Chinese
音三)计(引)罗野计(引)罗野(四)萨哩嚩(二合)播(引)谤发吒(半音五)嚩日啰(二合)计(引)罗(六)嚩日啰(二合)达噜倪也(二合引)钵野底娑嚩(二合引)贺(引七) 阿阇梨作曼拏罗。选得胜地已。即先以所为事量其大小。若为国王当作一百肘或五十肘。若为大臣乃至庶民。可作二十五肘或十二肘。若无力者可作一肘。如是量度已。即用瞿摩夷涂毕。复用加持五净水洒净。又用涂香涂饰毕已。然后阿阇梨沐浴洁净。以香涂身着新鲜衣顶戴宝冠。及以花鬘装饰严洁已。即于曼拏罗地先作护摩。当用湿柴有刺长八指八棱者。复用毒药芥子血人骨末等。以苦辣油调和。与湿柴同烧作护摩。以右手作弹指诵真言曰。 唵(引)萨哩嚩(二合)尾咄(一)嚩日啰(二合)三摩(引)惹𠺁(仁作切)吽(引)𤚥呼(二) 若得已结界地不须填饰。即先于彼地。量度广阔可一牛皮。用瞿摩夷涂饰。于上依法安五阏。伽瓶作护摩法。当用湿柴及黄松木长十二指。黑油麻大麦小麦粳米饭酥等。先作护摩而告地天言。我今为国王或大臣乃至弟子眷属等。于此地作曼拏罗。为利益故汝等地天发慈悲心当为于我而作善事。 如是护摩已能成一切事。其阿阇梨然后与其助伴。执线絣量曼拏罗。线 现代汉语译本 嗡(om)(引) 计(引)罗野计(引)罗野(四) 萨哩嚩(sarva，一切的)(二合) 播(pa，罪恶)(引) 谤发吒(bam phat)(半音五) 嚩日啰(vajra，金刚)(二合) 计(引)罗(六) 嚩日啰(vajra，金刚)(二合) 达噜倪也(darunya)(二合引) 钵野底娑嚩(patisvaha)(二合引) 贺(ha)(引七) 阿阇梨(acarya，导师)制作曼拏罗(mandala，坛城)。选择吉祥之地后，首先根据所要进行的事情来衡量其大小。如果是为国王制作，应当做一百肘或五十肘。如果是为大臣乃至庶民，可以做二十五肘或十二肘。如果没有能力，可以做一肘。这样衡量大小之后，就用牛粪涂抹完毕，再用加持过的五净水洒净，又用涂香涂饰完毕后，然后阿阇梨(acarya，导师)沐浴洁净，用香涂身，穿着新鲜的衣服，头戴宝冠，以及用花鬘装饰，庄严洁净后，就在曼拏罗(mandala，坛城)的地上先做护摩(homa，火供)。应当用湿柴，有刺，长八指，八棱的。再用毒药、芥子、血、人骨末等，用苦辣油调和，与湿柴一同烧，做护摩(homa，火供)。用右手作弹指，诵真言说： 嗡(om)(引) 萨哩嚩(sarva，一切的)(二合) 尾咄(vid)(一) 嚩日啰(vajra，金刚)(二合) 三摩(samaya，誓言)(引) 惹(ja)𠺁(hum)(仁作切) 吽(hum)(引) 𤚥呼(hum phat)(二) 如果得到已经结界的地，不需要填饰。就先在那块地上，衡量广阔如一张牛皮。用牛粪涂饰。在上面依法安放五阏伽(argha，供水)瓶，作护摩(homa，火供)法。应当用湿柴及黄松木，长十二指。黑油麻、大麦、小麦、粳米饭、酥等。先作护摩(homa，火供)，然后告诉地天说：‘我今为国王或大臣乃至弟子眷属等，于此地作曼拏罗(mandala，坛城)，为了利益的缘故，汝等地天发慈悲心，应当为了我而作善事。’ 这样护摩(homa，火供)后，能够成就一切事情。然后阿阇梨(acarya，导师)与他的助手，拿着线来测量曼拏罗(mandala，坛城)。
English
English version Om(引) Ki-la-ya Ki-la-ya(四) Sarva(二合) Pa(引) Pam Phat(半音五) Vajra(二合) Ki-la(六) Vajra(二合) Darunya Patisvaha(二合引) Ha(引七) The Acarya (teacher) makes the Mandala (sacred diagram). Having chosen an auspicious place, he first measures its size according to the matter at hand. If it is made for a king, it should be one hundred cubits or fifty cubits. If it is for a minister or even a commoner, it can be twenty-five cubits or twelve cubits. If one is without strength, it can be one cubit. Having measured it in this way, he then smears it with cow dung. Again, he sprinkles it with blessed five pure waters to purify it. He also adorns it with scented ointment. Then the Acarya (teacher) bathes and cleanses himself, anoints his body with incense, wears fresh clothes, and puts on a jeweled crown and garlands of flowers, adorned and pure. Then, on the ground of the Mandala (sacred diagram), he first performs a Homa (fire ritual). He should use wet firewood, thorny, eight fingers long, and eight-edged. Again, he uses poison, mustard seeds, blood, human bone powder, etc., mixed with bitter and spicy oil, and burns it together with the wet firewood to perform the Homa (fire ritual). With his right hand, he snaps his fingers and recites the mantra, saying: Om(引) Sarva(二合) Vid(一) Vajra(二合) Samaya Ja Hum Hum Phat(二) If one obtains a consecrated ground, it does not need to be filled in. Then, first on that ground, measure an area as wide as an oxhide. Smear it with cow dung. On top of it, according to the Dharma, place five Argha (water offering) vessels and perform the Homa (fire ritual) method. One should use wet firewood and yellow pine wood, twelve fingers long. Black sesame seeds, barley, wheat, polished rice, ghee, etc. First perform the Homa (fire ritual) and then tell the earth deities, saying: 'I am now making this Mandala (sacred diagram) on this ground for the sake of the king, or minister, or even disciples and family members, etc. For the sake of benefit, may you earth deities generate a compassionate mind and do good deeds for me.' Having performed the Homa (fire ritual) in this way, one can accomplish all things. Then the Acarya (teacher) and his assistants, holding a line, measure the Mandala (sacred diagram). --------------------------------------------------------------------------------
Chinese
用五色。以香水经宿浸渍。然后用金器盛。二手捧持诵五佛顶真言。加持已奉献五佛。复从五佛却求此线。愿佛慈悲共赐与我。即以五色都合为一。诵伽陀曰。 分别一切法 今正互相摄 真实理无二 此线亦如是 又复此线短长之数随曼拏罗量都合成已。即诵真言加持真言曰。 唵(引)嚩日啰(二合)素怛啰(二合)阿(引)哥哩沙(二合)野曼拏哩(引)吽(引一) 阿阇梨如是加持线已。即与助伴立曼拏罗西南隅。诵真言曰。 唵(引)嚩日啰(二合)素怛啰(二合一)么哥哩沙(二合)野末底讫啰(二合)摩吽(引二) 诵真言已。阿阇梨持线一头面东行。至东南隅立。助伴持线一头向北行。至西北隅立。絣已。次阿阇梨向北行至东北隅助伴向南行至西南隅。絣线如是旋绕四方絣线。第二第三重亦同此次第。絣线若依法者名为具足曼拏罗。若不依法。阿阇梨与助伴俱有过失。其曼拏罗四方四门。门各有楼。于门楼上画日月及宝璎珞随意严饰。于中心画八辐轮。轮外画金刚围。先于轮心画释迦佛。东辐位画金刚大佛顶如来。南辐位画宝生佛顶 西辐位画莲花佛顶。北辐位画羯磨佛顶。如是画四如来已。次从东南隅画光明佛顶。西南隅画宝幢佛顶。西北隅画金刚利佛 现代汉语译本 用五种颜色（五色）的线，用香水浸泡一夜。然后用金器盛放，双手捧持诵念五佛顶真言（Pañca-buddha-uṣṇīṣa-mantra），加持后奉献给五佛（Pañca-buddha）。再从五佛处祈求此线，愿佛慈悲赐予我。然后将五种颜色的线合为一，诵念伽陀（Gāthā）说： ‘分别一切法，今正互相摄，真实理无二，此线亦如是。’ 此外，此线的长短数量，应随曼拏罗（Maṇḍala，坛城）的大小而定，全部合成后，诵念真言加持。真言曰： ‘唵(引) 嚩日啰(二合) 素怛啰(二合) 阿(引) 哥哩沙(二合) 野 曼拏哩(引) 吽(引一)’ 阿阇梨（Ācārya，导师）如此加持线后，就与助手一同站在曼拏罗的西南角。