English
r77f7 777 i q p i faft * I %• *T7Tf7- ’sreTrfsraamr grs: 777 r^mm^rT fj^^resiwraw: i sttt i arrm- ^Enwre*r 77757m7rt*re77 t^ranretra: i ptt l *rrt7r tt S 7?777 7T7?77: I 7* 33* 77= I tpr* 1smTTtTr fWTTtrp *t7f?37IW: I srgrtrTra i 733 I °fN am f* 3*3 nr% ^raa 1 ^aar3*OT*t*r-1 am- frar arer^aft# Vraaim •a^rf^f^Tf^ar ftarfem: 11 Notes*. Devebhyah. * From the gods/ not as Say ana takes it. In tlie pre¬ vious verse the subject Is the discovery of fire by the gods iu heaven. In this verse the poet tells how Mafcarisvati, the Hindoo Prometheus,, brought fire down from the gods to men. Verse 6. Fapapatha : ?ur I I wfh l I tth I f 5 ^ s frf-I i 12pr s l ?tTft | I wr^ I ent1 sr# I qffS'V II % Sayaka: I ^araa ^sarar #$ 5i7 aaV- 73571 ' ft artw-w feraftaear 7esarf7fn^7^p-°m arqim 1 TrgaTTsmr ftaarr- f% 71773 §ff7 % 5T7 77 T^TT T^TT fT^F^pmaifa5 XW<- aanaia tnftni 73 arnm^mreraarmr w%n- ansaftt wmr77r7*riFtftr g^rfSTpar: 1 srq’-'TW 1 7 ? aamrt trarf^rra: ar 1 Tr^sanraWa *r7*rrt°r- 3 ifTfl^sr^TrmfTfrr^ aarr *;1 frrfrfere f m mam: 1 srmama 17 ? am ?f% 7mr^r>?77f : ??}' ^ 57*75 ma-fara 3:771 a77r?r%: i armr- 7*r- 15T7r^rftf^7rsT77>73^r-7f77 1 f^ram, 1 fm 3737 s*a*3r7f?r3- wfSrfirtrgt 1 ft7rWRr* 7r?771-afaarfg*! 7r *#r 5T57 amf wTr5r7rwft7T^tr: i awsf%7f?r 22 NOTES. faw: I '■TTJOTC: I I If Hr qrt$rpfrq: 1 5j°irtXr: i srsrare^: i qr%qi q?i% qqrrirq* gqfr qq*q ^r 5 r=T: s qp#^qp*qrfqqfr qq?qq: 11 NOSES. 1 # Devebhyo havyavahaua. Probably to be talcen together; 4 Thou that bearest our oblations to the gock. * Ludwig prefers to construe * dev^bhyah * with ‘ agribhnata. > But it was from Matarisvan, and not from the gods, that men got fire. Oldenberg, who construes as we do, compares x, 118, 5; 119,13; 15G, 1. Vers© 7. Papa pat ha: cr?r ! i m i I trjtrt I f??r% 1 I qpe I ^rar ! ymt I f^rrd% I l ii ss Sayana: 9 ar^ *m ?rf# q£ qfpFr wqr srmtNrpNr qnwq i i qpw%q ^<pr? i qjqfrsqq^ i ffSfsprf^ qqpn^f i s^^rar ewsrtffir qra’Ri' qnrr?t. i w > qrarer®?: sPETfjf qf^r i qraft qpr ?Rr Jrcrcqqrqs qfstreqm i mi to qrqqfaqqqpwqrtq £sraft?q*?: I qwpqrH°rr?i. qrifti’t-J- qqqwqqwi^qsrpi qqrir f*W^3qqrwPTq q^rq: r^r^f? ^*nrrat i iiqm?r iwt-.1 qrw qqrqRjq t qsqq nR qp^tr°i ^sqpgrqWqft fqqm- qrqsqrffrripqq; i qmm i qr ?fr , r fqiR 0 t ! ft*i'i ki SwtiRqr qrq. < qrq% ***% qpE: I l^qRlwqirT: 15?