English
Draw another outer line. Divide the seventh and eighth parts into four. It should be drawn in the middle of the third part. This should be drawn on the seventh and eighth parts. Short lines should be drawn. Tenth and eleventh are the base lines. Are the side lines of the eight large lines. The seventeenth is the arrow shaft line. These two lines are from corner to corner. Outward from the base line. Draw five lines from corner to face. The first intersects the third. The remaining four intersect the ninth. Draw the second line from the face of the circumference line. From the base line to the fourteenth line. Then to the fourth line on the face. Intersects the fifteenth line above. Fifteenth line from tip to tip. From one third of the circumference line to the twelfth line. Between the thirteenth lines. Then to the fifth line on the face. Intersects the sixteenth line above. Sixteenth line from tip to tip. From the sixth, seventh, eighth and ninth lines of the circumference line. To between the twelfth and seventeenth lines. Named stirrup decoration. It is said not to be two thresholds. Lotus, moon, capital fillet and. Sun, lotus, dou seat and. Eight called dou and lotus. Considered the number of stirrup fillets. From the first left and right lines of the circumference line. From the nineteenth line and the intersection. Draw two small circles on the left and right. Draw a small circle from its end. Draw a circle intersecting the arrow shaft. Draw its shape with half a small circle. Forming the three intersections in the center of the ox back. Below the first fillet is. On the left and right sides of the ninth capital ornament. Each small circle is longer. From between the eighth and ninth lines of the circumference line. The first lotus fillet should be cut off. The second fillet is cut above the sixth line. The third fillet is on the eighth line. On top and bottom of this. Leave a little bit and cut in the middle. The fourth is cut from the fourth line. The fifth is from between the sixth and fifth lines. The sixth is from between the second and third lines. Cut in a way that expands upwards. The seventh is cut from above the second line. The eighth is cut from the third line to the second line. The first, fifth, eighth, third. All are lotuses. Below is the capital of the three small circle parts. There is also the same lotus cover on top. Draw a line intersecting the circle line inside. There are also ups and downs on the third. Capital cover and capital base two lines. Drawing in the field are two lines. Thirty-three from two to two. Thirty-three from three to three. Twenty-nine also from three to three. Twenty-eight from five to five. Twenty-five from six to
Chinese
六者之间，二十四、二十一此二者，置于七与八的中央，二十则触及第八。其后外层莲花，二者之间覆盖顶端，形似张口含苞之状。栋梁座的内线，与从圆周出发的第二份相交处，环绕六小份的内围。栋梁覆盖的内线，与从圆周向外第四份相交处，环绕先前尺寸的外围。此处不需杂围等。中央金刚杵的围墙顶端，纵向为一大份，从圆周左右小份，二分半二分半为根本之地。顶端之完整与否不定，然应作补充之语。中央围墙顶端之外，有外院线、莲花线、尸林线，金刚线与下部线，此五种环绕线依次环绕。彼等尺寸与通用相同。根本线之内侧，完全舍弃每一小份，转变为内线，从圆周左右五小份，舍弃处划线，第六份划线，交错划线后，内部便出现五个坛城的位置。四方之四坛城，左右各减半小份。内部之五坛城，每一个也从圆周角，划四条线后，其后，从角线之上截取三份，份额则分为三三份。对此也分开二二份后，第五份舍弃中央，连接边缘二者。第六份划一半，划外侧，第一份划一半，划外侧，第二份内部划一小份，划线后便成就门房。柱子、柱饰、暗色布匹等，内坛城皆无。因彼等不存在，故无马槽。彼等乃通用之特征。中央与西方，不设神布，环绕圆形线。划八瓣莲花的卷曲线。西方则有光芒，于光芒之内，有金刚杵之链。彼二者各一小份。莲花亦为等三。中央莲花八瓣，中心左右大份，从二分半与二分之界限处环绕。其后，花蕊一小份。于其外侧左右，环绕八小份的叶瓣。外侧出现一小份，是金刚杵链的线
