English
Skillfully understand the key points. This concludes the ancillary permission section of the White Tara Wish-Fulfilling Wheel practice. May it be virtuous. The Sadhana of Holy Saraswati. The Sadhana of Holy Saraswati called "Emergence of Wisdom" is present. Oṃ svasti. The Sadhana of Holy Saraswati called "Emergence of Wisdom". Homage to all Buddhas and Bodhisattvas. O Glorious Protector of the World, in order to dispel the darkness of beings' minds, you skillfully emanate as a goddess. I bow to the glorious Saraswati. The method of accomplishment is the ritual of offering, the essential instructions are summarized, and for the benefit of intelligent beings, it is briefly expressed in writing. Herein are three aspects: the essential instructions for recitation, the ritual of offering, and the necessary instructions. Firstly, refuge, generating bodhicitta, and the four immeasurables are in accordance with the common practice. May the assembly of gurus, yidams, Buddhas, and Bodhisattvas all be present in front. I take refuge in the Three Jewels, and so on, perform the seven-branch practice three times. Oṃ svabhāva śuddhāḥ sarva dharmāḥ svabhāva śuddho'ham. From the state of emptiness, from Bhrūṃ arises the vessel world, a place frequented by gods, sages, gandharvas, and accomplished ones. In the midst of mountains, forests, medicinal groves, and delightful places. Within the white and clear ocean of milk. From Paṃ arises a white lotus with a stem adorned with hundreds of thousands of petals. Upon it, from A arises a lunar mandala. Upon it, one's own mind Hrīḥ, white, completely transforms, and one becomes the goddess of sound, Saraswati, with a white body, one face, and two arms. Seated in a half-lotus posture, in a squatting position. The face is like a full moon. The eyes, bright like উৎপল (utpala, blue lotus), are beautiful with movement. The left hand holds a vīṇā (lute) of lapis lazuli. The fingers of the right hand, with the gesture of playing, manifestly accomplish the ocean of sound. The hair, as black as a bee, is half tied up and half let loose, covering the upper body. The hair is bound with a garland of white lotuses, and the braids are adorned with various jewels. Possessing the youth of sixteen years. The breasts are high and full. The waist is slender, with a graceful and smiling demeanor. Wearing a white upper garment of divine substance, and a lower garment.
Chinese
如是， 光辉灿烂，闪耀飘动。以无数珍宝饰品庄严，即顶髻宝、耳环、项链、手镯、脚镯、指环、腰带、胸饰、丝带结、铃铛串等庄严。自身心液如树之花朵般向下垂视，彼即向上竖立，化为红色莲花盛开之状的内部。嗡（藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，种子字）。略微呼出气息。从嗡（藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，种子字）之音流发出白色光芒。从右鼻孔出。南方海滨的持明欢喜园林中，迎请安住于此的妙音天女从左鼻孔进入。从心间迎请本体为智慧勇识，形象为妙音之轮，光芒炽盛。从右鼻孔出。刹那间前往，安住在自己面前的虚空中，以突如其来的供品充满虚空而供养。嗡 贝德 德瓦 迪比亚 布贝 吽（藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་དཱི་བྱ་པུཥྤེ་ཧཱུཾ，梵文天城体：ॐ प्रीति देवि दिब्य पुश्पे हुं，梵文罗马拟音：oṃ prīti devi dibya puśpe huṃ，汉语字面意思：嗡，喜悦，天女，神圣的，花，吽）。同样加上：涂香，香，食物，光明。嗡 贝德 德瓦 迪比亚 比列巴尼 吽（藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་དཱི་བྱ་བི་ལེ་པ་ནི་ཧཱུཾ，梵文天城体：ॐ प्रीति देवि दिब्य बिले पनि हुं，梵文罗马拟音：oṃ prīti devi dibya bile pani huṃ，汉语字面意思：嗡，喜悦，天女，神圣的，涂香，吽）。以此供养。嗡 贝德 德瓦 麦 舍 舍 迪 迪 舍 舍（藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་མེ་ཧྲཱིཾཿཥྛི་ཏིཥྛ་ཧྲཱིཾཿ，梵文天城体：ॐ प्रीति देवि मे ह्रीः ष्ठितिष्ठ ह्रीः，梵文罗马拟音：oṃ prīti devi me hrīḥ ṣṭhitiṣṭha hrīḥ，汉语字面意思：嗡，喜悦，天女，我的，啥，安住，安住，啥）。轻声念诵后，吸气入内。轮从左鼻孔进入。化为光，融入嗡（藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，种子字）之音流中。从嗡（藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，种子字）完全化现。妙音之轮，八瓣白色莲花极其盛开，中心为绿色，花蕊为红黄色。其上，无垢明月中央有白色啥（藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：啥，种子字）与音流相连。八瓣莲花上各有二个音声字母，顺时针旋转。 如同一串白色灯火。轮与字母相连的光芒，遍布身体内外一切。遣除无明的黑暗。对于一切所知，生起无碍智慧的光明。如此念诵并观修。在妙音欢喜之足的修法中，如四支生起般展开亦可观看，然而此乃不共口诀。若喜简略，则皈依发心，梭巴瓦等，从空性中自身刹那间化为音声天女妙音母，身色白色等即可。念诵即是彼轮本身。