诵念真言曰： ‘唵(引) 嚩日啰(二合) 素怛啰(二合一) 么哥哩沙(二合) 野 末底讫啰(二合) 摩 吽(引二)’ 诵念真言后，阿阇梨手持线的一头面向东方行走，到达东南角站立。助手手持线的另一头向北方行走，到达西北角站立。拉直线后，接着阿阇梨向北方行走至东北角，助手向南方行走至西南角。这样拉线，旋绕四方拉线。第二重、第三重也按照此次第拉线。如果依法拉线，就称为具足曼拏罗。如果不依法，阿阇梨与助手都有过失。曼拏罗的四方各有四门，门各有楼。在门楼上画日月及宝璎珞，随意装饰。在中心画八辐轮。轮外画金刚围。先在轮心画释迦佛（Śākyamuni）。东辐位画金刚大佛顶如来（Vajra-mahā-buddha-uṣṇīṣa-tathāgata）。南辐位画宝生佛顶（Ratnasambhava-buddha-uṣṇīṣa）。西辐位画莲花佛顶（Padma-buddha-uṣṇīṣa）。北辐位画羯磨佛顶（Karma-buddha-uṣṇīṣa）。这样画完四如来后，接着从东南角画光明佛顶（Ālokita-buddha-uṣṇīṣa）。西南角画宝幢佛顶（Ratnaketu-buddha-uṣṇīṣa）。西北角画金刚利佛
English
English version Use five-colored (Pañca-varṇa) threads, soaked overnight in scented water. Then, place them in a golden vessel, hold it with both hands, and recite the Pañca-buddha-uṣṇīṣa-mantra (Five Buddha Crown Mantra), consecrating them before offering them to the Pañca-buddha (Five Buddhas). Then, request this thread back from the Five Buddhas, wishing that the Buddhas compassionately grant it to me. Then, combine the five colored threads into one, reciting the Gāthā: 'Distinguishing all dharmas, now rightly interpenetrating, the true principle is without duality, this thread is also thus.' Furthermore, the length and quantity of this thread should be determined according to the size of the Maṇḍala. Once fully combined, recite the mantra to consecrate it. The mantra is: 'Oṃ Vajra-sūtra Ākarṣaya Maṇḍali Hūṃ' After the Ācārya (teacher) has consecrated the thread in this way, he and his assistant should stand in the southwest corner of the Maṇḍala, reciting the mantra: 'Oṃ Vajra-sūtra Ākarṣaya Matikrama Hūṃ' After reciting the mantra, the Ācārya, holding one end of the thread, walks eastward and stands at the southeast corner. The assistant, holding the other end of the thread, walks northward and stands at the northwest corner. After stretching the thread taut, the Ācārya then walks northward to the northeast corner, while the assistant walks southward to the southwest corner. Stretch the thread in this way, encircling and stretching the thread in all four directions. The second and third layers are also stretched in the same order. If the thread is stretched according to the Dharma, it is called a complete Maṇḍala. If it is not according to the Dharma, both the Ācārya and the assistant are at fault. The Maṇḍala has four gates in