Chinese
手印是这样说的：手要极度伸展，两根手指互相缠绕打结，中指从拇指尖开始，完全转动金刚手印。完全转动并举起后，如果好好地放在怒容中，所有王位都能圆满成就，无余无剩地成就。用这个守护之后，如同金刚中的光辉，瑜伽自在圆满成就，无余无剩地成就。母神和姊妹神，以及空行母也特别成就。所有尸林成就和所有事业都能成办。如是说，应结合起来。这样做了自身灌顶后，应该穿衣服，将金刚结伸展放在喉咙处，念诵：嗡 班匝 吉瓦匝 亚 阿 吽 班 昂。念诵后，将结解开成两股，伸展手指，各自相对，以打结的姿势从心口开始到头顶抛掷，念诵：嗡 吽 嘎巴匝 亚 芒 吞。念诵此咒三遍，这样无论如何也不会分开。关于吉祥黑汝嘎的身色和手印的姿态是：示现一面四臂，如上面经文所说，身色深蓝黑色，手中拿着燃烧的金刚杵，金刚卡杖嘎摇动铃铛，红色头盖骨，以及大心等大肉的肉食碗。当示现四面八臂四足时，右面白色，左面红色，中间蓝色，后面黄色。第一双手与之前相同，下面两只手穿着大丝绸衣服。后面两只手拉弓箭，最后两只手与之前相同。四足以伸展和弯曲的姿势踩着大傲慢男女。另外，如云：尸林一切生灵之，手印吉祥具圆满。如是说，用尸林普遍知名的装饰品来装饰也没有过失。这是自身加持的修持次第。另外，如果不从吉祥金刚萨埵的禅定中生起吉祥黑汝嘎，而是想从金刚萨埵的自性菩提心中生起吉祥黑汝嘎，那么，从法界清净的自性中
English
The mudra is said as follows: The hands should be stretched out extremely, the two fingers are intertwined and tied in a knot, from the tip of the middle finger and thumb, the vajra mudra is completely turned. After completely turning and lifting it up, if it is well placed in a wrathful expression, all kingdoms will be perfectly accomplished, accomplished without remainder or residue. Having protected with this, it is like the splendor from the vajra, the yoga empowerment is perfectly accomplished, accomplished without remainder or residue. The mothers and sisters, and also the dakinis are especially accomplished. All charnel ground accomplishments and all actions will be performed. It is said thus, it should be combined. Having done the self-initiation in this way, one should put on clothes, placing the stretched vajra knot at the throat, and reciting: Om Vajra Kiva Tsa Ya Ah Hum Bam Ang. Having said that, separate the tied knot into two, stretch out the fingers, facing each other, starting from the heart in a knot-like manner, throwing it up to the crown of the head, and reciting: Om Hum Kapa Tsa Ya Mam Tum. If this mantra is recited three times, then by this it will definitely not be separated. Regarding the form of the glorious Heruka's body color and hand implements: Showing one face and four arms is as stated in the previous text. The body color is dark blue-black. In the hands are a burning vajra, a vajra khatvanga ringing a bell, a red skull cup, and a bowl of flesh made of large pieces of meat such as a large heart. When showing four faces, eight arms, and four legs, the right face is white, the left is red, the center is blue, and the back is yellow. The first right and left hands are the same as before. The lower two hands are wearing large silk clothes. The two hands at the back are drawing a bow and arrow. The last two hands are the same as before. The four feet are trampling on the great arrogant male and female in a stretching and bending posture. Furthermore, it is said: "Of all beings in the charnel grounds, the mudra is glorious and perfectly complete." As it is said, there is no fault in decorating with the ornaments generally known in the charnel grounds. This is the sequence of accomplishing the self-blessing. Furthermore, if one does not generate the glorious Heruka from the samadhi of the glorious Vajrasattva, but wishes to generate the glorious Heruka from the nature of Vajrasattva's bodhicitta, then from the nature of the pure dharmadhatu,
English
One should generate the forms of the goddesses and arrange them in the mandala. Thus, by whatever means, the great mudra should be accomplished, and the offering should be commenced. The seed syllables of the goddesses are: For Keri and the other four secret consorts: hrīḥ (藏文，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：Hrih), hī (藏文，梵文天城体：ही，梵文罗马拟音：hī，汉语字面意思：Hi), jjih (藏文，梵文天城体：ज्जिः，梵文罗马拟音：jjih，汉语字面意思：Jjih), ji (藏文，梵文天城体：जि，梵文罗马拟音：ji，汉语字面意思：Ji). The seed syllables of Pukkasi and the other four family consorts are: huṃ maṭṭa (藏文，梵文天城体：हुंमट्ट，梵文罗马拟音：huṃ maṭṭa，汉语字面意思：Hum Matta) four times. The seed syllables of Vajra Arrow-Holder and the other four are: śaṃ (藏文，梵文天城体：शं，梵文罗马拟音：śaṃ，汉语字面意思：Sham), vaṃ (藏文，梵文天城体：वं，梵文罗马拟音：vaṃ，汉语字面意思：Vam), yaṃ (藏文，梵文天城体：यं，梵文罗马拟音：yaṃ，汉语字面意思：Yam), raṃ (藏文，梵文天城体：रं，梵文罗马拟音：raṃ，汉语字面意思：Ram). Their symbols are as follows: A sharp arrow and likewise guidance, wine and water and tender branches, cloth and likewise non-existence, these are the seven mothers mentioned, and the eighth is said to be the action mudra. Vajra Arrow-Holder and the others should be known from their names themselves. The mantras of these goddesses are: huṃ vajra guhya siddhi sara ma yogīśvari hīḥ huṃ huṃ vajra candaḍeśvari khaṭvāṃgi mahāvajra kapāla mukuṭe luru lunhi. huṃ vajra nayani dhiṃ raḥ. huṃ vajra pātike ji. These four are the