English
ftafcr TWftR?wTrr %i m i.% m?- ^^*RR%rr- frr^RRj?R mn^ ' r%*r irt- ^Irr^trrr rerf%: i w HRfrSr ?rf|?r?Rwr- wrf <nf|^F9Wri% fPTTR I mi 3TT:| T^f - ’rrzrr’R. i mr s^rsrf'fTr^ifR'Kr^rTrff^ i i sr i s?t?*r$?r m:g -1 wtr i rrwpM c°r srssnf: I r^T 1 ?r*tR’r *°fr rpprt # frT°rr *R?r; 1 1 ipr: srt^; i srarft*g*RR: i ’Ttr *r?rf 1 ??5^Rr^'Pi3rnT3rf ^ scs^stssr; 1 Tsrr>*rrR!% imi 1 ms t srr^ sunfj- amfi^s %<? Rffrsr- WWst/ty NOTES. 177 wsr i i i q * 1 $ i atr*^> ^Nrf*> i srffy II srfej ^sf^rf^sfr^^g. II Note: L The second part of this verse Was obviously unintelli- gible to Sayana, He takes * yajufuh ’ in an unnatural sense, for which he gives no authority. He gives two different explanations of * garanyubhili,’ ar\cl suggests two different constructions for * apalu ’ The line is to be broken up into two clauses. In the first the poet calls on Indra to come to his sacrifice; in the second he praises the mighty deed which Indra, ♦ strengthened by the sacrifice, will perform with the assistance of the swift ones*, the Maruts, He will set the rolling waters in motion. For Vsaranyuv swift, as an epithet of the Maruts, Roth cites I, 62, 4; x., 61, 3, <&c. ‘ Arna * here is an adjective qualifying ‘apah.VRoth compares i, 174, 2, “ rinor apd anavadyarnah. 55 Sayana, u arna arana^fla a pah.” Verse 0. Fad 4 iath A: m: I Nrf I f I I I sr 1 aubn I l ^r# i 1 ? ? ? I ^hrr l <r$r4 l i <rft I t#r: I li ^ Sayana : If f-if ?# Wt: ffrriifr?rr m: Tft 7ft?r srrf??ar rr- T 37%f 5Tgf H^FrRr ft to rtgrm Ipfpt ?m s#r frpfprra- q- 7r arRf^^TOmrTOr^ jrotNRf 'f^r% ?ror r- *t<t 3-?7rrr% srmferrfrsffm^ srrssrt f sr^T fr^r arg-sn I 5T afsrPT f?a^TOF*PT: I I 5pT ^r*T5%R?^W TT^TT faw tr W5rft?fa5frrfam?r i >t*-ni-hi ^ffr i i sr^sr: i ^sr f^reril i I ■h#I i ?? Trcfr i Hffir i fH gmftfrr *rrar : srmmuf i arn^r i srsr ii%# t r a r%; i arsjtflfwir =tra rsjr?**: i N- 23 Ml MStyy NOTES. <!^l<TwirfK?: i Tr=s^?!?R*Tf? ! r?3!rrf^r>|^T. t iri^raw: i HrarRfarw HrtHrHrerar'fCt ir?f ?ru #r: i ^Vr%#Rr 5???f*T 3R#s§ HSfrfr Hrfsrfr n^rer i H^prfiqp i i sftf i ^r^i ^rff^r^Tf w=r | H^Tr55?r?re% ^ns^s I ^r i ?=%*}% m fsfjiTRr- sfr hhrsri -jrar^ffrer^s* 1srfarf rag i ?r srar s<igra aran^wg-- SiST^fH: I IR3WT; II Verse 7. Padapatha5 3RFP' l w, I TWr I ffJT I f^rr | ff-cFT | W~ l srsrH 1 3j$T*U pS| I r# ?f?r l wr^: I n- r%4?r I *r I TiWf ffrr I sttufwqr I ?