Chinese
如同嘿汝嘎一般，即使没有顶髻，顶髻的宝珠，用它代替也没有不可。没有顶髻，具有乳房（藏文：ནུ་མ་，梵文天城体：स्तन，梵文罗马拟音：stana，汉语字面意思：乳房）、阴道（藏文：བྷ་ག་，梵文天城体：भग，梵文罗马拟音：bhaga，汉语字面意思：阴道），腰细上身收缩，大腿和下身丰满，额头边角收缩，眼睛大而有光泽等，因为是女相，所以是诸位天女所需要的。父尊们与此相反。剩余部分，粗略的尺寸要相同。大菩萨们也与此相同。身高九个单位是普通菩萨和帝释天等寂静世间神。除了嬉戏的忿怒嘿汝嘎之外，那些各自都带有各自种姓的天女。如果按照那些尺寸好好地绘制，也会有各种仪轨的圆满。时轮中所说的人的尺寸是：脸高一拃，胸和腰以及腹部九指，大腿和胫骨各十六指，额头高度和颈部四指半，膝盖和脚面三指。胸围一半九指半，手臂十五指，前臂十三指，手掌十一指半。粗细大多和九个手掌相同。即使不一定非要是人，对于声闻阿罗汉等也要那样做。自生佛绘制成九个手掌为好。各自的画像不必符合尺寸，按照各自的形状来做。为了防止制作上的错误而制定尺寸，这是圣者所做的，如果精通制作的关键，就不一定非要那样。如同被称为“能仁水月”一样。金刚座的菩提大塔也是，脖子短，肩膀粗，脸的上半部分丰满。拉萨的觉沃释迦牟尼佛像也是，没有看到与显示尺寸的论典以及姿态部分不同的地方。耳朵也有形状和姿态的不同。在圣地，智者们建造的模制或雕刻的小尺寸佛像，大多手指粗大，不美观。在眼前美丽，看到就引人入悦，具有庄严，光彩照人，这样的佛像，即使细微的部分不符合尺寸的论典，也是好的。是人天应供，是世间利乐之源。不由工艺姿态自然成就的智慧之日光照耀，稍微学习尺寸
English
Like Heruka, even without a crown, the jewel of the crown, it is not unacceptable to use it as a substitute. Without a crown, possessing breasts (Tibetan: ནུ་མ་, Sanskrit Devanagari: स्तन, Sanskrit Romanization: stana, literal Chinese meaning: breasts), vagina (Tibetan: བྷ་ག་, Sanskrit Devanagari: भग, Sanskrit Romanization: bhaga, literal Chinese meaning: vagina), a thin waist and a contracted upper body, full thighs and lower body, contracted corners of the forehead, large and radiant eyes, etc., because it is a female form, it is necessary for the goddesses. The Father deities are the opposite of this. The remaining parts, the rough dimensions should be the same. The great Bodhisattvas are also the same as this. A height of nine units is for ordinary Bodhisattvas and the peaceful worldly gods such as Indra. Apart from the playful wrathful Heruka, each of those is accompanied by a goddess of their respective lineage. If those are well drawn according to those dimensions, there will also be perfection in various rituals. The dimensions of a person as stated in the Kalachakra are: the face is one span high, the chest and waist and abdomen are nine fingers, the thighs and shanks are each sixteen fingers, the height of the forehead and neck is four and a half fingers, the knees and instep are three fingers. Half the chest circumference is nine and a half fingers, the arms are fifteen fingers, the forearms are thirteen fingers, and the palms are eleven and a half fingers. The thickness is mostly the same as nine palms. Even if it is not necessarily a person, it should be done that way for Shravaka Arhats, etc. It is good to draw a Pratyekabuddha as nine palms. The respective portraits do not need to conform to the dimensions, but should be made according to their respective shapes. Dimensions are made to prevent errors in production, this is done by the Holy Ones, and if one is proficient in the key to production, it is not necessary to do so. Just like the one called "Thubpa Chulonma". The Great Bodhi Stupa of Vajrasana is also, the neck is short, the shoulders are thick, and the upper half of the face is full. Also, for the Lhasa Jowo Shakyamuni statue, I have not seen any differences from the treatises that show the dimensions and the parts of the posture. There are also differences in the shape and posture of the ears. In the Holy Land, the small-sized molded or carved Buddha statues built by the wise, mostly have thick fingers and are not beautiful. Beautiful in front of the eyes, pleasing to see, possessing splendor, and radiant, such a Buddha statue, even if the subtle parts do not conform to the treatises on dimensions, is good. It is worthy of offerings from gods and humans, and is the source of benefit and happiness in the world. Without the light of wisdom naturally accomplished by artistic postures shining, slightly study the dimensions.