^ I STf m^TCT 3 if 5 ?r?qr|^qqrq:prqm; i qqra% I arrcnfqtqpr i ^ i are as w • * * * Wf rfoi ? i wfqrqRqt^: i firfe qrw-1 " Notes: 1. Apisarvare. This word occurs in only one other place in the Bigveda, viii, i, 29, u mama tvS sura fidite mama madhyimdine div* Ml NIST/ify KOTES. 171 &h m/una praptiv& apisarvare vasav a stomaso avrifsata. n Sayan a, “ apisarvare sarvarlm ratrim apigafcab kalo ’pisarvarafy sarvare kale *'pi madiyah stomas tvam avartayantu.” Both follows this, and trans¬ lates our passage ( notes to his edition of the Nirukta ) * when the cattle gather themselves round thee, O Agni, kindled as thou art at the end of the night, ’ Oldenberg takes i apisarvare ' to mean 15 at the approach of darkness. > MSller adds the note <r wild animals run away from the tire at night, tame animals are attracted by it . 33 2 . In. 1. 6 of the commentary my MS. adds after tnrsri%. In the next sentence M. M, prints by conjecture and rejects the before Vers© 8, Padapatha: 3TT I SpffcT i 1 i I Spj* | |rT*T ! 3Tf%R, I W* | | ^ | II < Sayana: qrpiRrtfiN'T tfit sjrr%5 3Tfrwrg ^rgsrrm fr>rf*'?frwwTf^'Tri|#er arrsf^- 15Tf<r =?r i sTFf etrPt s®rrff gar Wf rotf^r- 'hrri ! 5I?WEr f^SRRR I RiW <£5T*R I R5?R 1 f SHREjafr ^Rr^rfTrHr^ffftfar sr: ,§r: srrfait r^Nr ?*raff wf<i?wrr^Ri% rrt Rtsr: ^ ftwrnfr; f^mr: i s sTrfftrr <?rfimi tffawi ^ zct&tw.i RfrRrfi^pTR: i < rr^>?Trf%'rf^r5r'm rrr: ft 3sr*t- isfrr% TRir- 1 w -1 snwmw I l#Tfsr^raRc?5ri i n$Ci sarrsrr arwgmr: tr^rrrf^inft^rf^srr OTl STRE^R: I srfsnTT 1 5T5T rrr; i j^ERrstf-REfRqrmiirr^FFirfT^w i ststr* *r*r<R r-# trr^r ■’iRi'r. i rerkts RsnsRp (jrerw: t taws i $y ^?fr t fg-f^arrf^rEjfRTR^r i fr^ t w i R^rRRfrr?*Rr arar, i fsrrttr *r$h i pfr^wjfj^iTsrs^^Jr 1 ! i ?rx i srrff *T°r s# < jt- Wfll TO: II % ■ <§ L NOTES* Note : The first pada of this verse is repeated with variations, in viii, 43, 81 ( l< agnim mandram pumprijara dram pavakasochisham hrid- Jbhfr mandrebhir Imahe n ), viii, 102,11 (“ drain pavakasochisham yeshtho yo* dameshv & didaya dlrghasruttamah v ) and x, 21, 2, ( “ vi vo made si ram pavakasochi ham ), Verse 9 - Padapatha : I fr?rr I ft I I sTri^r I i =f I 3 2rr* I ^ l ^r 1 I 1 ¥%: I mm* I Iff: I I 3TRT ! fcr_ | ftcTiVfr | I ^*rr~ sppcrII ^ 8ayaHa: srwr ^rrr #1 wwrr im srfsrfa srt ^f-Hr- ^rRW?f^^af^4rqr?rr^r5rf5r?rJaJrr^-r f^r sttsfjr j 't^r ?*wf$r wra ?nrif stff = sW°r, tsrr^RWf i str sq; t ^rrtTf%^fa T7Tfn ?nrrt frerr •pwr^fr i Mb mA^f tr t w^tesrr ^ >tf^TR*rt<:rRa ^tf%rsrfw?r f*rr m i str* % r^rw sst tr^rf!?