English
Thus, Radiant and fluttering. Adorned with countless precious jewels, such as the crown jewel, earrings, necklaces, bracelets, anklets, finger rings, belts, breast ornaments, silk knots, and strings of bells. One's own heart essence, like a flower of a tree, looking downwards, then rises upwards, transforming into the appearance of a blooming red lotus. Inside that, Oṃ (藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，seed syllable). Exhale a little air. From the nada of Oṃ (藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，seed syllable), white rays of light emanate. Exit from the right nostril. In the garden of vidyādharas' delight on the southern seashore, invite the goddess Sarasvatī, who resides there, to enter from the left nostril. From the heart, invite the essence of wisdom being, the form of the Sarasvatī wheel, blazing with light. Exit from the right nostril. Instantly go and abide in the sky in front of oneself, and offer with offerings that arise suddenly, filling the sky. Oṃ prīti devi dibya puśpe hūṃ (藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་དཱི་བྱ་པུཥྤེ་ཧཱུཾ，梵文天城体：ॐ प्रीति देवि दिब्य पुश्पे हुं，梵文罗马拟音：oṃ prīti devi dibya puśpe huṃ，汉语字面意思：嗡，joy, goddess, divine, flower, hūṃ). Similarly, add: dhūpe, gandhe, naivedye, āloke. Oṃ prīti devi dibya bile pani hūṃ (藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་དཱི་བྱ་བི་ལེ་པ་ནི་ཧཱུཾ，梵文天城体：ॐ प्रीति देवि दिब्य बिले पनि हुं，梵文罗马拟音：oṃ prīti devi dibya bile pani huṃ，汉语字面意思：嗡，joy, goddess, divine, anointment, hūṃ). Offer with this. Oṃ prīti devi me hrīḥ ṣṭhitiṣṭha hrīḥ (藏文：ཨོཾ་པྲི་ཏི་དེ་ཝཱི་མེ་ཧྲཱིཾཿཥྛི་ཏིཥྛ་ཧྲཱིཾཿ，梵文天城体：ॐ प्रीति देवि मे ह्रीः ष्ठितिष्ठ ह्रीः，梵文罗马拟音：oṃ prīti devi me hrīḥ ṣṭhitiṣṭha hrīḥ，汉语字面意思：嗡，joy, goddess, my, hrīḥ, abide, abide, hrīḥ). Recite softly and inhale. The wheel enters from the left nostril. Dissolves into light and merges into the nada of Oṃ (藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，seed syllable). From the complete transformation of Oṃ (藏文：ཨོཾ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡，seed syllable). The Sarasvatī wheel, an eight-petaled white lotus, extremely blooming, with a green center and reddish-yellow stamens. On top of that, in the center of a stainless moon, is a white Hrīḥ (藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：啥，seed syllable) with nada. On the eight petals are two vowel letters each, rotating clockwise. Like a string of white lights. The light of the wheel with the letters pervades all inside and outside the body. Dispels the darkness of ignorance. The light of wisdom, unobstructed in all that is to be known, expands. Recite and meditate in this way. In the sādhana of the Joyful Feet of Sarasvatī, it is permissible to view it as expanding like the four limbs arise, but this is a unique oral instruction. If one prefers brevity, then take refuge and generate bodhicitta, svabhāva, etc., and from emptiness, one's self instantly transforms into the sound goddess Sarasvatī, with a white body, etc., that is sufficient. The recitation is the wheel itself.
