English
Gi. By the truth of the Buddhas and Bhagavatas' love for sentient beings, may the subtle mandala blaze forth. Thus, three times, the colored powders should be swept away with the vajra in a counterclockwise direction. Having entered the attire of increasing power, in the center of the mandala, combine five kinds of colors. Meditate on the five colors of blue, green, red, white, and yellow arising in successive layers. Mūṃ tāṃ pāṃ lāṃ māṃ. (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) Again, take a small amount of the five colors of paint from the right ring finger and place it in the left palm. Recite the mantra of blessing the colors and visualize it transforming into Mount Meru made of five precious jewels representing the five wisdoms. Contemplating all dharmas as created by one's own mind, for the sake of purifying the Bodhi mind, it is shown as a very white color. To realize that, it is the color of purity. All dharmas manifestly attached to the mind are called Padma Raga, there is no attachment and nothing to be attached to. Because there is no attachment, it is red. The treasure of qualities is inexhaustible, it is the source of all arising, the nature of reality is an inexhaustible treasure, so it is shown as a golden color. For the confused and inverted appearances, by the blessing of great compassion, gathering the sphere of reality, perfecting all actions, everywhere and always it is green. Likewise, in the very nature of Suchness, nothing can be established or fabricated. The nature and form of the black color, to represent that, it is shown as dark blue. Thus, purify and remember the colors. Again, starting from the lord of the mandala, from the outside in, the five colors of green, red, yellow, white, and blue, in subtle proportions, are drawn to the size of about one door, and then covered with a skull cup. This is to examine from the lord of the mandala whether there are obstacles and whether the fruit of accomplishment can be obtained. Up to that point, it is the second evening. The next day, when the wall is suitable, open the sky and observe the omens. Kukkuraja said: If the line is low, it will not be accomplished, if it is crooked, it will cause suffering, if it is broken, the teacher and students will either die or become ill. Broken and excessive actions will arise internally, and directional confusion will become an action of bewilderment. As it is said, all faults should be eliminated by the samadhi of emptiness. Fifth, the next day, the teacher and students together enter their own true
Chinese
将所集资粮及收放圆满后，由上师以手加持，观想五种姓之手指向十方父母。弟子亦从手部加持开始学习颜色的画法。中央的中心是深蓝色，其周围是五色的花环，分别是蓝、青、白、黄、红、绿。有辐条、边角、突起，以及中间的走廊、门和柱子。各方颜色、辐条支撑和周围是蓝色金刚的花环，每个方向有两根柱子，共八根柱子。绘制轮、宝、莲花和剑等的标志。墙壁叠加五层，以红色布料为底。门和门框有四个角，半月上安放珍宝，红色上以金刚为标志。每个方向有白色镜子、蓝色琵琶、黄色香炉、红色食物、黄色容器，绿色触感飘动。各部分都装饰得很漂亮。黄色围栏是网的基础，黑色上安放黄色网。半网以铃铛、月亮和风扇装饰。半网的头部做成黄色。华丽的屋脊有珍贵的镶嵌，有二十八根压着的短柱，蓝色底上有白色横梁，白色箭杆上有佛塔图案。莲花座的四个角上，每个方向都有伞、胜幢、幡和金刚网，共有八个，颜色各异。胜幢和幡所安放的底座，从瓶子开始做成黄色。九曲的兽背与黑暗相连，做成黑色，兽背的纵向，狮子头用白色网装饰。又，马落处有八块布料，马腿是蓝绿色，有金刚的，竖条是蓝色，红色莲花。框架是美丽的彩色镶嵌白色。黑色底座上有黄色花纹，卷曲的垂饰是黑色底座，黄色网。白色横梁是蓝色底，大鹏鸟头是深蓝色，箭杆图案是红色莲花。轮是黄色，鹿是黄白色，上面是白色屋脊。下面底座的轮是各方的颜色。底座的外走廊是绿色，做成各种树叶图案。黄色辐条支撑的外面，做成各种花瓣。石栏杆是深蓝色底，金刚是黄色。各种颜色的火焰山，树叶的黄色内部用黑色勾勒。
English
