Chinese
名为《玛玛绕坛仪轨宝灯》的这部著作，是受金刚持蒋巴·阿旺衮噶之语的劝请，由嘉康巴·达拉纳塔所著。又说，汉文典籍难以理解，有些传承也已中断，此法精通且证悟者，来到此地所著之作，稍微表达也不顺畅，有些学者所著，因收集各种版本，故精要加持中断，具有口诀的文字，清晰者也未曾见到，故如实依循典籍和口诀，稍微努力而为。玛玛绕有四部汉文仪轨，仪轨次第分明者为译师琼努·楚臣的译本。此译本的许多旧版本没有作者署名。有些说是库库日巴所著。玛尔和俄也这样认为。实际上也确定是库库日巴的真实言教或言教传承无误。有些说是黑行者所著，认为是仪轨章节与总摄的仪轨更为相符。另有吉祥庄严者所著，以及调伏者加持所著的仪轨。据说库库日巴亲自所著的灌顶仪轨有俄译本，但确定不是库库日巴所著。印度成就坛城的类别中，有国王达摩波罗之前的著作，之后到六门之间，再之后到阿巴亚之间，再之后出现的。如果了解这四个时期典籍的著作方式各有不同，那么次第分明者属于第一类。其他这些属于第三类。因此，玛玛绕的根本仪轨属于这个次第。也有听闻讲说的教言，因此具有加持的传承。此处舍弃了传承上师的行持补充等，如口诀般掺杂喜金刚等与此典籍不符之处，整理成清净之作。 目录 吉祥玛玛绕坛仪轨名为宝灯之作 坛城之业 弟子灌顶 后坛城略摄
English
This work, entitled "The Jewel Lamp, a Ritual Manual for the Mandala of Mahamaya," was composed by Jampa Ngawang Kunga at the urging of Vajradhara Jampa Ngawang Kunga. It is said that the Chinese texts are difficult to understand, and some lineages have been interrupted. Those who are learned and accomplished in this tradition, who have come to this place and composed works, are somewhat uncomfortable expressing themselves. Some scholars have compiled various versions, but the essence of the blessings has been interrupted. Clear texts with oral instructions have not been seen elsewhere. Therefore, I have made some effort to follow the texts and oral instructions as they are. There are four Chinese ritual manuals for Mahamaya. The one with a clear sequence of rituals is the translation of the translator Zhonnu Tsultrim. Many old copies of this translation do not have a colophon. Some say that it was composed by Kukkuripa. Mar and Ngok also hold this view. In fact, it is certain that it is Kukkuripa's actual teachings or an accurate transmission of his teachings. Some say that it was composed by Krishnacharya, considering that the ritual sections are more in line with the condensed ritual manual. There are also rituals composed by Shripada and blessed by Dulwa. There is a translation of the initiation ritual said to have been composed by Kukkuripa himself, but it is certain that it was not composed by Kukkuripa. Among the types of Indian accomplishment mandalas, there are those composed before King Dharmapala, then those between the Six Gates, then those between Abhaya, and then those that appeared later. If one understands that the writing styles of the texts of these four periods are different, then the one with a clear sequence belongs to the first type. The others belong to the third type. Therefore, the root ritual manual of Mahamaya belongs to this sequence. There are also instructions for listening and teaching, so it has a lineage of blessings. Here, the practices and supplements of the previous lineage masters, such as the Hevajra, which are mixed with oral instructions, have been discarded, and those that do not conform to this text have been discarded, and it has been arranged in a pure manner. Table of Contents The Jewel Lamp, a Ritual Manual for the Mandala of Glorious Mahamaya The Activities of the Mandala Initiating Disciples Subsequent Summary of the Mandala