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lt20 0007.instruction treasury eleventh volume.mandala practice of the five tantras.g2.0f

English

Adorned with various vajras, having a crown of five dry skulls, together with curved eyebrows, bearing wrathful wrinkles, gnashing teeth, having three eyes red like bandhu flowers. The first two of the sixteen hands embrace the consort with a vajra and a bell. The second on the right holds a sword, the third an arrow, the fourth a wheel, the fifth an axe, the sixth a staff, the seventh a trident, the eighth an iron hook. The second on the left holds a lotus, the third a bow, the fourth a khatvanga, the fifth a skull cup, the sixth a jewel, the seventh is the threatening mudra, the eighth holds a noose. The body is endowed with six bone ornaments, wearing a garland of fifty blood-dripping human heads. Naked, the two front feet in a right-extended posture, the two rear feet in a half-lotus posture, equally pressing Brahma, Indra, Shiva, and Nera-Ishvara. Charming, heroic, hideous, fierce, violent, terrifying, compassionate, majestic, and peaceful, possessing the flavor of nine dances. Embracing her, the selflessness mother, the black fierce mother, complete with all the attributes of a goddess, the first two of the four hands holding a curved knife and a skull cup, the lower two holding an arrow and a bow, naked, possessing five mudras and a garland of five dry skulls, following with a left-extended posture, the remainder being the same as the Bhagavan. Both reside in the midst of blazing flames, light pervading the boundless expanse of the sky, a turbulent chain of flames. From the father's inconceivable secret place, from the syllable Hūṃ arises a blue five-pointed vajra, marked in the center with the syllable Hūṃ (Tibetan: ཧཱུྃ, Sanskrit Devanagari: हुं, Sanskrit Romanization: hūṃ, Literal Chinese meaning: Hūṃ). Oṃ Vajra Mahādeṣa Catur Ānanta Dāya Ka Kha Kha Mukha Eka Rasonātha Hūṃ Hūṃ Hūṃ Kāṃ Kuruṣva Me. (Tibetan: ༀ་བཛྲ་མ་ཧཱ་དེ་ཥ་ཙ་ཏུར་ཨཱ་ནནྟ་དཱ་ཡ་ཀ་ཁ་ཁ་མུ་ཁ་ཨེ་ཀ་ར་སོ་ནཱ་ཐ་ཧཱུྃ་ཧཱུྃ་ཧཱུྃ་ཀཱཾ་ཀུ་རུ་ཥྭ་མེ།, Sanskrit Devanagari: ॐ वज्र महादेष चतुर आनन्त दाय क ख ख मुख एक रसोन थ हुं हुं हुं कं कुरुष्व मे, Sanskrit Romanization: oṃ vajra mahādeṣa catura ānanta dāya ka kha kha mukha eka rasona tha hūṃ hūṃ hūṃ kāṃ kuruṣva me, Literal Chinese meaning: Om, Vajra, Great God, Four, Infinite, Giver, Ka, Kha, Mukha, One, Rasonatha, Hum, Hum, Hum, Kam, Do, Me.) From the mother's emptiness, the syllable A, arises a red eight-petaled lotus, marked in the center with the syllable Aṃ (Tibetan: ཨཾ, Sanskrit Devanagari: अं, Sanskrit Romanization: aṃ, Literal Chinese meaning: Aṃ). Bhrūṃ Oṃ Padma Sukhā Dharā Mahārāga Sukhaṃ Dada Carura Ānan Bha Ga Viśva Hūṃ Hūṃ Hūṃ Kāṃ Kuruṣva Me. (Tibetan: བྷྲཱུཾ་ༀ་པདྨ་སུ་ཁཱ་དྷ་རཱ་མ་ཧཱ་རཱ་ག་སུ་ཁཾ་ད་ད་ཙ་རུར་ཨཱ་ནན་བྷ་ག་བི་ཤྭ་ཧཱུྃ་ཧཱུྃ་ཧཱུྃ་ཀཱཾ་ཀུ་རུ་ཥྭ་མེ།, Sanskrit Devanagari: भ्रूं ॐ पद्म सुखा धरा महारग सुखं दद चरुर आनन् भ ग विश्व हुं हुं हुं कं कुरुष्व मे, Sanskrit Romanization: bhrūṃ oṃ padma sukhā dharā mahārāga sukhaṃ dada carura ānan bha ga viśva hūṃ hūṃ hūṃ kāṃ kuruṣva me, Literal Chinese meaning: Bhrum, Om, Lotus, Happiness, Holder, Great Desire, Happiness, Giving, Carura, Anan, Bha, Ga, Vishva, Hum, Hum, Hum, Kam, Do, Me.) The sound of joy from the equal union of the father and mother, invites the Buddhas and Bodhisattvas of the ten directions, entering from the father's mouth, dissolving into the heart, burning with fire. Descending from the vajra path into the mother's lotus, transforming into twelve parts of bindu, radiating outward from the sky, returning to their respective seats.