Having completed the accumulation of resources and the collection and dispersal, the teacher blesses with his hand, and one contemplates the five families of fingers as the ten fathers and mothers. The student also learns the method of painting colors starting from the blessing of the hand. The center of the middle is dark blue, and around it is a garland of five colors: blue, cyan, white, yellow, red, and green. There are spokes, corners, protrusions, and an intermediate corridor with doors and pillars. The directional colors, spoke supports, and surroundings are a garland of blue vajras, with two pillars in each direction, totaling eight pillars. Draw the marks of wheels, jewels, lotuses, and swords. The walls are stacked in five layers, with a red cloth as the base. The doors and door frames have four corners, with jewels placed on the half-moon, and vajras marked on the red. In each direction, there are white mirrors, blue lutes, yellow incense burners, red food, yellow containers, and green tactile sensations fluttering. Each part is beautifully decorated. The yellow fence is the base of the net, with a yellow net placed on the black. The half-net is decorated with bells, moons, and fans. The head of the half-net is made yellow. The ornate ridge has precious inlays, with twenty-eight pressed short pillars, white beams on a blue base, and stupa patterns on white arrow shafts. On the four corners of the lotus seat, there are umbrellas, victory banners, flags, and vajra nets in each direction, totaling eight, in various colors. The bases on which the victory banners and flags are placed are made yellow starting from the vase. The nine curves of the animal back are connected to darkness, made black, and the longitudinal direction of the animal back, the lion's head is decorated with a white net. Furthermore, there are eight cloths at the horse landing, the horse legs are blue-green, with vajras, the vertical stripes are blue, and the red lotus. The frame is a beautiful colored inlaid white. The black base has yellow patterns, the curled pendants are a black base, and a yellow net. The white beam is a blue base, the garuda head is dark blue, and the arrow shaft pattern is a red lotus. The wheel is yellow, the deer is yellowish-white, and the white ridge is on top. The wheel of the lower base is the color of each direction. The outer corridor of the base is green, made into various leaf patterns. Outside the yellow spoke supports, various petals are made. The stone railing is a dark blue base, and the vajra is yellow. The mountain of flames of various colors, the yellow inside of the leaves is outlined with black.
Chinese
用白色的线条来划定界限。 门的外面左右两边， 每一边各有四个，总共八个。 棕榈树的叶子向下垂挂， 据说必须要有三十二片才完整。 这指的是向外伸展的树叶， 用鲜花和果实来明显地装饰， 如意树的数量就是这样。 棕榈树是绿色和黄色，如意树是蓝色， 树根是红色和白色，用珍珠和 金色的网和铃铛连接起来。 树根处有珍宝堆， 沐浴池的数量是四个， 据说每一边都要画出来。 第六，避免过失：线条太低无法完成， 倾斜会导致痛苦。 中断就和点一样， 方向错误会导致两者都受损。 颜料太稀会导致贫穷， 太厚而不均匀会导致麻风病， 颜料褪色会导致疾病。 因此，要避免这些过失。 第六，安置形象：经中说， 在土地等上面做手印， 如果次第获得解脱， 用清净的智慧来净化， 那还用说什么呢，那就是它本身。 因此，用珍宝或泥土等制成的佛像，以及 画在图上的曼荼罗等，不要混杂在神灵的住所中，要安置好。如果没有，用颜料慢慢地画，最好是完整的佛像，中等是法器，最次是文字。或者，最次是画出和神灵颜色一样的圆点。主要画形象，五部画法器，普通画文字。这里按照莲花生大师的规矩，五部画身语意三方面，菩萨画意和语，本尊和忿怒尊画语或意，或者各画一个。如果按照这个来， 中央是狮子座、莲花、日月， 不动佛，蓝色、白色、红色，有三个面孔， 六只手和两只手，拿着金刚杵和 铃铛，在胸前交叉，右边多余的手拿着 法轮和珍宝，左边多余的手拿着 莲花和宝剑，在怀中， 明妃蓝色，拿着铃铛拥抱。 用吽（嗡，oṃ，圆满）和哞（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）字来装饰。 用这些来象征，要在修行方法中了解。 剩余的颜料，用内外秘密来供养，用六种歌声来赞美。班杂 穆！（藏文，梵文天城体，vajra muḥ，金刚 穆!）智慧尊们进入虚空神的心中，然后将他们送回自己的住所。 第七，坛城开光。坛城的装饰和真正的开光。第一是
English
