Chinese
以加持过的丝线， 绘制坛城宫殿的线。 金刚拳加持后， 上师面向东方，弟子， 面向西方而绘制。 九重圆满的宫殿坛城， 以金刚地和栋梁隔开。 总和个别，外和内， 以方位和隅角的一半区分。 包括走廊、门和马道， 是欲妙天女的住所。 以珍宝砌成， 柱子是金刚半月形， 莲花网和箭楼等。 以法轮、鹿和伞来庄严， 金刚栅栏燃烧着火焰。 还有各种装饰标志， 用珍宝或各种谷物， 内外都好好地绘制。 在九重宫殿的中央， 有具足八辐的法轮。 它具有角隅和走廊， 是善逝金刚珍宝， 莲花事业的各部。 从中央到东南西北等， 依次具有白蓝黄红绿， 的颜色。 在外面绘制护轮， 以悬挂的网来装饰。 描绘身语意的标志， 陈设各种悦意的物品。 四种事业和三种禅定， 五种现证菩提之相， 三种仪轨和四种支分， 仅仅是成办坛城。 以慈悲的对象为所缘， 以慈爱、喜悦、舍， 生起事业而完全清净。 空性无我即是真如， 普遍显现的三种慈悲。 从无有中产生有的因， 内外事物完全清净， 从安住于智慧地， 远离能取所取诸相， 自性法性自然明了。 空性安住法界中， 如镜中之影像般， 境物诸类皆明显。 诸法空性善巧结合， 自他平等即是平等性， 于未生自性无有之， 无缘之法个别观察。 以发心和愿力， 精勤生起究竟的能力。 如所说之坛城中央， 莲花日月之垫上， 诸尊各自的种子字， 与自色相应， 放射出各种光芒， 以方便清净有情界。 再次收摄作意， 字（藏文：ཡི་གེ，梵文天城体：अक्षर，梵文罗马拟音：akṣara，汉语字面意思：字）、心要、手印圆满。
English
With the blessed thread, Draw the lines of the mandala palace. After blessing the vajra fist, The master faces east, and the disciple, Faces west to draw. The nine complete mandala palaces, Separated by vajra ground and pillars. General and specific, outer and inner, Distinguished by halves of directions and corners. Including corridors, doors, and horse ramps, It is the abode of the goddesses of desirable qualities. Built with precious jewels, The pillars are vajra crescents, Lotus nets and battlements, etc. Adorned with wheels, deer, and umbrellas, The vajra fence blazes with fire. Also, various decorative symbols, With precious jewels or various grains, Draw well both inside and out. In the very center of the nine palaces, There is a wheel with eight spokes. It has corners and corridors, It is the Sugata Vajra Jewel, The families of the lotus activity. From the center to the southeast, northwest, etc., Sequentially have white, blue, yellow, red, and green, Colors. Draw the protective wheel on the outside, Decorated with hanging nets. Depict the signs of body, speech, and mind, Display various pleasing objects. The four activities and three samadhis, The five aspects of manifest enlightenment, The three rituals and four limbs, Are solely for accomplishing the mandala. With compassion as the object of focus, With love, joy, and equanimity, Generate activities and purify completely. Emptiness, selflessness, is thusness, The three compassions that universally appear. From the non-existent arises the cause of the existent, Inner and outer things are completely purified, From abiding in the ground of wisdom, Free from all grasping and apprehended signs, Self-nature, dharma-nature, naturally clear. Emptiness abides in the realm of dharma, Like reflections in a mirror, All kinds of objects appear clearly. Dharmas are skillfully combined with emptiness, Self and other are equal, which is equality, In the unborn, self-natureless, Objectless dharma, individually contemplate. With bodhicitta and aspiration, Diligently generate ultimate power. In the center of the mandala as described, On the lotus, sun, and moon cushion, The deities' respective seed syllables, Corresponding to their own colors, Radiating various rays of light, Purifying the realms of sentient beings with skillful means. Again, gather the focus, Perfect the syllables (Tibetan: ཡི་གེ，Sanskrit Devanagari: अक्षर，Sanskrit Romanization: akṣara，Literal meaning: letter), essence, and mudras.