English
Between the six, twenty-four, twenty-one, these two, are placed in the center of seven and eight, twenty touches the eighth. After that, the outer lotus, the top covered between the two, resembles the appearance of an open, budding form. The inner line of the pillar seat, and the intersection of the second part from the circumference, surrounds the inner enclosure of six small parts. The inner line of the pillar cover, and the intersection of the fourth part outward from the circumference, surrounds the outer enclosure of the previous size. Here, there is no need for mixed enclosures, etc. The top of the central vajra enclosure, lengthwise is one large part, from the circumference left and right small parts, two and a half, two and a half is the fundamental ground. The completeness of the top is uncertain, but it is said that it should be supplemented. Outside the top of the central enclosure, there are the outer courtyard line, the lotus line, the charnel ground line, the vajra line, and the lower line, these five surrounding lines are drawn in sequence. Their sizes are the same as the general ones. On the inner side of the base line, each small part is completely discarded, transforming into the inner line, from the circumference left and right five small parts, draw a line where it is discarded, draw a line at the sixth part, after drawing intersecting lines, the positions of five mandalas appear inside. For the four mandalas in the four directions, subtract half a small part each on the left and right. For the five inner mandalas, each one also from the circumference angle, draw four lines, after that, cut three parts from above the angle line, the shares are divided into three parts each. After dividing this also into two parts each, the fifth part discards the center, connecting the two edges. The sixth part draws half, draws the outer side, the first part draws half, draws the outer side, inside the second part draw one small part, after drawing the line, the gatehouse is accomplished. Pillars, pillar ornaments, dark cloths, etc., are not present in the inner mandalas. Because these do not exist, there is no horse trough. These are the general characteristics. In the center and the west, no deity cloth is placed, a circular line is drawn around. Draw the spiral line of the eight-petaled lotus. The west has rays of light, within the rays of light, there is a string of vajras. These two are each one small part. The lotus is also equally three. The central lotus has eight petals, the center left and right large parts, are drawn around from the boundary of two and a half and two and a half. After that, one small part of the stamen. On the left and right of its outer side, surround the eight small parts of the petals. One small part appears on the outer side, which is the line of the vajra string.
Chinese
诺。这是莲花胎藏大曼荼罗的三大中心，以及两重瓣叶的规制。即使不为他人所知，这也是它自身的体系。在曼荼罗的东面和北面，墙壁内部各有一大部分。以神像的方式安放后，中央有九个网眼的圆形。与通常的做法一样进行绘制。并且要接触到第四个网眼。围绕金刚杵的外线进行绘制后，其中也绘制一个小部分。从直径向左右两侧延伸，第三个和第四个的梁线交叉绘制。这样就形成了九个网眼。在东面，为了光芒的蔓延，绘制金刚杵的线条。将一个小部分分成两份。在北面的四个方向的网眼中，金刚杵的角线与通常的做法相同。在南面需要绘制的部分，从中心到根部的线条，将小部分分成十六等份。从第二个的上方开始绘制，第五个和第六个之间，第九个，第十二个和第十三个，以及第十六个开始绘制五条线。要知道这是主尊和四个轮的外线。应该从直径线上开始绘制。第一个在外，其他在内，各绘制半个小部分。花蕊和花环的线条，在五个圆线之间。首先绘制八瓣卷曲的线条。外面的三个间隙，是轮辐的位置。也就是有辐和无辐两种。三二三部分的顶点，从根部的区域向左右两侧，用一个小部分使其变细。靠近中心的是有辐的，靠近外围的是顶点。在各个辐条之间，区域是每个小部分的。柱子的线条应该这样绘制，从外围到外围。对于圆线，按照顺序，中心、花瓣、花瓣皮和外围、轮辐和外围，再次是轮辐和外围，要重复两次。这里就到此为止。内部各部分的详细划分，很难在粉末颜料的曼荼罗上绘制，同样也很难绘制线条。因此，因为不需要所以没有绘制。那些绘制技巧非常熟练，或者绘制大型曼荼罗，以及绘制唐卡等的人，也需要了解内部各部分的非常精细的划分。然而，各自的