Chinese
以地之傲慢，不应贬低贤者之手艺。姿态优美，变化无穷尽。色彩鲜艳，胜过天界之花。任何询问，皆为胜者之事业，如地上之毗首羯磨第二。（92） 又如是说：家禽之卵与芝麻状，置于四方与圆形中。共同之身乃一切之，面容之形状乃四种。大丈夫与天女之，家禽之卵与芝麻之形。如是说。忿怒尊之姿态形，圆形等与四方形。如是说之义。克里亚萨穆查等中亦有其他之说，然于此虽无一定之定论，然欲如是行者，藏人于面容何处截取四方形之角等，似无甚定论。所谓卵之形状，乃上下稍缩而中央膨大之名。芝麻之形状乃面之上部膨大而面之下部稍缩等之说，乃为绘制一尊神像，因学习而知晓姿态各异之四种面容之故。印度尼泊尔之工匠有如是作法者，虽总体上不相违背，然非仅需如此。时轮等面容各异者，各有姿态于续部中宣说，则必须如是。无有特别规定者，虽可随意而为，然多作姿态相似者。关于眼睛之观看方式，如是说，宽度为十粒青稞，长度为十四粒青稞，此名为莲花花瓣之形状。宽度六指，长度二十，或者十八，视为似鱼之腹。宽度一指，长度两指，视为如盛开之乌 উৎপལ་（藏文：ཨུཏྤལ་，梵文天城体：उट्पल，梵文罗马拟音：utpala，汉语字面意思：青莲花）花瓣。大能仁于等持中安住时，宽度两粒青稞，长度二十四粒青稞，称为如弓之形状之眼。此等皆为自然放置之眼，若能善加区分而观，则胜过此等。此等乃天神之眼之分类。其中如乌 उत्पལ་（藏文：ཨུཏྤལ་，梵文天城体：उट्पल，梵文罗马拟音：utpala，汉语字面意思：青莲花）花瓣者，眼之两角皆细，而中央张开，对此，昔日之藏地画师称之为“客人之子”。如莲花花瓣者，乃
English
With the pride of the earth, one should not denigrate the craftsmanship of the wise. The posture is excellent, and the transformations are inexhaustible. The colors are beautiful, surpassing the splendor of the flowers of the heavenly realm. Any inquiry is the activity of the Victorious One, like a second Vishvakarman on earth. (92) Furthermore, it is said: The shape of a domestic bird's egg and sesame, placed in square and round forms. The common body is of all, the shape of the face is of four kinds. Of great men and goddesses, the shape of a domestic bird's egg and sesame. Thus it is said. The expressions and shapes of the wrathful ones, are round and square. The meaning of what is said. Although there are other explanations in Kriya Samucchaya and others, even though there is no definite conclusion on this, for those who wish to do so, it does not seem that Tibetans have a definite rule on cutting the square corners of the face, etc. The so-called egg shape is the name for being slightly shrunken at the top and bottom and bulging in the middle. The shape of sesame is said to be that the upper part of the face is bulging and the lower part of the face is slightly shrunken, etc., because one learns the four faces with different expressions through learning to draw a single deity image. Although it is not generally contradictory that some Indian and Nepalese craftsmen have done it that way, it is not necessary to do only this way. For those with different faces such as Kalachakra, it is necessary to be exactly as stated in the tantras for each expression. Although it is permissible to do as one pleases for those without special provisions, most often the expressions are made similar. Regarding the way of looking with the eyes, it is said that the width is ten barleycorns and the length is fourteen barleycorns, this is called the shape of a lotus petal. Six fingers wide and twenty long, or eighteen, it is considered like the belly of a fish. One finger wide and two fingers long, it is considered like a blooming Utpala (Tibetan: ཨུཏྤལ་, Sanskrit Devanagari: उटपल, Sanskrit Romanization: utpala, Chinese literal meaning: blue lotus) petal. When the Great Sage sits in equanimity, two barleycorns wide and twenty-four barleycorns long, it is called an eye like the shape of a bow. All of these are eyes placed naturally, if one can distinguish and look well, it is better than these. These are the classifications of the eyes of the gods. Among them, like the Utpala (Tibetan: ཨུཏྤལ་, Sanskrit Devanagari: उटपल, Sanskrit Romanization: utpala, Chinese literal meaning: blue lotus) petal, both corners of the eye are thin and the center is open, to this, the Tibetan artists of the past called it "guest's son". Like a lotus petal, it is
