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A Second Selection of Hymns from the Rigveda - Peter Peterson, 1899 - Complete Book

English

It is given in the Naighantukas as a synonym of ‘mahat/ Roth thinks it can bo shown that in most of the passages in which it occurs in the R-igyeda it means some part of a chariot, perhaps the seat. This verse is quite unintelligible to me. Verse 4. Padapatha : 3 M fkr I m \ *pt I f 4 sn-r I uf% I 1 i Rrfr^ I 5^4 I ^r?r*. | 3*3 I ^cr ! mw i wsmi \ f?if ffw f ^pjJ f 4Prk i # i SS8 u v ymffty NOTES. ( SI, & AYANA : | m wm'r m&vfr m vRr^r mscrww mmms *m ip*k* ^rfr: ftf- ^?r?*r j5#'r*r ^ ftwr 115 ?rj mr vimfmsm tr **wr m 3rt*rrg ghrafa mwRra #>pr^?r gr wrar JTjj^rr mRwrt^Tr-. m^H^r wm-rj mum * srr ii . Not es 4 b.\I uktalakahanau • madbva madhurcna payasa i^adhu madhuraqa somarasam prushiiyan sinchanty atfhvaryavah.” Also vU, 71, 2. 2. Sravasva. Roth, whom Ludwig follows, takes this to bo a neu- tei plural, tie cites x, 44, b, “akririvata sravasyani dnshbarii,” and Nirukta fi, 25, where ‘ sravasyani’ in that passage is paraphrased by * sravaniyani.yasansi, an explanation which Sayan a there accepts. Both also cites viii, 1(1, 2, 15, 3 ; i, 100, 5, 117, 10 ; and oar passage. 1 he student should notice that Sayana finds a construction here by supplying the whole apodosis of a compound sentence “ Since they gladden you, they will rejoice with you, or by themselves also.” This is* of course, an impossible device. Verse 5. FaDAPATHA: T5 : ! spr i #$§ I ^rf%% ! ^rrf I frrw I m ^_rt l ff|r% I vmw i 5f%?! cmrsr I I 'f I I frf?2IJ | JT^cTT II ^ Sayana ; * 3Tf^%*rttrRr s^r°rprfs?fr *rr gmm T s mfo: tfr*. g|f-fr 55 .* wr 1 ’W sprtrfif swrrft frer? i f^jm*wrrf%s 5%^!% w*ir aKrwrffcft sr*reit irmrf*H *rpsp# '*&•£* irrff?rT | ferctr aw swrrteiwra 3?^% V ffTr^r u 3 <SL 135 Notes. 1. Manebhib. This and the ‘ munyusya ’ of the last verse are both patronymics. Agastya was the son of Mana, See, for example, i, 189,8, ■ '.V " 2. Suvrikti. In Nirukta 2, 24 the word hsuvrikttbhih’ occurring m yi, 61, 2^ is paraphrased by 4 snpraynitSWh sobhattSbbi stutibhih.’ Following this Both takes ‘suvriktlh’ to mean 4 excellent praise, a hymn.’ He explains our form as an instrumental, “ found only at the end of a lineciting our passage, and i, Gl, 2, 4 ; i, 186;, 9 and v, 41, 10. 3. All the MSS. read “manebhih rnanaili hav^shpradanarupabhih , ’ in the commentary here. Muller, quite unnecessarily, changes the last word into “ havishpradanarupaili.The word is an adjective, . and we are to understand u stutibhih 19 as the noun it qualifies. Vers© 6. PA I) A PAT HA. * ^crrrlCTr I ?r*W: ! <Tr?H I stft ! srfd i 1 I 3 JPf% ! WpT i i tW I **!?*?. I qpr'sft; I i ffwk \ l #r- S A YANA: 1*rfMr fror: jranrror to : riNi^RrraT i fjptf. yr srfa ?