English
No. This is the system of the three major centers of the Lotus Matrix Mandala and the two layers of petals. Even if it is not known to others, this is its own system. On the east and north sides of the mandala, there is a large part inside the walls. After placing it in the manner of a deity, there are nine meshes in the center. Draw it in accordance with the usual practice. And it should touch the fourth mesh. After drawing the outer line of the vajra, also draw a small part inside it. Extending from the diameter to the left and right sides, the beam lines of the third and fourth are drawn crosswise. This creates nine meshes. On the east side, in order to spread the light, draw the lines of the vajra. Divide a small part into two. In the meshes of the four directions on the north side, the horn lines of the vajra are the same as usual. In the part that needs to be drawn on the south side, from the center to the root line, divide the small part into sixteen equal parts. Start drawing from above the second, between the fifth and sixth, the ninth, the twelfth and thirteenth, and the sixteenth to draw five lines. Know that these are the outer lines of the main deity and the four wheels. It should be drawn from the diameter line. The first one is on the outside, and the others are on the inside, each drawing half a small part. The lines of the stamen and garland are between the five circular lines. First, draw the eight-petal curled lines. The three gaps on the outside are the positions of the wheel spokes. That is, there are two types: spoked and unspoked. The vertices of the three-two-three parts, from the root area to the left and right sides, are thinned with a small part. The one closer to the center is spoked, and the one closer to the periphery is the vertex. Between each spoke, the area is each small part. The lines of the pillars should be drawn like this, from the periphery to the periphery. For the circular lines, in order, the center, petals, petal skin, and periphery, spokes and periphery, and again spokes and periphery, should be repeated twice. This is enough here. The detailed division of the internal parts is difficult to draw on the mandala of powder pigments, and it is also difficult to draw lines. Therefore, because it is not needed, it is not drawn. Those who are very skilled in drawing techniques, or draw large mandalas, and those who draw thangkas, etc., also need to understand the very fine divisions of the internal parts. However, the respective
Chinese
地基黑色。白色半网也向外，花鬘和绸缎等装饰。蓝色立柱。白色箭杆。黑色暗布。内柱黄色。外柱白色。柱饰为压着大象的狮子。其外，从栋梁上垂下的绸缎装饰。象背方向的颜色。如十一马步：金色布黄色。蓝色立柱。红色宝物。绿色蹄。黑色黑暗。瓦拉纳装饰。金刚角方向的颜色。走廊黄绿色。莲花都是各种颜色，在坟地的黑色地基上，火焰山以五种颜色的顺序描绘。内部的宫殿没有马步，因此没有柱子、柱饰和暗布，因此意布接触禅定垫的墙壁。以及楣梁、半网、立柱、箭杆等也接触门侧的墙壁。然后，对于欢喜作颅鬘者，接触墙壁的金刚鬘和黑色顶布。四方莲花瓣红色，火焰风黄色。真离绿色，自在蓝色。杂色花蕊，中心蓝色。神布的角隅方向的颜色。在密集金刚中，神布和第二层的角隅都是方向的颜色。两者之间用黑线隔开。不接触它，黑色金刚鬘圆形，内部九个时代，中心蓝色。格子方向的颜色。柱子的标志方向的颜色。内外栋梁都是黑色，红色金刚鬘。在胜乐轮中，从不接触门的墙壁开始，绘制身坛城的圆周。身坛城白色。肋间柱子和圆周上有法轮鬘。语坛城红色，柱子和圆周上以莲花为标志。意坛城蓝色，柱子和圆周上以金刚为标志。大乐轮的圆周黄色，以绿色弯刀为标志。各种莲花与上述相同。神布的角隅和身坛城的肋间是方向的颜色。语坛城的肋间白色。意坛城的肋间红色。大乐轮的顶布蓝色。大幻化网也与欢喜者相同，只是放置了神布，没有金刚鬘。在金刚怖畏金刚坛城中，门的