Chinese
在木灰坛上伸展的是甘露（梵文：amṛta，梵文罗马拟音：amrita，汉语字面意思：不死）之印。血（梵文：rakta，梵文罗马拟音：rakta，汉语字面意思：血）印是：两手的两个拇指和食指各自指尖相合，右手的拇指和食指指尖接触左手拇指的关节处，左右其他手指指尖相合，这是血印。朵玛（供品）印与之前的供养印相同。然后是：左手手指伸展张开，右手手指伸展并向下弯曲，像十字一样交叠在左手上，两个拇指向内弯曲，这是塔那印。驱逐印是：两手都做期克印，左手的期克印放在中指上，右手的期克印与小指方向交叉，这是嘎那手印。内外密供的咒语开头都要先念诵莲花旋转咒，然后结各自供养咒的手印，咒语结尾要做收摄印，所有都要这样做。外供、内供、密供各自的结尾都要演奏长短两种供养乐器达乌鼓。这个手印笔记是希拉瓦扎按照怙主空行母仁波切的口传，作为甚深法的一部分而书写的。
English
Stretching on the wooden ash altar is the mudra of Amrita (梵文：amṛta，梵文罗马拟音：amrita，汉语字面意思：immortality). The Rakta (梵文：rakta，梵文罗马拟音：rakta，汉语字面意思：blood) mudra is: both thumbs and index fingers of both hands touch each other's tips, the tips of the right thumb and index finger touch the joint of the left thumb, and the tips of the other fingers of the left and right hands touch each other, this is the Rakta mudra. The Torma mudra is the same as the previous Naivedya mudra. Then: the fingers of the left hand are stretched and spread, and the fingers of the right hand are stretched and bent downwards, crossing over the left hand like a cross, and the two thumbs are bent inwards, this is the Tana mudra. The Dispelling mudra is: both hands make the threatening mudra, the left threatening mudra is placed on the middle finger, and the right threatening mudra crosses towards the little finger, this is the Gana mudra. At the beginning of the mantras of the outer, inner, and secret offerings, the lotus rotation mantra should be recited first, then the mudras of the respective offering mantras should be made, and at the end of the mantra, the dissolving mudra should be made, all should be done in this way. At the end of each of the outer, inner, and secret offerings, the offering instrument, the Damaru drum, with two lengths, should be played. This note on mudras was written by Shila Vajra according to the oral instructions of Kyabje Khandro Rinpoche as part of the profound Dharma.