*rrg- 11^ 8AYANA: sprar fra^T'T'rr-tfr f^t sr^ggar <r grfsgg ngrragsHw i sp- *h% Tf*n% egRTw^IrftRT hrt ^rarag i arsri srcratHTH <rg 5. tni ^rsira sg igfftrarr %r rartsrrsl’s g.retR gg 1 nm fir?rat 3?<rrri%if urai srRrgrarar Hf*rara ngrt- ra nra-gra ht mysr |r? h g*m: h *Gk*&$ srrpr:i h rtrr?r ffffm Rf?2ir i T?HrT ; cr4>T i hstih: fV%4r> ^ 7*1 iIr-s^t 1 mv n- ?fr m'fFf-jmcmmr'rmr gtfra^rrat RrirRtsr: 1 mm mo 1 fsf*r f^t- ffrn *rr 5 ra<rr 1 >wg : 1 *rr hr irara rassigra hrh i HfrrarHr?R- gr?r: 1 iran 1 hrhrh 1 HrgsRgrareiT hr mn ^n^srt^r- RrU 1 *wfir 1 mp #*,$ji*%?arc*r RnmrrrH hthu Note: Sayana’s gloss'on 4 priye, ’ “ priyatame aparimite, J? is. to bo re¬ jected. The word has the ordinary meaning of c dear ? here, but in that sense of mingled awe and affection which the English word has, for example, in WordsworthV line :— “ Dear God! the very houses seem asleep.’’ Homer uses the corresponding word * philos 5 in much the same way. The construction of the line is obscure. Sayan a explains as if there were two negatives. Shankar Pandit, “ did not measure and do not measure. 1 Grassuming t( measure yet do not measure.” rmstfiy notes. 179 Verse 8. PaBAI’ATHA ( i m 1 *£ 5 #rr i ! spttft l i r ! f^FTF? I i stw i sn ! |fFfr*r I ||| 1 f- rf I fiTfST I ^5flR I I WgW I tfS^rh 11 < Bayana : W : jfSfR srcr *$§ ^RrpT wf^r gfRrfg wg prr^fTrr% inr- <w#fr TKrfr 5?firR Jf.ffrs'rw r =r f*Rf*H g?trft sr*dK trer r- rpt r fNP?r f%RrfirFt I F% 3 ? *te*f**sr: sr# fsNr rr gwtar- f?r wrfir Rrims= : c?r<sTWf5r r grttesftg wreRRNPm: 1 1%^ g^rr.- g^Rr ^r||$ efaR wg ^Rrr*n; 3 fRrf|? 3 i sJTOHfafRrf?'Tr 4 R^?^ 5 - r:cjrr? srr 3?Tr5’Tr f fRi 1 ??*■* sjffrr i 5ris#RflTRn TR5T3 1 ar^rrrT <tr ssaR I <trtr %f^R?r ?r #* 1 1 fr#RW *sR§rfRr q^‘r?%?jr ?riwi l aRwgR sgrfR^^r %rwm, 1 3^1% iRRiRTR I f%^r tRR sw<*wm sturt- rrr ftrftRr-cig 1 sTffr TRrrw str^^r | ftgRrr I jfR f|e'Rifg?Jrg'£t wf? ^qrn- 1 fRmr I ?Rrt t ijs* rrr ?r> w Rr 5 tth i ^arff^Ri-jrrear Cr: 1 ftRR*: 1 ststr I tr ■sfr ?- ff? <r 1 1 qftqr: 1 %*mir s^rcr 11 Note: Jajarta suryam ushasara. Compare No. 2, verse 4. Verse 9. PADAPATHA: 3Tthr I TOrc ! rT3r | rj,T f I flf: i FF. I ! 3?r%! ! f I #*T*T I ^ I SJFF: i f~£ I ! % I ^r4‘ I =r I srf r ! f ! *rmt: 1 I FF? II ^ MNisr/fy NOTES. 0 <SL Sayana: scftr^r'frer t rFqf|r anrsr *rr?r?*3T *t?4 artrr*fa} WRrsufr stcqsr: WHTOrpr^ftrT i ? srftrcgr i rt^ ?nrefr fwhr: mm.