To demarcate with white lines. Outside the door, on the left and right, Four on each side, totaling eight. Tāla leaves hanging downwards, It is said that thirty-two must be complete. This refers to the leaves extending outwards, Clearly adorned with flowers and fruits, The number of wish-fulfilling trees is like that. Tāla trees are green and yellow, wish-fulfilling trees are blue, The roots are red and white, connected with pearls and A golden net and bells. At the roots are piles of jewels, and The number of bathing ponds is four, It is said that they should be drawn on each side. Sixth, avoiding faults: a line that is too low cannot be completed, Inclination causes suffering. Interruption is like a dot, Incorrect direction causes both to be damaged. Paint that is too thin leads to poverty, Too thick and uneven causes leprosy, Paint that fades causes successive illnesses. Therefore, avoid these faults. Sixth, arranging the forms: In the tantra it says, Having made mudras on the earth and so on, If liberation is attained in sequence, Having purified with pure wisdom, What need is there to say, it is that itself. Therefore, images made of jewels or earth, and Mandalas drawn on cloth, etc., should not be mixed in the abode of deities, but should be arranged properly. If there are none, paint slowly with colors, the best is a complete image, medium is implements, the least is letters. Or, the least is to paint dots that are the same color as the deity. Mainly draw the form, the five families draw implements, ordinary ones draw letters. Here, according to the tradition of Guru Padmasambhava, the five families draw the three aspects of body, speech, and mind, bodhisattvas draw mind and speech, and herukas and wrathful deities draw speech or mind, or each draws one. If according to this, In the center is a lion throne, lotus, sun, and moon, Akshobhya, blue, white, and red, with three faces, Six hands and two hands, holding a vajra and A bell, crossed at the heart, the right extra hand holding A wheel and a jewel, the left extra hand holding A lotus and a sword, in the embrace, Consort blue, holding a bell and embracing. Adorned with the letters Hūṃ (藏文，梵文天城体，oṃ，梵文罗马拟音，圆满) and Mūṃ (藏文，梵文天城体，梵文罗马拟音，汉语字面意思). Symbolize with these, and understand in the methods of practice. Offer the remaining paint with outer, inner, and secret offerings, and praise with six songs. Vajra Muḥ! (藏文，梵文天城体，vajra muḥ，梵文罗马拟音，金刚 穆!) The wisdom beings depart into the heart of the deities in the sky, and then send them back to their own abodes. Seventh, mandala consecration. The mandala's decoration and the actual consecration. The first is
Chinese
阿阇黎手持尊胜宝瓶，侍者手持事业瓶，其他道友如果有很多宝瓶也可以拿着，从坛城东门开始，连同所依心要和大的胜乐金刚等，与三宝的吉祥偈颂一起，念诵菩提心（藏文：བྷོ་དྷི་ཙིཏྟ་，梵文天城体：बोधचित्त，梵文罗马拟音：bodhicitta，汉语字面意思：菩提心），以及主尊父母的咒语连在一起，伴随着音乐绕三圈，安住在东方。从每个宝瓶中，都向诸神献上供品，并各自触碰自己的头顶。祈请薄伽梵吉祥幻化网赐予我殊胜灌顶。这不是宝瓶，而是国王。用咒语加持国王之后，为伟大的国王举行登基仪式。祈请以国王的姿态安住。这样说之后，将坛城的神灵安放在各自的位置上，不要错乱，或者安放在各自的座子上，或者在台子上，中央和四方安放，或者如果宝瓶很多，也可以在后方以排列的方式陈设，上师噶陀巴父子的注释中这样说。宝瓶的座垫是：如果将尊胜宝瓶分为不同部族，则有各自的五种法器，或者有八瓣莲花。侍者手持事业瓶，请阿阇黎安住在前方台子上，具有各种金刚线条的宝瓶中。祈请大忿怒尊守护坛城的一切障碍。这样说。坛城的边缘用香水和油滋养，撒上洁白的鲜花。四个角上竖立四面胜幢，四个方向悬挂四面幡幢，四周用精美的丝绸帷幔环绕。八个装饰精美的旗帜，每个方向两个。为了成就四种事业的悉地，在坛城的四个角上，陈设四个带有颈饰的宝瓶，宝瓶上方的鱼皮袋中盛满甘露。如果没有，就用颜料绘制。东方陈设内供药物，以及息灭朵玛，具有莲花圆形的形状，具有六界天女。北方陈设红色的护法朵玛，南方陈设三十二空行母的朵玛。东北方陈设界线花瓶，非常精美。东方陈设四十二个精美的钵，里面盛满汇集九种泉水的清澈凉爽无杂质的水，以及稻米。香水。悦意的香汤。红色的酥油和牛奶等供品。