*ir*?r f^tfshT- rt^^r jrawf^sr w^R?rarrfr% i *rsrr i wrt ^rerr w f*R: TRfTf°r^sri' 5ffirr% i g<jr ^Sjsim^r g*rr srtsr: i sr~*r . ^r: : 1 'ft I §Tr l ftssere: i i srfurft- RfRwfonrr: | 1%^ 1 wrri war Rraprrr. ’snrsr?^: i wftfftf: wrr°r>T^ 1 sn^ra?^; | ftr 1 5 iif%f?TfJr 5 f^ ^ ^gcrrf^^wr- ^rft^wrgV*ii% eKf% J ti°ra 1 Nrop?' i arcrfor* 1 pjRf ^;- i tj s i 1 sfrsr’t! m %**% 1 vfe 3 TRRrCrw^rerT> : r: 1 fr%: 1 *rr?rrf?fr^ \ sftfSR 1 <SS^! srrsffrit 1 stf^% a?rrft?^r^r 1 itcRrw: I riR %€(*mviT- w>w ft*r?r ??qRrrwr; I; 1 *r ftfras 1 stpwr^ 1 wf^nf^f4rawR: rtf--1 ?rr^g,t^fr I *(**- h'3fr =iwn'*. i l srarwwr l fNwwwwarfiis l fwr* %g*tit Pr^i ?!#• i I wiS? wil fr^mr it " Note; This verse is identical with x, 52, 6. Oldenberg. No. 11. A Manbala III. Sukta 32 Batana: r?sf 4rT 4 r<t?t fft ^fe; t srg- 5RtP5f =ar i ? ? s> 4 r t *re*srcffa f^s wiwrefar wttt Rrt^r^? i ff0r°f prw; i f* ffN st n 3rifrw%r?r *twfff*r ?rt i ^raf/t^mrcrir i i 41 r *sr #rtffrai^r h4i% fit 13itiwPr#cfr *rs#nr <pk$*W[ > j%tf ~-r | vtchPrsc: fft n Verse 3. Padapatha: ^ 1 tr*fw I I M I ptw i i wk ^! *ir i i^l%! l lift ¥#Pi. * ft s f^ I ffr wfcr i ff I ii \ Bayana i Rmfafr i? I *fm?i tRwrarct t ?*? f*m^rPr*fr4r^ r*fRffrt €pt €r*rc4 I rawt Rrftf Fsrw* *rrwfft*r t*4- ffwsrfS* *wf sref 4re wfra f <f% i ro W'T sjTSl'ff'SR I ysftSTCRH *WBlt I fr. I f 5 s fft rif #'rsrarf 4 rqrfts^ fsw ?1JT5*4 mm ftfaRr ffjtt *- frctfr ffrf^T <rr sr*vft i-f'rn I sjraat i *RrhnfWrw ^rr #* umsr/ty NOTES. •r i | aTPTfr. i 3T3§ *nl -*tyr sitfsr ■t?fhii3rw> i sjtfsr fwrr&rr *rmh i sr-sjfcr wwrn?fr- ftfisrarsarc: 13TRF3frf?iTr%q-m : ! *tiw? i m ^arrfts<I fftsfra - : ii Notes: 1. Praprtithya sfpre. This perhaps refers to Indra, not to his horses, as Sayana takes it. Ludwig compares ii, 11, 17, “ ugreshv in mi sura mandasanas trikadrukeshu palii sdmam indra pradddhuvach chhradsrushu prinand yahi haribhyam. sutasya pitim” Sayana, u smas- rushu liptam somam pradodhuvat. . . punafi-punar dhunvan.” Ludwig takes ‘pradddhuvat’ there to refer to the quick breathing of Indra due to the haste with which he has come. 2. Itijishiii. See note on No 2. Verse 6 ( p. SO ). 3. Madayasva. 6 Enjoy yourself, ’ not as Sayana takes it, if the above explanation of ‘ praprdthya sipre 9 is right. Compare “ te mad- ay a ” in the next verse. Verse % PaDAPATHA: ur^frgrur 1 srfM**. I pf I gr^-jr | m I *r~ *r*r I ?f!