Chinese
需要观想厚实的围墙，宽广的尸林环境，以及莲花墙也与高大的宫殿的意生身等同高等。此外，关于宫殿的各个部分，也不必完全按照图纸来观想。第六是杂色金刚：中心是蓝色的扁平正方形。从四面正中的直线上生出中央的金刚杵头。如果是十二个金刚杵头，则在中央直线左右各截取两个大单位，每个金刚杵头都朝向白色生长，顶端刺入中央的金刚杵头。生长的界限是按照图纸的规定。但在观想上，中央金刚杵头的粗细和长短并不确定。如果是二十个金刚杵头，则生长的位置与其他相同，只是右侧的两个金刚杵头并排堆叠，上下堆砌，左侧也同样堆砌。对于这个杂色金刚，在观想的时候，没有必要有固定的尺寸。即使在图纸上，也因为马鞍高低的差异，金刚杵头的长短和粗细也各不相同。然而，莲花有多少花瓣，花丝的边缘和金刚杵头的顶端之间的距离应该相等。虽然如此，但现在按照图纸来确定尺寸，中心是十二个大单位的正方形，如果是十二个金刚杵头，则高度至少要有一个大单位左右。如果是二十个金刚杵头，则至少要两个大单位。金刚杵头的尺寸是：中央金刚杵头的根部是两个小单位，中间粗的部分是四个小单位，顶端交叉的部分是两个小单位。但像砍断的树桩一样放置是不好的，胸部表面应该是两个小单位，然后用一个小单位的宽度逐渐变细，顶端变尖。长短的尺寸，在观想上，长的一方更好。做成八个小单位，从直径的左右两侧各两个大单位处环绕其他两个金刚杵头，这只是按照马鞍式门限一致的绘制方法。这样一来，所有金刚杵头的形状都会变成新月形或弓形，但在观想上则不是这样。因此，中央的金刚杵头可以是两个、三个、四个大单位，或者十个小单位的宽度，或者五个大单位等等。无论如何，如果将其他的金刚杵头分别伸展开来，
English
It is necessary to visualize thick walls, a wide charnel ground environment, and lotus walls that are also as tall as the desired form of the palace, etc. Furthermore, regarding the various parts of the palace, it is not necessary to visualize them exactly according to the drawings. Sixth is the variegated vajra: the center is a blue, flat square. From the direct center of the four sides, the central vajra heads emerge. If there are twelve vajra heads, then two large units are cut off from the right and left of the central line, and each vajra head grows towards the white, with the tip piercing the central vajra head. The boundary of growth is determined according to the drawings. However, in visualization, the thickness and length of the central vajra head are not fixed. If there are twenty vajra heads, the place of growth is the same as the others, except that the two vajra heads on the right are stacked side by side, one on top of the other, and the same is done on the left. For this variegated vajra, there is no reason to have a fixed size during the visualization. Even in the drawings, the length and thickness of the vajra heads vary due to the difference in the height of the saddle. However, the number of petals of the lotus should be such that the distance between the edge of the filaments and the tip of the vajra heads is equal. Even so, nowadays, according to the measurements based on the drawings, the center is a square of twelve large units, and if there are twelve vajra heads, the height should be at least about one large unit. If there are twenty vajra heads, it should be at least two large units. The size of the vajra heads is: the root of the central vajra head is two small units, the middle thick part is four small units, and the part where the tips cross is two small units. However, it is not good to place it like a cut tree stump, the chest surface should be two small units, and then gradually taper with a width of one small unit, with the tip becoming sharp. The size of the length, in visualization, the longer side is better. Make it eight small units, and surround the other two vajra heads from two large units on the left and right sides of the diameter, which is only a drawing method in accordance with the saddle-style gate limit. In this way, the shape of all the vajra heads will become crescent-shaped or bow-shaped, but in visualization it is not like that. Therefore, the central vajra head can be two, three, four large units, or ten small units in width, or five large units, etc. In any case, if the other vajra heads are stretched out separately,
Chinese