secret mantras of the four: the Increasing Mother, the Heart-Drawing Mother, the Deluding Mother, and the Lifting Mother, i.e., the four secret consorts, Keri and the others. huṃ vajra prahana ni. huṃ vajra śūlā gri bhinda maṭ. huṃ vajra kośe tig tsha maṭ. huṃ vajra mālā pāśe maṭ. These four are the secret mantras of the Dancing Mother, the Killing Mother, the Eating Mother, and the Vajra Action Mother, i.e., Pukkasi and the other four family consorts. Furthermore, if one is to accomplish the twelve goddesses, then the secret mantras of the glorious Vajra Arrow-Holder and the other four are: he vajra rati vaṃ. vaṃ mahārata vajre ho. oṃ vajra locane yaṃ. raṃ mahāśri vajri. These four are said to be in the latter part of the latter tantra, and since they are not specifically mentioned here, there is no fault in not listing them. The mudras of the four doors, as mentioned in the mandala of the glorious Vajrasattva, should also be applied here. If one is unable to accomplish many goddesses, then one woman should be blessed as the goddess, the mother of the charnel ground nature, the Wrathful Īśvarī, and be accomplished. If, due to inclination and ability, there is no external mudra, then one should visualize the charnel ground goddess arising from the heart of the main deity, the right arm embracing the main deity, the left hand holding a skull cup, and leaning against a khaṭvāṃga.
Chinese
因此，他们认为从与它嬉戏中产生了七位女神。为了便于理解这些女神的颜色、手持器物和姿态，将用普遍知晓的名字来描述。其中，克里尼：面容寂静，观看方式也寂静。颜色呈白色和黄色。同时射出四支箭，斩断了大梵天的四个头颅，箭尖上悬挂着头颅。在田地的垫子上，坐在各种莲花和太阳的垫子上，左腿伸展。措日尼：面容凶猛，观看方式愤怒。颜色红色。左右臂膀上扛着卡杖嘎和宝剑，以愤怒的姿态，在心间持有铁钩。右手的食指指着八辐轮，举起并持有。右脚抬起，以压迫的姿态坐着。帕摩哈尼：有两个面容，上面的面容是巨大的猪头，下面的面容是红色。观看方式愚昧。四只手中，第一只右手拿着三叉金刚杵，第一只左手拿着盛满酒的颅碗。左右两只手都握着拳头，右手拿着轮子，左手支撑着并以抬起的姿态持有。以右腿伸展的姿态坐着。贝塔利尼：具有欢喜思索的姿态，观看方式是唤醒死者。身体颜色白色。右手拿着盛满像月亮一样光芒四射的颅碗，里面盛满了大块的肉和血的甘露。左手拿着金刚旗。此手印是右手拇指靠近食指，小指弯曲，其余三指伸直，是三旗的手印。以随心所欲的力量坐着。普卡西尼：面容凶猛地跳舞，观看方式是变化的姿态。颜色是多种多样的。两只手的头和两只脚的头，以及五个面容是白色的，身体本身是红色的。四条鱼是红色的。手持的殊胜之物像绿色的树叶。如是说。右手以金刚拳握持燃烧的五股金刚杵，左手握持随愿树的嫩枝，被风吹动。以头盖骨的花环装饰，以舞蹈的变化姿态在尸陀林的中央跳舞。
English
Therefore, they believe that seven goddesses were generated from playing with it. In order to easily understand the colors, hand implements, and postures of these goddesses, they will be described by commonly known names. Among them, Krini: has a peaceful face, and the way of looking is also peaceful. The color is white and yellow. Shooting four arrows at the same time, it cuts off the four heads of the Great Brahma, with the heads hanging on the arrowheads. On the mat of the field, sitting on a mat of various lotuses and the sun, with the left leg extended. Tsourini: has a fierce face, and the way of looking is angry. The color is red. Carrying a khatvanga and a sword on the left and right arms, in an angry posture, holding an iron hook in the heart. The index finger of the right hand points to the eight-spoked wheel, raising and holding it. The right foot is raised, sitting in a posture of suppression. Prama Hani: has two faces, the upper face is a huge pig head, and the lower face is red. The way of looking is ignorant. Among the four hands, the first right hand holds a three-pronged vajra, the first left hand holds a skull bowl filled with wine. Both the left and right hands are clenched into fists, the right hand holds a wheel, and the left hand supports and holds it in a raised posture. Sitting with the right leg extended. Betalini: has a posture of joyful contemplation, and the way of looking is to awaken the dead. The body color is white. The right hand holds a skull bowl filled with nectar, shining like the moon, filled with large pieces of meat and blood. The left hand holds a vajra banner. This mudra is the right hand's thumb close to the index finger, the little finger bent inward, and the remaining three fingers extended straight, which is the mudra of the three banners. Sitting with the power of whatever one desires. Pukkasini: has a fierce dancing face, and the way of looking is a changing posture. The color is diverse. The heads of the two hands and the heads of the two feet, and the five faces are white, and the body itself is red. The four fish are red. The supreme object held in the hand is like green leaves. It is said. The right hand holds a burning five-pronged vajra with a vajra fist, and the left hand holds a tender branch of the wish-fulfilling tree, moved by the wind. Decorated with a garland of skulls, dancing in the center of the charnel ground with a changing dancing posture.
