北方的角落里。妙吉祥童子和天女香水母，身色绿色。父亲的手里拿着乌巴拉花，母亲的双手拿着香水。那些勇识父母都是发髻
English
Lakala. Essence of Earth, body color white, one face and two arms. The father's right hand holds a sprout of precious jewels, and the left holds the gesture of refuge or a bell. The mother's two hands hold a mirror, and she sits with legs half-crossed. The father and mother sit in union. Those two parents arise from the mind and body of the Tathagata Vairochana. Tram Agharbhaya, Tram Male Samaya Ho. On the southwest rib is Akashagarbha and Ratnamala, body color golden. The father's right hand holds a sword, and the mother's right hand holds a jewel garland, tied directly to the father's head. Hri Ha Ho Padma Bhadama, Hri Ghirtira Ghaya Ho. On the northwest rib. Avalokiteshvara and the goddess Saraswati, body color red. The father's right hand holds a lotus, and the mother's two hands play the Dharma lute. Dzem Guru Pana Hri, Anirtira Gaya Mi. On the northeast rib is Vajrapani and the goddess Dancer, body color green. The father's right hand holds a nine-pronged vajra, and the mother's two hands move in a dance gesture, offering food with excellent flavors and richness to the father. They arise from the mind and body of Amoghasiddhi. Me Dhara Ni Svaha. Jadu Pe Pra Besha, in the southeast corner. Maitreya and Incense Offering Mother, body color white-yellow. The father's hand holds a Naga tree and a ghanta (Tibetan, Devanagari, Romanized Sanskrit, Literal Chinese meaning), and the mother's hand holds incense. Thing Lha Ni Svada Bhaya Svaha. Hum Pushpe Abesha. In the southwest corner is Sarvanivaranaviskambhin and Southern Flower Mother, body color yellow. The father's hand holds a Dharma wheel, and the mother's hand holds a flower garland. Hum Svara Chaya Svaha. Bam Tipa Pukeni. In the northwest corner is Samantabhadra and the goddess Lamp Mother, body color red. The father's hand holds a precious jewel rice stalk, and the mother's hand holds a lamp. Mum Shri Am Raga Ye Svaha. Ho Ghante Chitta. In the northeast corner. Manjushrikumarabhuta and the goddess Perfume Water Mother, body color green. The father's hand holds an utpala flower, and the mother's two hands hold perfume water. Those heroic parents are all with matted hair