each of the four directions, each gate having a tower. On the gate towers, paint the sun and moon, as well as jeweled garlands, decorating them as desired. In the center, draw an eight-spoked wheel. Outside the wheel, draw a Vajra enclosure. First, in the center of the wheel, draw Śākyamuni (Shakyamuni Buddha). In the eastern spoke position, draw Vajra-mahā-buddha-uṣṇīṣa-tathāgata (Vajra Great Buddha Crown Tathagata). In the southern spoke position, draw Ratnasambhava-buddha-uṣṇīṣa (Ratnasambhava Buddha Crown). In the western spoke position, draw Padma-buddha-uṣṇīṣa (Lotus Buddha Crown). In the northern spoke position, draw Karma-buddha-uṣṇīṣa (Karma Buddha Crown). After drawing these four Tathagatas, then from the southeast corner, draw Ālokita-buddha-uṣṇīṣa (Light Buddha Crown). In the southwest corner, draw Ratnaketu-buddha-uṣṇīṣa (Jewel Banner Buddha Crown). In the northwest corner, draw Vajra-lī Buddha --------------------------------------------------------------------------------
Chinese
顶。东北隅画白伞盖佛顶。如是于轮八辐。画八如来已。次于轮四隅画四亲近菩萨。于第二重四隅画戏鬘歌舞四菩萨。于第三重四隅。画香花灯涂四菩萨。于四门画四护门菩萨。次于四方画十六大菩萨。于四门外各于颊。画象及师子。于门二边画八吉祥。于山围内画八护世。东方画帝释天。右手持金刚忤左手安腰侧。乘六牙白象。两边画天女。一名设尸二名乌哩嚩尸。东南方画火天。身赤色光明炽盛。右手执军持左手执宝杖。乘赤色羖羊。南方画夜摩天。身作绿色。左手作拳安腰侧。右手执宝杖。乘于水牛。两边画中天像。西南方画罗刹主。身赤黑色光如火聚。右手执剑左手安腰侧。以鬼为座。西方画水天。身黄白色头上现龙头。右手持罥索左手持妙宝。乘赤色摩竭鱼。两边画龙女及眷属等。西北隅画风天。身如虚空色。手持幡乘于鹿。北方画夜叉主。身如金色。右手执宝树枝左手持宝囊。乘于白马。两边画夜叉女。东北隅画部多主。身如灰色。右手持三叉左手持金刚子军持。乘于黄牛。于曼拏罗前下面。画地天。身如金色。二手于胸前持甘露瓶。坐莲花座。于右边画阿修罗。身赤黑色被挂甲胄。手执利剑乘酤里哥龙。于左边画大龙王。身作白色坐于本座。手持宝器众宝盈满。及画二龙女。身作黄色具端严相。手持般 现代汉语译本 在东北角画白伞盖佛顶（Usnisa Sitatapatra）。像这样在轮的八个辐条上，画八如来之后，接着在轮的四个角落画四亲近菩萨。在第二重（外圈）的四个角落画嬉鬘、歌、舞四菩萨。在第三重的四个角落，画香、花、灯、涂四菩萨。在四个门上画四护门菩萨。然后在四方画十六大菩萨。在四个门外，分别在脸颊旁画象和狮子。在门的两边画八吉祥。在山围之内画八护世。东方画帝释天（Indra），右手持金刚杵，左手放在腰侧，乘坐六牙白象，两边画天女，一名设尸（Sachi），二名乌哩嚩尸（Urvashi）。东南方画火天（Agni），身体赤色，光明炽盛，右手执军持（kundika，水瓶），左手执宝杖，乘坐赤色羖羊。南方画夜摩天（Yama），身体作绿色，左手作拳放在腰侧，右手执宝杖，乘坐水牛，两边画中天像。西南方画罗刹主（Rakshasa），身体赤黑色，光如火聚，右手执剑，左手放在腰侧，以鬼为座。西方画水天（Varuna），身体黄白色，头上现龙头，右手持罥索（pasa，绳索），左手持妙宝，乘坐赤色摩竭鱼（makara，一种海兽），两边画龙女及眷属等。西北隅画风天（Vayu），身体如虚空色，手持幡，乘坐鹿。北方画夜叉主（Yaksa），身体如金色，右手执宝树枝，左手持宝囊，乘坐白马，两边画夜叉女。东北隅画部多主（Bhuta），身体如灰色，右手持三叉戟，左手持金刚子军持，乘坐黄牛。在曼拏罗（mandala，坛城）前面下面，画地天（Prithvi），身体如金色，双手于胸前持甘露瓶，坐莲花座。于右边画阿修罗（Asura），身体赤黑色，身披挂甲胄，手执利剑，乘坐酤里哥龙（Kulika Naga）。于左边画大龙王（Naga Raja），身体作白色，坐于本座，手持宝器，众宝盈满，及画二龙女，身体作黄色，具端严相，手持般。