虽然长度相同，但从腰部逐渐弯曲，顶端弯曲刺入中央的角，因此，中央角的顶端向外突出，显得更长。左右两边的角，根部的宽度为两小份，中央的粗细处为三小份，二十角金刚杵的一侧，左右各有两个角。根部与生长处紧密相连，从中央粗细处的正上方上下分开。下方的角的粗细处接触太阳。上方的粗细处与杂色金刚杵的中心对齐，两个角的中间空隙处有两小份，下方的角的顶端向上翘起并弯曲，上方的角的顶端向下翘起并弯曲，刺入中央的角，另一侧也同样如此。此外，杂色金刚杵的中心做得高一些，上下角互换也没有矛盾。将许多否定和肯定的矛盾堆砌在一起是没有意义的。角的颜色：十二角金刚杵等，每个角的三个部分颜色相同，或者也可以是与此相关的方向颜色。例如，如果东方的中央角是白色的，那么南方的角做成黄色，北方的角做成绿色，其他方向也可以以此类推，做成杂色角也可以。二十角金刚杵的中央和左右两边与此类似，西方的颜色做成红色在上，东方的颜色做成蓝色在下。其他方向也可以以此类推。左右两边的两个角上下重叠，形成四个角的做法中，东方的左上方做成绿色，右下角做成黄色比较好。总的来说，可以做成杂色角或根据方向颜色来安排。第七，墙壁：从杂色金刚杵的中心边缘向内测量九小份的地方有墙壁。墙壁有五层：在绘制方面，内外层都相同，但在观修方面，有内外分层和上下分层两种方式，两种方式都没有矛盾。这里暂时以内外分层的方式来做。这样，将厚度为一小份的墙壁，在周围建造成正方形。
English
Although the lengths are the same, they gradually curve from the waist, and the curved tip pierces the central horn, so the tip of the central horn protrudes outward, appearing longer. The right and left horns have a width of two small parts at the base and three small parts at the thickest part in the center. On one side of the twenty-pronged vajra, there are two horns on each side, left and right. The roots are close together at the point of origin, and they are separated upward and downward from the thickest part in the center. The thickest part of the lower horn touches the sun. The thickest part of the upper horn is aligned with the center of the variegated vajra, and there are two small parts in the space between the two horns. The tip of the lower horn curves upward, and the tip of the upper horn curves downward, piercing the central horn. The other side is the same. Furthermore, the center of the variegated vajra is made taller, and there is no contradiction in making the upper and lower horns interchangeable. It is meaningless to pile up many contradictory negations and affirmations. The color of the horns: For twelve-pronged vajras, etc., the three parts of each horn have the same color, or they can be directional colors related to it. For example, if the central horn of the east is white, then the southern horn is made yellow, and the northern horn is made green. Other directions can be inferred in the same way, and variegated horns can also be made. For the twenty-pronged vajra, the center and the left and right sides are similar to this. The color of the west is made red on top, and the color of the east is made blue on the bottom. Other directions can also be inferred in the same way. In the method of stacking the two horns on the left and right, forming four corners, it is better to make the upper left corner of the eastern side green and the lower right corner yellow. In general, variegated horns or directional colors can be arranged as desired. Seventh, the walls: There are walls at the point measured nine small parts inward from the edge of the center of the variegated vajra. There are five layers of walls: In terms of drawing, the inner and outer layers are all the same, but in terms of meditation, there are two methods: inner and outer layering and upper and lower layering. There is no contradiction between the two methods. Here, for the time being, we will use the inner and outer layering method. In this way, a wall with a thickness of one small part is well constructed in a square around the perimeter.
Chinese
是也。第八个是欲幡：墙壁外侧，以台阶形式，是红色宝性的欲妙幡布或檐口，直接宽度为小份二，高度也是小份二。其中一种说法是，除了门的地方，周围都有，认为在门的地方中断。有些则认为门框外侧深处的小份二的四方形，以及其延续上柱基安装处的长度小份二，宽度小份一的地方，也没有欲幡。因此，欲幡共有四组，所以被称为四檐口。供养天女们安住在欲幡上，即东方左侧为琵琶母蓝色，笛子母黄色，北方右侧为圆鼓母红色，陶鼓母绿色，北方左侧为笑母红色，妩媚母蓝色，西方右侧为歌咏母黄色，舞母绿色。她们都是四臂，前两只手拿着与其名字相符的法器，下面两只手，右手持颅器，左手持卡杖嘎。后面的四位，笑母和妩媚母，做着欢笑的手印和妩媚的手印，或者笑母持鲜花花环，妩媚母持金刚杵和铃。歌咏母摇动响板发出叮叮声，舞母做莲花旋转。西方左侧为鲜花母黄色，焚香母黑色，南方右侧为明灯母红色，香水母绿色，持香水海螺。南方左侧为形色母白色，持镜子，食物母红色，持妙食之器。东方左侧为衣服母绿色，法界母白色，持法生。如此八位，右侧第一只手拿着与其名字相符的供品，下面拿着答玛茹，左手持颅器和卡杖嘎。所有都是裸身，三眼，头发散乱，以五印装饰。或者也可以做成两只手，四臂是出自《词汇集》，两臂则是金刚空行母寂静和合修金刚界坛城时，上师们所说的。十六位供养天女被无数的供养身母围绕，对此，《词汇集》中说