*r1 Sr | wr I FSTSfcrt I ht&tjt I i | | ^ | 3Tr | II R Sayana: % fs=sr i arrr Hpwp?.' utfr ^sfrmf&ret t?Nri. i fft fft^r jfpt- wn*rf*rt #t Prsr 1ft ?r htr mm rfo t ft ftfft flFFftqr I *t*Rr *r?fr HKR: I T m StST.fWr I 5RTRR KSTTtrftfft 51- sitR apfifar ftrcftsr irr s|sr srtRp srr mm 1 frfftft *r#ftr snsft f%*r wrc*rr TOrrftrwr i PT'rrftRTis.Tffcafc^i’Twrftf fearrf^rr fftTraftroffttr- NOTKS. 175 I SffSftfl ! fawr • 3T[^r.Vrtft?f?' fffT ¥(t%ffW $mi i eft*! i Tmssri^H rwri - ^r?i sT0HR?rr^^r?^sTT?irn^: t srmr a^gfr^r i i m ifr°r% i wm?; WT^rprm^fjRUc^riwrt: i fR*r ifs i 3j : n t Verse S. Fab ap at ha: f l ^ I 3 pr*r | % i rrr^Cr^ I snbH I i ? ? ? I i g-1 i m^f^r I *Hr% 1 ?afr* m I faf I f^s 1 ^rj-or; i 3 #* u ^ Satana: * % fnsrar: t ?nr ?jk*t ^r s i°rr otto ffsrf % ^ *r^5rr'tff sn* wot*? f^TOrrerstm^ro ’TKftr^FTf^r srt: % g^sft i ?*tr wrpr i s'^ur #=*- ^r i tot VL mf%% %'m ^nro: i % ??sr k|r: fr?^pa SifRfn sren *tot: b wrc?? *tr^*f%% ot% wr m i ar^vfsT i ?a i r- | 1irsFOTO^" fra- - 1 Verse 4. Padapatha: t I3 I mv I *r^r3 I r%r% ! pster i :jrfh. I JT^rTt I % I 3 TRRT N I %rT: I I ffa?T: I ! 3PTg4: 1 JF3RTRW 1 *$v|l V SAYANA I 5r ffkm ||| srsrapr swots' oth tooths i ff^tarJf ^ i OTrSwr H^pr?r i ot otot otsot? r i^ser-sR-siR otjs?' ^tot wwr ^rr% ott f%r%t j f§rcf rtfsrar: sfet ^sr-sim: ^r^otototwott ot twrtott w MINlSr/jy. 6 NOTES, n *r*r stfipr? v%nt *rtf ?\ rfcrf^ mv tr fa%? arsrreffa; t ftfasr i Pr<r IrcSr fare* m* w^- iptfimfir * fmr^rs i (war: i s?rcr*i rer g- p^fl 7 | ^groftinftrtmtPOT: ! i%fs i m str fofsf *- T*f i fSrcw;: i *r*f i gragj’ jji'vsscnt f?t?Tr^°rri , t# hr* i rr(: ii Notes, 1. Ta la nv dsya madkumad vivipre* Sayana takes ‘ asya* here in the sense of 1 imam, * which is impossible* Roth takes f vivipre * intransitively, and translates * the Maruts began to stir, to shake themselves/ This \ agrees best with the sense in which the word is used in other passages. Grassmann, 4 They threw in the sweet of the soma.’ Ludwig, *' The Maruts, who were there, awakened with their song the soma-begotten pride of Indra.’ Ludwig apparently would take ‘sardhah’ as an accusative after ‘vivipre/ 2. Amarmano mdnyamanasya. Compare No. 2, verse 6* Verse 5. Padapatha* WfSTrTj pf | *qhr^| l^rv: i N i tOTJT i *r- I fmk I ^r: 13 ?r I I fftsiuf I 3 $h I i w 13T^r I II \ SAYANA: f h*r hht^Vpr *r*f$ *R*r *r?r irr°r *r>tr>-r smfr Ermnsr ?