% vmt f^Nssfsnm ^rarr *r wt*er =t tkni'r l f%=g | 3??r Tf^r^'f^rR n qnRf??r i wr *TraTsNr i HT: $spr : ?r ^r| q qn^rf^fr i f%g ?r hr 8 ^- **5*?^ ^ fF?r *rrT:i j?'fr^ 13Tr*rr5cr?rfN 3 larfasn i *isfr*TRf%R?rl *frar- i *rsft wR'i |h?*r tpchizr f%5Rr rV^RR *rrer: ! ^qf°r qs? i i w?; i % fiNnTrR^ww K5^nTTr?^f6f|sT?2T2T: i s^RRTRfftor rrsuntra str i nwr^-rr: i i ?ra i 3T'^rf%^#rwrr^rr^ r$t I 4kr#*>i 1 ^Iti j^r i frrsrm: ii Verse 10. Pa da path a; ?^ir I f?r: ! 3TPT?: | STR: 1 | I * SI% 1 I *ra; I ?r I fra 1 I 3?r ! 3rfft#; I sp-r I swf: ! f WRkr: II %° Sayana: _ t f*-'ir *r*RRrPRr WR: <T'W Pr*R 3 tR RJR TfRT ?qrV ’WW i ^ *t?r cqr trrercfttft arr?%Wff smr*?RF^r qrWrof’i 1 sttrr* %e$: gtmtr: *r 3R°rr ftsrrarnV: R5 1 s^Rjr 1 pijofif^rfgrj | f^^r^f*Pi?ffn%t?rT^!Tr hr*! ^r?gr? 3 T?rfTr ^ 1 rrtt arrs^rfsrai^r fr 1 gqr QRnRirRr w# && 1 softer. RqqfqffRRo 1 artRt^fr; i rst srifsiR ?r?h h^r* *Rft %tTRm j f: 1 srPct f%q trcpqr$ 1 h^rr^r; 1 rrwrt: I ffnr: i *rfR: ?RTTrfpHRi%^fwiCTMr ^nr?^.- 1 i%c^r- fng: 1 1 j^rrh^rpcrt ^ r^°r.fRr- ftRrfnr*R: 1 ?rt% 'tfiwivmm -$rf *pr?q- tqswfaw: 11 Notes*. L Aviveslh. Ludwig takes this causally, ‘When thou didst bring hither Heaven and Earth,’ This does not seem right, 2. Karudhayah. On vi, 21, 8, where this word is an epithet of Indva, Sayana explains it as meaning 41 stotrlnam dharakah.” On vi, 24, 2 his note on the word is “ stotrinam dharayita.” He repeats that in his note on vi, 44,12. On vi, 44,15 his note on the word is “ kartrinam yajama-naniim dharatyita. ” These are all the passages in which the word occurs. It seems therefore to mean here < the first to help the singer. ’ Ludwig prefers to translate ‘the first to take the draught (of soma) from the singer.’ Verso It Padapatha: 3Tf ^ I I ?fpgFnFTBT I 3#. I #5PP l^qkl^r I % I ^ I I %*. I \ l 13rf^rr* 1) 'U Havana: Rfcrirm I srgft 5tmrr% ‘jfasamftfsr ?R*rrRrrOT i % afqsrRf 1% TRsraprsTsr TKrn wnwpru ferr i $rr 1 ripro v^^s^sr^r* fjwnwf&r 1 ® v t 9iRrg^T *rrgRrrer r 'srpnfsr l ^rsrr wr ^^pet f?rar% 1 ***f*t6fep rtsrw Kqw 1 9 rr%. I fff ft^rr^'r: 1 srrn? rwWr *W$Rr f^q-Rrer: 1 1 aftsitwR*[ 1 q^JT 1 jrjrrjr: | ?tsarf^ 1 sr fW "SHl" ^rg: I €f^Ri 3 . 1 ^rW'Rnf^R wrq: \ HRsrmrHT^'T: 1 wR^t- 1 ppw: i i >T*r?r?