Chinese

十二个太阳和月亮的结合。在它们之间变成གཾ་ཙཾ་བཾ་གྷཾ་བཾ་ཤཾ་ལཾ་ཌཾ་ཛཿ,ཧཱུྃ་བཾ་ཧོཿ。从这些完全转变之后,弯刀、手鼓、剑、颅骨、珍宝、金刚、风幡、颅骨铁钩、绳索、铁链和铃铛都以这些种子字为标志。从太阳和月亮各自与一体融合完全转变之后:东方是黑色的郭拉女神,右边两只手拿着弯刀和箭,左边两只手拿着颅骨和弓。南方是红色的卓热女神,右边两只手拿着手鼓和轮,左边两只手拿着颅骨和铁钩。西方是黄色的拜达里女神,右边两只手拿着剑和酒瓶,左边两只手拿着海螺和颅骨。北方是绿色的嘎斯玛里女神,右边两只手拿着颅骨绳索和施救印,左边两只手拿着敌刀和火炉。东北方是黄蓝色的布嘎女神,右边两只手拿着金刚和胜施印,左边两只手拿着如意树的嫩枝和颅骨。东南方是白色的夏瓦热女神,右边两只手拿着金刚和卡杖嘎,左边两只手拿着颅骨和绳索。西南方是蓝色的旃达里女神,右边两只手拿着风幡和颅骨,左边两只手拿着幡和莲花。西北方是杂色的多比尼女神,右边两只手拿着颅骨和箭,左边两只手拿着三叉戟和土坛。东门是黑色的马头女神,四张脸分别是黑色、黄色和红色,上面是绿色的马头,两只主手拿着笛子,另外两只手拿着金刚和铁钩。南门是黄色的猪头女神,四张脸分别是黄色、蓝色和白色,上面是红色的猪头,两只主手拿着琵琶,另外两只手拿着珍宝和绳索。西门是红色的狗头女神,四张脸分别是红色、蓝色和白色,上面是黄色的狗头,两只主手拿着大鼓,另外两只手拿着莲花和铁链。北门是绿色的狮头女神,四张脸分别是绿色、黑色和红色,上面是白色的狮头,两只主手拿着耳环,另外两只手拿着剑和铃铛。所有女神都具有三只眼睛,红黄色的头发向上竖立,用五个干颅骨装饰头顶,戴着五十个干颅骨的项链,并以五个骨饰作为装饰,以左腿伸展的姿势……