Chinese
除了眼珠和眼角的尖端之外，其他部分都均匀地粗细，像鱼的肚子一样，又长又粗。如果把眼睛做成眯缝眼，就像彩虹一样。能仁佛陀等持的眼睛，像弓一样，所谓的弓形眼就像角弓一样。那种张开的眼睛适合于男性寂静本尊。像鱼一样的眼睛适合于女性寂静本尊。像彩虹一样的眼睛是妓女的眼睛，可以用于供养天女等。像莲花和乌巴拉花一样的眼睛适合于寂静和忿怒本尊。非常忿怒的忿怒本尊和忿怒母的眼睛也有两种形状：圆形和方形。那些极度忿怒者，嘴巴张得很大，像打哈欠一样，这在印度、尼泊尔等地的原始造像传统中是没有的，是后来在西藏出现的。因此，除了时轮金刚的智慧塔之外，一般来说，佛塔的尺寸并没有明确的规定。但是，对于佛像，经部和续部都非常强调。因此，在大多数情况下，应该努力做到不违反尺寸。在此说道：如果将佛像绘制成图画，或者以浮雕的形式完美地制作出来，那么今生将获得名声，没有疾病，获得圆满的财富，驱散作祟的邪魔，五谷丰登，牲畜兴旺，平息争端，获得长寿和快乐。那个地方的佛法将会兴盛并长久存在。在来世，将拥有高贵的血统，美丽的容貌，清晰的感官和良好的智慧。一定会获得战胜瘟疫的殊胜佛身。看到的人会生起信心，仅仅听到就会随喜。为了积累直至菩提的二资粮，通过顶礼、绕转、供养和祈祷等，无与伦比地利益其他众生。密咒修行者会因为看到佛像而获得殊胜的禅定。它会变成供养和念诵的福田。即使布施充满整个世界的财富，也不能确定是无上菩提之因。但是，仅仅建造一粒芥子大小的佛像，就能确定无疑地趋向于战胜瘟疫的殊胜菩提。因此，塑造佛像
English
Except for the eyeballs and the tips of the corners of the eyes, the rest is evenly thick, like the belly of a fish, long and thick. If the eyes are made to squint, they are like a rainbow. The eyes of the Thupa Buddha in meditative equipoise, the bow-like eyes, are like a horn bow. Those opened eyes are suitable for male peaceful deities. Fish-like eyes are suitable for female peaceful deities. Rainbow-like eyes are the eyes of prostitutes, and can be applied to offering goddesses, etc. Lotus and utpala-like eyes are suitable for peaceful and wrathful deities. The eyes of very wrathful wrathful deities and wrathful mothers also have two forms: round and square. Those great wrathful ones who open their mouths very wide and gape, like yawning, are not found in the original Indian and Nepali artistic traditions, but appeared later in Tibet. Therefore, apart from the wisdom stupa of Kalachakra, in general, there are few specific measurements mentioned for stupas. However, for Buddha images, both Sutra and Tantra emphasize it greatly. Therefore, in most cases, one should strive to ensure that it does not contradict the measurements. Here it is said: If a Buddha image is drawn in a picture, or perfectly crafted in relief, then in this life one will gain fame, be free from disease, gain abundant wealth, dispel harmful demonic forces, have good harvests and thriving livestock, pacify conflicts, and gain longevity and happiness. The Dharma will flourish in that place and last for a long time. In future lives, one will have a noble lineage, a beautiful form, clear senses, and good wisdom. One will surely attain the supreme Buddha body that overcomes epidemics. Seeing it will inspire faith in others, and merely hearing about it will bring joy. For the sake of accumulating the two accumulations up to enlightenment, through prostrations, circumambulations, offerings, and prayers, etc., one will benefit other sentient beings in an unsurpassed way. Those who practice secret mantras will also attain supreme samadhi by seeing the image. It will become a field of merit for offerings and recitations. Even giving away wealth that fills the world is not necessarily a cause for unsurpassed enlightenment. However, by building a Buddha image the size of a mustard seed, one will surely and definitely move towards the supreme enlightenment that overcomes epidemics. Therefore, sculpting Buddha images