Chinese
并安住于其中。旃扎丽是，以向上呼气般的姿态注视，处于夺取他人性命的行持中，颜色为黑色。右手的金刚拳握着充满白色绢帛的风囊，持着以金刚杵为标志之物，通过散布风轮来夺取所调伏者的性命，并向上抛洒。左手拿着三叉戟，在尸林中舞蹈并安住于其中。嘎玛日是，以具有使死尸复活的行持而注视，颜色为黄黑色。左手以金刚拳握着金刚宝剑，右手拿着燃烧的火器，以左腿伸展的姿势安住。玛夏是，是行作七空行母所有事业的自性，与吉祥饮血尊相似。如是说，如吉祥大尊一般，以金刚杵佐以血食，左手拿着颅器和钩索，将喀章嘎如发髻般斜靠在臂膀上而持着。这些天女也安住在伸展的座垫上，在日轮之上，以绢帛、蛇和单独的颅器为头饰来庄严。一般是这样认为的。然后开始供养，这些天女众，以这些歌来劝请吉祥黑汝嘎，以天女与无二的方式嬉戏的大乐供养完全清净，供养一切佛陀，并且使坛城完全变化，成办一切有情之义，依靠秘密菩提心之物，为金刚瑜伽母与勇父们成就各种悉地，以及为了将弟子引入坛城并灌顶，天女们以这些歌来劝请。随后以多种贪欲、喜悦的莲花完全清净的供养来清楚地随后供养。请以最极恒常的瑜伽之乐来成就安乐。唉！最极安乐的誓言即是自性。最极安乐的甚深瑜伽获得殊胜善缘。请享用、请享用自己无垢的誓言，吼！唉玛喔！最极秘密的主尊，因为是自己誓言的缘故，所以是极其秘密的殊胜天女们。明晰地知晓调伏众生相续的各种方式。一切誓言
English
And abide therein. Chandali is, gazing with an upward exhaling posture, dwelling in the practice of seizing the lives of others, her color is black. Her right hand holds a vajra fist, grasping a white silk bag filled with wind, marked with a vajra, and by scattering the wind circle, she seizes the life of the one to be subdued and scatters it upwards. Her left hand holds a trident, and she dances in the charnel ground and abides therein. Ghāsmari is, gazing with the practice of raising the dead, her color is yellowish-black. Her left hand holds a vajra sword with a vajra fist, her right hand holds a burning fire vessel, and she abides with her left leg extended. Smasha is, the essence of performing all the actions of the seven Dakinis, similar to glorious Heruka. Thus it is said, like the great glorious one himself, offering blood with a vajra, her left hand holding a skull cup and a lasso, leaning a khatvanga on her shoulder like a hairstyle and holding it. These goddesses also reside on a stretched seat, upon a sun disc, adorned with silk, snakes, and single skull ornaments. This is generally accepted. Then the offering should be commenced. These assemblies of goddesses, with these songs, urge the glorious Heruka, with the great bliss of playing inseparably with the goddesses, the offering is completely purified, offering to all the Buddhas, and completely transforming the mandala, accomplishing the benefit of all sentient beings, relying on the substance of secret Bodhicitta, for the Vajra Yoginis and heroes to accomplish various siddhis, and for the sake of leading disciples into the mandala and bestowing empowerment, the goddesses urge with these songs. Afterwards, with various desires, the lotus of joy, completely pure, is offered clearly as a subsequent offering. Please accomplish bliss with the supreme and constant yoga of bliss. Alas! The supreme bliss of the samaya is one's own nature. The most profound yoga of supreme bliss has attained excellent fortune. Enjoy, enjoy your own flawless samaya, ho! Emaho! Supreme secret lord, because it is one's own samaya, therefore they are the most secret supreme goddesses. Clearly knowing how to subdue the various streams of beings. All samayas