English

The union of twelve suns and moons. In between them, they become gaṃ caṃ vaṃ ghaṃ vaṃ śaṃ laṃ ḍaṃ jaḥ, hūṃ vaṃ hoḥ. From the complete transformation of these, the hooked knife, hand drum, sword, skull, jewel, vajra, wind banner, skull hook, rope, iron chain, and bell are marked by these seed syllables. From the complete transformation of the sun and moon each merging into one: In the east is the black Ghori goddess, the two right hands holding a hooked knife and an arrow, the two left hands holding a skull and a bow. In the south is the red Tsauri goddess, the two right hands holding a hand drum and a wheel, the two left hands holding a skull and a hook. In the west is the yellow Baitāli goddess, the two right hands holding a sword and a wine bottle, the two left hands holding a conch and a skull. In the north is the green Ghasmari goddess, the two right hands holding a skull rope and a refuge-granting gesture, the two left hands holding an enemy dagger and a hearth. In the northeast is the yellow-blue Pukka goddess, the two right hands holding a vajra and a supreme-granting gesture, the two left hands holding a wish-fulfilling tree's twig and a skull. In the southeast is the white Shavari goddess, the two right hands holding a vajra and a khatvanga, the two left hands holding a skull and a rope. In the southwest is the blue Chandali goddess, the two right hands holding a wind banner and a skull, the two left hands holding a pennant and a lotus. In the northwest is the multi-colored Dombeni goddess, the two right hands holding a skull and an arrow, the two left hands holding a trident and an earth mandala. At the east gate is the black horse-faced goddess, with four faces black, yellow, and red, and above them a green horse face, the two main hands holding a flute, the other two holding a vajra and a hook. At the south gate is the yellow pig-faced goddess, with four faces yellow, blue, and white, and above them a red pig face, the two main hands holding a lute, the other two holding a jewel and a rope. At the west gate is the red dog-faced goddess, with four faces red, blue, and white, and above them a yellow dog face, the two main hands holding a large drum, the other two holding a lotus and an iron chain. At the north gate is the green lion-faced goddess, with four faces green, black, and red, and above them a white lion face, the two main hands holding earrings, the other two holding a sword and a bell. All the goddesses are endowed with three eyes, their red-yellow hair piled upwards, their heads adorned with five dry skulls, wearing a necklace of fifty dry skulls, and adorned with five bone ornaments, in a posture with the left leg extended...