#f < i i w^r ">rr amTO. i i No. 1. Mandaw II. . Sckta 23, Sayana: 1 to wfKrf^r i urmt st^jt wt^. i 3f5r*r’ifwrtf 6 r5ir i =rr°TRr*r£r?rr srryrTOpai sjrfRTOig fswgpr? f%s*rrftf*r I i feet •srnwr: t ynrf 5|TOn%5Tsy t igtft m i ftrsr ww*rorsairs i JrroSsPrear ^r°f fjfw? i *r°rprr srr sr*ro il Verse 1. Padai’ATHa : n c TRk ! m I I ffr# I ^r%*r | ffr- ^TPfi ff^WtScPTf I 5%fI t^FT. ! ffTf: | ft s w I ft ! spwf i ^t^r; l Cr? I \ SAYANA : I srarol wqTswF-q qftfsw 'Wfr '-cr qq qrejfaq: r*rf qqrft- q°rrqr tfqr^qq w-rrq qftzfiHr nfan i mntnr qrFqqraqr qrfqq i qqq’qq^qqq. i qqqrqftsqtmqqr i ^fqTqqrqrgqqFr ’vrarsq nw zr qTrt^1 aTfqqrqqm-qqr qqqqq^qq: I qqqiqriF trr% I sTra^rqg^ skt- I qa f ga pg fift fir g gmq. |' s l |'OT3r t I 5taT: q- sqCTcTHT: %qr rr*r*?r §m°rr q*qrqhqrf*Fr?qr?qr ?qrq% I sfrsqrq: i f%=q q'r-swra' *pqq. ?qwqrq: wq-r #iq^qfw(%r% gqq wngqrerte qqfqqr n Note : Uparaasravastamara. ‘Of most excellent glory’. The word occurs only here. ‘iJp&vtii’ m^ans ‘highest, most excellent’. Compare *‘upam6 rochau^ divah”, viii, 82, 4. Sayana, “Upame samlpe.” . Verse 2. PadAP^lTHA .* I f%rf 1 % I 3J*£§ | S^Wt I ffWf I | fr^Tf. I frrfI I I s^rTekr 1 W : I 1 ff i 5tf%?rr I sr^mrfj zsw li ^ Sayana: srg^ wrq'r qs-f I f-^qq srttra: ?qfrqr qqrnqq ?qr *rrq ^rfSr^r q?rrt qrwqsr: snqqq. i qqr q%im ?r%fm%rq%- r°r*u JjfBfr?rqfrecr art tfqfNHr qqrqi'q qrsrq'tqq | mi%qfi°rr*r : i q%qRr ?fr% *rr% qqr qJlrq *rrw#> i qrqft- srqrrrtc'qRfTrqf tqrnrq*#: srqrqrc'qrqi ?rq wqrtsqfffrq vanm sqffqqr qsrcrr nit n$nrn- wShtm qq i rrwt i%rqr 1 wraq^cirf- fqqr qcqeqq: i srar r%q°rrq *Rqi% <ptt fqw mnt srer°rr k- 5Wr°rr •qfqgrr qq aqftr i ’srfnnr n*w qr% faqrqqrrWwfq: n 137 N'#TK 3 . I, Aswrya. f Heavenly One.’ The word Has not in the Veda the meaning,, which Sayaim ascribes to it. Roth cites viii, 90 (101), 12, <£ mahiia deYanam asury^ purdhitafu” Sayana, u asuryah asuranam hanta chasL 77 Also, ix 71,2, and x, 54, 4 It fe an epithet of Brihas- pafci only here. In iv, 16, 2, vii, 22, 5, and x, 105, 11, it is an epithet .of^Indra. 2/PraGhetasaho The first of Say ana’s three constructions seems the best, and Roth and Grasmann adopt it. Ludwig prefers the second. The third is, of course, impossible, 8. U$riSt!ju The accusative is dependent bn 4 j&niia.' J Say ana says that ‘janayati.’ is to be supplied from 4 janitiif 4. Mahah. 44 4 Mahal/ is most certainly to be construed as an instru¬ mental .with 'jyotishaf ” Ludwig. It/ is better to take it as Say an a does. Compare iv, 53, 8, “mahd devihf ’ Sayana, w sa m:iho mahan devah.” 6 Malm’ is given in Naigh. 3, & as an alternative form oi 6 ‘ ma- hat 7 ;’and; Yasha (NiruktaA;3, 7), in explaining the text just cited paraphrases 4 maha ’ by • ‘ mahat. 1 Verse. 3, Padapatha : || 1 fptr*|! Vsuffer:! w I \ 1I Rtfr% l fp# I #rf l hrw \ ! ntf-II ^ Sayana: t 7CT: 7rW7 W' I ®ffT K7 s *T?hTV wn% *i fircn 7ft7^r ^wif^i ^7- s% rf % gtr w|^f spuct nrr^r hW |p^r ,r H&iWr f$<sr7P^ i rttfrf ^•rt?t a r scKT^rr f ? ffrt ^farTT Notes. J, Pavirapah. This word is used again in verse 14 of this hymn. These are the only two places-in which it occurs. In both pas- V 18 ; ; 138 NOTES# sages the long vowel ot the Snnhita text is shortened iu the Pada text# Roth translates ‘stretching around/ understanding it of the demons who haunt the darkness. Ludwig prefers Sayana’s second interpretation* ** * Parirapah’ ” he says, <f can only mean those who censure the whole sacrificial proceeding, and speak slightingly of the sacrifices and their priests (compare verse 14); they are indirectly identified with the eyil principle itself,” 2* Gotrabhidam. “Gotrablnci. adj. Splitting open the 'cow-stall* Xndra (according fco the well known myth)'Rig veda vi, 17, 2; x, 103, 6 of* In ii, 23, 3 of the car of Brihaspati,” Roth. See verse 18. 