English
It is so. The eighth is the Desire Banner: On the outer side of the wall, in the form of a step, it is a red jewel-natured desire-fulfilling banner or cornice, directly with a width of two small parts, and a height of two small parts as well. According to one tradition, it exists around the perimeter except at the doors, and it is considered to be interrupted at the doors. Some consider that there is no Desire Banner even at the square of two small parts at the outer depth of the door frame, and at the length of two small parts and the width of one small part where the pillar base is installed on its continuation. Therefore, since there are four sets of Desire Banners, they are known as the Four Cornices. The offering goddesses reside on the Desire Banners, namely, on the left of the east is the Blue Lute Mother, the Yellow Flute Mother; on the right of the north is the Red Round Drum Mother, the Green Pottery Drum Mother; on the left of the north is the Red Smiling Mother, the Blue Alluring Mother; on the right of the west is the Yellow Singing Mother, the Green Dancing Mother. All of them are four-armed, with the first two hands holding the attributes that match their names, and the lower two hands holding a skull cup in the right and a khatvanga in the left. Among the latter four, the Smiling Mother and the Alluring Mother make the mudra of laughter and the mudra of allure, or the Smiling Mother holds a garland of flowers and the Alluring Mother holds a vajra and a bell. The Singing Mother shakes a rattle making a 'ting ting' sound, and the Dancing Mother makes lotus rotations. On the left of the west is the Yellow Flower Mother, the Black Incense Mother; on the right of the south is the Red Lamp Mother, the Green Perfume Mother, holding a conch shell of fragrant water. On the left of the south is the White Form Mother, holding a mirror, the Red Food Mother, holding a vessel of excellent food. On the left of the east is the Green Clothing Mother, the White Dharmadhatu Mother, holding a dharma origin. Thus, these eight, the first on the right holds the offering that matches their name, and below that holds a damaru, the left hand holds a skull cup and a khatvanga. All are naked, with three eyes, disheveled hair, adorned with the five seals. Alternatively, they can also be made with two hands, the four-armed ones are mentioned in the lexicon, and the two-armed ones are what the masters say during the peaceful Vajra Dakini and the Hevajra Vajradhatu mandala. The sixteen offering goddesses are surrounded by countless offering form mothers, and regarding this, the lexicon says
Chinese
如同轮子的排列方式是编织的方式。将这些安置在所需的位置，是一种防止咒语遗失的方式。如果双手向下，可以用寂静的丝绸和珍宝装饰。这种装饰的边缘，要么到达四个门的左右门框墙壁，要么接触柱子的外线，两者都可以。装饰在装饰上方墙角和门框深处的墙面上，半月之上用金刚石或珍宝装饰。第九，墙饰：有些人认为墙饰在装饰外侧，呈小铁的形式。但大多数人认为它在墙上。因此，这里暂时按照大多数人的意愿，在墙上用珍宝制成，颜色为红色或黄色，用珍宝的镶嵌装饰。薄厚的垂直高度为一个小的单位，水平宽度为两个半小的单位。内边缘与墙壁齐平，外侧突出墙壁半个小的单位。有些人称这种突出为“瓦甘”，但不知道“瓦甘”是什么意思的人是愚蠢的。第十，半格栅：在墙饰上支撑金色的梁。也可以用称为“量斗”或“量堆”的量具来支撑。也可以用短柱和柱头来支撑。半格栅的基础高度为两个小的单位，分成四个部分，短柱占两个部分，柱头和金梁各占一个部分。如果用量具支撑，则量具占三个部分，梁占一个部分。认为梁板的宽度与线一样细是错误的，最好认为它是一个小的单位。一般来说，如果梁和梁的支撑物加起来的高度为两个小的单位，那么其他宽度和高度的细微尺寸就没有必要确定了。然而，内部的突出部分应根据舒适程度而定，外部应与墙壁齐平，不要超出墙壁。支撑物是各种珍宝，梁是金色的。在每个支撑物的正面外侧，梁和柱头的表面都镶嵌着珍宝的铆钉，突出约一个小单位的八分之一。上下各有四个这样的铆钉，用金线或细绳缠绕，彼此相连。