Tibetan

ཤེས་ཀྱི་མེ་འབར་བའི་དབུས་ན་བཞུགས་པའོ། །སྒོ་མ་རྣམས་ནི་སྦོམ་ཐུང་ཆེར་ཁྲོས་ཤིང་སྟག་གི་པགས་པའི་ཤམ་ཐབས་ཅན་ནོ། །དེ་ནས་གཙོ་བོའི་དཔྲལ་བར་ༀ། མགྲིན་པར་ཨཱཿ ཐུགས་ཀར་ཧཱུྃ། གཙུག་ཏོར་དང་ལྟེ་བར་ཧོཿདམར་པོ་རིས་མཚན་པར་གྱུར། ཡབ་ཡུམ་སྙོམས་པར་ཞུགས་རྗེས་སུ་ཆགས་པའི་མེས་འོད་དུ་ཞུ་ནས་བདུད་བཞིའི་སྟེང་དུ། བདེ་བ་ཆེན་པོའི་ངོ་བོའི་རྡོ་རྗེ་སེམས་དཔའི་རང་བཞིན་ཐིག་ལེ་གཉིས་སུ་གྱུར། དེ་ནས་ཚད་མེད་པ་བཞིའི་ངོ་བོར་གྱུར་པའིབའི་ལྷ་མོ་བཞིའི་སྙན་པའི་དབྱངས་ཀྱིས་འགྲོ་བའི་དོན་ལ་བསྐུལ་བ་ནི། པུཀྐ་སཱིས། །རྗེ་བཙུན་སྙིང་རྗེའི་ཡིད་བཞེངས་ཤིག །པུཀྐ་སཱི་ནི་བདག་ལ་སྐྱོབས། །སྟོང་པའི་རང་བཞིན་ཉིད་སྤོངས་ལ། །བདག་ལ་བདེ་ཆེན་སྦྱོར་བཞེད་མཛོད། །ཤ་བ་རཱིས། །ཁྱོད་མེད་ན་ནི་བདག་འགུམ་པས། །དགྱེས་མཛད་རྡོ་རྗེ་ཁྱོད་བཞེངས་ཤིག །སྟོང་པའི་རང་བཞིན་ཉིད་སྤོངས་ལ། །རི་ཁྲོད་མ་འབྲས་གྲུབ་པར་མཛོད། །ཙཎྜ་ལཱིས། དགའ་གཙོ་འཇིག་རྟེན་དོན་གཉེར་བ། །སྟོང་པ་ཉིད་ལ་བཞུགས་སམ་ཅི། །ཁྱོད་མེད་ཕྱོགས་ནི་མི་འཚལ་བས། །གདོལ་བ་མོ་བདག་ཞུ་བ་བགྱིད། །ཌཱོཾ་བི་ནཱི་ས། བདག་གིས་ཉིད་ཀྱི་ཐུགས་འཚལ་གྱི། །མིག་འཕྲུལ་མངའ་བ་ཁྱེད་བཞེངས་ཤིག །གཡུང་མོ་བདག་ཉིད་དྲན་ཉམས་པས། །སྙིང་རྗེ་རྒྱུན་ཆད་མ་མཛད་ཅིག །ཅེས་བསྐུལ་བས་ཐིག་ལེ་གཉིས་པོ་གཅིག་ཏུ་འདྲེས་ཏེ་ཉི་ཟླ་ཁ་སྦྱོར་གྱི་དབུས་སུ་ཧཱུྃ་དང་ཨཾ་ལས་རྡོ་རྗེ་ དང་གྲི་གུག་ཧཱུྃ་དང་ཨཾ་གིས་མཚན་པ། དེ་ཡོངས་སུ་གྱུར་པ་ལས་འབྲས་བུ་རྡོ་རྗེ་འཛིན་པ་དགྱེས་མཛད་རྡོ་རྗེ་སྐུ་མདོག་མཐིང་ནག་སོགས་རྒྱུ་རྡོ་རྗེའི་འཛིན་པ་ཡུམ་བཅས་ལྟར་གསལ་བཏབ་བོ། །དེ་ལྟར་བདག་ཉིད་དགྱེས་མཛད་དུ་གྱུར་པའི་སྐུ་ལ་རྩ་གསུམ་འཁོར་ལོ་བཞི་ཡོངས་སུ་རྫོགས་པ། སྙིང་ག་ཆོས་ཀྱི་འཁོར་ལོ་སྔོན་པོ་རྩིབས་བརྒྱད་པའི་སྟེང་དུ་དགྱེས་མཛད་རྡོ་རྗེའི་ཐུགས་ཀྱི་སྣང་ཆ་གཞལ་ཡས་ཁང་མཚན་ཉིད་ཐམས་ཅད་ཡོངས་སུ་རྫོགས་པ། པདྨ་འདབ་བརྒྱད་དང་བཅས་པའི་ལྟེ་བ་ལ་ཉི་མའི་སྟེང་དུ་བདུད་བཞིའི་གདན། །འདབ་མ་རྣམས་ལ་ཤར་དུ་ཚངས་པ། ལྷོར་དབང་པོ། ནུབ་ཏུ་ཉེ་དབང་། བྱང་དུ་དྲག་པོ། བྱང་ཤར་དུ་གཤིན་རྗེ། ཤར་ལྷོར་ནོར་བདག །ལྷོ་ནུབ་ཏུ་སྲིན་པོ། ནུབ་བྱང་དུ་ཐགས་བཟང་རིས། །དབུས་ཀྱི་གདན་གྱི་སྟེང་དུ་བཅོམ་ལྡན་འདས་དགྱེས་མཛད་རྡོ་རྗེ་སྐུ་མདོག་མཐིང་ནག །ཞལ་བརྒྱད་པ། སྤྱན་ཉི་ཤུ་རྩ་བཞི་ཕྱེ་བ། ཕྱག་བཅུ་དྲུག་པ། ཞབས་བཞི་པ

