Chinese
意思是本性不变。征象有外内虚空两种。虚空是法身自性的介绍。第二，比如镜子里孔雀的羽毛清晰显现，完整无杂。意义是法身虚空中，觉性自生的智慧显现，报身的自性，身和明点，声音光芒及光线，存在于一切众生心中。安住于自生心（藏文：རང་བྱུང་ཙིཏྟའི་，梵文天城体：स्वयंभूचित्त，梵文罗马拟音：svayambhū citta，汉语字面意思：自生心）的中央。面容手势圆满是宝瓶身的形象。显现无杂是自性。道是四脉动摇的风。显现的门是双眼。如是说，连同征象现在才显现。第三，慈悲无有间断，化身的显现方式是，比如清净的玻璃，放在白布等任何颜色上，就显现那个颜色，但玻璃本身没有改变。同样，化身随着所化众生的根器而显现各种形象，但以慈悲成办事业的自性没有改变。征象是六识显现各种形象，但明觉清晰且无有间断地安住。这是三身的介绍和虚空觉性的安住方式，自性，本体，慈悲三者有三个比喻，三个征象，共九个。如果要做二十一个，在别处了解。正行。后续行是，之后以各种声音，向空行护法布施朵玛，为了增长受用而做会供，供养上师。之后，上师开示无生风心的窍诀，让其修习禅定。无戏论的灌顶。是上师噶饶多吉所作，将其背后的文字汇集在一起，是清净脉和明点的灌顶。让炯多吉汇集完毕。此中有香顿巴们混合的有戏论的部分，但誓言，皈依，发心，律仪等和其他一样，所以这里没有写。镜子孔雀玻璃的介绍是需要的，但那些没有，所以写在这里。《祖先的遗产中，龙钦饶绛的文集，（3）大圆满的三灌顶。
English
It means the nature is unchanging. The signs are the two outer and inner spaces. Space is the introduction of the nature of the Dharmakaya. Second, like the clear and distinct appearance of peacock feathers in a mirror, complete and unmixed. The meaning is that in the space of the Dharmakaya, the self-arisen wisdom of awareness appears clearly, the nature of the Sambhogakaya, the body and bindu, sound, light, and rays, reside in the hearts of all sentient beings. It abides in the center of the self-arisen mind (Tibetan: རང་བྱུང་ཙིཏྟའི་，Sanskrit Devanagari: स्वयंभूचित्त，Sanskrit Romanization: svayambhū citta，Literal Chinese meaning: self-arisen mind). The complete face and hands are the image of the vase body. Clear and unmixed appearance is the nature itself. The path is the wind that moves the four channels. The manifesting doors are the two eyes. As it is said, together with the signs, it will now manifest. Third, the way the Nirmanakaya appears with unceasing compassion is, for example, like a clear glass placed on any color such as white cloth, it appears that color, but the glass itself does not change. Similarly, the Nirmanakaya appears in various forms according to the capacity of the beings to be tamed, but the nature of accomplishing deeds with compassion does not change. The sign is that the six consciousnesses appear in various forms, but the clear awareness abides without interruption. This is the introduction of the three bodies and the way of abiding in the space of awareness, the three of nature, essence, and compassion have three metaphors and three signs, a total of nine. If you want to make twenty-one, learn it elsewhere. The main practice. The subsequent actions are, after that, with various sounds, offering torma to the Dakinis and Dharma protectors, making a ganachakra feast to increase enjoyment, and offering gifts to the Lama. After that, the master shows the pith instructions of the unborn wind-mind, and has them practice meditation. The empowerment without elaboration. It was composed by the master Garab Dorje, and the texts behind it were collected together, it is the empowerment to purify the channels and bindus. Collected by Rangjung Dorje, it is complete. There is a mixture of elaborated parts by the Zhangtonpas, but the vows, refuge, bodhicitta, and samaya are the same as others, so they are not written here. The introduction of the mirror, peacock, and glass is necessary, but those are not there, so they are written here. From the Legacy of the Ancestors, the Collected Works of Longchen Rabjam, (3) The Three Great Perfection Empowerments.