Chinese
也可以安置在脐间。念诵（藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：舍）字时，从轮中央的（藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：舍）字的音声中发出（藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：舍）字，从口中出来。以其光芒迎请的如来们的加持一同从脐轮中央进入，融入轮中央的（藏文：ཧྲཱིཾཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：舍）字中。观想如轮般圆满，或如珍珠项链般悬挂都可以。在结束一座修法前，如下面将要提到的那样供养食子，祈请赐予战胜一切方向的智慧，多次祈祷。进行百字明等后续事宜，加持三处，进入座间休息的环节，也要不间断地进行赞巴拉的水供。这些是日常的瑜伽，像这样安住于四座的精进中，以不间断的语言供养念诵一百万遍，据说念诵两万五千遍，现在需要增加到四倍，因此要念诵五百万遍。 将此重复三次，即为一千五百万遍。这样才能圆满完成一次数量的念诵。第二，以供品进行仪轨，即在非常平整的，长宽均为一肘半的四方形地面上，或者中央、南方和西方稍高，东方和北方稍低的地面上，用五种牛粪涂抹。用界线木划线，以四指为半径画中心圆，以半肘为半径画花瓣。然后用粉末颜料或水彩绘制八瓣莲花。或者在布或画布上绘制，铺在台子上也可以。在它的中央和八个花瓣上，各放置一盏酥油灯，或者在中央放置九个小油灯也可以。或者在中心和花瓣上，用四等份混合物书写与心轮相似的字母。四等份混合物是：檀香、麝香、藏红花和牛黄四种混合而成的糊状物。在坛城的中央，供奉如铸像般的佛像。如果没有，在坛城后面悬挂唐卡，也可以起到同样的作用。如果没有条件，没有绘画或浮雕的佛像也可以。前方放置大小两个白食子，以及力所能及的干净而精美的供品，也摆放酒食子。然后用甘露咒驱逐邪魔，进行自生和念诵。
English
It can also be placed in the navel. When reciting the syllable (Tibetan: ཧྲཱིཾཿ, Sanskrit Devanagari: ह्रीः, Sanskrit Romanization: hrīḥ, Chinese literal meaning: shě), the syllable (Tibetan: ཧྲཱིཾཿ, Sanskrit Devanagari: ह्रीः, Sanskrit Romanization: hrīḥ, Chinese literal meaning: shě) arises from the sound of the syllable (Tibetan: ཧྲཱིཾཿ, Sanskrit Devanagari: ह्रीः, Sanskrit Romanization: hrīḥ, Chinese literal meaning: shě) in the center of the wheel, and emerges from the mouth. Together with the blessings of the Tathagatas invited by its rays, it enters from the center of the navel wheel and dissolves into the syllable (Tibetan: ཧྲཱིཾཿ, Sanskrit Devanagari: ह्रीः, Sanskrit Romanization: hrīḥ, Chinese literal meaning: shě) in the center of the wheel. It is fine to visualize it as round like a wheel, or hanging like a pearl necklace. Before ending a session, offer the torma as mentioned below, and pray for the wisdom that overcomes all directions, and pray many times. Perform the subsequent activities such as the Hundred Syllable Mantra, bless the three places, and enter the interval between sessions, and also continuously perform the water offering of Jambhala. These are the daily yogas, and thus abide in the diligence of four sessions. It is said that one hundred thousand recitations are offered with uninterrupted speech, and twenty-five thousand recitations are recited, but now it needs to be increased fourfold, so five hundred thousand recitations should be recited. Repeating this three times is fifteen hundred thousand times. Only then can one complete one round of the number of recitations. Second, the ritual with offerings is to have a square platform of one and a half cubits that is very even, or slightly higher in the center, south, and west, and slightly lower in the east and north, smeared with five kinds of cow dung. Draw lines with a boundary marker, draw a central circle with a radius of four fingers, and draw petals with a radius of half a cubit. Then draw eight lotus petals with powder colors or watercolors. Or it can be drawn on cloth or canvas and spread on the platform. Place a butter lamp each in its center and eight petals, or place nine small oil lamps in the center. Or in the center and petals, write letters similar to the heart wheel with a mixture of four equal parts. The mixture of four equal parts is a paste made by mixing sandalwood, musk, saffron, and gorocana. In the center of the mandala, invite a statue like a cast image to reside. If there is none, hanging a thangka behind the mandala can also serve the same purpose. If there are no resources, it is fine even without a painted or embossed statue. Place two white tormas, large and small, in front, and arrange clean and excellent offerings as much as possible, and also arrange a liquor torma. Then dispel obstacles with the Amrita mantra, and perform self-generation and recitation.