Chinese

位于智慧之火燃烧的中央。门神们粗壮矮胖,怒容满面,身穿虎皮裙。然后,主尊的额头上是嗡(ༀ,Oṃ,om,嗡),喉咙上是阿(ཨཱཿ,Āḥ,阿),心间是吽(ཧཱུྃ,Hūṃ,吽),头顶和肚脐上是霍(ཧོཿ,Hoḥ,吼),呈现红色条纹。本尊父母平等交合后,欲火融化成光,在四魔之上,化为大乐之性的金刚萨埵的自性,成为两个明点。然后,化为四无量心的自性的四位天女,以悦耳的声音劝请利益众生:布嘎西斯。至尊请您生起慈悲心。布嘎西请您救护我。请您舍弃空性的自性,请您赐予我大乐的结合。夏瓦里斯。如果没有您,我就会死去,请您生起欢喜金刚。请您舍弃空性的自性,请您成就山居母果。旃达里斯。欢喜之主,寻求世间利益者,您是安住在空性之中吗?如果没有您,我就找不到方向,贱民女我向您祈求。东比尼萨。我寻求您的心意,请您生起拥有幻眼者。我是迷失了心性的少女,请您不要断绝慈悲。如此劝请后,两个明点融为一体,在日月交融的中央,从吽(ཧཱུྃ,Hūṃ,吽)和昂(ཨཾ,Aṃ,昂)中生出金刚和弯刀,以吽(ཧཱུྃ,Hūṃ,吽)和昂(ཨཾ,Aṃ,昂)为标志。由此完全变化,显现出果位金刚持欢喜金刚,身色深蓝黑色等,如因位金刚持与明妃。如此观想自身成为欢喜金刚,身具三根本,四脉轮圆满。心间是蓝色的八辐法轮,其上是欢喜金刚心间的显现,所有特征都圆满的宫殿。在具有八瓣莲花的脐轮上,是日轮之上的四魔座垫。花瓣上,东方是梵天,南方是帝释天,西方是阎摩,北方是大力神,东北是阎罗王,东南是财神,西南是罗刹,西北是纺织者。中央座垫上是薄伽梵欢喜金刚,身色深蓝黑色,八面,二十四眼睁开,十六臂,四足。

English

He dwells in the center of blazing wisdom fire. The gatekeepers are stout and short, greatly wrathful, and wear tiger skin loincloths. Then, on the forehead of the main deity is Oṃ (ༀ, Oṃ, om, 嗡), on the throat is Āḥ (ཨཱཿ, Āḥ, 阿), on the heart is Hūṃ (ཧཱུྃ, Hūṃ, 吽), and on the crown and navel is Hoḥ (ཧོཿ, Hoḥ, 吼), marked with red stripes. After the father and mother deities are in equal union, the fire of desire melts into light, and above the four maras, it transforms into the nature of Vajrasattva, the essence of great bliss, becoming two bindus. Then, the four goddesses, who have become the essence of the four immeasurables, urge the benefit of beings with melodious voices: Pukkasīs. Noble one, please awaken the mind of compassion. Pukkasī, please protect me. Please abandon the nature of emptiness, and please grant me the union of great bliss. Śabarīs. If you are not here, I will die, please awaken, joyful Vajra. Please abandon the nature of emptiness, and please accomplish the hermit mother fruit. Caṇḍālīs. Lord of joy, seeker of worldly benefit, are you dwelling in emptiness? If you are not here, I cannot find direction, the outcaste woman begs you. Ḍoṃbinīs. I seek your mind, please awaken, you who possess illusory eyes. I, the young woman, have lost my memory, please do not cut off compassion. Thus urged, the two bindus merge into one, and in the center of the union of the sun and moon, from Hūṃ (ཧཱུྃ, Hūṃ, 吽) and Aṃ (ཨཾ, Aṃ, 昂) arise a vajra and a curved knife, marked with Hūṃ (ཧཱུྃ, Hūṃ, 吽) and Aṃ (ཨཾ, Aṃ, 昂). From that complete transformation, manifest the fruition Vajradhara, Joyful Vajra, with a dark blue-black body, etc., like the causal Vajradhara with consort. Thus, visualize yourself as Joyful Vajra, with the three roots and four chakras complete. In the heart, on top of the blue eight-spoked Dharma wheel, is the manifestation of the mind of Joyful Vajra, a palace with all characteristics complete. On the navel, with eight lotus petals, is the seat of the four maras on top of the sun. On the petals, to the east is Brahma, to the south is Indra, to the west is Yama, to the north is the Powerful One, to the northeast is Yama Raja, to the southeast is the Wealth Lord, to the southwest is Rakshasa, and to the northwest is Weaver. On the central seat is the Bhagavan Joyful Vajra, with a dark blue-black body, eight faces, twenty-four eyes open, sixteen arms, and four feet.