$r% R'R l R^ 1 ^" 1 >Twr srrfasrr ^rr^wt^rfR^inr mwi 1 atflraRtr: :^Jto2 .NOTES. gjtawfc I wr, i rer i ssFSwrhsfi' %$$$ fRr f^q- wmv i fraen;fqrarsvr srrm ?t% ^r gftr; t 3-fm/%ff%^°rf'Hr?ra: i arqw: i m ^n^sr wr?r- i ^re^rfira^gr'ii' t qqftnrofrinrf: i aqsr- ni^i 11 Verse 12. PADAFATHA: I rf I % I if! 1 : f|!t I *TcT | ^cT | m: | fcTS#T: ! f^T#: ! I | | gt%q- : | I. #: ; I f I % I | ^rf?T II SayanA; tfi* *r**rtW* w# ?rf q"4# ffr^fSrcr r-fram ^f| ^rqra PTrj i s?r arPr ^prqffa: aTw^qfr^rrSrra'qr: ^^r- mn r^: I *r ?t s9i%fr *i^rr#: m w sprfrc ^t*rr3a?N*tr#r%5r m irwimifr i f%=srr^f ^ sfWPT aqrwqr qqrg I spfor: I | S qpfc *$*par*r: i n*serc: I sj$ i ^Htarci'^rnT: t m t I Rmr?r: i i sr%- : ^q^ i jq?^. w- i i ?=r ffcrrnrrftHF?q >qit ^r??T %F?r h^ix- *apwm: i wswciifm: i arrqrg; i ww esfe 5:^1 Prerr^r: u Note: 1. Miyddhnh. “ Sayan a looks on this word as a form of ‘medha,’ got by inserting a rowel. It always stands at: the end of a pada, and may therefore owe its origin to the metre. But it is just as likely that it is an old form of the word preserved by the metre. It corresponds to the Zend 1 mjazda,’ ” Both. Verse 13. Papapatha .* #'T ! i#jV I 3T#^r ! W i 5% | 3*3% J srr 1 i i^r41 I ffjirf I m I ! f|> l 1 m I I m 1 frr%r%: l) \\ SayANA: t, f'Sr nfr ^'fl’rr^rsTOr Ri$T%°r zmVs rtoNt w ^is ^trfrr i spirt spirt spratr* iww *ptpt rt * wr ^iT-rff^r *r?r?r3# f^rre. i 4''rf^?n. I *r; ^<r- nk: r: 1 ?!*Tf ^ fsff h|: TspRarffi *t. ffr^ri twcpt: rafJFrr^T’i^m^: stwft i i isrfrtf&'fc ^* i spirt i sreirsfrftagT* ^rffirr^r^rt^r'r i^resjqrcfltn^. i i ?n?rr? i ig i%% i rtf? srft m : i smarts! toW? I Pr^rrf: I =T?t I l^PT f^ipi ftpriK'Tsrl sp*ptctc! i ir^irfSTi i jjwpirs?rg itr^'w sp-itpr fw wart: i i gcrtft: i sR?rsfsr ?*nr*pisip ipqirr .tfjfspimr n Verse 14. PADAPATHA: r%>4 i q-rf | qr | f%q-orr | srark I ^f I i ^ter I w f k^ I : I I I #rkj mr I *r: I I i fr^r I ff=% |! \v Sayana: *Rr?r Prr°rr PRRrfa *tfNr ff^r mi surara srr *# rt srr 'Trt'fR i f%-. WtRr i 3T? qr^Rifri sprriraj* rrfasfr BrsT^rfrorr^: sit sf wt ^er^rf^t i mr arcur ftT’rnrr tq ’straptr ?nr ^ ?-sir sfr$CTr%*r: qrq^qrftflm^mr frqia; mr qri tost iwr^i^'Tr^^-rqrrqsfr aprr ?qt amr^r^ i fr=r fer^?r: i hrt upst* i srir ?r®rrnlg sfNrarr arrssr ,.?k~ ^argraRf&fr srsrr I arrifiirtT erf5 1 r?r 1 R| ^RrRRpr ftp? ir r^tit i araarsT 1 *pt 5 R 3 finwr rwr§Tr% ®rft 1 I w'fsr: | apr ir?irrrs * .fttfas gijrrjq^ 1 1 qrqia 1 | qRs^q>ftatTO gjfip ^Slf I i (&*&<•- \ *rftf I gp 3rt°r fc^^r^^rgrt^r #rftfnr i g^Trr ffir,, fb s*r: i fft %r%m, I f%T ftwrsrcrsiT f^warwh’ f ^rft 1 i wqr ^rprTfr Pr^R^^rrt^r: i ^tor^!- q&FtfT retfr i i f^msr OT3 n Notes ; 1.