3, Svarvidam. My MSS, of the commentary agree with Muller’s here in reading “jjyarvidam sarvasya lambhakam,” Muller corrected it. He refers to Sayana on i, 96, 4, “Svarvit svali svargasya yagadv* arena lam bhay i ta. * * Verso 4# Padapatba : ! ^r% I i "SJ^ 1 q-: I fpafrfl I S I 3Tf: 1 3p,rf?r 1 j ^q-- ^ I J I jtff | cfcfj % 1 w[fj- ejspr I! V Sayana : % f?W% tfoWT *r?TOf SRTrnT: IpsTl TO!% I WTOWfcq}' WT% I sfoSsrrw fnar? i sp? i ^s*rrsmr*Ti i?rTf; tpt ri'fif?ta# m Himn * i i 3TsPH: I Sfgrrtq: i srrw<>rrcr *T3T°rr m If: <m= grpjfrJSr i f%-=ri 1 to irrsTw <rr i % Rrsrroni. i ffrs I ?iw <rarf?r nf| i w?r?rapTttrr |i Verse 5. Pad a path a : * I ^1 3#: I *T I | ||! | p- j ^ | mkm I (ffe: I *r I li fWh i ^ | q- 1 11% I inj% i l ^Tfrrr*. j \ st§??: l <T% !} <t Sayana: % Tffi'Twt i^Tm: ^' wsf ^ftr 'Tr?mfg' ft anrtif ? wtsaraf jt#*r i |R?r fP^'T <Trr ^ k?^s\ 3Trr?Rir %j- rs # snr arfW ?rafe rtw n ?%%?: ! frRrnif^r^r i fsf i n f$*r- f^r s tr*rr £%Pt*t: i *Rf% ^•■str%nrar %srr*Tft?r % $*iTr%fr ^Rrwr-1 %st% ^ ^r?r r ktpt^ ! f%=er i srwra; wiw m t%%5Kr ^fv^raft! #rr *Tfn$ praralr fpspr srmr <r*ru Notes : 1. Titiruh. Compare the use of 'atarit* in No. 2, verse 6. ,2* Dhvarasah, This word occurs only here and in iv, 23„ 7, <( driS* barn jighahsan dhvanisam.” .Sayana/ “dhvarasam binsikam...raksha- aim,” Muller notes that the most of the MSS. read in the commen¬ tary here “dhvaraso va” (So also ray MSS.) and suggests that a word may have fallen out. Verse 6. Padapatha t ?=pr l T: I %r: I I l SPt I WrflV I t WS*f$ 1 #*T?r I 2T: i Sf: I | wb 1 i rw \ rR v I srtfj I |^rr i ftevfr!! ^ Sayana : I ^ott* wrar; qrrBfSRrr.'rf^Tf^ srwn#r*T?d% iPr ■wft Pp^T 5CCT l ft cTcTPEr ^F^RfSaFf jjftfjfct HplPP fHh mwt €g-7:1 W*CfrT= ^pTSCT? ! 3^=1 %*TRpr 3#T?5WgTt I \ SKtrtrt 1 tow i s*rh%**f Br?*nPf ?f ^rr frffar |§pn Jt%: h 4| *ft^3i f $. ai^nW^*r aRf5T%f5lf3rCTJl.il Notes/ 1* Duchchhumi. Ill-luck ; often personified, a spirit that brings ill-luck,., a witch, i, J16, 21. “Ma no ague Va srijo aghay&vishyave rip&ve duehchhtinayai,” i, 189, 5. ii, 23, 6. ii, 32, 2. v, 45, 5. “Vklu xavd vi yasi duchchhi'ma, vi, 12. 6. vi, 47, 30,.,, Perhaps compounded of dash and sun.” Both. 2. H&rasvati. This word only occurs here. Ludwig ingeniously Suggests that we should read * hvarasvatl,’ with a reference to the preceding ‘ hvaim’ Verse 7. Padapatha : ser l ir I ^ I ! 3urr%^ r I I I ! art I *ur l i wqt I ^SITW 1 f: | I I <£(■% J| Sayaka : *arV®rfa =*? I f??it *133?: gf^- *rr3 i fsji-1 f5tr str?r*r i vFrr#rr*rrsrar *fr H’-hrra. t i Ff?*tr?ri <r rtf? <rtft Prsfo ! sttewrarwl %*rt <fr?r *rtorOT*rfo?fjftr irerra nr*rr^ §*r@l *Ffi^ *tt*f fffafF I sgrgsmr* ®frf% Notes. 1. Arfitiva. A derivative from *arfiti\ On i, 147, 4, Bayana para¬ phrases it by ■ adanavan.’ On be, 114, 4 his note is^aratlva arativan satruh.” On viii, 62, 11 he repeats the explanation “arfitiva adanah.” These are all the places in which the word occurs. 2, Sanukah. This word occurs only here. Both, who understands *vnka’ to mean 4 wolf/ derives * sanuka ’ from the root { san’ and translates it 4 greedy for prey/ Verso 8. Padapatha t fr?rrk S srr I g*prk l ftrul.