Chinese
复说画像法。如前用素帛。画观自在菩萨。处月轮中现种种色。有十三头。各戴宝冠内有无量寿佛。正面圆满。第十三面绿色现于马头。有百臂。手持种种羯磨器仗。或画百头千臂。亦复手持种种羯磨器仗。如是一切画像。皆于右边画持诵人。作胡跪恭敬。手持阏伽钵及香炉等相。 如上诸㡧像。持诵之人随心所乐画于一相。一一皆须发最上殊胜之心。画得㡧已。即备办殊妙种种香华饮食及一切供具。于㡧前敷设。请阿阇梨依法作庆赞已。持诵之人然后自作洁净。于此㡧前安坐定心。诵观自在菩萨根本微妙真言。若离诸疑惑专注不懈。一切所作决定成就。 复次阿阇梨为作庆赞。及与传授根本微妙真言已。彼持诵人以弟子礼。当以种种珍宝金银财物。乃至国城及与身命。皆可奉上阿阇梨以为答谢。何以故为如上法难得值遇。何况传授。是故虔心求阿阇梨愿施欢喜。又复此法不得传授容易之人。是人心不恭虔恐招恶报。 佛说一切佛摄相应大教王经圣观自在菩萨念诵仪轨一卷 乙巳岁高丽国大藏都监奉敕雕造 现代汉语译本： 对于难以得度的众生，观世音菩萨会示现菩萨的形象来救度他们。 再来说说画像的方法。像前面说的那样，用白色的绢帛，画观自在菩萨（Avalokiteśvara），在月轮中显现种种颜色。有十三颗头，每颗头上都戴着宝冠，宝冠内有无量寿佛（Amitāyus）。正面的脸圆满。第十三张脸是绿色的，显现为马头。有一百只手臂，手里拿着各种各样的羯磨器仗（karma implements）。或者画一百个头，一千只手臂，也同样手里拿着各种各样的羯磨器仗。像这样的一切画像，都要在右边画上持诵的人，做胡跪恭敬的样子，手里拿着阏伽钵（argha bowl）和香炉等等。 像上面说的这些画像，持诵的人可以随心所好地选择其中一种来画。每一种都要发起最上殊胜的心。画好画像后，就准备好各种殊妙的香、花、饮食以及一切供具，在画像前陈设。请阿阇梨（ācārya，导师）依法作庆赞后，持诵的人然后自己做好洁净，在这画像前安坐，定下心来，诵观自在菩萨的根本微妙真言（mūla-mantra）。如果远离各种疑惑，专注而不懈怠，一切所作的事情必定能够成就。 再次，阿阇梨为持诵者作庆赞，并且传授根本微妙真言后，这位持诵的人要以弟子的礼节，用各种珍宝、金银财物，乃至国城以及自己的身命，都可以奉献给阿阇梨作为答谢。为什么呢？因为像这样的法很难得遇到，更何况是传授。所以要虔诚地请求阿阇梨，希望他施予欢喜。而且，这个法不能轻易传授给轻率的人，如果那个人心不恭敬虔诚，恐怕会招致恶报。 《佛说一切佛摄相应大教王经圣观自在菩萨念诵仪轨》一卷 乙巳年高丽国大藏都监奉敕雕造
English
English version: For sentient beings who are difficult to liberate, Avalokiteśvara (观世音菩萨) manifests as a Bodhisattva to save them. Furthermore, the method of drawing images will be explained. As before, use white silk to draw Avalokiteśvara Bodhisattva (观自在菩萨), appearing in various colors within a moon disc. He has thirteen heads, each wearing a jeweled crown containing Amitāyus Buddha (无量寿佛). The face in the front is perfectly round. The thirteenth face is green, appearing as a horse's head. He has a hundred arms, holding various karma implements (羯磨器仗) in his hands. Alternatively, one can draw a hundred heads and a thousand arms, also holding various karma implements in his hands. For all such images, the practitioner should be drawn on the right side, kneeling respectfully, holding an argha bowl (阏伽钵) and incense burner, and so on. For the above-mentioned images, the practitioner can choose any one of them to draw according to their preference. For each one, the most supreme and excellent mind must be generated. After the image is drawn, prepare various exquisite incense, flowers, food, and all kinds of offerings, and arrange them in front of the image. Invite the ācārya (阿阇梨, teacher) to perform the celebratory praise according to the Dharma. Then, the practitioner should purify themselves and sit calmly in front of the image, focusing their mind and reciting the fundamental and subtle mantra (mūla-mantra) of Avalokiteśvara Bodhisattva. If one is free from all doubts, focused and diligent, everything one does will surely be accomplished. Furthermore, after the ācārya performs the celebratory praise and transmits the fundamental and subtle mantra, the practitioner, with the respect of a disciple, should offer various treasures, gold, silver, wealth, even the country and city, and one's own life, to the ācārya as gratitude. Why? Because such a Dharma is rare to encounter, let alone to receive transmission. Therefore, one should sincerely request the ācārya, hoping that he will bestow joy. Moreover, this Dharma should not be easily transmitted to frivolous people. If that person's mind is not respectful and devout, it is feared that they will incur bad karma. The Sutra of the Great King of All Buddhas' Embrace and Correspondence, One Volume of the Holy Avalokiteśvara Bodhisattva Recitation Ritual Carved by Imperial Order by the Great Treasury Directorate of the Goryeo Kingdom in the Year of Yisi --------------------------------------------------------------------------------